University of Fashion Blog

Posts by: Francesca Sterlacci

Francesca Sterlacci is the CEO of University of Fashion (UoF) which she founded in 2008 as the first online fashion video library bringing the art and craft of fashion design and business to schools, libraries, organizations and the general public. As owner of her eponymous label for ten years, her collection sold in fine stores such as Bergdorf Goodman, Saks, Barneys and Nordstrom. As a professor at the Fashion Institute of Technology for 11 years, she became Chair of the Fashion Design Department where she initiated the complete revision of their AAS and BFA degree programs, as well as wrote three certificate programs: Leather Fashion Design, Outerwear and Haute Couture. Francesca has also taught graduate level fashion design at the Academy of Art University San Francisco for six years, both on site and online. Her publishing accomplishments include: Leather Apparel Design, the Historical Dictionary of the Fashion Industry (First and Second Editions), the A-Z of the Fashion Industry, Leather Fashion Design and a 3-volume beginner series on Draping, Pattern Making and Sewing designed to complement the UoF lessons. She has also made literary contributions to both the Encyclopedia of Clothing & Fashion and You Can Do It! The Merit Badge Handbook for Women. Francesca holds an AAS, BA and an MSEd (master’s degree in higher education).

CELEBRATING JUNETEENTH – UNIVERSITY OF FASHION STYLE

Happy Juneteenth!

In celebration of Juneteenth, we’ve launched the first in our 5-part series on West African textiles taught by Mina Dia-Stevens. Mina’s first lesson covers the Faso Dan Fani Cloth of Burkina Faso and how this many hundreds-of-years-old textile, considered the woven loincloth of the homeland, was handed down from generation to generation. Not only is Faso Dan Fani Cloth the national symbol of Burkina Faso, it also commemorates the country’s emancipation from colonialism in 1960 and the country’s name change from The Republic of Upper Volta to Burkina Faso in 1984.

In this series, Mina discusses African textile yarns, threads, and the local, seasonal, and traditional materials that are native to specific West African countries. Mina also covers traditional methods of production and how the processes are still maintained and celebrated today. Her journey continues with lessons on the textiles of other West African countries such as Mali, Senegal, Cote D’Ivoire and Ghana, so stay tuned!

The first in a 5-part series covering the textiles of West Africa by Mina Dia-Stevens: West African Textiles- Faso Dan Fani Cloth of Burkina Faso

Our newest Instructor: Mina Dia-Stevens (Photo credit Mina Dia-Stevens)

 Mina Dia-Stevens is a 19-year veteran of the fashion industry, as life-long creative, educator and design entrepreneur. As a faculty member for twelve years in the fashion department at Moore College of Art and Design, Mina provided instruction to second- and third-year design students, in the areas of pattern making, construction, illustration, and concept design, in the categories of menswear, swimwear, womenswear and childrenswear. She has also researched, established, and implemented, extensive curriculum for 9th, 10th, 11th– and 12th-grade creatives in the areas of fashion and textile design.

Mina’s professional experience includes various roles in the fashion industry ranging from designing junior activewear apparel to shoe design and trend consulting. Currently, Mina is involved in expanding her family’s West African textile business into the brand, Royal Fulani Living.

As a design entrepreneur, Mina fully understands the delicate balance between nurturing an independent artistic spirit with a business mind. Her philosophy as a creative and educator is based upon words that she vividly remembers hearing as a child:

“You’ve always had the power, my dear, you just had to learn it for yourself.” –  Glinda from The Wizard of Oz

For Mina, this quote encompasses the mind, heart, and spirit of who she is as an educator of young visionaries. She not only leads her students through the educational process but nurtures their creativity for a lifetime. We are thrilled that Mina is now part of the distinguished instructors at UoF.

Image courtesy: Custom Collaborative 

Celebrating Our 2-year Anniversary with Custom Collaborative

We are also celebrating our 2-year partnership with Custom Collaborative, a New York City-based entrepreneurship and workforce development program, founded in 2015, that trains and empowers low-income and immigrant women of color to start careers in the fashion industry.

Since 2020, Custom Collaborative’s fashion-preneurs have expressed their appreciation to us in both words and deeds, for donating full access to our fashion education library.

Thank you for giving me the chance of membership and scholarship to increase my skill and to take a step forward in my life to support myself.”  ~ Kulwant Kaur

I would personally like to thank you for this amazing opportunity to participate in the University of Fashion.  I’m so excited and grateful for your generous gift.  I’ll give a 💯 and the best of abilities. Thank you for the beautiful blessings” ~ Regina Madison

It is an honor to be chosen for the University of Fashion scholarship. 

 I am truly grateful for this opportunity. This scholarship allows me to focus on my studies and additional work opportunities. Thank you for your support.” ~ María Isabel Espinoza

I never knew about this amazing opportunity until Custom Collaborative a few Wednesdays ago. I have been so hungry to learn more about garment construction and I am thankful to you for founding University of Fashion so I can learn and be exposed to much more. Thank You.” ~ Analisa Charles

Image courtesy: Custom Collaborative

Ngozi Okaro Executive Director Custom Collaborative (Photo: Heather Sten)

We’d like to give a special shout-out to CC’s executive Director Ngozi Okaro for her dedication in helping so many women reach their potential.

And how about Vanessa Friedman, Fashion Director and Chief Fashion Critic for The New York Times (and Constance C.R. White) who just recognized Custom Collaborative on June 17th in Vanessa’ s Open Thread column along with other hot Black-owned brands.

Fun Fact: Constance White gave me, Francesca Sterlacci, my first WWD cover!

So, as we celebrate Juneteenth, it’s a time for all of us to keep on supporting small businesses run by Black founders. Our new fav is Brooklyn-based Parron Allen, a soon to be UoF instructor, who specializes in super fab sustainable design clothing. Check him out and stay tuned…

So, tell us, how are you supporting Black brands?

UoF Instructor Spotlight: Meet Robyn Smith

UoF Instructor Robyn Smith (Photo credit: Robyn Smith)

Join us in welcoming our newest instructor, Robyn Smith. Robyn is a talented fashion designer, illustrator, and visual artist that hails from Baltimore Maryland. Her love for designing was inspired by her older sister who would design prom gowns for her classmates. From the early age of nine, Robyn developed an eye for fashion and knew that she wanted to pursue a career in design.

After high school graduation Robyn moved to New York City and attended Parsons School of Design. While at Parsons she achieved several accomplishments: winning the Zack Carr fashion designer award, winning the Jasco Fabrics design competition, an internship competition with the Gap and interning with fashion designer Peter Som.

From college, Robyn went on to design for the House of Deréon in 2005 and traveled to Hong Kong and Mainland China where she participated in sample fittings, sourced fabrics, and developed new designs to incorporate into the line.  After designing for House of Deréon, Robyn transitioned to a fourteen-year career as a menswear ‘cut and sew’ knit designer for American Rag, Macy’s private label young men’s brand and later became CAD Director for Macy’s, Inc.

Menswear illustration (Image courtesy Robyn Smith)

Robyn’s positions as a designer and design director not only provided her with an opportunity to travel the world for production purposes, but also to conduct trend analysis and market research in Hong Kong, Taiwan, Japan, Korea, London, Amsterdam, Berlin, and L.A.

Fashion illustration (Image courtesy Robyn Smith)

In addition to Robyn’s design career, she is also a famous fashion illustrator and visual artist.  Her fashion Illustrations were featured in the book entitled ‘Fashion Illustration’ by Chai Xiuming and Lu Haoyan, and in 2021, Robyn designed a beautiful plus size collection called ‘Robyn Nichole’ in collaboration with the fast fashion brand Shein.

Plus size fashion illustration (Image courtesy Robyn Smith)

In addition to designing fashion, Robyn participated in the Ace Hotel’s 2021 group art show entitled ‘Ours’, where her work was featured in their hotel gallery space with proceeds used to benefit the Teen Art Salon (TAS), a 501c3 non-profit organization in Long Island City that supports, develops, and promotes adolescent artists, and demystifies the process of starting a career as an artist.

Illustrations courtesy Robyn Smith

As every seasoned designer knows, pulling inspiration from the Visual Arts helps you to develop a new thinking process when approaching your fashion illustrations, thus creating a more distinctive portfolio. In Robyn’s first lesson for UoF, Creating a Menswear Fashion Illustration inspired by Visual Arts, she will teach you how to find inspiration from an art museum resource and, by focusing on the details, shapes, and colors found in the image, create a unique fashion design and illustration.

This advanced lesson will teach you how to create an illustration using a pencil, gouache, brushes, and markers.  And, you’ll learn how to draw and paint eyewear, create hair textures­­­, and how to use your inspirational images to make a design within your illustration.

(Preview of Robyn Smith’s first UoF lesson: Creating a Menswear Illustration Inspired by Visual Arts)

Stay tuned for more lessons by Robyn for UoF. In the meantime, follow Robyn and her work at:

Website: www.robynnichole.com

IG: Robyn_the_Creator  https://www.instagram.com/robyn_the_creator/

TikTok: @Robyn_the_Creator  https://www.tiktok.com/@robyn_the_creator

Youtube: Robyn_the_Creator https://www.youtube.com/c/RobynTheCreator

The Influential Textile Designs of Jacqueline Groag

Jacqueline Groag

        Jacqueline Groag 1959 (Photo credit: John Garner/ University of Brighton Design Archives)

Czech-born Jacqueline Groag (1903-1985) was an influential textile designer in Great Britain following World War II. She studied textile design during the 1920s with Franz Cisek and Josef Hoffmann at Wiener Werkstätte, a workshop of applied arts in Vienna. Groag produced and designed fabrics for leading Parisian fashion houses including Chanel, Lanvin, House of Worth, Schiaparelli and Paul Poiret, as well as London textile houses David Whitehead, Grafton, John Lewis and Liberty.

Born as Hilde Pick to Jewish parents on April 6, 1903, she later changed her name to Jacqueline Groag when she married modernist architect and interior designer Jacques Groag in 1937. In 1938, Jacqueline and Jacques fled to Prague due to the annexation of Austria to Nazi Germany and then to London following the Nazi invasion of Czechoslovakia. Once in London, the design duo were invited into the famed British Design Factory, where design greats of the Arts & Crafts and Modernist movements were members, such as Sir Gordon RussellSir Charles Reilly and Jack Pritchard.

For over 20 years Groag worked as a freelance designer creating designs for carpets, greetings cards, laminates, plastics, textiles, wallpapers and wrapping paper. In 1984 she became a Fellow of the Faculty of Royal Designers for Industry and is considered a central figure in textile design during the 1950s, along with textile designers Lucienne Day and Marian Mahler.

Palm Springs Art Museum: Pattern Play-The Contemporary Designs of Jacqueline Groag

In 2008, the Colorado Springs Fine Arts Center launched an exhibition entitled, Designing Women: Art and the Modern Interior from Postwar Britain, featuring the work of Jacqueline Groag, Lucienne Day and Marian Mahler.

And on Wednesday May 11, 2022, in my newly adopted hometown of Palm Springs, California, I was invited to the opening of the Jacqueline Groag exhibition at the Palm Springs Art Museum. Living in Palm Springs is beyond inspirational. Not only is it a great place to live (even if the summers do go up to 120 degrees), it’s the home of some of the greatest Mid-Century Modern architecture created by the likes of Richard Neutra, John Lautner, Albert Frey, A.Quincy Jones, Donald Wexler, Richard Harrison, E. Stewart Williams, William Krisel and William Cody. So in keeping with this love of Modernism, I’d like to share some highlights from the Jacqueline Groag show:

Jacqueline Groag show

 Jacqueline Groag 1946 Printed nylon dress manufactured by Fabricado for F.W. Grafton & Co. Manchester, England

Jacqueline Grog designed a wide range of dress fabrics for F.W. Grafton during the 1940s. One of Groag’s Grafton patterns, a classic tulip motif, was chosen by the British fashion couturier Edward Molyneux for a dress he designed for HRH Princess Elizabeth. The photo below shows the future queen wearing the tulip print dress in September 1946.

Princess Elizabeth

                              Jacqueline Groag’s ‘Tulip Print’ dress worn by HRH Princess Elizabeth 1946

Toy Parade print

             Jacqueline Groag ‘Toy Parade’ dress print on cotton 1955 -Manufactured by Fabricado for Associated American Artists

 

Jacqueline Groag- Furnishing fabric roller-printed spun rayon Haworth Fabrics England

    Jacqueline Groag- Furnishing fabric roller-printed spun rayon Haworth Fabrics England

Puppet PrintJacqueline Groag’s ‘Puppet Ballet’ dress fabric 1953 – printed cotton manufactured by Fabricado for Associated American Artists

Groag dressesJacqueline Groag textile printed dresses 1953

First night print     Jacqueline Groag’s ‘First Night’ dress print 1947 – manufactured by Fabricado for Associated American Artists, New York

Jacqueline Groag originally conceived her “First Night’ dress print in 1938 for Elsa Schiaparelli, who, together with Coco Chanel, dominated fashion between the two World Wars. First Night was based on Groag’s drawing of the audience during opening night at the Paris Opera. The fabric was sold in the United States under the name Gala Night.

For More Info on the Groags & the Viennese Modern Movement

Groag book

Read more about Jacques and Jacqueline Groag and the Viennese Modernist movement: Groag: Architect and Designer

Groag textile book

For more on Groag’s textile designs read: Jacqueline Groag: Textile & Pattern Design: Wiener Werkstatte to American Modern

 

Lucienne Day book

To learn more about Lucienne Day read Lucienne Day: In the Spirit of the Age

Be sure to check out UoF’s textile design lessons:

Introduction To Textile Print Design

Introduction To Textile Print Design

Researching & Designing A Graphic Printed Textile

Researching & Designing A Graphic Printed Textile

Recoloring Textile Artwork

 

 

 

Custom Collaborative’s Designer-preuners Strut Their Stuff

- - Fashion School

Founded in 2015, Custom Collaborative is a New York City-based entrepreneurship and workforce development program that trains and empowers low-income and immigrant women of color to start careers in sustainable fashion.

In February 2020, University of Fashion partnered with Custom Collaborative by gifting full access to the UoF fashion education content library. Since then, Custom Collaborative’s fashion-preneurs have expressed their appreciation to us in both words and deeds.

Thank you for giving me the chance of membership and scholarship to increase my skill and to take a step forward in my life to support myself.”  ~ Kulwant Kaur

I would personally like to thank you for this amazing opportunity to participate in the University of Fashion.  I’m so excited and grateful for your generous gift.  I’ll give a 💯 and the best of abilities. Thank you for the beautiful blessings” ~ Regina Madison

It is an honor to be chosen for the University of Fashion scholarship. 

 I am truly grateful for this opportunity. This scholarship allows me to focus on my studies and additional work opportunities. Thank you for your support.” ~ María Isabel Espinoza

I never knew about this amazing opportunity until Custom Collaborative a few Wednesdays ago. I have been so hungry to learn more about garment construction and I am thankful to you for founding University of Fashion so I can learn and be exposed to much more. Thank You.” ~ Analisa Charles

University of Fashion’s mission, since its inception in 2008, has been ‘to preserve the art & craft of fashion design’. We have since added to that mission: ‘to support a return to domestic production, the fair and ethical treatment of workers and the promotion of sustainable design practices’. Therefore, in 2020, a perfect match was made between UoF and Custom Collaborative. According to Executive Director Ngozi Okaro, much of the fashion industry’s production in the U.S. is done by immigrants for low wages. According to the California Bureau of Labor Statistics, 71% of Los Angeles’ ‘cut & cut’ labor force are immigrants – many undocumented, with limited options for work. Knowing the benefits of our video library and how it could impact the economic status of immigrants, we felt compelled to get involved with Custom Collaborative and assist them in their co-op training program.

Ngozi Okaro – Executive Director Custom Collaborative (Photo: Heather Sten)

I started Custom Collaborative because I wanted to connect women who could create great clothes, to people who wanted quality sustainable fashions that were affirming and attractive. As my idea developed, I discovered that there were many good people who wanted to volunteer with and invest in enterprising women who were creating fashion careers and businesses. Many participants have told the CC staff how they never were paid for fashion work before they got an internship through us, but had worked at unpaid internships; they’ve shared how they no longer feel isolated because they have a new community in CC; and others have talked about how they discovered and unlocked skills and talents that they never knew they had before joining our community. We hope for more funding so we can accept all of the worthy applicants who come to our doors.”

If you are interested in helping support Custom Collaborative, here’s their donation link: https://secure.givelively.org/donate/custom-collaborative

We at UoF are very proud of this collaboration and we always get a rush when we hear from CC’s students.

Meet Some of Custom Collaborative’s Aspiring Entrepreneurs 

Shemoy Simpson designer at Custom Collaborative

Attending the University of Fashion was a great experience for me, I was able to obtain more sewing technical skills and the support I received was well appreciated. The lesson I learned and used this summer was, working with knits and inserting waist bands in different ways, I also learned about the different types of needles and thread that goes with different types of fabric.

During the time of creating my garment I’ve learned to used ballpoint needled, because it’s best for sewing with knit fabric, I used polyester/cotton thread as well. The garment was created with my personal design and measured to fit my body type. I decided to be a little more creative with the waistband by surging it to the neckline, the top waist, the back to create a crisscross look and the pant waist and ankles. The beautiful lavender design is sporty and best for occasions like going to the gym or jogging or just wanting to be comfortable on a sunny day.

My aspirations? Becoming the best version of myself as a designer, being happy and creative is where I thrive. The University of fashion has taught me to be more knowledgeable about the way I construct a garment and with the confidence and consistency to deliver in the real world. Thank you to Francesca for giving me this wonderful opportunity.” ~ Shemoy Simpson

As we begin this new year, let us all try and design more sustainably, advocate for fair wages and help others reach their dreams by giving of ourselves and our talents.

If you are interested in helping support Custom Collaborative, here’s their donation link: https://secure.givelively.org/donate/custom-collaborative. If you are interested in providing paid internships for their students write to us at CS@UniversityofFashion.com

WE LOVE HEARING FROM OUR SUBSCRIBERS

- - Fashion School

As a pandemic was wreaking havoc around the world, at University of Fashion, we made the decision to offer schools free access to our content library so that they could finish out their term remotely. We were thrilled to be able to help. As a result, we not only met new schools and students, but were introduced to many new instructors who expressed an interest in teaching for us. A silver lining in an otherwise horrible pandemic.

Since 2020, we have added more than 30 new lessons and added 4 new design disciplines: SwimwearIntimate Apparel, Textile Design and Visual Merchandising. And, we’ll be adding more lessons in these disciplines going forward.

As we go back into the studio this year, we will be acting on suggestions made by you, our subscribers. We’ll be filming a knit pattern making series that’ll include a 20-part knit neckline series, lessons on how to draft a boxy and fitted T-shirt from measurements, how to draft a catsuit and many other advanced drafting lessons on trousers and coats.

Drafting an Off Shoulder Gathered Cuff Knit Neckline

Drafting a Surplice Under Bust Knit Neckline

We will also be adding additional advanced draping lessons, like how to drape a dress with a handkerchief hem and how to drape & draft a multi-tiered dress.

Draping a Princess Panel Sundress with a Handkerchief Hem

Draping & Drafting a Multi-tiered Dress

In addition, we will be adding more menswear drafting and drawing lessons, as well as lessons on how to design using 3D software.

 

BUT WE STILL WANT TO HEAR FROM YOU!

Let us know what additional lessons you’d like for us to consider. As you can imagine, the process of recruiting teachers, working with them on their lesson outlines, not to mention the filming and editing process, takes time. But…we’d love to know what you’d like to learn that you haven’t already learned by viewing our over 500 existing videos. We are hopeful that the pandemic will soon be a thing of the past and are eager to get back into the studio to start cranking out more lessons. Thanks to all of our subscribers, we are always interested in hearing from you!

 

Best wishes,
Francesca Sterlacci
Founder/CEO
University of Fashion

LOOKING BACK & AHEAD AT UNIVERSITY OF FASHION

As 2021 draws to a close and with only 5 days left to take advantage of our once-yearly subscription promo offer, I thought I’d take a moment to thank all of our wonderfully talented UoF instructors and staff, as well as our schools, groups and individual subscribers. We love sharing our collective passion for fashion!

I’d also like to reflect on UoF’s 2021 accomplishments and give a sneak peek at what we have planned for 2022.

When the global pandemic extended into 2021, UoF experienced a record number of new schools subscribing and accessing our content library. We were honored to be able to help so many students and teachers as they navigated the world of remote teaching and learning. As it’s likely that Omicron will be with us into 2022, schools that aren’t currently subscribed may want to check out our Group Subscription rates and how to apply for a free trial. With UoF entering its 14th year in the fashion education business, I think we know a thing or two about online learning, don’t you? Just read our testimonials.

NEW LESSONS ADDED IN 2021

The Delta variant didn’t slow us down in 2021. In fact, we added more than 30 new lessons, like Draping a Cascade Ruffle Dress, Draping a Cascade Ruffle Sleeve, Leather Sewing Techniques, Creating Custom Brushes in Adobe Illustrator and our Procreate series starting with Introduction to Procreate for Fashion Design, just to name a few.

We also added lessons in three new learning categories: Swimwear, Textile Design and Visual Merchandising. As always, these new lessons are all taught by industry pros and college profs.

Our swimwear maven, Jessica Krupa, is a New York City-based design entrepreneur and professor of design focusing on swimwear and intimate apparel. She has over 15 years of experience creating swimwear and intimate apparel collections for Fortune 500 Enterprises, such as Victoria’s Secret and Li & Fung, and has been awarded a bra design patent for innovation during her tenure at VS. Jessica currently runs her own luxury swimwear company called Krupa Couture Swim and most recently founded an intimate apparel company called Panty Promise, focused on women’s feminine hygiene in panties, in which she received the “Favorite Brand Award” through Eurovet’s Curve Tradeshow Competition in November 2020. Jessica’s lessons encompass design and product development with many more to be launched in 2022.

Our textile design lessons are taught by Lindsay Boehl, a New York-based textile designer who began her career as a CAD artist at a textile converter, designing men’s shirting stripes, plaids, prints and patterns for major brands such as Ralph Lauren, American Eagle and Wrangler. She is currently Manager of Customer Advocacy at Aquario Design, a leading provider of fashion, textile, CAD design and printed products solutions for Adobe Photoshop and Illustrator. Stay tuned…more lessons from Lindsay will follow in early 2022.

Our 9-part visual merchandising series is taught by Marcie Cooperman. a highly regarded professor at Parsons in the Department of Fashion, where she has taught classes such as Visual Merchandising, Fashion, Fashion Marketing Management, Color Theory, Branding, Social Commerce, and Entrepreneurship. Her textbook Color: How to Use It for Pearson: Higher Education is an essential color resource for all design professionals.  It has been successfully classroom-tested through years of Marcie’s Color Theory classes at Pratt Institute and Parsons School of Design. Watch for more of Marcie’s lessons to launch in 2022.

LOOKING AHEAD TO 2022

We’ve got big plans for 2022. We will be adding additional visual merchandising lessons, swimwear design and technical design lessons and textile design lessons. We will also be adding an Intimate Apparel series, additional advanced draping lessons, product development lessons, an entire series on drafting cut and sew knits and lessons in 3D design.

As we move back into the studio to film these new lessons, please know that we are always open to your suggestions. And, remember that if you need help or have questions about any of our existing lessons, we are here for you.

Wishing you all a very happy and fashionable 2022

Francesca Sterlacci
Founder/CEO
University of Fashion

THE CLOCK IS TICKING,
DON’T MISS OUT,
OUR ONCE-A-YEAR HOLIDAY PROMO ENDS SOON !

(Graphic courtesy Mark Higden: @mark_higden – www.markhigden.com)

Having trouble finding the right gift for that fashionista in your life? Well, search no more, we’ve got you covered. More than 500 lessons to learn from in 13 different disciplines like drawing, sewing, draping, patternmaking, menswear, childrenswear, knits, product development, accessories, CAD art & CAD patternmaking, fashion business and fashion lectures in color theory, trend forecasting, fashion history, influencer marketing, visual merchandising, sustainable design and much more!

And now, with a new coronavirus variant forcing teachers and students back into remote-learning, it’s the perfect time to subscribe to our fashion education video library. All of our teachers are either fashion industry pros or fashion college professors. Learn from the BEST!

We offer our video subscription discount ONLY ONCE A YEAR so get going!

Offers expire 1/1/22

$40 off our Yearly subscription (was $189 now $149)

https://www.universityoffashion.com/holiday-offer/

Promo Code: Deal21

$5 off the first month of our Monthly subscription (was $19.95 now $14.95)

https://www.universityoffashion.com/holiday-offer/

 Promo Code: Promo21

Don’t be a Scrooge – get that special someone (it could even be yourself) the gift of fashion education!

CAN’T FIND THE RIGHT GIFT FOR THAT FASHIONISTA IN YOUR LIFE?

The University of Fashion is the largest online fashion education resource for over 13 years and used by high schools, colleges, fashion groups and associations and fashionpreneurs! Don’t just take our word for it…read our testimonials https://www.universityoffashion.com/about/testimonials/

Search no more, we’ve got you covered – no supply chain delays here!

Give a unique gift this season… the gift of fashion education:

  • Learn from more than 500 lessons in 13 different disciplines like drawing, sewing, draping, patternmaking, menswear, childrenswear, knits, product development, accessories, CAD art & CAD patternmaking, fashion business and fashion lectures in color theory, trend forecasting, fashion history, influencer marketing, visual merchandising, sustainable design, fashion careers, fashion entrepreneurship, portfolio development and much more!
  • Our lessons are all taught by fashion college professors and fashion industry pros.

We only offer our video subscription discounts ONCE A YEAR so get going!

Offers expire 1/1/22

$40 off our Yearly subscription (was $189 now $149)

https://www.universityoffashion.com/holiday-offer/

Promo Code: Deal21

$5 off the first month of our Monthly subscription (was $19.95 now $14.95)
https://www.universityoffashion.com/holiday-offer/

 Promo Code: Promo21


Online fashion design and business video tutorials from beginner to advanced

Designer drapes fabric on dress formDraping

Rendering Camouflage
Fashion Art

Image showing sample of lesson Pivot Front Shoulder Dart to Side SeamPattern Making

Image showing sample of lesson Sewing Leather Jacket
Sewing

Woman's Hands Measuring A Men's Jacket Shoulder
Menswear

Female tailor working at desk
Fashion Business

Image showing sample of lesson Knitting A Poncho Scarf
Knit

Image showing sample of lesson Introduction To Adobe Illustrator
CAD Fashion Art

Tech Pack Leather Jacket
Fashion Product Development

Picture of Valerie Steele
Fashion Lectures

4 happy children
Childrenswear

Image showing sample of lesson Introduction to Photoshop for Accessory Design
Accessories

Image showing sample of lesson Introduction To TUKAcad
Pattern Making

GET IN ON OUR ON OUR ONCE YEARLY OFFER. IT EXPIRES 1/2/22

LEARN TO DRAFT CASCADING RUFFLES & LET YOUR CREATIVITY RUN WILD!

- - Draping

Draping a Cascade Ruffle Dress by Fiona Liu

Learning how to work with cascade ruffles opens up endless design possibilities that will let your imagination run wild. In this lesson, Fiona Liu demonstrates how to draft circular fabric pieces and then how to apply them onto a sheath dress foundation, which will be sure to inspire you. This design detail is great for creating dramatic eveningwear pieces that are quite easy to achieve.

Whether you choose to create your ruffles out of a crisp or stiff fabric like silk gazar, organdy, taffeta or voile, or you opt for soft cascading ruffles using a silk charmeuse, georgette, chiffon or crepe, you will have fun experimenting with this pattern making technique.

Image credit: Fiona Liu University of Fashion

Fiona has taught more than 13 lessons for the UoF that include pattern making, draping and zero-waste design. Here’s a sample of her many talents:

From UoF’s lesson Creative Draping—2D Draping

 

DRAWING CASCADE RUFFLES

AND…to learn how to draw cascade ruffles, be sure to view these lessons by our very own fashion illustrator extraordinaire, Roberto Calasanz.

From UoF’s lesson Drawing a Cascade Skirt Ruffle by Roberto Calasanz

From UoF’s lesson Drawing a Cascade Neck Ruffle by illustration by Roberto Calasanz

Send us pics of your cascade ruffles designs, we’d love to feature you on our social media platforms!

MEET OUR NEWEST INSTRUCTOR: PABLO V. CAZARES

Pablo V. Cazares newest lesson for UoF

Pablo V. Cazares

As CEO of UoF, the best part of operating the world’s largest fashion education video library for me is meeting and recruiting our many talented instructors. With over 500 videos in 13 different disciplines and with 13 years in business under my belt, I have made a lot of new friends. The fact that these experts are so eager to share their passion makes them all-the-more special.

So, it’s with great pleasure that I introduce the newest addition to our family…Pablo V. Cazares.

Pablo is an apparel designer and visual artist based on the west coast. Splitting time between Portland Oregon and the American Southwest, Pablo has been constructing apparel and art pieces since childhood, following his dauntless curiosity wherever inspiration takes him.

With a background in fine art, he attended The Art Institute of Portland for apparel design. In his first month, one of his pieces was accepted to be shown on the runway at Portland Fashion Week.  He was the Oregon Museum of Science and Industry’s first costume intern, integrating dress-up clothes to augment and enhance children’s learning experiences. Pablo’s broad interests served him well in product development. As lead technical designer for the Boys and Unisex divisions at Hanna Andersson, he had the opportunity to tour factories abroad and delve into the manufacturing process. Inspired, he began pursuing small scale manufacturing techniques such as 3D printing and laser cutting. Technical illustration and the manufacturing process are a realm of play that is heavily explored in his conceptual work as well.An obsessive creator with atypical perspective, throughout his career he has also done art direction for independent films, thematic costuming, and works as a creative illustrator. He is always looking ahead to his next creative project and experimental design. Pablo’s objective in his work is to inspire a sense of wonder in the viewer. For the University of Fashion, Pablo will be creating lessons focused on CAD, illustration, technical design, hand-mending and experimental apparel repair techniques.

 

GETTING TO KNOW PABLO

With today’s launch of Pablo’s first lesson, Creating Custom Brushes in Illustrator, I sat down (virtually of course) to find out more about Pablo and his extraordinary background story.

Francesca: Can you tell me a bit about where you were brought up and how it continues to influence your creativity?

Pablo: I was born in agricultural central California (Salinas, near Monterey). My family has been in commercial agriculture all my life. I moved all over rural California and lived on nearly every type of farm, ranch, dairy, orchard you could think of. I would play in old, abandoned barns and rural junkyards, building forts and wearables and art from things forgotten or thrown away. I’ve been creating things for as long as I can remember.

Right now, I live out on some property in the middle of nowhere in Arizona, helping build what will be a future intentional community (a bit like Arcosanti). I am learning and building with concrete and stone and driving around tractors and gardening. I am definitely a farm boy at heart. I do that in the mornings, then the rest of the day I am in my big cave/office/studio where I draw and design all day. Quarterly, I go to Portland to work on art and film projects, everything from sci fi erotica films to pirate festival design. I drive there every time, visiting friends and ocean views and forests as often as I can along the way.

Francesca: What was behind your motivation to pursue fashion?
Pablo: When I lived in Portland full time and worked in technical design, getting to go to the factories in India and Peru was absolutely incredible. I love seeing the inner workings of things and understanding processes. Friends have told me I get a sort of electricity in my eyes when I have a new idea or am learning something I didn’t know before.

Examples of technical design work by Pablo Cazares for Hanna Andersson

One thing that going to the factories did is make me realize my love of engineering. I actually left Hanna Andersson, to pursue a mechanical engineering degree! I am convinced that my love of apparel combined with a knowledge of engineering could help streamline and create new sustainable processes in apparel manufacturing. But then COVID hit, so I put that on hold and have been re-focusing on my creative pursuits. There’s still time for engineering, and while I don’t have a date in mind, I do intend to go back to it in the next few years.

Experimental work – hand-forged and fiber wrapped primitive electrical circuit

Between my knowledge of agriculture, apparel product development, building construction techniques, and engineering, I have a decent idea of how our world is built. And I am absolutely convinced that we can build a better more sustainable world. I adore the potential of 3D printing and laser cutting, and I am always thinking of more sustainable ways to create new things. (Neri Oxman at the MIT Media Lab is my role model).

I especially have a passion for re-using and upcycling, I feel that repairing things is a virtue. Patching and darning and thrift shopping and hand-me-downs give garments a soul and honor the tremendous amount of design and sewing labor that goes into creating them.

Francesca: What do you like to do when you are not designing or helping build a future intentional community?

Examples of children’s illustration

Pablo: In my spare time I am always drawing or designing or building things. I am kind of a machine, haha. In this next month, I’ll be creating an installation art piece in this great big cave studio I work in. I am also creating a comic book (I find huge inspiration in Phillipe Druillet and Eyvind Earle). In the next couple years, I hope to get accepted into an artist residency somewhere. I love traveling and working on collaborative art pieces. I am always chasing the next project or inspiration, whatever lights that fire in my mind.

I’m delighted to be part of the University of Fashion community!

Learn more about Pablo and his work:

Website: PabloTheKatz.com

Instagram: unnavigableunmade