University of Fashion Blog

Posts Tagged: "New Lesson"

MEET OUR NEWEST INSTRUCTOR: PABLO V. CAZARES

Pablo V. Cazares newest lesson for UoF

Pablo V. Cazares

As CEO of UoF, the best part of operating the world’s largest fashion education video library for me is meeting and recruiting our many talented instructors. With over 500 videos in 13 different disciplines and with 13 years in business under my belt, I have made a lot of new friends. The fact that these experts are so eager to share their passion makes them all-the-more special.

So, it’s with great pleasure that I introduce the newest addition to our family…Pablo V. Cazares.

Pablo is an apparel designer and visual artist based on the west coast. Splitting time between Portland Oregon and the American Southwest, Pablo has been constructing apparel and art pieces since childhood, following his dauntless curiosity wherever inspiration takes him.

With a background in fine art, he attended The Art Institute of Portland for apparel design. In his first month, one of his pieces was accepted to be shown on the runway at Portland Fashion Week.  He was the Oregon Museum of Science and Industry’s first costume intern, integrating dress-up clothes to augment and enhance children’s learning experiences. Pablo’s broad interests served him well in product development. As lead technical designer for the Boys and Unisex divisions at Hanna Andersson, he had the opportunity to tour factories abroad and delve into the manufacturing process. Inspired, he began pursuing small scale manufacturing techniques such as 3D printing and laser cutting. Technical illustration and the manufacturing process are a realm of play that is heavily explored in his conceptual work as well.An obsessive creator with atypical perspective, throughout his career he has also done art direction for independent films, thematic costuming, and works as a creative illustrator. He is always looking ahead to his next creative project and experimental design. Pablo’s objective in his work is to inspire a sense of wonder in the viewer. For the University of Fashion, Pablo will be creating lessons focused on CAD, illustration, technical design, hand-mending and experimental apparel repair techniques.

 

GETTING TO KNOW PABLO

With today’s launch of Pablo’s first lesson, Creating Custom Brushes in Illustrator, I sat down (virtually of course) to find out more about Pablo and his extraordinary background story.

Francesca: Can you tell me a bit about where you were brought up and how it continues to influence your creativity?

Pablo: I was born in agricultural central California (Salinas, near Monterey). My family has been in commercial agriculture all my life. I moved all over rural California and lived on nearly every type of farm, ranch, dairy, orchard you could think of. I would play in old, abandoned barns and rural junkyards, building forts and wearables and art from things forgotten or thrown away. I’ve been creating things for as long as I can remember.

Right now, I live out on some property in the middle of nowhere in Arizona, helping build what will be a future intentional community (a bit like Arcosanti). I am learning and building with concrete and stone and driving around tractors and gardening. I am definitely a farm boy at heart. I do that in the mornings, then the rest of the day I am in my big cave/office/studio where I draw and design all day. Quarterly, I go to Portland to work on art and film projects, everything from sci fi erotica films to pirate festival design. I drive there every time, visiting friends and ocean views and forests as often as I can along the way.

Francesca: What was behind your motivation to pursue fashion?
Pablo: When I lived in Portland full time and worked in technical design, getting to go to the factories in India and Peru was absolutely incredible. I love seeing the inner workings of things and understanding processes. Friends have told me I get a sort of electricity in my eyes when I have a new idea or am learning something I didn’t know before.

Examples of technical design work by Pablo Cazares for Hanna Andersson

One thing that going to the factories did is make me realize my love of engineering. I actually left Hanna Andersson, to pursue a mechanical engineering degree! I am convinced that my love of apparel combined with a knowledge of engineering could help streamline and create new sustainable processes in apparel manufacturing. But then COVID hit, so I put that on hold and have been re-focusing on my creative pursuits. There’s still time for engineering, and while I don’t have a date in mind, I do intend to go back to it in the next few years.

Experimental work – hand-forged and fiber wrapped primitive electrical circuit

Between my knowledge of agriculture, apparel product development, building construction techniques, and engineering, I have a decent idea of how our world is built. And I am absolutely convinced that we can build a better more sustainable world. I adore the potential of 3D printing and laser cutting, and I am always thinking of more sustainable ways to create new things. (Neri Oxman at the MIT Media Lab is my role model).

I especially have a passion for re-using and upcycling, I feel that repairing things is a virtue. Patching and darning and thrift shopping and hand-me-downs give garments a soul and honor the tremendous amount of design and sewing labor that goes into creating them.

Francesca: What do you like to do when you are not designing or helping build a future intentional community?

Examples of children’s illustration

Pablo: In my spare time I am always drawing or designing or building things. I am kind of a machine, haha. In this next month, I’ll be creating an installation art piece in this great big cave studio I work in. I am also creating a comic book (I find huge inspiration in Phillipe Druillet and Eyvind Earle). In the next couple years, I hope to get accepted into an artist residency somewhere. I love traveling and working on collaborative art pieces. I am always chasing the next project or inspiration, whatever lights that fire in my mind.

I’m delighted to be part of the University of Fashion community!

Learn more about Pablo and his work:

Website: PabloTheKatz.com

Instagram: unnavigableunmade

ANNOUNCING OUR NEW LESSON: Introduction to Textile Print Design

We are so happy to announce the newest lesson to our fashion education video library: Introduction to Textile Print Design taught by textile design veteran, Lindsay Boehl.

This lesson covers the concept of roller printing, the print engraving process, as well as industry standard print roller sizes and dimensions as they relate to a particular print design.

You will learn about different types of repeats, such as a straight repeat, a drop, and a half drop. In addition, this lesson will get you started making your own print repeat in Adobe Illustrator, using our downloadable dot and rose print design files. Watch for more textile stripe, plaid, print and pattern lessons by Lindsay in the future.

MEET YOUR INSTRUCTOR

Lindsay Boehl is a New York-based textile designer who began her career as a CAD artist at a textile converter, designing men’s shirting stripes, plaids, prints and patterns for major brands such as Ralph Lauren, American Eagle and Wrangler.

Today, Lindsay is the Manager of Customer Advocacy at Aquario Design, a leading provider of fashion, textile, CAD design and printed products solutions for Adobe Photoshop and Illustrator. For the past eight years, she has managed a team of trainers and support specialists who work with users of that software platform. Lindsay’s textile design experience made her a great fit at Aquario, as their software product line helps textile and fashion designers produce their work inside of Adobe Illustrator and Photoshop in a more streamlined way. In her role at the Aquario, Lindsay utilizes and shares her knowledge of textile design as it applies to fashion industry requirements. From color matching to knit design, wovens to technical fashion sketching, digital printing on fabric and end-to end-garment manufacturing, Lindsay’s expertise includes every aspect that the textile industry is positioned.

Lindsay considers textile design a wonderful journey, and she hopes to keep learning and exploring innovative and emerging technologies. Aside from her position at Aquario, Lindsay takes on freelance jobs to keep her multiple skill sets active and welcomes every design challenge she’s given, which she feels keeps her sharp and agile in her work.

Having graduated from the Fashion Institute of Technology with a double major in Display & Exhibit Design and Fabric Styling, Lindsay translated those skills into a career in textile design. She is grateful to all the professors who nurtured her talent and is therefore thrilled to be able to pass along her knowledge to students at University of Fashion. Stay tuned for Lindsay’s next lesson: “Researching & Designing a Graphic Printed Textile”.

Find Lindsay on LinkedIn: www.linkedin.com/in/lindsay-b-82305356

To learn more about textiles, be sure to view the following UoF lessons:

INTRO TO FIBERS & FABRICS

HIGH-TECH TEXTILES

ECO-TEXTILES

TEXTILE DYEING, PRINTING & FINISHING