University of Fashion Blog

Category "Fashion Education"

GOT THE HOLIDAY SPIRIT? LOOKING FOR THAT LAST MINUTE GIFT?

Five days until Christmas, the clock is ticking and suddenly you remember that you forgot someone on your Christmas gift list. OMG!

It’s too late now to order from Amazon, so what are you going to do? Solution…give a unique gift certificate to the world’s largest fashion education video library!

Our once-yearly sale expires 1/1/23 and so there’s still time to get in on our discount.

Get a yearly subscription for $40 off (was $189/now$149) or $5 off the first month of a monthly subscription (was $19.95/now$14.95). Click here to made it happen: https://www.universityoffashion.com/holiday-offer/

If you are already a University of Fashion monthly subscriber or free member, just log in as usual and look on your left for one or more “Upgrade” offers equivalent to the above! Remember, all subscriptions gives unlimited access to every lesson on our entire website, that’s 500+ lessons!

 

WHY UNIVERSITY OF FASHION?

University of Fashion Home Page

University of Fashion has over 500 fashion education video tutorials, taught by fashion profs and industry pros, that both educate and entertain. We have 13 different disciplines to learn from: draping, pattern making, sewing, fashion art, CAD fashion art, CAD pattern making, menswear, knits, childrenswear, accessories, product development, and a fashion business section that encompasses retailing, merchandising, visual merchandising, branding & licensing,  as well as a lecture series that encompasses textiles, color theory, trend forecasting and lots more. Whether you’re interested in a fashion career, or perfecting your existing skills, or just ‘fashion curious’ – a gift certificate to UoF is THE most unique gift you can give.

Need some convincing? Read some of our testimonials:

“The University of Fashion Online is the most valuable tool that I found in relation to Fashion. It is a complement to my education. It is well structured and very complete. I am grateful to Francesa Sterlacci for having created it. I am also grateful to her Team for their contributions and great effort to put it all together. I love it! it is fascinating. I highly recommend it.” Espie Egger – UoF Subscriber – Switzerland

I was lagging behind in class and didn’t remember all the lessons my professor taught, so I went to the demos on University of Fashion for help. Thanks to the great demos I received a really good grade on the project! ” Chanica Pitaksakorn – Fashion Institute of Technology, Student

Everyone in the fashion industry, whether a student, a hobby aficionado or a professional should have a great resource for reference and support. University of Fashion provides the “how to” at every level for the first timers or just a refresher for the experts. A must have asset.”  Saul Kapilivsky Miami International University of Art & Design, Professor

“I have been teaching middle and high school for over 30 years and today I stand in awe of this amazing fashion tool. The University of Fashion video series is simply too good to be true. Every video is factual and correct. As I watch each video, I say; this is exactly how I teach this. The plus for me is that I do not need to do a demo over and over again before students get it. They can just watch these videos and also broaden their skills even beyond my knowledge. I am so grateful to be introduced to the University of Fashion.”  Callie Melton – Fashion Design Services Instructor/A.P.P.S Chair/FCCLA Advisor/Fort Lauderdale High School

 

DID YOU KNOW THAT WE ALSO HAVE COMPANION BOOKS AVAILABLE?

University of Fashion Book Series: Techniques for Beginners: Draping, Pattern Making & Sewing (Available everywhere)

Our book series was designed to complement our beginner draping, pattern making and sewing video lessons. Each book contains additional information to help with the learning process and they are another a great gift idea! Read some of our Amazon ratings:

DRAPING BOOK TESTIMONIALS 

 

draping book testimonial

draping book testimonialDRAPING BOOK TESTIMONIAL

 

 

 

 

 

 

 

 

 

 

PATTERN MAKING BOOK TESTIMONIALS 

Patternmaking book testimonial

 

 

 

 

 

 

 

 

 

 

SEWING BOOK TESTIMONIALS 

 

 

And for that fashion history buff on your Christmas list, why not get them our founder’s book, Historical Dictionary of the Fashion Industry?

Historical Dictionary of the Fashion Industry book

Historical Dictionary of the Fashion Industry Second Edition

OTHER UOF PERKS

In addition to our 500+ video lesson library you will also be able to access our Resources library consisting of a fashion terminology A-Z, design tools, a marketplace, fashion books, magazines & blog info and a list of fashion schools and fashion museums. You will also gain access to our free croquis templates:

So treat yourself to a UoF subscription or give it as a gift OR why not do both?

JACKETS REQUIRED: BIGGER THE BETTER

- - Fashion Education

A look from Thom Browne’s Fall 2022 Collection. (Photo Credit: Vogue)

Go big or go home. The jacket is back even as many offices are still operating within the ‘work-from-home’ format. And, as Covid restrictions ease worldwide, thanks in part to vaccines, people are starting to dress up again. One of the biggest trends of 2022 was the return (circa 1980) of the oversized blazer, which was seen on plenty of designer runways, celebrities, influencers, and street style stars. Case in point Hailey Bieber.

There’s just something about the structured silhouette that gives off a powerful and chic vibe and continues to be a breakout trend of 2022.

Hailey Bieber rocks the oversized blazer trend. (Photo Credit: Paige Six)

The sized-up tailored jackets are anything but sloppy. Whether ‘borrowed-from-the-boys’,  or new off-the-rack, these blazers come with power shoulders that mean business, even if you don’t work in a corporate office.  Oversized blazers can be worn with bike shorts, leggings, short skirts or…to cement the ‘I raided my boyfriend’s closet’ look, wear it with his trousers for that super oversized look. And to fem it up, team it up with a satin slip dress to add a cool-girl edge to your night out.

A look from Louis Vuitton’s Fall 2022 Collection. (Photo Credit: Vogue)

Fashion stylist Laura Pritchard spoke on the morning television program Good Morning America and stated, “Tailoring has earned its place on every runway during every season. Last fall, we saw the popular pantsuit, but it’s since been replaced with plaid, houndstooth and tweed miniskirt suits — ruling the runways and streets.” Pritchard also added, “Designers have brought back the oversized tailored blazer but revamped the trend with extreme bold shoulders.”

While many may think the oversized blazer trend is tricky to wear, Pritchard stated that it’s actually more versatile than one might think. The stylist offered some tips such as pair this look with slim underpinnings to balance out the extreme proportions. Another basic rule to follow, if an oversized garment is taking up half of your body, keep it slim on the other half.

Another idea is to head over to the men’s section for a huge assortment of oversized blazers rather than spending an exuberant amount of money on some of this season’s latest women’s designer picks. Another recommendation would be to add additional shoulder pads to give the shoulder some extra height.

If you are into designing, drafting and sewing your own oversized blazer, then check out University of Fashion’s blazer videos. If you’re a UoF subscriber, then you already know how to upcycle a men’s consignment shop blazer by shortening the sleeves or adding embellishment touches!

Here are some oversized fall blazers to inspire you:

TOTALLY EIGHTIES

A look from Gucci’s Fall 2022 Collection. (Photo Credit: Vogue)

BIRDS OF A FEATHER

A look from Prada’s Fall 2022 Collection. (Photo Credit: Vogue)

GRAPHIC DESIGN

A look from Peter Do’s Fall 2022 Collection. (Photo Credit: Vogue)

MINIMALISM

A look from Khaite’s Fall 2022 Collection. (Photo Credit: Vogue)

CHECK-MATE

A look from Miu Miu’s Fall 2022 Collection. (Photo Credit: Vogue)

HIP-PARADE

A look from Comme des Garçons’ Fall 2022 Collection. (Photo Credit: Vogue)

Check out our instructional video previews below to inspire you to create your own one-of-a-kind perfectly tailored jacket and stand out from the crowd.

 

Not yet a UoF subscriber? Well, take advantage of our once-a-year discount subscription offers: https://www.universityoffashion.com/holiday-offer/

Yearly subscription was $189/now $149

First month off our Monthly subscription of $19.95/now $14.95

Offers expire 1/2/23

DRAFTING A WOMEN’S JACKET

JACKET: INTERFACING AND LINING

WOMEN’S JACKET PAD-STITCHING & INNER CONSTRUCTION

MOUNTING & FITTING A SUIT JACKET SLEEVE

So tell us, will you be creating your own one-of-a-kind oversized jacket this holiday season?

 

HOW TO SHOP YOUR CLOSET & BRUSH UP ON YOUR EMBELLISHMENT SKILLS IN TIME FOR THE HOLIDAYS

A look from Carolina Herrera’s Resort 2023 Collection. (Photo Credit: Vogue)

The holiday season is around the corner, and while designers are offering plenty of fabulous festive looks in their holiday/resort collections, here at UOF, we want to teach you how to embroider, embellish and bead your own pieces. It’s no surprise that the art of embroidery is taking the fashion industry by storm. With COVID-19 lockdowns worldwide, many fashion creatives looked to crafty techniques to help pass the time and to revitalize and customize their wardrobes.

Of course, in the world of fashion insiders, customized clothing is widely embraced by celebrities, street-style stars, and influencers. And nothing shouts personalization more than peacocking embroidered and embellished items.

A look from Giambattista Valli’s Resort 2023 Collection. (Photo Credit: Vogue)

While embroidery dates back to 30,000 B.C., the intricate technique has become popular again and proves to be a mainstay in fashion settings. Embroidery is the craft of decorating textiles using a needle to apply thread or yarn. The word embroidery is derived from the French word broderie, meaning embellishment. In a variety of forms, embroidery has existed since the creation of fabric. The technique is practiced around the globe, but its origin stems from China and the Near East. The earliest embroidery can actually be traced back to Cro-Magnon days or 30,000 B.C. Archeological finds from this time period uncoveref fossilized remains of heavily hand-stitched and decorated apparel.

According to the encyclopedia source britannica.com, further examples of embroidery are found in China dating to the Warring States period between 5th and 3rd century B.C. In Sweden, the earliest finds of embroidery are from a period known as the Viking Age, around the 9th and 10th centuries. Around the year 1000, the technique of embroidery began to rise in Europe with the expansion of the Christian church and royalty gaining power. Richly decorated garments and ornaments in the form of wall hangings and tablecloths were commissioned to display power and wealth.

Embroidery was also important in the Medieval Islamic world because it was a symbol of high social status in Muslim societies. In cities such as Damascus, Istanbul, and Cairo, embroidery could be found on items such as handkerchiefs, flags, uniforms, robes, horse trappings, pouches, and covers.

However, by the 18th century England and its colonies, embroidery became a skill marking a girl’s passage into womanhood, as well as expressing rank and social standing. Soon after, however, the advancement of the embroidery machine and mass production came about in stages during the Industrial Revolution. The earliest machine embroidery, discovered in France in the mid-1800s, utilized a combination of machine looms and hand embroidery.

By the early 1900s, mail order catalogs and pattern papers helped embroidery become more widespread. The intricate craft was no longer just a hobby of the upper class, as it could now be done on less expensive fabrics.

A look from Valentino’s Resort 2023 Collection. (Photo Credit: Vogue)

Present-day embroidery looks quite different from the delicate needlework of the past. Most contemporary embroidery is stitched with a computerized embroidery machine using patterns that are “digitized” with computer software. While the style and technique of modern embroidery may be different from its earliest roots, the main purpose of embroidery remains the same. Embroidery was, and will always be, a fashionable way for people to adorn their homes and themselves. We’re here to tell you that you can learn it at UoF. So…get into your closet, find an item that you think would benefit from an embellishment then crank up your computer and let us teach you how to bead and embroider. Upcycle, recycle and turn that garment into WOW!

Here are a few pieces to inspire you:

GLITZ UP YOUR FAVORITE DENIM JACKET

A look from Gucci’s Resort 2023 Collection. (Photo Credit: Vogue)

ADD FRINGE TO THAT LITTLE BLACK DRESS

A look from Jason Wu’s Resort 2023 Collection. (Photo Credit: Vogue)

EMBROIDER A SIMPLE PANT

A look from Christian Dior’s Resort 2023 Collection. (Photo Credit: Vogue)

EMBELLISH A KNIT SWEATER

A look from Max Mara’s Resort 2023 Collection. (Photo Credit: Vogue)

ADD APPLIQUÉ TO A SIMPLE SHEATH

A look from Oscar de la Renta’s Resort 2023 Collection. (Photo Credit: Vogue)

EMBROIDER A SHAWL

A look from Christian Dior’s Resort 2023 Collection. (Photo Credit: Vogue)

BEAD & APPLIQUÉ YOUR FAVORITE SKIRT

A look from Alexander McQueen’s Resort 2023 Collection. (Photo Credit: Vogue)

Check out our lesson previews to learn how to add embellishments of all types:

SILK RIBBON EMBROIDERY

TAMBOUR EMBROIDERY

TAMBOUR BEADING

BEADING NEEDLE EMBROIDERY

INTRO TO HAND EMBROIDERY

 

So, tell us, how excited are you to try these embroidery techniques?

INTRODUCING OUR NEW 3D DESIGN INSTRUCTORS

From our first lesson – Browzwear: Introduction to 3D Design & VStitcher

If you have been reading the University of Fashion blog for the past 4 years, then you know how bullish we are about 3D design technology as yet another tool in the arsenal of fashion designers and retailers. If you haven’t then you may want to read our past posts: Augmented Reality (AR) for Fashion Retailing, Artificial Intelligence (AI) for Fashion, and The 3D Revolution Parts 1, 2 and 3  from 2019.

As fashion companies are now expanding their workspaces to include true-to-life 3D in the areas of design, product development, sales & marketing, we are thrilled to announce the addition of 3D design as a new learning category to our existing 500+ video lesson library.

Those already working in the world of 3D digital fashion design all agree, that without a solid hands-on foundation in the other 3Ds – draping, digital drawing, drafting, plus sewing, you are just an imposter. According to Amy Sperber, a 3D-user and Assistant Professor at the Fashion Institute of Technology:

Foundational knowledge of grain, fabric behavior and construction variations are essential at being a competent 3D fashion design software user. The challenge for fashion designers with little digital background is that the interfaces may be intimidating at first. Those with a working knowledge of Illustrator will find familiar tool experiences in the 2D pattern making portions of 3D software. The next generation of fashion designers will need to be technically creative and digitally fluid.”

For our 3D design series, we recruited two top instructors, Brittany Gray and Iris Hopkins, who are both currently working in the industry using Browzwear 3D software. We will also be adding lessons in CLO 3D in the future so stay tuned. Meanwhile, we thought that you would be interested in hearing from Brittany and Iris about their journey into 3D design and get a sneak peek at their first lessons for us. They are both working on a series of lessons that we will be rolling out this year.

 

MEET BRITTANY GRAY

Brittany Gray instructor

Brittany Gray – 3D design instructor at UoF (photo credit: Brittany Gray)

I was first introduced to 3D/virtual prototyping in my junior year of college. I went to the University of North Carolina Greensboro, who was partnered with VF corporation. VF heavily used 3D so we adapted it into our curriculum. At the time, I only knew the basics, but was on the hunt for an internship that was required for me to graduate. Walmart corporation reached out to my university, eager to hear that students were learning 3D and were looking for a student to intern as a 3D Technical Designer. Though I was reluctant to apply due to my very basic knowledge at the time, with the support of my instructor Anne Woods, I applied. I promised them that if they accepted me for the internship, by the time I needed to relocate to Bentonville Arkansas, I would have mastered the program. Two weeks went by and I received the offer as the very first 3D Technical Design Intern for Walmart Corporate. I worked in the software everyday leading up to my internship. Once I arrived in Arkansas, I fell in love with the flexibility of the 3D workflow, so much so that I decided to stay in 3D and later relocated to New York to be a 3D designer at The Moret Group to jumpstart their 3D journey. Now I am currently working at Under Armour and love the ability to assist my teammates in their 3D journey’s as well.”

To learn more about Brittany, click these links:

https://browzwear.com/indie-designer-spotlight-brittney-gray/

https://www.universityoffashion.com/instructor/brittney-grey/

LinkedIn: www.linkedin.com/in/brittneygray3d

Brittany Gray’s first lesson for UoF

MEET IRIS HOPKINS

Iris Hopkins – 3D instructor at UoF

Iris Hopkins – 3D instructor at UoF (Photo credit: Iris Hopkins)

I have always had an interest in bridging the gap between the traditional way of pattern making and innovation and 3D seems so fitting in my efforts. As a professional in this business, our goals are to get quality product to market faster with a focus on waste management through less sampling, eco-friendly materials, and upcycling. I want to be a part of a new generation of pattern makers who understands these points while remaining true to the craft through technology and innovation. In 3D, I have the ability to utilize all of this knowledge and skillsets in one place. My keen interest in 3D has led me down a path of exploration for about a year, teaching myself Browzwear VStitcher, followed by an enrollment in a five-week extensive learning program. Through my experience, I have found that the worlds of traditional pattern making and innovation do meet and connect in 3D and it is a great skill to have.

 For more about Iris and her 10+ years in the fashion industry click this link: https://www.universityoffashion.com/instructor/iris-hopkins/ and check out her work on IG @imhswim

Iris Hopkins – first lesson in 3D for UoF

Iris Hopkins – second lesson in 3D for UoF

Our new lessons require access to Browzwear VStitcher software. Software Licenses, BW support and access to the BW community of experts are available through this link: https://go.browzwear.com/indies-applicationIn the “I was referred by” field, type University of Fashion.

So, tell us, how interested are you in learning 3D design?

CALLING ALL TEACHERS  STUDENTS & SCHOOLS

school' out

Welcome Back! We hope you had a fun summer and are excited about your new school term. It’s time to buckle down, crack the books, and meet those project deadlines. If you’re a high school or college aspiring fashion design or fashion business student or teacher, we ARE your NEW best friend.

We have has over 500 lessons in 13 different disciplines from beginner to advanced to help you get through your academic term. As a UoF subscriber, you can access all of our lessons morning, noon and night, and as many times as you want. Now that’s what I call a tutor!

To help get you started, we’re offering $5 off the first month of an individual recurring monthly subscription (was $19.95 – now $14.95). Use promo code: NEW. And for $20 off an individual yearly subscription (was $189 now $169) use promo code: SCHOOL. Move fast, these offers expire on Oct 30, 2022.

HOW WE HELP FACULTY

Just this week we heard from two fashion college faculty members, at a top New York fashion school, whose teaching schedules changed at the last minute. University of Fashion to the rescue. One needed to brush up on her draping skills, the other on her drafting skills, so…they became UoF subscribers and called to thank us. Whew, that was close.

girl costing a garment

 

Another teacher at an LA fashion school needed to brush up on her retail math, merchandising and marketing skills and she too became a subscriber. Our business videos, in fact all of our videos, are taught by fashion college professors and industry professionals, so the information is top notch and current.

A teacher who teaches visual merchandising at a fashion college in Florida told us that he’ll be using our visual merchandising series as a supplement to the current curriculum in his hybrid classroom. Ever since COVID, many more teachers have embraced online learning and are including us in their lesson plans. Wohoo!

HOW WE HELP STUDENTS

student measuring neckline

We especially love helping design students. For many it’s the first time they’ve had to calculate inches and centimeters, which is why our lesson entitled How to Read a Ruler is SO popular. When frustration sets in, because an instructor moves too fast during a demo causing the student to fall behind, we are here for them. In the privacy of their own home, students (and teachers) can watch and rewind a lesson until it sinks in. Whether it’s a sewing, draping, drawing or drafting lesson, we’ve got you covered. Oh, and did you know that we also answer any and all of your questions within 24 hours via our Customer Service link? At UoF, our teachers want you to succeed.

HOW SCHOOLS CAN SUBSCRIBE

If you are a teacher at a high school or college and would like your school to have a free 30-day all access trial, reach out to us via CS@universityoffashion.com. Once your first time 30-day free trial is up, your school will be able to take  advantage of our school/group subscription discount. It’s always cheaper by the dozen, right?

OUR NEW CERTIFICATE PROGRAM

Alas! All University of Fashion paid subscribers can now receive a Certificate of Completion for any and all completed lessons and lectures. You can track your individual progress toward earning a certificate by clicking on the ‘My Learning’ tab on the left side of your ‘Account Page’ and then you can print them out.

Why is earning a certificate important? In addition to learning something new and having proof of your hard work, you can also impress you employer, your teacher and your clients. You can also add your certificates to your portfolio, alongside images of your work. And, by the way, the certificates are FREE!

 

ABOUT UNIVERSITY OF FASHION & IT’S FOUNDER

University of Fashion founder: Francesca Sterlacci

University of Fashion was founded in 2008 by Francesca Sterlacci, a former professor and chairperson at the Fashion Institute of Technology and a graduate level instructor at the Academy of Art University San Francisco. She spent 18 years in academe and 10 years as a designer in her high-end eponymous fashion brand. Francesca has written three certificate programs while at FIT and is the author of several books: Leather Fashion Design, Draping Techniques for Beginners, Pattern making Techniques for Beginners, Sewing Techniques for Beginners and co-author of the Historical Dictionary of the Fashion Industry.

University of Fashion provides professionally produced fashion educational video content to schools, libraries, groups & associations, as well as individual subscription memberships. UoF offers 500 beginner, intermediate and advanced lessons in 13 different disciplines; draping, pattern making, sewing, fashion art, CAD fashion art, digital pattern making, 3D design, menswear, childrenswear, knitwear, accessories, production development and fashion business, in addition to lectures on color theory, textile design, costume history, trend forecasting, sustainable design, influencer marketing, fashion law, and other industry relevant topics. Teachers use UoF to upgrade their skills and as supplemental materials in their hybrid classrooms.

UoF has a robust social media presence. Are you looking to get your name out there? Hoping to land that dream job? Why not post your work on Instagram to #uofprojects. We’ll reward the best projects with a free one year subscription to UoF. So get going!

 

UNIVERSITY OF FASHION’S CERTIFICATE PROGRAM GOES LIVE

UoF Certificate(Image credit: example of University of Fashion Certificate of Completion)
Our subscribers had been asking us about how they could earn a certificate upon completion of our lessons. We get it, who wants to invest hours of time and money and not get a reward? Well, at last, and after hours of computer programming (and money), we are proud to announce the launch our University of Fashion Certificate of Completion program, available to all our paid subscribers.
Sure you can attend fashion school and pay thousands (that is if you are lucky enough to get accepted), but for those in the ‘know’, why not take advantage of 500+ lessons all taught by top fashion college professors and industry pros, learn at your own pace any time of day or night, in the privacy of your own home, rewind and replay a lesson over and over until you get it, at a fraction of the cost of fashion school?
Ask any of our subscribers, UoF’s customer service is top notch! Have a question about one of our lessons? No problem, our teachers are ready, willing and able to answer them within 24 hours. We always love hearing from our students.

Now You Can Earn a UoF Certificate for Your Efforts


(Image credit: University of Fashion subscriber draping and sewing a dress)

How UoF’s Certificate of Completion Program Works

(Image credit: An example of a  student’s My Learning page – listing lessons ‘in-progress’ & 100% completed)

All University of Fashion paid subscribers can now receive a Certificate of Completion for any and all completed lessons and lectures. You can track your individual progress toward earning a certificate by clicking on the My Learning tab on the left side of your Account page. Here you can track all of your lessons and your lesson progress.

(Image credit: University of Fashion student calculating fabric consumption & costing a garment)

 

Is there a Cost for a UoF Certificate of Completion?

No. There is NO extra charge for a University of Fashion Certificate of Completion. If you are a paid monthly or yearly subscriber and completed one of our lessons, you are eligible to obtain a certificate. Our certificate program just launched and we have subscribers who have already earned 20+ certificates!

(Image credit:Example of a student’s My Learning page showing lesson discipline, certificate & date earned)

 

Benefits of a UoF Certificate of Completion

Beyond that feeling of accomplishment at having learned and mastered a new subject or technique, there are many other benefits to earning our Certificates:

  • Present your certificates to prospective employers, along with examples of your completed draped, drafted and sewn projects
  • Include UoF certificates to your portfolio for job application and college admission purposes
  • Frame your certificates as proof of your competence in multidisciplines to your clients
  • Export and email your certificates to your instructors for extra credit
  • Prove to your employer that you have up-skilled in a particular area
  • Demonstrate to a school administrator proof of your competence and proficiency in teaching additional subjects

Spread the word! Start completing lessons and printing out your UoF certificates. Let us know how many you’ve earned!

ANNOUNCING OUR NEW LESSON: Introduction to Textile Print Design

We are so happy to announce the newest lesson to our fashion education video library: Introduction to Textile Print Design taught by textile design veteran, Lindsay Boehl.

This lesson covers the concept of roller printing, the print engraving process, as well as industry standard print roller sizes and dimensions as they relate to a particular print design.

You will learn about different types of repeats, such as a straight repeat, a drop, and a half drop. In addition, this lesson will get you started making your own print repeat in Adobe Illustrator, using our downloadable dot and rose print design files. Watch for more textile stripe, plaid, print and pattern lessons by Lindsay in the future.

MEET YOUR INSTRUCTOR

Lindsay Boehl is a New York-based textile designer who began her career as a CAD artist at a textile converter, designing men’s shirting stripes, plaids, prints and patterns for major brands such as Ralph Lauren, American Eagle and Wrangler.

Today, Lindsay is the Manager of Customer Advocacy at Aquario Design, a leading provider of fashion, textile, CAD design and printed products solutions for Adobe Photoshop and Illustrator. For the past eight years, she has managed a team of trainers and support specialists who work with users of that software platform. Lindsay’s textile design experience made her a great fit at Aquario, as their software product line helps textile and fashion designers produce their work inside of Adobe Illustrator and Photoshop in a more streamlined way. In her role at the Aquario, Lindsay utilizes and shares her knowledge of textile design as it applies to fashion industry requirements. From color matching to knit design, wovens to technical fashion sketching, digital printing on fabric and end-to end-garment manufacturing, Lindsay’s expertise includes every aspect that the textile industry is positioned.

Lindsay considers textile design a wonderful journey, and she hopes to keep learning and exploring innovative and emerging technologies. Aside from her position at Aquario, Lindsay takes on freelance jobs to keep her multiple skill sets active and welcomes every design challenge she’s given, which she feels keeps her sharp and agile in her work.

Having graduated from the Fashion Institute of Technology with a double major in Display & Exhibit Design and Fabric Styling, Lindsay translated those skills into a career in textile design. She is grateful to all the professors who nurtured her talent and is therefore thrilled to be able to pass along her knowledge to students at University of Fashion. Stay tuned for Lindsay’s next lesson: “Researching & Designing a Graphic Printed Textile”.

Find Lindsay on LinkedIn: www.linkedin.com/in/lindsay-b-82305356

To learn more about textiles, be sure to view the following UoF lessons:

INTRO TO FIBERS & FABRICS

HIGH-TECH TEXTILES

ECO-TEXTILES

TEXTILE DYEING, PRINTING & FINISHING

Our SECOND Visual Merchandising lesson has launched!


(UoF lesson Using Color and Texture in Visual Merchandising by Marcie Cooperman)

Visual merchandising is one of those design disciplines that benefit both retailers AND fashion designers alike. How do we know? Well, with more than 13+ years in the fashion education biz under our belt, we’ve learned a thing or two from our experts. From retailers we learned that knowing more about the design process is an asset, especially when it comes to developing product for their stores. Designers have shared with us how they’d like to know more about retailing, especially as it pertains to store planning and merchandising.

This is why we’ve been hard at work creating our new 9-part visual merchandising series. Whether you’ve created your own brand and are lucky enough to afford your own retail store OR you are a brand who plans on selling to retail stores, our new visual merchandising lessons will provide valuable information to help you succeed.

 

DO YOU KNOW WHAT’S THE BIGGEST SELLING COLOR IN FASHION TODAY?

Achromatic hues value scale (UoF lesson Using Color and Texture in Visual Merchandising)

It’s fascinating. There’s definitely a disconnect between the color that people say they like the best… versus what they actually buy. People don’t usually say their favorite color is black, but research shows that although consumers might say they like red and purple, truth is, they mostly buy black, gray, and white. And this is true for both womenswear and menswear. Our lesson contains more in-depth data about which colors command the most market share, and they aren’t necessarily what you might think!

 

DO YOU KNOW ABOUT COLOR THEORY?

Color wheel & color relationships (UoF lesson Using Color and Texture in Visual Merchandising by Marcie Cooperman)

In our newest visual merchandising lesson, Using Color and Texture in Visual Merchandising, instructor Marcie Cooperman starts out by teaching you how to describe color, using the concepts of color theory and the three elements of color:  hue, value, and intensity. Those three elements are the way we describe colors. Click here to learn more about Marcie and her stellar credentials:  https://www.universityoffashion.com/instructor/marcie-cooperman/

And, if you haven’t viewed Marcie’s first lesson, Introduction to Visual Merchandising, check it out here: https://www.universityoffashion.com/lessons/introduction-to-visual-merchandising/

 

ARE YOU FAMILIAR WITH COLOR RELATIONSHIPS?

Example of a complementary color merchandise display (UoF lesson Using Color and Texture in Visual Merchandising by Marcie Cooperman)

The lesson moves on to color relationships on the color wheel. Color relationships can guide you in putting colors together to create excitement and organization in the retail setting, both for the garments in the store, as well as the interior design of the store itself.

 

HOW IMPORTANT IS COLOR INTENSITY IN STORE DISPLAY?

Example of alternating intense color with non-intense color (UoF lesson Using Color and Texture in Visual Merchandising)

Intensity of a color is important in the garments hanging in the store, because it might make the difference between a customer loving or hating a garment. For example, we might love pink, but not be very happy about how strong a pink sweater looks. However, if that pink were a low intensity pink, we might love it.

 

HOW IMPORTANT IS COLOR & TEXTURE IN VISUAL MERCHANDISING?

Example of window using complementary color & texture (UoF lesson Using Color and Texture in Visual Merchandising)

When you put wonderful colors and textures together in a display, it sends customers the feeling that this brand is organized and beautiful, that makes the customer feel positive about the brand and makes her want to shop there. The customer needs to feel that she will find the clothing she desires and will leave the store happy and satisfied. Hopefully, she will be so happy that she will tell her friends about her wonderful experience in the store, and finally, she will be a loyal customer who returns often.

 

WHY IS REPETITION A VISUAL MERCHANDISING STRATEGY?

Example of retail color & repetition strategy (UoF lesson Using Color and Texture in Visual Merchandising)

To learn more about color & texture, how color is used in creating a merchandising strategy and how to use repetition as a strategy in visual merchandising, subscribe to UoF and watch the full lesson. You will learn the dos and don’ts of how visual merchandisers work with retailers and fashion designers to create exciting in-store displays and store windows that attract us all!

 

Stay tuned for Marcie’s next lesson: Using Line and Composition in Visual Merchandising

IN CELEBRATION OF WORLD ART DAY
MEET INSTRUCTOR FIONA LIU
THE ART OF THE RUFFLE

(From UoF lesson –  Draping a Cascade Ruffle Skirt)

In the U.S. April 15th is known as Tax Day, the day when Americans need to file their income taxes. But did you know that April 15th is also World Art Day?

World Art Day is an international celebration of the fine arts, which was declared by the International Association of Art (IAA/AIAP), a partner of UNESCO, to promote awareness of creative activity worldwide.

(Image credit: IAA International Association of Art)

The first World Art Day was held on April 15th, 2012, a date chosen in honor of Leonardo da Vinci’s birthday. DaVinci was chosen as a symbol of world peace, freedom of expression, tolerance, brotherhood and multiculturism and his work is testament to the influence of the Fine Arts on other fields. In the United States, World Art Day was officially held for the first time in the City of Los Angeles on April 15th, 2015. In 2017, IAA USA, the official U.S.-based chapter of the IAA, was formed. Pre-pandemic, art events were held locally, nationwide and on a global scale. Check them out on Instagram #iaasua

In the spirit of World Art Day, we would like to take this opportunity to celebrate all of our extremely talented instructors who continue to share their art and expertise, making the University of Fashion the first and largest online fashion education video resource library. With over 500 videos and by streaming our lessons in 177 countries, we are completely dedicated to the art & craft of fashion.

(From UoF lesson –  Creative Draping—2D Draping)

It is therefore with great pleasure that we are showcasing the talents of sustainable fashion designer/artist/entrepreneur Fiona Liu. View her new lesson, Draping a Cascade Ruffle Skirt and check out her many other lessons for University of Fashion.

Fiona is a lifelong student of fashion and her passion is to create. Ever since she was a young girl at the foot of her grandmother’s sewing machine in rural China, Fiona has had an instinct for fashion. Her interest was amplified by her rich experience in sales, marketing, and management – a fusion of business skills, professional maturity and a sense of entrepreneurship while working with  internationally-focused companies and clients in China. Originally self-taught in the areas of sewing, draping, drawing, illustrating, pattern making and portfolio, Fiona’s mission to professionally pursue fashion led her to Parsons for formal training. Upon graduating with a fashion design degree in 2017, she has been developing her own brand, dedicated to no-waste sustainable design.

(Fiona won The Twelfth Independent Handbag Designers Award in The Most  Green Handbag category, presented by Handbag Designer 101 in 2019)

At University of Fashion, Fiona shares her knowledge in more than 13 lessons in the areas of pattern making, draping and zero-waste design. To learn more about Fiona, check out her Instagram fionafangyuliu

Here’s a sampling of Fiona’s most popular lessons:

(From UoF lesson –  Drafting a Kimono Bodice with Gusset)

 

(From UoF lesson –  Draping a Pleated Raglan Sleeve)

(From UoF lesson – Drafting a Princess Puff Short Sleeve)

 

(From UoF lesson  –  Drafting a Portrait Collar Jacket)

(From UoF  lesson – Drafting a Leg O’Mutton Sleeve)

LEARN HOW TO DRAW CASCADE RUFFLES

View these lessons by our very own fashion illustrator extraordinaire, Roberto Calasanz.

(From UoF lesson – Drawing a Cascade Skirt Ruffle by Roberto Calasanz)

 

(From UoF lesson – Drawing a Cascade Neck Ruffle by Roberto Calasanz)

Let us know how you’ve creatively used cascade ruffles in your designs!

EMBRACING GENDERLESS FASHION

Gucci’s creative director Alessandro Michele help celebrities embrace the gender-neutral trend. (Photo Credit: GQ)

Trends come and go, but we believe that the androgynous trend is here to stay, at least for now. As a fashion movement, genderless dressing is gradually making its way into mainstream culture as the trend is hitting the major fashion capitals of the world. Thanks to many young celebrities and fashion designers, people of all genders are breaking convention with what they choose to wear. 0

UoF was the first to offer a lesson in androgynous fashion illustration in 2017 and it’s been one of our most popular lessons for the past four years.

Acceptance, inclusivity and an openness to change are fashion’s gift to 2021. This year is predicted to be all about reinvention and the gender-fluid movement. Think recording artist, Harry Styles, the poster child for androgyny. His gender-bending looks have been puzzling his fans for the past few years. The movement is now picking up  steam with many non-gender collections being launched by established brands such as Marc Jacobs and Gucci.

 

Harry Styles (Photo Credit: theguardian.com)

Although one could argue that celebrity androgyny can be traced as far back as the ‘30s with Marlene Dietrich and Katharine Hepburn, and in the ‘70s with Dianne Keaton and David Bowie, today’s celebs like Harry Styles, Tilda Swinton and Jared Leto are really pushing the envelope. In fact, some celebrity stylists are moving their clients away from a masculine-feminine divide to more ‘inclusive’ dressing choices. After all, inclusivity is the new buzzword.

Marlene Dietrich, genuinely loved wearing trouser suits, and said she felt more alluring in traditionally masculine clothes. (Photo Credit: Getty Images)

 

Katharine Hepburn epitomized the independent American woman, and she was one of the first to popularize pants. (Photo Credit: Getty Images)

 

Actor and singer Jared Leto’s style has grown more and more daring. Leto has claimed that there is no singular definition of masculinity. (Photo Credit: Getty Images)

While the majority of retailers, brands and designers have reacted slowly to the movement, many are starting to come around. The cashmere knit collection Inhabit launched its first genderless collection in the fall of 2020, Norma Kamali reformed her storied brand to a unisex label in 2019, Umit Benan launched unisex line B+ and Equipment launched a gender-neutral collection in 2020.

There are also a number of brands who are strictly genderless labels such as Telfar, Aries, Les Tien, Gypsy Sport and Charles Jeffrey Loverboy. In 2018, Stefano Pilati introduced a fluid men’s wear label Random Identities. Even global giant retailers like H&M and Zara have incorporated genderless collections in their stores.

According to Rob Smith, the founder of Phluid Project (which launched in March of 2018 in NYC and online for access worldwide as a gender-free fashion brand), “Consumers are ready for genderless fashion, especially Gen Z consumers”  Smith said, at a WWD Culture Conference in November 2020, “that 56 percent of Generation Z consumers shop outside their assigned gendered area.”

For merchants to adapt to gender-neutral fashions, retailers must re-evaluate their merchandising strategies, designers must reexamine what a genderless collection actually is, and the industry must learn the language and terminology.

During the WWD Cultural Conference Smith used a character called the “Gender Unicorn” to demonstrate the proper way to address gender and sexuality. According to WWD, Smith spoke of five things related to identity, including the sex one is assigned at birth, gender identity, gender expression, who one is intimately attracted to and then who one is emotionally attracted to.

According to Smith, the parts that are pertain to fashion are gender identity and gender expression. To begin, a person can be assigned one of three sexes at birth: male, female, or intersex. Then comes gender identity, which is what one identifies themselves as and gender expression, which is how one dresses to express themselves. Smith started his speech identifying himself as a “cis man,” meaning he was assigned male at birth and identifies as male.

Smith explained at the conference that when he was young, sexuality and expression were lumped together, “but now it’s all about separating your sexual orientation with your gender identity.”

In an interview with WWD, Christina Zervanos, head of public relations at Phluid Project, said the non-binary consumer “combats the word unisex, because it has the word sex in it. For a lot of people, it speaks to sexuality when it’s about how you identify yourself.”

“Gen Z is begging for the non-binary language,” Zervanos said. “It takes a lot of learning and unlearning.” According to Pew Research Center, 35 percent of Gen Z is familiar with gender-neutral pronouns, followed by Millennials at 25 percent. Throw in Gen X at 16 percent and the total number of people familiar with gender-neutral pronouns reaches 76 percent.

Smith also said at the conference, “If I was going to represent a young community, especially a gender-expansive young community, I need to learn the language.”

Many brands are implementing the language, refer to their gender-neutral collections as genderless, like Official Rebrand, the genderless label from non-binary designer and creative MI Leggett. They coined the term “gender-free.”

“Gender is not a fixed thing,” said Leggett in an interview with WWD, whose pronouns are they/them. “I’d never heard people use the term gender-free when I started the brand. It’s kind of a play on gluten-free. If you don’t tolerate gluten, you don’t have to consume it, so I thought it was a funny play. A lot of people use gender-neutral. That feels a little stale to me. Free implies more freedom. Agender, genderless, there’s so many ways to describe your ideology as a brand. It all depends on what you actually mean. So to me it’s gender-free.”

Fashion companies are falling into the trap of creating looks and calling them “genderless” even though a piece may lean more toward men’s wear or women’s wear. Typically, genderless clothes are either oversize, formless, and shapeless. For years women have worn men’s wear as well as men’s inspired looks that today, it became mainstream.

Kanye West in a Givenchy by Riccardo Tisci leather kilt for his “Watch the Throne” tour. (Photo Credit: The Telegraph)

Unfortunately, men embracing woman’s garments did not translate as easily. In 2010, Kanye West wore a Givenchy by Riccardo Tisci leather kilt for his “Watch the Throne” tour, unfortunately his fashion choice received mixed reviews. In 2016, Louis Vuitton cast Jaden Smith (Actor Will Smith’s son) for its woman’s spring campaign, this was the first time the luxury house had a male modeling in their woman’s advertisements. There were many mixed reactions as celebrity men started wearing more fluid fashion choices. But Harry Styles changed the conception in 2019 when the singer wore a sheer Gucci blouse to the Met Gala and genderless fashion quickly started to move into the cultural mainstream.

Harry Styles cemented himself as a fashion icon in 2019, in his frilled Gucci shirt and pearl earrings at the Met Gala. (Photo Credit: Getty Images)

Toda, the category of genderless fashion is growing. One of the first designers to launch a unisex, gender-neutral brand is Rad Hourani in 2007. The designer created his label after he held an art exhibit for neutral clothes, which he described in an interview with WWD as “a tornado success where I started selling to department stores around the world.” Hourani noticed after moving to Paris at age 23 that all things were categorized according to “race, gender, age,” including fashion.

Rad Hourani surrounded by models in his looks. (Photo Credit: Elle Canada)

“When I speak of neutrality, I speak of any gender or non-gender,” he said. “Unisex is free of any gender categorization or limitation. Clothing is a discipline in which I can express myself and my vision around neutrality in general. Expressing gender neutrality is a big part of what I do. There have been unisex pieces like sneakers, jeans, T-shirts, but to create a full high-end collection for 13 years now, I needed to create my own base and sizes.”

“In the past two years, [genderless fashion] became a bigger subject, but what I notice the most is they use designs that are loose-fitting, but I think it’s a much deeper look at unisex morphology. There’s nothing new about making a woman masculine or a man feminine. That’s not unisex, that’s making one the other,” Hourani said. “For androgynous, you can’t tell, but it’s not unisex. Unisex is free of any gender categorization or limitation.”

He also sees genderless fashion as less restrictive than gendered fashion. “If you only give a man a dress, you’re only limiting him to a dress. But if you give a human a neutral garment, they will wear it any way they want.”

POPULAR GENDER-FLUID DESIGNERS

Gender-neutral looks from Entireworld. (Photo Credit: Entireworld)

Entireworld offers all of the basics you need to build a solid gender-neutral wardrobe.

Bode’s unisex one of a kind reworked quilt pastel jacket. (Photo Credit: Bode)

Emily Bode utilizes vintage textiles to create one of a kind jackets and shirts you’ll want to keep forever.

A look from Telfar. (Photo Credit: @slamjammilano)

The Telfar shopping bag has created so much buzz, but Telfar Clemens doesn’t only create sought after accessories, he also has some great fashion pieces too.

A look from Wales Bonner. (Photo Credit: Wales Bonner)

Grace Wales Bonner is the designer behind the gender neural label Wales Bonner. The brand is known for its impeccably tailored blazers and trousers, all with an unexpected sartorial edge. Wales Bonner also teamed up with Adidas for a limited collab, offering up a range of sporty spice looks.

A look from Wildfang. (Photo Credit: Wildfang)

Two Nike executives created the label Wildfang which offers a range of workwear, suits, tees, and more, all of which offer the pared-down, structured look that’s often found in the men’s department.

 

SO TELL US, WILL YOU EMBRACE THE GENDER-FLUID TREND?