Designer/Stylist Law Roach and Zendaya in Vera Wang, winner of the Fashion Icon Award. (Photo Credit: Vogue)
Fashion’s second biggest fashion event (the MET Gala being the first) happened on Wednesday November 10th, the CFDA Awards. Some of the biggest names in fashion attended an in-person extravaganza for industry insiders at the Pool + the Grill, located in the Seagram Building on Park Avenue in Manhattan. The mezzanine, in the back of The Grill, proved the perfect perch from which to ogle the guests. The energy of the night was filled with excitement and awe. All of fashion’s heavy hitters were in attendance, as well as some very well-dressed celebrities.
CFDA Chairman and designer Tom Ford and Dapper Dan, winner of the Geoffrey Beene Lifetime Achievement Award . (Photo Credit: Vogue)
“I’m so happy to be back at a fashion gathering,” said Tom Ford to Vogue Magazine as he stepped away from cocktails for a moment to reflect on the evening. “I’ve been Chairman of the CFDA for almost three years and this is the first CFDA Awards I’ve been able to host.We wanted it to be much more intimate, but still very chic.”
Hostess Emily Blunt in Christopher John Rogers. (Photo Credit: Shutterstock)
The award ceremony, hosted by British actress Emily Blunt (of Devil Wears Prada fame), was held in front of a live audience and a troupe of celebrity presenters (last year’s ceremony was all digital due to the COVID-19 Pandemic). Some of the honorees were announced ahead of the awards ceremony, such as Zendaya winning the Fashion Icon Award, as well as Anya Taylor-Joy winning the first ever Face of the Year Award.
But, let’s face it, if it weren’t for their fashion stylists, would these gals have won these awards? Case in point, this year’s The Hollywood Reporter Top Stylist of the Year Award went to Law Roach (who also works with Anya Taylor-Joy, Kerry Washington, Tiffany Haddish, Priyanka Chopra Jonas, Aldis Hodge, Tom Holland and Hunter Schafer). Read about the 12 stylists that you should be following on Instagram: https://www.crfashionbook.com/fashion/a36632100/12-stylists-you-should-be-following-on-instagram/
Anya Taylor-Joy in Oscar de la Renta and Gigi Burris hat. (Photo Credit: Getty Images)
Tom Ford’s mission for the 2021 CFDA Awards was to promote the talent that America has to offer. “I’m excited to show how American fashion has impacted the rest of the world, whether the rest of the world is ready to acknowledge that or not,” he said to Vogue Magazine. “That is my goal, to help the rest of the world understand how much they have taken and how much America has given to fashion globally.”
Demna Gvasalia, the creative director behind Balenciaga, and winner of the International Womenswear Designer of the Year Award couldn’t have agreed more with Ford. “American fashion has had the biggest impact it could have on someone like me. I was a Soviet kid who grew up in a country where people didn’t even know that fashion designer was a profession,” he said, holding his CFDA statuette. “The first time I discovered that you could be a fashion designer was when I discovered Tom Ford, when I was 10 or 11 years old. My dream of fashion actually began with discovering Tom Ford.”
Paloma Elsesser and Demna Gvasalia, winner of the International Womenswear Designer of the Year Award . (Photo Credit: Vogue)
“It’s not something I ever could have dreamt of to be here tonight and to have this kind of award,” Gvasalia continued. “I feel like I’ve been fighting for my place in fashion and to receive this award today, it’s like three years worth of therapy in some way. It’s the most amazing feeling, to feel heard, seen, and understood, and that’s what this award represents to me. It’s amazing. I don’t feel alone anymore.”
Feeling seen and accepted was a common theme throughout the night. Emerging Designer of the Year winner Edvin Thompson of Theophilio stated after his win, “It represents my community, Jamaica, and really carving out a space in the fashion industry to tell our stories.”
Sara Ziff, founder of The Model Alliance, and winner of the Positive Social Influence Award. (Photo Credit: Vogue)
Sara Ziff, the founder of The Model Alliance, received the Positive Social Influence Award. The award gave the former model the opportunity to continue the discussion around models’ rights. “It’ll be a decade [since I started the Model Alliance] in February so it’s been quite a long road. Of course it’s nice to be recognized, but I wanted it to be meaningful and that’s why I used the opportunity to ask the industry to step up and do better,” she said of the decision to ask Carré Otis and Beverly Johnson to share their stories of abuse in the modeling industry before presenting Ziff with her CFDA trophy. “What keeps me going is I know that we’re on the right side of history,” Ziff stated.
Aurora James received the Founder’s Award in honor of Eleanor Lambert .(Photo Credit: Vogue)
Aurora James, the Creative Director and Founder of luxury accessories brand Brother Vellies, as well as the founder of the Fifteen Percent Pledge (James became an advocate for Black businesses). After receiving the Founders Award in Honor of Eleanor Lambert from Vogue’s Anna Wintour, James reflected on her award. “I am over the moon to receive this award; it means so much. The amount of emotional capital that I spent over the past 18 months working on the Fifteen Percent Pledge and that my whole organization spent relentlessly day in and day out fighting for economic equality—it just feels so incredible to be acknowledged in this way for all the hard work that we’ve done,” she said.
Iman and Zendaya, the winner of the Fashion Icon Award. (Photo Credit: Vogue)
The winner on the Fashion Icon Award, Zendaya, was nearly speechless after receiving her award from Iman, listing the model, Cher, Diana Ross, and her grandmothers among her own fashion icons. “I’m speechless,” Zendaya said with a stunned smile. “I just got an award and Iman gave it to me! I’m still not over that.”
Emily Bode Aujla is the winner of the Menswear Designer of the Year Award. (Photo Credit: Vogue)
The final two awards of the night went to Emily Bode Aujla who won for Menswear Designer of the Year and Christopher John Rogers for Womenswear Designer of the Year. “It’s so inspiring to see all of the change that all of the people in this room have created,” said Bode Aujla as she revealed that she will be opening a west coast store. “Something that I’ve bet on is retail. Our New York store is surpassing our online right now by 30%,” she added.
Womenswear Designer of the Year winner Christopher John Rogers. (Photo Credit: Vogue)
Rogers is also focusing on the future of his brand, “The sky’s the limit. We’re really about intentionality at CJR and about moving with purpose. Whatever it is next will hopefully be as impactful and full as what we’re doing now.”
Below is a list of all the winners of the most fashionable awards show:
American Womenswear Designer of the Year: Christopher John Rogers for Christopher John Rogers.
American Menswear Designer of the Year: Emily Adams Bode for Bode.
American Accessories Designer of the Year: Telfar Clemens for Telfar.
American Emerging Designer of the Year: Edvin Thompson for Theophilio.
International Women’s Designer of the Year: Demna Gvasalia for Balenciaga.
International Men’s Designer of the Year: Grace Wales Bonner for Wales Bonner.
Fashion Icon: Zendaya.
Face of the Year: Anya Taylor-Joy.
Positive Social Influence Award: Model Alliance.
Founder’s Award in honor of Eleanor Lambert: Aurora James for the 15 Percent Pledge.
President Joe Biden in his signature navy suit and aviator sunglasses. (Photo Credit: @Drew Angerer)
There is no denying that President Joe Biden has nailed the fashion formula throughout his campaign trail, state visits and even during his off-duty sartorial looks. Joe Biden turned 78 on Nov. 20, 2020 and has had a long and successful political career, including two terms as Vice-President of the United States (2009-2017). He is now the most powerful political figure of the United States of America and his clothing choices are being eagerly watched by the fashion industry, who are desperately in need of a shot in the arm (vaccine pun, unintended).
For the most part, men’s suits on the political stage are simply that: men’s suits and not much more. Apart from a pattern on a tie or shirt color, they all look roughly the same. But the truth is that everything from the fit of their shoulders to the size of their shirt collar matters. It can be the difference between looking put together versus wearing unbuttoned oversized baggy suits.
PRESIDENT JOE BIDEN’S INAUGURATION
(Left) First Lady Dr. Jill Biden and (Right) President Joe Biden wearing American Designers on his Inauguration Day. (Photo Credit: Getty Images)
On Jan. 20, 2021, the world watched as Joe Biden was sworn in as the 46th President of the United States of America. President Biden is known for his effortless, classic American style, so it was no surprise that Ralph Lauren designed his suit for this President’s inauguration. Before his big day, WWD published an article announcing that Ralph Lauren would be dressing the President for the inauguration. Sources stated that “Biden has been working with the designer on a suit for the historic ceremony. The custom suit will be made in the recently renamed Rochester Tailored Clothing in Rochester, N.Y., which has been making Hickey Freeman clothing for more than a century.” Throughout the years, Joe and Jill Biden have been regular Ralph Lauren customers. “You can’t go wrong wearing Ralph Lauren,” said one menswear designer to WWD.
As President Biden was sworn in, he was the epitome of classic American style. He wore a navy blue suit and overcoat by Ralph Lauren. In a WWD article, one observer commented, “ This is a symbolic sartorial statement for a return to decorum and upholding the values of America.” President Joe Biden wore a navy, single-breasted, notch lapel, two-button suit, a crisp white dress shirt, and a pale blue tie to coordinate with First Lady Dr. Jill Biden’s Markarian coat and dress look was created by the young American designer Alexandra O’Neill. The color blue was a nod to the Democratic party, according to WWD, a symbol of trust, confidence, and stability. President Biden captured the essence of how a modern day leader of the free world would look like.
Wearing Ralph Lauren was a departure from Brooks Brothers the oldest men’s clothier, founded in 1818, who had outfitted 41 of the 46 American presidents, including Barack Obama during his inauguration in 2009. Due to their failure to adapt to the trend towards slim cut suits and business casual wear, Brooks Brothers fell into bankruptcy last year and was sold for $325 million to SPARC Group, a joint venture between Simon Property and Authentic Brands Group.
Ralph Lauren has a history of nonpartisan dressing, including moments with Michelle Obama and outgoing First Lady Melania Trump. Joe Biden even sported a classic Polo shirt recently to take both of his COVID-19 vaccinations on television.
FASHION CHOICES THROUGH THE YEARS
A young Joseph Biden, wearing a casual short-sleeved shirt, pictured in 1967. (Photo Credit: Twitter)
Joe Biden’s political career began in 1970 when he was first elected to a county council seat in Delaware. The law graduate and public defender worked as a senator and launched his first presidential campaign in the 1980s. In 2009, Joe Biden became the Vice President under Barack Obama, the two were a political dream team and had the cool-guy swagger that elevated the menswear game. Biden served as VP of the United States for two terms, ending his post in 2017.
President Joe Biden and former President Barack Obama sharing a laugh and looking dapper. (Photo Credit: barackobama.medium.com)
Throughout his numerous years in political office, Biden has, naturally, refined his work wardrobe, moving from bolder prints and heavier fabrics to cleaner-cut tailoring and the occasional relaxed, open-necked shirt. The President also has embraced accessories to define his style, from his signature aviator sunglasses to funky print socks. President Biden has also been seen throughout his campaign wearing a face-mask, to protect not only himself, but everyone around him.
President Joe Biden in his elegant sartorial look and face mask . (Photo Credit: Getty Images)
When not on the campaign trail, President Biden has also been known to dabble in leather jackets, short-sleeved shirts and his signature aviators. A relaxed preppy vibe with a modern twist.
InStyle Magazine’s 2017 spread on Joe Biden. (Photo Credit Mario Sorrenti)
Here are some of Biden’s looks throughout the years:
Joseph Biden, in stripes and polka dots, checks in at the office of the Secretary of the Senate on December 13, 1972. (Photo Credit: Getty Images)
Joe Biden, in a slick tux, pictured at an event on July 14, 1987. (Photo Credit: Getty Images)
Joseph Biden, left, in a casual shirt and aviators, receives a briefing at the border village of Panmunjom, South Korea, on August 11, 2001. (Photo Credit: Getty Images)
Joe Biden, in midnight blue, visits the Melbourne Cricket Ground on July 17, 2016 in Melbourne, Australia. (Photo Credit: Getty Images)
BIDEN’S STYLE TODAY
Joe Biden, in his favorite color of suit, navy, and his wife, Jill Biden, attend at his election night event at the Chase Centre in Delaware, US, on November 3, 2020. (Photo Credit: EPA)
Today, President Biden is one of the best dressed politicians in the United States. The President is known for wearing a well-tailored classic cut suit, which makes sense given his physique (slim and tall). To the unqualified eye President Biden’s suits might appear to fit a little on the large side, but the slight pull at his top button and the way the back of his jacket collar sits flush against his shirt collar indicate a well-fitted suit.
For the most part President Biden sticks to what works best for him. His suits are usually navy, although occasionally he pushes himself out of his comfort zone and wears black or khaki tones. It seems that the President also prefers to wear crisp white shirts, which give him a sleek and refined look.
President Joe Biden supports his local community. For years he has been working with his local tailor in Wilmington, Delaware and occasionally orders custom shirts from Wright & Simon, a narrow shop on Market Street. Leonard Simon, the shop’s proprietor, has plenty of selfies with the President, but Simon laughs in an interview with the local paper Northjersey.com; “The pictures are in my phone. That’s where they will stay,” said Simon, 71, whose father, Morris Simon, cofounded Wright & Simon in 1935. “I’m a small store in a small state. I have to have discretion.”
Custom suits created at Wright & Simon are beautifully tailored and fit to perfection on their clients. Leonard Simon boasts that his clients can receive a perfectly tailored suit at a fraction of the cost of a designer version. Wilmington is not a $3,000-suit kind of town. At Wright & Simon, a customer can purchase a custom fit and press suit in their tailoring shop above the store for $795. Now that’s a bargain!
President Biden also perfected the art of accessorizing with his cool signature Ray Ban aviator sunglasses, dapper pocket squares, sleek facemasks, elegant repp ties (repetitive woven ribs of the silk tie fabric) and playful socks.
A pair of American Flag themed socks that Joe Biden has worn in the past. (Photo Credit: HuffPost)
PRESIDENT BIDEN BRAND CHOICES
President Biden mostly chooses his suits from his local tailor shop in Wilmington, Delaware for a moderate price, and the tailoring is impeccable; former President Trump on the other hand has his suits custom made by the Italian luxury brand Brioni for a whopping $3,000.
According to Patrick Henry, better known as LA designer/tailor ‘Fresh’, a slimmer, more tailored fit reads more youthful and modern like those worn by Biden, while a larger and more relaxed suit like that of former President Trump, may speak to a different audience.
According to Fresh, President Biden’s pants are a perfect choice for his silhouette. “Biden’s break sits right at the top of his shoe. “Even though he’s moving and walking, you can still see it hits right at the top. He’s not showing his whole sock off, he’s not trying to look super cool or like a teen, the whole leg fits great.”
Ultimately, Fresh said the tailoring on President Biden’s suits and details like pocket squares make him look more youthful, confident, and ready.
“The presidency isn’t about health and physical fitness, but Biden looks like a young man, like he could go toe to toe with anyone,” he said. “He looks confident and, in my opinion, gives a look of readiness. Whereas a more conservative, looser fit looks like he might be ready to go do something else.”
FASHION AT THE WHITE HOUSE
Throughout the history of the White House, the United States has had several very fashionable first ladies and dapper presidents; from John and Jacqueline Kennedy to Barack and Michelle Obama. These political powerhouses brought style and grace to the White House.
Former President Barack Obama and President Joe Biden have plenty of swag. (Photo Credit: The New York Times)
No one has championed young American designers the way Michelle Obama did, so today, designers are becoming excited again for a fashionable-forward president and first lady. In an article in GQ magazine, America’s most influential designers are celebrating President Joe Biden’s sartorial choices.
In an interview with GQ, American fashion designer and CFDA Chairman Tom Ford stated, “Joe Biden is the perfect American president for now. I have always said that true elegance is not about style but about the way that one treats others. And Joe Biden is elegant. He also happens to be sartorially elegant: understated and a kind of calm and self-assurance that comes with age and experience. Slim and long with perfect posture, I find him quite sleek. A dramatic contrast to his predecessor. In fact, a welcome contrast in every way.”
Tom Ford, you captured President Biden’s essence perfectly!
REMINDER – UNIVERSITY OF FASHION HAS A MEN’S PATERN MAKING SERIES TO GET YOU STARTED AS A MENSWEAR DESIGNER
An image from Rodarte’s spring 2021 collection. (Photo Credit: Daria Kobayashi for Rodarte)
The Spring 2021 collections are in full swing as each of the major fashion cities adjust to the new norm. Many have opted for a hybrid model, in-person show and digital format. Earlier this year, the men’s collections, resort and couture, have all shown their collection digitally and the results were mostly considered a flop, at least on social media. According to an article published in BoF on July 27, 2020: “Of more than a dozen major luxury brands that released content tied to men’s fashion week in Milan and Paris, or to their resort collections, none came close to making the same splash on Instagram as the corresponding shows did last year, according to tracking firm Tribe Dynamics. On average, digital shows, videos and presentations generated less than one-third as much online engagement. The all-digital London Fashion Week, which mainly featured smaller brands, also saw a steep drop in buzz, with 55 percent less social media engagement than in January, according to Launchmetrics, another tracker of online activity.” Even the couture season, which offered fanciful films and digital shows did not gain the traction the industry was hoping for.
But before we delve into our coverage of NYFW, we once again ask ourselves, “who are these shows really for”? Traditionally, shows are for buyers, and editors. These industry insiders, attend to show their support for the brands, and to be inspired for the season to come. Of course, as an industry, the organizers of the events, as well as the cities that host them, have much to lose if a brand chooses a digital format. Before NY fashion week began, New York Governor Andrew Cuomo announced that the bi-annual event (which generated millions of dollars in revenue for the city pre-pandemic), would be permitted to take place, as long as participants were in “strict compliance” with New York health and safety guidelines. In a statement made in August, Cuomo stated that “New York City is the fashion capital of the world, and New York Fashion Week celebrates the ingenuity of this city, and our unmatched creative talent,” It’s not just talent (and entire business sectors like textile manufacturing and production) that New York Fashion Week supports. It was/is, also a major revenue source. According to past estimates, fashion shows pre-Covid generated nearly $900 million per year, with up to $500 million in tourist spending.
With the new Covid restrictions, designers began asking themselves, whether it was worth investing all this time and money for a show, when an outdoor event is capped at 50 people and an indoor event capped at 50% of the venue’s capacity.” Well for some designers it was. Case in point, Jason Wu’s tropical paradise show on a NYC rooftop.
A look from Grey by Jason Wu. (Photo Credit: Dan Lecca for Jason Wu)
So, here’s the scoop. The official New York Fashion Week Schedule that was released by The Council of Fashion Designers of America (CFDA) and was condensed to only 3 days this season, as a result of the coronavirus pandemic (dates were September 13-16). The CFDA supplemented NYFW with its Runway360 digital platform, this allowed designers to present their latest collections at a time that worked best for them, at any time throughout the year.
“The COVID-19 pandemic has upended the global fashion industry and hit New York particularly hard,” said Steven Kolb, CEO of the CFDA. “Fashion week is a critical time when brands are able to connect with press, retailers and consumers, and I’m proud of how quickly the CFDA pivoted to support the needs of the industry by creating Runway360. We are excited to see 10 new American brands on the schedule – many for the first time – who might not have had the opportunity to share their collections to a global audience without access to Runway360. We’re also excited to highlight the incredible talent coming out of Harlem’s Fashion Row and announce the return of New York Men’s Day. In the face of unprecedented challenges and uncertainty within our industry, the American fashion community has once again come together to support each other and prove its resilience.”
The New York shows kicked off with Jason Wu’s IRL (in real life) intimate fashion show and ended with Tom Ford; but their where plenty of designers who opted out of this seasons fashion week including Marc Jacobs, The Row, Tory Burch, Proenza Schouler, and Michael Kors, to name a few.
Here are a few ways designers got creative when presenting their collections this season (Shows can be accessed at NYFW.com and through the CFDA’s Runway360)
Jason Wu officially opened NY Fashion Week with the first runway presentation for his contemporary label Grey by Jason Wu. The designer took his intimate audience away on a mental trip to Tulum. Wu created a tropical paradise on a NYC rooftop and it was spectacular. Wu’s joyful collection was filled with effortlessly chic pieces, perfect for today’s world, where woman want to look great and feel comfortable.
The show opened with a rust-colored maxi-dress with pockets and bold broderie anglaise detailing just above the hem, which set the mood for the entire collection. Wu showed pleated skirts with bra tops, easy dresses in bold prints, a striped tunic and matching trouser, and tailored Bermuda shorts and blazers. His collection was filled with happy and vibrant clothes, perfect to brighten the gloomy days of Covid that we are all facing.
Rebecca Minkoff’s Presentation featured fall looks that stayed true to her signature boho-rock aesthetic. (Photo Credit: Randy Brooke for Wire Image)
Rebecca Minkoff presented her fall 2020 collection during a two-hour presentation on the rooftop of Spring Studios. The event had a limited audience of fashion influencers and buyers. The social-media savvy designer livestreamed the event on Instagram and gave her followers a walk-through of her collection which was an ode to Manhattan and Motherhood, translated to effortless pieces with a cool twist. The collection was filled with pretty boho styled dresses, great knit sweaters, chic outerwear, and plenty of badass leather pieces.
HARLEM’S FASHION ROW STYLE AWARDS
A look from Rich Fresh. (Photo :Courtesy of Rich Fresh)
Harlem’s Fashion Row hosted its 13th annual Style Awards and a fashion show virtually on Sept. 13. The video will be made available to the public on Sept. 19.
The Style Awards honored British Vogue editor-in-chief Edward Enninful with the Maverick of the Year Award; Teen Vogue editor-in-chief Lindsay Peoples Wagner with the Editor of the Year Award; Pyer Moss designer Kerby Jean-Raymond with the Designer of the Year award; and Nate Hinton with the Publicist of the Year award.
The organization selected three talented designers to present their collections— Kimberly Goldson, Rich Fresh and Kristian Loren.
A look from Kimberly Goldson. (Photo: Courtesy of Kimberly Goldson)
A look from Kristian Lorén. (Photo: Courtesy of Kristian Lorén)
A look from Khaite’s Spring 2021 Collection. (Photo: Courtesy of Khaite)
It was just over a year ago that actress Katie Holmes wore a cashmere Khaite bra and cardigan look on the streets of New York City and the brand instantly became a must have label among the fashion set. The brand’s leather jackets for fall could hardly be kept in stock. For spring 2021, Khaite designer, Catherine Holstein, kept true to the brands cool girl appeal. Holstein offered plenty of sexy body-skimming knits and seductive ruched dresses, and romantic puff shoulder tops and airy evening frocks. The designer also featured a few of her signature cozy cashmere sweaters that have made her a fashion darling. These are keep-forever investment pieces that are timeless yet modern and youthful.
IMITATION OF CHRIST
A look from Imitation of Christ. (Photo: Courtesy of Imitation of Christ)
It’s been 20 years since Tara Subkoff first presented her theatrical show for her label Imitation of Christ. And after a long hiatus, Subkoff is officially back. For spring 2021, the designer put on simultaneous presentations, one in NYC the other in Los Angeles, but they were not be identical. Each presentation consisted of acapella singers and skateboarders in IOC looks. FYI- Imitation of Christ is known for its one-of-a-kind pieces. Resurrecting existing pieces is the ideology that Imitation of Christ was founded on. No two looks are ever the same.
For spring, Subkoff’s inspiration was skateboarders and created a collection of glamorous activewear. There were vintage slips attached to sports jerseys, and oversized tees with ruffled trimmings.
Subkoff sourced some of her pieces from the luxury consignment ecommerce site RealReal. The site will offer the spring collection for sale in see-now, buy-now fashion, with a portion of the proceeds being donated to Fridays for Future (environmentalist Greta Thunberg’s nonprofit organization).
Looks from Wolk Morais Spring 2021 collection. (Photo: Courtesy of Wolk Morais)
While some designers are just releasing lookbook style images, others like Brian Wolk and Claude Morais, the duo behind the label Wolk Morais, are creating attention grabbing short films. For 26 nights the duo drove around Los Angeles pulling up the homes of several friends in the industry, from models and actors to fashion consultants, handed them a bag of clothes, and then filmed them without ever leaving their car.
In an interview with Vogue, where you can also exclusively watch the video, Wolk explained, “we wanted to create a collection that was not only responsible and sustainable, but also content that tells a story about what’s going on right now.”
The duo stayed true to their specialty: fabulous tailoring. And the collection had plenty of it. Herringbone tweed suits, double-breasted waistcoats, cropped jackets and a slew of Liberty print shirts (all of fabrics were upcycled or sourced within a 12 mile radius of their studio). But among all the haberdashery, there were a few glamorous looks as well. Case in point, a 1930s inspired sequin bias-cut gown, a perfect look for any young starlet.
Tomo Koizumi is known for creating jaw-dropping fashion moments that are so breathtakingly beautiful that one cannot help but feel an emotional connection to. For his spring collection, the avant-garde designer produced a creative lookbook photographed in Japan. Koizumi’s work blends his frothy confections with aspects of traditional Japanese culture. The designer collaborated with a bridal company and was inspired by wedding traditions. There was an assortment of eccentric white gowns with explosions of tulle.
Koizumi also showed plenty of rainbow-hued party dresses, cropped tops and miniskirts – all created with a new ruffling technique which created a more flower or starburst affect. It was all so fun and creative, that one cannot help but smile when looking at his creations.
Living in such uncertain times, the pandemic has forced us all to search our souls and figure out who we want to be moving forward; many believe that the world should not go back to the way it was. It is during these times that we need uplifting, more and art and beauty to inspire us. This season, Ulla Johnson staged a full-on fashion show that was audience-less at Roosevelt Island’s Four Freedoms Park. The backdrop, Manhattan’s skyscrapers, provided a familiar backdrop, a reminder of the strength and resilience of the city, while we all may have lost a lot this year, we are, as Governor Cuomo says, “New York Strong.”
The level of workmanship and the philosophy involved in Ulla Johnson’s intricate collection was best stated by the designer herself. In an interview with Vogue, Johnson stated, “We’ve all been doing a lot of deep soul searching about the relevancy of what we do—the runway being one component, but also just clothing in general. For us we’re committed more than ever to creating this transportive beauty and continuing our commitment to craft.” Consider the collection’s look one and two, which were entirely hand-crafted outside the U.S., in countries heavily impacted by the pandemic and done so safely over a five-month period.
The collection was filled with Johnson’s signature bohemian inspired frocks, acid wash denim jumpsuits, billowing sleeved tops and ruffled waist trousers. The designer delivered a joyous, wearable collection even during the most difficult of times.
A look from Tom Ford’s Spring 2021 Collection. (Photo: Courtesy of Tom Ford)
The spring 2021 trend of joyful clothes continued as Tom Ford closed out New York Fashion Week. After months of isolation, Ford wanted his spring collection to bring hope. According to an interview with Vogue, Ford stated “The last thing I want to see are serious clothes. I think we need an escape. I think we want to smile. I know what’s going on in our world right now doesn’t make us want to smile. So that’s what I’ve done: hopeful clothes that make you smile.”
Ford’s collection was full of glamour and gusto as he found inspiration in a documentary about the fashion illustrator Antonio Lopez and the ’70s models Pat Cleveland and Donna Jordan, whom Lopez sketched. The Seventies inspired collection was a throwback to his days at Gucci, and it was oh so fabulous. The collection oozed sexiness with shirts that were unbuttoned to the navel and paired with pull-on logo waistband trousers, slinky dresses in colorful florals, spicy animal print jumpsuits and glamorous swimsuits and caftans. After all, isn’t over-the-top glam what Tom Ford does best?
Have you been watching the shows? Care to share your fav?
Michael Kors Collection Fall 2020 Show (Photo courtesy of Vogue.com)
In November 2019, The University of Fashion posed the question; “Are Fashion Shows Still Relevant?” that blog post covered the history of fashion shows and why designers still prefer a show. While many argued that fashion shows were an outrageous expense, designers mostly felt that it was worth it if they attracted Instagram Stars and Fashion Bloggers. Today, fashion shows are more about exposure and how many “likes” the’ll get on social media than selling clothes.
This season there were many changes to New York Fashion Week’s calendar. Tom Ford skipped NY and decided to show in LA, Tommy Hilfiger is showing in London, Telfar is showing in Florence and Ralph Lauren is skipping the runway altogether. So, with so much change, it’s not surprising that famed fashion blogger Bryanboy asked if somebody could look into “why NYFW [has] pretty much died?”
While this may seem like an exaggerated question, it’s a valid one, as designers continue to search for unique places and ways to create buzz. They’ve tried live-streaming shows, opening up their shows to the public, showing their menswear and womenswear collections together, and they even tried to entice sales by showing buy-now-wear-now collections (which ultimately failed). But as we all know, today, consumers shop differently, especially due to the internet. And, unlike their predecessors, Gen Zers are more concerned about their carbon footprint and issues surrounding over-consumption than they are about the runway.
So, why should designer’s invest thousands of dollars on a runway show? Well according to Jeffry Aronsson, the former CEO of Oscar de la Renta, Marc Jacobs and Donna Karan, who currently consults luxury brands on growth strategies, told Fashionista, that at its core, “the business case for investing in a seasonal fashion show, or any other fashion event, is that it should get the brand the attention of the market and press.” Aronsson states that the measures of success come in the form of online impressions (including social commentary and likes), editorial coverage (both digital and print) and, though difficult to quantify, word of mouth, which helps raise brand awareness, desire and, hopefully, sales.
Erin Hawker, communications expert and founder of Agentry PR, notes that a brand can get 50 to 100 press hits in one single day globally after a runway show (and even double that if there are big-name celebrities involved), as well as millions of earned impressions on social media. “If you assign an editorial value to shows with or without celebrities, it’s usually in the tens of millions of dollars’ worth of impressions,” Hawker says. “This far surpasses the cost of a show.”
So, designers have been listening carefully to the experts. And for those who chose to a have runway show, those brands pulled out all the stops to make it a memorable; a spectacle that their consumers would enjoy, as they watch the videos and images that blow-up their social media feeds. Oh, and in the end…hopefully generate sales.
Here are some images of the more memorable NYFW shows of the Fall 2020 season:
Tom Ford’s Fall 2020 Los Angeles Show (Photo courtesy of Vogue.com)
In June 2019, Tom Ford took the helm at the Council of Fashion Designers of America (CFDA). Many fashion insiders were upset (Ford is based in Los Angeles), with one calling it a “slap in the face” to New York Fashion Week. In a statement to the Business of Fashion site, Mr. Ford said: “Someone asked me the other day how I could justify showing in L.A. as I am now the Chairman of the CFDA, and I reminded them that CFDA stood for the Council of Fashion Designers of America and not the Council of Fashion Designers of New York.”
Mr. Ford opted to show in Los Angeles because of the Academy Awards, which took place on Sunday night (Feb. 9, 2020) at the start of NYFW. In a statement to Women’s Wear Daily, Mr. Ford said “the excitement in L.A. on that particular weekend” was a big factor in his decision.
As for the show, it was a star-studded extravaganza and one of the biggest pre-Oscar events. Everyone was there from Jennifer Lopez and Renée Zellweger to Miley Cyrus and Lil Nas X to James Corden and Jon Hamm. There were so many power players, that some celebs were even pushed back to the second row.
As for the clothes, they were infused with Mr. Ford’s signature glam, mixed in with streetwear elements. Case in point; a chic oversized leopard print coat, worn over a sweatsuit. The collection also featured plenty of menswear inspired high-waisted, baggy trousers paired with logo sweatshirts and topped off with terrific outerwear. For evening, Mr. Ford turned up the glitz with bold colored turtleneck sweaters paired with sequin maxi skirts, delicate lace dresses and a show-stopping crystalized halter gown.
This extravaganza was anything but the traditional runway show.
Rodarte Fall 2020 Show (Photo courtesy of Vogue.com)
Laura and Kate Mulleavy have always been inspired by theatrics and Hollywood for their beloved label Rodarte. For Fall 2020, the sisters looked to vampires for inspiration, more notably, Bram Stoker’s 1897 novel Dracula, which in turn inspired—Francis Ford Coppola’s indelible 1992 adaptation of the book, starring Winona Ryder. The sisters found the perfect setting as the backdrop to the gothic tail; a dimly lit St. Bartholomew’s church in Midtown Manhattan.
While the Mulleavy sisters created a cinematic goth setting, the clothes were anything but. The collection featured a nod to the forties with playful polka-dot dresses, dramatic pouf sleeve blouses and bold floral gowns. Then, things became dramatically dark and sinister with cobweb embellishments on a few gowns, as well as black fringe capes that resembled clumps of witches’ hair. Laura and Kate Mulleavy returned to their gothic roots in a fashionably haunting way.
Tory Burch’s Fall 2020 Show (Photo courtesy of Vogue.com)
Forever the art aficionado, Tory Burch chose the iconic Sotheby’s as her latest show venue as models strutted among the auction merch. It was the ideal location for her Fall 2020 collection as it was a happy jolt of vivid floral prints in everything from tailored suits to cozy sweaters and everything in between. Burch was inspired by the Francesca DiMattio’s ceramic sculptures (which were situated on the runway) and had the artist design many of the floral prints found in the show. Bravo Tory Burch for creating such a joyful collection in these unsettling times.
Brandon Maxwell’s Fall 2020 Show (Photo courtesy of Vogue.com)
One can always expect to have fun at Brandon Maxwell’s show. In the past he even served Shake Shack to editors before his show. For Fall 2020, the celebrity stylist-turned-designer did not disappoint. He showed his youthful eveningwear at the American Museum of Natural History with their iconic dioramas of ‘taxidermied’ moose and grizzlies. It was like a genuine slice of Americana. Maxwell also offered plenty of daywear this season with beautifully tailored outerwear, chic knits and low-cut trousers. For night, there were a few sheer numbers that felt out of place, but overall, this was a strong show, one that proves Maxwell is more than just a red-carpet designer.
Debbie Harry Performs at the Coach Fall 2020 Show (photo courtesy of Getty Images)
Coach’s Creative Director, Stuart Vevers, likes to draw inspiration from artists and has often incorporated their work into his collections. In the past, he’s featured works by Keith Haring (Spring 2018), Kaffe Fassett (Fall 2019) and Richard Bernstein (Spring 2020). For Fall 2020, he referenced Jean-Michel Basquiat — not just by weaving his drawings into his ready-to-wear and accessories but also by bringing some of his family members to the show. The late artist’s niece, Jessica Kelly, actually walked the runway! She, and the rest of the models, made their way across a warehouse-turned-runway — meant to replicate the feel of a city loft — all while the legendary Debbie Harry performed on stage.
CHRISTOPHER JOHN ROGERS
Christopher John Rogers Fall 2020 Show (Photo courtesy of Dia Dipasupil for Getty Images)
Recent CFDA/Vogue Fashion Fund Award winner, Christopher John Rogers, brought back old-school glamour but with a modern twist for his Fall 2020 collection. His gowns were bold and vivid, perfect for young scarlets wanting to stand-out on the red carpet.
Rogers infused saturated hues into his collection and is fast becoming known for his shapely silhouettes. Think balloon sleeves, voluminous skirts and innovating draping – all in oversized, exaggerated shapes.
Marc Jacobs’ Fall 2020 Show (Photo courtesy of Vogue.com)
Everyone looks forward to the end of NYFW because of the Marc Jacobs show. For Fall 2020, the designer didn’t disappoint. The show began with a surge of energy. Dancer/choreographer Karole Armitage, found the spotlight in the darkness of the Park Avenue Armory and reminded us that, why in the 80s, she earned the nickname the “punk ballerina.” Although her performance was brief, it was electrifying. Following Armitage, a crew of dancers followed, creating an entertaining and engaging backdrop; the dancers were clad in Marc Jacobs dance pieces, such as bras, slip dresses, skirts, basic T-shirts and black pants.
As for the clothes, it was a nod to the Sixties – Jackie Kennedy, Rosemary Woodhouse, the mods – all with a touch of nineties minimal. It was pure Marc in the early days of his career. He showed three-button A-line coats, pastel minidresses with matching jackets, tailored suits and simple sweaters worn over straight leg trousers; Miley Cyrus made an appearance on the runway wearing a black bra and trouser. For evening, Jacobs created a number of sequin sheath dresses in a variety of colors and a pink opera coat worn over a gown with a tiny bow at the bust that had Jackie Kennedy written all over it.
It wouldn’t be NYFW without a bit of controversy, right (in addition to Tom Ford showing in LA, Tommy Hilfiger in London and Jeremy Scott in Paris)? Well, thanks to a New York Times article, we learned that NYFW shows leave the biggest carbon footprint when it comes to travel, buyers, and brands.
New CFDA President Tom Ford Photo courtesy of LA Times
The recent changing of the guards at the helm of the Council of Fashion Designers of America (CFDA) from 13-year-veteran Diane von Furstenberg to international design superstar Tom Ford, has the American fashion industry abuzz with what’s next for a fashion market that seems to have lost its way in recent years. Read More
In fashion, we tend to overlook the menswear industry. It doesn’t change as much with the seasons and is all about the details, the fit and the fabrics. For some, it is not as interesting as the womenswear… until now. Menswear has been growing faster than womenswear and is expected to reach $33 billion by 2020. That’s why it is extremely important, as a designer or retailer, to learn about this segment of the industry.
The University of Fashion has recently launched its menswear discipline, so before checking out our lessons, how about taking a trip down memory lane to understand how the menswear industry has evolved?
Men’s fashion was initially functional in purpose. Paleolithic nomads used animal skins as protection from environmental conditions. The Ancient Egyptians provided the first signs that men’s clothing could made the leap from function to fashion. In this period, clothing and accessories began to serve as key symbols of rank and fortune.
Later on, the wealthiest men adopted tunics, and this trend continued with the toga in Ancient Greece and Rome, as well in the Middle Ages. During these periods, the essential item was the fabric, made of the finest materials.
Courtesy of Flickr and Chatirygirl
A big shift in menswear followed the American (1775-1783) and French (1789-1799) Revolutions, when fashion became understated and “undress” was the popular opposition to the abundant adornments that defined aristocracy. While men continued to wear the waistcoat, coat and breeches of the previous period for both full dress and undress, they were now made of the same fabric, signaling the birth of the three-piece suit. The early 1800s saw the final abandonment of lace, embroidery and other embellishment from serious men’s clothing and it became gauche to dress like an aristocrat.
In Britain, Beau Brummell, a trendsetter of the time, was credited with introducing and making the modern man’s suit and necktie fashionable. Savile Row, or “The Row” as it is commonly-termed, became the center of traditional bespoke tailoring. This trend led to trousers that are popular in menswear today and have been for the past 200 years. What Paris was to women’s fashion, London was to men’s. After the American Civil War (1861-1865), standardized sizing in men’s clothing introduced the concept of mass-production, with less individual tailoring, and the necktie was introduced by 1880.
Frock Coat (Courtesy of He spoke style)
Bea Brummel (Courtesy of He Spoke Style)
During the 1900s, the United States took an even less formal approach to fashion when they introduced the ‘sportswear’ trend. With the invention of the automobile, American fashion landed in England and the dinner jacket, a more leisurely attire, became popular among the younger generations.
Another big American fashion influence at the time was jazz music. A new generation of men were rebelling against the traditions of their fathers and clothing inspired by the Jazz Age was born, consisting of tight-fitting suits. America became the center of the men’s fashion world and modern fashion was here to stay. Blazers became popular for summer wear, the tuxedo was the jacket of the night, and the Zoot suit was popular in the nightclubs of Harlem. The “gangster influence” in suits was also an important trend. Fashion for men became a display of their personality and environment.
Zoot Suits (Courtesy of Vintage dancer)
Casual Menswear Emerges
By the late 1940s and early 1950s, beginning with the introduction of the Hawaiian shirt, California surfer culture emerged and is ever present in men’s fashion even today. Another 50s trend was the “preppy look,” consisting of clothes worn by men at prep and Ivy League schools, such as button-down shirts, golf shirts, chino pants, and loafers. Other trendsetters in the 1950s included Elvis Presley and the British Teddy Boys. The key to these new fashion trends was comfort with personality, each trend helping to define the ‘tribe’ or subcultures to which a man chose to belong.
The 60s & 70s
The 1960s brought Italian fashion to the forefront. Brands emerged that were able to compete with the bespoke tailors of Saville Row. Still relevant among that group initial group are Brioni, Nino Cerutti and Ermenegildo Zegna.
With the ‘British Invasion’ of the 60s came another important influence, Collarless, cylindrical suits created for the Beatles by Pierre Cardin and Douglas Millings were all the rage and helped usher in the ‘mod look’ and later the ‘psychedelic look.’
By the 1970s, ‘disco style,’ popularized by the movie “Saturday Night Fever” and ‘punk style’ from London, brought a new generation of menswear consumers into the marketplace. The concept of individuality and personality was fundamental to this period and continues today.
Princeton 1950’s (Courtesy of Google Life archives)
10 years of Beatles style (Courtesy of Mauro Amaral)
The 80s Impact
The 1980s became known as the ‘decade of excess,’ as Baby Boomers and Yuppies placed importance on ‘status’ and ‘luxury.’ In the movie American Gigolo, Giorgio Armani designed relaxed, yet elegant, deconstructed suits that epitomized the sexy, wealthy young man (played by Richard Gere), as the “playboy” of the time. This trend was in contrast to the emergence of streetwear looks associated with the ‘breakdance’ movement, which consisted of sneakers, shoes with thick, elaborately patterned laces and colorful nylon tracksuits.
The 90s Clean & Classic
As a backlash to 80s ‘bad taste,’ the 1990s represented the clean, pared down era, a time when menswear returned to beautifully tailored suits in classic colors, especially those from Helmut Lang, Ermenegildo Zegna, Hugo Boss, Nino Cerutti, Giorgio Armani and Ralph Lauren. The term “metrosexual” was coined by British journalist Mark Simpson as the trait of an urban male of any sexual orientation (usually heterosexual) who has a strong aesthetic sense and spends a great amount of time and money on his appearance and lifestyle. Italian suits were the basis for luxury and high-quality dressing. The Armani suit dressed the businessman throughout the decade until “business casual” took over in the mid-to-late 1990s. Other trends went in and out of fashion during this decade including the grunge look and a return to punk style, although this time known as ‘cyber punk’ and ‘hip-hop style,’ inspired by street culture. In an ironic move, the preppy look made a comeback in the late 90s, closely associated with the Tommy Hilfiger clothing line, which emulated the more expensive preppy look pioneered a decade earlier by Ralph Lauren.
Richard Gere in Armani from the movie American Gigolo (Courtesy of Classiq me)
Break Dancing (Courtesy Getty images)
New Millennium – A Look Back & Forward
The new millennium began with a retro influence, a mixture of the best elements of all previous fashion eras. Once the first major American corporation Alcoa sanctioned casual office attire in 1991, it wasn’t long before “casual Friday” was replaced with “casual everyday” as most companies loosened their dress code restrictions, with the exception of the legal and financial professions and those requiring uniforms.
In 2000, designer Hedi Slimane introduced the ‘ultra-skinny silhouette’ at Dior and mainstreamed them later at Saint Laurent – ushering in a seismic shift in the menswear industry.
In 2006, American designer Thom Browne burst onto the menswear stage with his ‘short length suits.’ Sports, performance apparel and the new athleisurewear category, continue to play a major role in men’s clothing.
As designers attempt to blur the lines between men and women’s fashion, such as J.W. Anderson and his ‘shared closet’ concept, the androgynous fashion movement continues to be explored.
With a booming economy bespoke tailoring is enjoying a comeback. New bespoke tailors are gaining popularity, with brands such as Ozwald Boateng (British-Ghanian descent) and Musika Frère (American), whose suits are offered in unusual colors and patterns, and whose client list includes, Jay Z, Michael B. Jordan, Stephen Curry, Kevin Hart and even Beyoncé.
In 2018, John Galiano introduced the world to ‘men’s couture’ with his Artisanal bias cut suits for Maison Margiela.
Hedi Slimane – Skinny jeans (Courtesy Dior Homme)
Today, the top designer menswear brands are truly an international set. Among the top 10 are: Tom Ford (American), Gucci (Italian-Alessandro Michele), Neil Barrett (British), Thom Browne (American), DSquared2 (Canadians -Dean and Dan Caten), Dolce & Gabbana (Italian), Moncler (French), Louis Vuitton (French house-American designer Virgil Abloh), Prada (Italian) and Balmain (French-Olivier Rousteing).
Menswear has certainly evolved, from a rigid, controlled look, to one that is more casual, more personal and more connected to today’s lifestyle. Yes, menswear doesn’t change radically, but its evolution definitely shows that men are using fashion to express who they are now. Men who are freer to be themselves, men who are more comfortable in their own skin, and who are using fashion for self-expression, makes the future of menswear an exciting proposition.
Louis Vuitton by Virgil Abloh (Courtesy of Louis Vuitton)
Care to share who are your favorite menswear designer/designers of all time?
New York Fashion Week 2018 has ended and what a newsworthy season it was!
Prabal Gurung’s fall 2018 Collection (Photo courtesy of Vogue.com)
It seemed only fitting that the ’80s’ were ‘in the air’ this season as many of America’s designer icons who rose to fame in that era, have either sadly passed away (Oscar de la Renta, Geoffrey Beene), or are retiring (Calvin Klein, Donna Karan). On Monday, February 12th, it was Carolina Herrera who gave her final runway bow, lovingly surrounded by her atelier team. Venezuelan-born Herrera launched her fashion brand 37 years ago, catering to the ‘uptown ladies who lunch’ crowd. In true Herrera fashion, her final show was a colorful rendition of her signature looks – crisp white shirts paired with wide belted-ballgown skirts in a rainbow of colors. Just as her clientele has aged, so has that look. It will now be up to designer Wes Gordon (raised in Atlanta- graduated Central St. Martins 2009 – interned at Oscar de la Renta and Tom Ford) to breathe new life into the label. It was a very touching moment at the show when Gordon presented Herrera with a bouquet of red roses.
Carolina Herrera’s final bow at her Fall 2018 show (Photo courtesy of Vogue.com)
Carolina Herrera’s fall 2018 Collection (Photo courtesy of Vogue.com)
Oscar de la Renta’s fall 2018 Collection (Photo courtesy of Vogue.com)
Technology, of course played a roll at NYFW, with models and everyone else using the KiraKira app to add eye-catching effects to their Insta and snaps. Thank goodness there was plenty of 80s sparkle and shine on the runway, as everyone played with the app, enhancing those Studio 54 disco ball looks!
The dramatic runway at Calvin Klein (Photo courtesy of Vogue.com)
Forget the classic fashion show venue and white runner format, this fall some designers put just as much thought and originality ‘on’ the runway, as they did ‘in’ the clothes that walked it. Raf Simons served up a masterful interpretation of Americana for Calvin Klein (his 3rd show for the brand) at the American Stock Exchange building, where 50,000 gallons of popcorn, yes…popcorn… lined the runway and sloped up the sides of barn wall facades that were erected inside the venue. Looks like Simons has upped the ante when it comes to the ‘fashion show extravaganza.’
Stuart Vevers, the executive creative director at Coach 1941, constructed a hauntingly beautiful forest to present his wares, while Tory Burch forged a beautiful pink floral garden. These witty designers set the mood, creating a whimsical atmosphere even before the show started! Do you think designers need to go to such extremes to sell their clothes, or is this the new ‘norm’ in a world where social media buzz is a necessity?
Christian Siriano’s fall 2018 Collection (Photo courtesy of Vogue.com)
For years the fashion world has talked about diversity. Well, this season… finally… NY designers gave center stage to a beautifully diverse cast of models, including plus size models. Let’s give props and a major round of applause to Christian Siriano, Michael Kors, Prabal Gurung, Chromat, and Anna Sui who understand that not everyone is a size zero and six feet tall. This season marked the most number of full-figured models ever to walk the runway. With the average American woman wearing a size 14 and thus representing 19 percent of all retail sales, one wonders why it took brands so long? We hope that more designers become enlightened and get on board.
Absent from NYFW was Georgina Chapman (the estranged wife of Harvey Weinstein and designer of the Marchesa label). A one-time favorite of Hollywood starlets, Chapman laid low this season, in fact, her clothes haven’t been worn by a celeb since the scandalous news broke that sparked the #MeToo movement (the day of Chapman’s bridal presentation in October). Will Hollywood and the fashion industry look past Chapman’s connection to Weinstein and give her another chance, just like they did with John Galliano (now thriving at Maison Margiela)?
Photographers Terry Richardson, Bruce Webber and Mario Testino have all been accused of sexual assault and harassment by both male and female models. All three photographers have denied any wrongdoing but in a rare show of solidarity many fashion brands and magazines have either ended, or are putting their relationships with these photographers on hold. Do you think the fashion industry breeds a culture of abuse? Is the long-overdue inclusion of plus size and ethnic models on the runway, as well as body-shaming practices, also forms of abuse? Don’t be afraid to share your story.
Drag kid Desmond modeling in Gypsy Sport’s fall 2018 Collection (Photo courtesy of Vogue.com)
Other news on the runway included gender diversity and fashion disruption. Desmond Nepoles, a 10-year old self-proclaimed ‘drag kid’ from Brooklyn, made his runway debut and stole the show at Gypsy Sport, Rio Uribe’s brand geared to forward-thinking, disenfranchised millennials. Nepoles, an advocate for LGBTQ youth, is launching the first ever drag house for individuals 20 and under, called Haus of Amazing. Alas… is there an Alexander McQueen in the making?
Ralph Lauren’s spring 2018 Collection (Photo courtesy of Vogue.com)
On the totally other side of the spectrum, was the down-to-earth, classic ‘sail away’ show at Ralph Lauren, as he presented his spring 2018 buy-now-wear-now collection. Tradition is still alive and well!
Tom Ford’s fall 2018 Collection (Photo courtesy of Vogue.com)
NYFW opened with a star-studded front row at Tom Ford, showing both men’s and woman’s looks – and let’s not forget those animal-printed boxers! The shows ended with an over-the-top visual feast at Marc Jacobs as he paid tribute to Yves Saint Laurent in all his fashion glory.
Marc Jacobs’ fall 2018 Collection (Photo courtesy of Vogue.com)
Here is a round-up of some of the biggest trends of the season:
CALL OF THE WILD
Animal prints have always been a fashion favorite, but for fall, designers added a nostalgic 80s twist with neon-colored animal motifs.
Tom Ford’s fall 2018 Collection (Photo courtesy of Vogue.com)
Adam Selman’s fall 2018 Collection (Photo courtesy of Vogue.com)
Zadig & Voltaire’s fall 2018 Collection (Photo courtesy of Vogue.com)
Jeremy Scott’s fall 2018 Collection (Photo courtesy of Vogue.com)
PRETTY IN PINK
Designers opted for a new shade of pink in a throwback to the Eighties, but this time, it’s all about magenta.
Oscar de la Renta’s fall 2018 Collection (Photo courtesy of Vogue.com)
Alexander Wang’s fall 2018 Collection (Photo courtesy of Vogue.com)
Jason Wu’s fall 2018 Collection (Photo courtesy of Vogue.com)
Milly’s fall 2018 Collection (Photo courtesy of Vogue.com)
Business meets pleasure as designers offered sexy alternatives to the basic suit, adding asymmetrical necklines, under-cut boobs and super short hemlines. Provocative alternatives to a night out. These suits were especially empowering for a new #TimesUp generation. Anyone remember the power-suits of the 1980s (Gaultier, Montana)?
Alexander Wang’s fall 2018 Collection (Photo courtesy of Vogue.com)
Dion Lee’s fall 2018 Collection (Photo courtesy of Vogue.com)
Monse’s fall 2018 Collection (Photo courtesy of Vogue.com)
Cushnie et Ochs’s fall 2018 Collection (Photo courtesy of Vogue.com)
Corsets and ruffles got a modern spin as designers were inspired by the Victorian era.
Brock Collection’s fall 2018 Collection (Photo courtesy of Vogue.com)
Jonathan Simkhai’s fall 2018 Collection (Photo courtesy of Vogue.com)
Coach 1941’s fall 2018 Collection (Photo courtesy of Vogue.com)
Anna Sui’s fall 2018 Collection (Photo courtesy of Vogue.com)
With climate change a reality and as drastic shifts in weather patterns continue, designers have you covered…literally. To keep you warm and toasty, an assortment of puffers, both long and short were featured, along with neon-colored, quilted and plaid versions. Bring on the cold!
Tory Burch’s fall 2018 Collection (Photo courtesy of Vogue.com)
Pyer Moss’s fall 2018 Collection (Photo courtesy of Vogue.com)
Juicy Couture’s fall 2018 Collection (Photo courtesy of Vogue.com)
3.1 Phillip Lim’s fall 2018 Collection (Photo courtesy of Vogue.com)
The world of fashion and many other industries have become extremely competitive. Only the ones who are ready to struggle and honestly work hard can make it to the top in their respective fields. Check out the following post if you need any form of assistance on how to make a midlife career change.
Now that New York Fashion Week has
come to close, tell us, did you have a
Michael Kors’ fall 2018 Collection (Photo courtesy of Vogue.com)
America Ferrera in custom Christian Siriano, Natalie Portman in Dior Haute Couture, Emma Stone in Louis Vuitton and Billie Jean King
Hollywood A-listers have long used their fame to promote individual causes, whether political, ethnic or humanitarian. But at this year’s 75th Annual Golden Globes, most all of the attending actors and actresses stood unified in a sea of black (or wore Time’s Up pins). Dressing in black resulted in a powerful solidarity statement, lending support to the ” Time’s Up” and “Me To” movements and those who so courageously continue to speak out against sexual harassment and female inequality. The days of watching award shows solely for the fashion are démodé, or are they? Clothes at award shows are now more important than ever! Oprah Winfrey’s Cecil B. DeMille AwardAward speech said it all : “a new day is on the horizon!”
Side by side with Hollywood heavyweights stood female activists such as Monica Ramirez, a campaigner who fights sexual violence against farmworkers and Billie Jean King, the founder of the Women’s Tennis Association, whom Emma Stone portrays in Battle of the Sexes.
Oprah Winfrey giving her Cecil B DeMille Award speech
While many celebrities dazzled on the stage, the red carpet was filled with fashion drama. Here are some of the biggest trends of the night: (All photos courtesy of Shutterstock).
THE NEW SUIT
Gal Gadot in Tom Ford
Maggie Gyllenhaal in Monse
Alexis Bledel in Oscar de la Renta
Allison Brie in Vassilis Zoulias
Margot Robbie in Gucci
Tracee Ellis Ross in Marc Jacobs
Emilia Clarke in Miu Miu
Dakota Johnson in Gucci
Saoirse Ronan in Atelier Versace
Mary J. Blige in custom Alberta Ferretti
Kelly Clarkson in Christian Siriano
Elisabeth Moss in Dior Haute Couture
Salma Hayek in Balenciaga
Angelina Jolie in Atelier Versace
Isabelle Huppert in Chloé
Issa Rae in Prabal Gurung
Kate Hudson in Valentino Haute Couture
Reese Witherspoon in Zac Posen at the Golden-Globes-2018
Tarana Burke and Michelle Williams in Louis Vuitton
Emma Stone in Louis Vuitton and Billie Jean King
Meryl Streep in custom Vera Wang and Ai Jen Poo
Greta Gerwig in Oscar de la Renta
Millie Bobby Brown in Calvin Klein by Appointment and Repossi jewelry
Kendall Jenner in Giambattista Valli Haute Couture
Halle Berry in Zuhair Murad
Heidi Klum in Ashi Studio
NOT YOUR BASIC TUXEDO
Noah Schnapp in Balmain
James Franco in Salvatore Ferragamo and Dave Franco in Saint Laurent
Nick Jonas in Versace
Winners of the night included:
Best motion picture, drama: “Three Billboards Outside Ebbing, Missouri”
Best motion picture, musical or comedy: “Lady Bird”
Best actress in a motion picture, drama: Frances McDormand, “Three Billboards Outside Ebbing, Missouri”
Best actor in a motion picture, drama: Gary Oldman, “Darkest Hour”
Best actor in a motion picture, musical or comedy: James Franco, “The Disaster Artist”
Best actress in a motion picture, musical or comedy: Saoirse Ronan, “Lady Bird”
Best supporting actor, any motion picture: Sam Rockwell, “Three Billboards outside Ebbing, Missouri”
Best supporting actress, any motion picture: Allison Janney, “I, Tonya”
Best director: Guillermo del Toro, “The Shape of Water”
Best screenplay: Martin McDonagh, “Three Billboards Outside Ebbing, Missouri”
Best television series, drama: “The Handmaid’s Tale”
Best television series, musical or comedy: “The Marvelous Mrs. Maisel”
Best limited series or motion picture made for television:”Big Little Lies”
Best actress in a series, limited series or motion picture made for television: Nicole Kidman, “Big Little Lies”
Best actor in a series, limited series or motion picture made for television: Ewan McGregor, “Fargo”
Best actress in a television series, drama: Elisabeth Moss, “The Handmaid’s Tale”
Best actor in a television series, drama: Sterling K. Brown, “This Is Us”
Best actress in a television series, musical or comedy: Rachel Brosnahan, “The Marvelous Mrs. Maisel”
Best actor in a television series, musical or comedy: Aziz Ansari, “Master of None”
Best supporting actor in a series, limited series or motion picture made for television: Alexander Skarsgård, “Big Little Lies”
Best supporting actress in a series, limited series or motion picture made for television: Laura Dern, “Big Little Lies”
TELL US, WHAT WAS YOUR FAVORITE LOOK OF THE NIGHT? AND, SHOULD OPRAH RUN FOR PRESIDENT?
Front Row at New York Fashion Week (Courtesy of AOL.Com)
Fashion Month is in full swing as New York kicked off the Spring 2018 show season with a bang. Of course, there was plenty of buzz before shows even started such as the Council of Fashion Designers of America (CFDA) cutting the NY calendar by a day, New York based designers showing in other cities, and the stress of where to show. Then lets add on the celebrity circus and street style stars in the mix and it’s been a entertaining week.
One of the biggest trends among the fashion crowd before shows even began was the blue ribbon. Fashionistas are pinning themselves to protest racism and hatred in the wake of this summer’s white power rally in Charlottesville, Va. The ribbons were created by the CFDA and the American Civil Liberties Union. In a statement released, Steven Kolb, president and CEO of CFDA, said “We want to be on the front line, not the sidelines, to boldly fight to protect our precious rights and freedoms, which has taken on a renewed urgency after the heart-wrenching events of Charlottesville.”
ACLU Fashion Week Pin (Courtesy of New York Post.com)
Bringing Sexy Back
Tom Ford’s Spring 2018 Show (Courtesy of Vogue.com)
Tom Ford kicked off fashion week and it was the buzz of the season before it even started. His invitation was all the rage and was Instagramed by the fashion set – a bottle of his latest fragrance, Fucking Fabulous—as if we needed a reminder. Much of Tom Ford’s namesake label’s success has been with his menswear collections, so for spring, Ford took a nod from his menswear collection and showed impeccably tailored suits. His jackets were sexy and confident, with sharp lines and broad shoulders. In a throwback to his signature Gucci 90’s glam, Ford showed plenty of ruched net dresses that where oh so seductive – it’s clear, Tom Ford is back!
Helmut Lang’s Spring 2018 Show (Courtesy of Vogue.com)
The Helmut Lang collection label is being revised again and the timing couldn’t be better, with so many young designers referencing the designer’s minimalistic aesthetic as a point of reference. The label’s designer in residence is none other than Hood By Air’s Shayne Oliver, so now Helmet Lang is sexier than it’s ever been. Oliver showed some streamline tailoring that was true to the houses’ heritage, but all with a fetish streak. The collection felt more like a Hood By Air show than a Helmut Lang collection. Oliver showed plenty of kink with asymmetric bras, daring peekaboo harnesses, rearless pants suspended from the waistband like garters, leather codpieces, and strappy BDSM gear. The collection left many Helmut Lang fans (all who remember his collections vividly) divided.
Narciso Rodriguez’s Spring 2018 Collection (Courtesy of Narciso Rodriguez)
This season Narciso Rodriguez opted out of a formal show and the celebrity circus it has become, instead he held private appointments to present his spring collection. Season after season Rodriguez is consistent chic yet sexy clothes that real women want to wear. His workmanship is impeccable and so important to see upclose rather than a runway. Sticking to his signature looks, Rodriguez showed slinky knit dresses in black and white with openwork stitches that show flashes of skin, a harness-top sheath with a sliver cutout, and an attenuated jumpsuit with a deep U-front.
Alexander Wang’s Spring 2018 Show (Courtesy of Vogue.com)
Athleisure and streetwear have been going strong now, but for spring the trend takes a more feminine twist. At Alexander Wang’s #WANGFEST, models rode around a party bus Saturday night around New York City’s busy streets. The first stop was Lafayette and Center Streets in Manhattan, the second was at Astor Place; both were open to the public. The press and retailers were invited to the last stop – a dead end in Bushwick, Brooklyn; which then led to #WANGFEST, his jumping after-party in a literal jumpy castle. Models were literally pouring off the bus in a runway format that was fun and energetic. As for the clothes, it’s what Wang does best, sporty with a sexy twist. These are real clothes for all the cool kids. Wang layered denim cut-offs over leather leggings and there were a lot of extra sleeves and jackets that were cut in half and worn as skirts. Wang is also continuing his collaboration with Adidas, with a zip-front jacket with the extra sleeves cinching the waist.
Rihanna at her Fenty x Puma’s Spring 2018 Show (Courtesy of Vogue.com)
Wang isn’t the only one to break the ties from traditional fashion shows, Rihanna gave her audience an adrenalin rush as she presented her Fenty x Puma show. The set was designed with pink sand mountains and a trio of motocross stuntmen performed mouth-dropping stunts. As for the clothes, they were sporty, fun, colorful and sexy all in one. Inspired by the X Games, there were a number of classic surf references thrown in for good measure – think biker shorts and scuba onesies. Rihanna showed modern interpretations of cheeky 1980s swim trends, case in point, the French-cut swimsuit. The entertainer also showed off her tomboy style with oversize motocross-inspired nylon track pants and anoraks that were a modern riff off the 90’s hip-hop trend.
Calvin Klein’s Spring 2018 Show (Courtesy of Vogue.com)
Meanwhile, at Calvin Klein, Raf Simmons continued his experimentation on American classics. For Spring, Raf was inspired by the contrast of the American Dream and American horror by invoking the magic of the movies; horror movies to be more specific as he played with Andy Warhol pop prints (specifically, Dennis Hopper circa Easy Rider and a 1971 Sandra Brant). His Hitchcock blondes wore rubber, and gauzy nightgowns reminiscent of Sissy Spacek in Carrie. Sticking to his American classics motif, Raf also showed plenty of cool denim, color blocked Western shirts, fringe dresses, 50’s inspired full skirted frocks and a nod to athletic with cool bungee cord details on nylon outerwear.
You’re So Transparent
Victoria Beckham’s Spring 2018 Show (Courtesy of Vogue.com)
This season is turning out to be a sheer sensation as designers are leaving very little to the imagination, but not in a vulgar way. For spring, they are embracing the transparency trend with soft, wispy fabrics delicately draped and overlaid showing just hints of skin in a romantic and feminine way. Speaking of femininity, Victoria Beckham showed off her softer side this season with sheer fabrics in soft colors proving that delicacy can in fact be strong. Case in point, Beckham’s first look: a soft yellow check shirt, which was slightly oversized and boxy, tucked into a dusty rose organza pencil skirt. Pure perfection!
Jason Wu’s Spring 2018 Show (Courtesy of Vogue.com)
Jason Wu is known for his polished and elegant sensibility, and for spring he kept true to his DNA but in a slightly more casual way. But casual for Wu means a midriff-baring cutout on a striped cotton dress and laces suspended from a crinkled silk coat. For evening, Wu was inspired by Madame Grès and reinterpreted her innovative pleating techniques. Wu also worked pleats onto sheer gowns staying right on trend.
Oscar de la Renta’s Spring 2018 Show (Courtesy of Vogue.com)
Meanwhile, Laura Kim and Fernando Garcia’s sophomore collection for the Oscar de la Renta brand were met with mixed reviews. Inspired by Pop Art and letters Mr. De la Renta wrote, along with thank-you notes that the duo have received from today’s young starlets. Sure De la Renta’s name was all over the collection, but his aesthetic certainly was not. Can you image Mr. De la Rents putting frayed and faded denim, sheer dresses, bathing suits and logo print furs on the runway? There were a few breathtaking evening gowns that rang true to De la Renta’s style, such as the colorful dégradé tulle gowns. Still, Kim and Garcia are trying to find their footing in the house of Oscar de la Renta.
Ralph Lauren’s Fall 2017 Buy-Now-Wear-Now Show (Courtesy of Vogue.com)
Traditional menswear has always been in fashion, but for spring designers are incorporating tailored suits in beautiful menswear fabrics for a look that is smart yet oh so chic. Of course no one does this better than Ralph Lauren. In one of the most anticipated shows of the season he transported the fashionable front row set to his garage in upstate Bedford, New York. His vintage car collection is most impressive with Porsches, Ferraris, Jaguars, McLarens, and a Bugatti. The cars were innovative and sleek, but his clothes oozed timeless chic. For his Fall, buy-now-wear-now collection, Lauren worked mixed tweeds, checks and plaids on bustier tops paired with relaxed trousers. For evening, Lauren kept it casual with a puffer jacket over a sparkly minislip and over-the-knee boots as well as dapper tuxedos.
Good-Bye New York
Marc Jacobs’ Spring 2018 Show (Courtesy of Vogue.com)
No designer is better fitted to close out New York fashion week than Marc Jacobs – you just never know what you’re going to get at a Marc show. This season it was silence, there was no whimsical sets built, no music, just the sound of 56 models walking only to the sounds of their shoes on the old wood planks of the Park Avenue Armory. The clothes were full of wit and humor. After being in business for 25 years, Jacob’s looks to his past collections for inspiration; his program notes called it a “reimagining of seasons past somewhere beyond the urban landscape of New York City.”
No music was needed to set a mood, the clothes themselves set a happy and joyful tone. There were giant, overscaled flowers; Crayola colors, tinsel trimmings, exaggerated shapes, and sequins, sequins, sequins. Jacobs’s idea was to return to the archives, passing old ideas and former hits through “exaggerated, decadent, and exotic” filters. Although some looks were trippy, overall, Jacob’s did what he does best, delivering a young and exciting line-up.
Marc Jacobs’ Spring 2018 Show (Courtesy of Vogue.com)
Katherine Johnson, Dorothy Vaughan and Mary Jackson.
Thanks to the Academy Award-winning film, Hidden Figures, these names are now synonymous with launching NASA’s astronauts safely into space.
But did you know that the fashion industry has many hidden figures of its own? Strong, powerful, talented women who are the creatives forces behind brands such as Gucci, Valentino and Marc Jacobs? And like the love of math was the thread that tied Johnson, Vaughan and Jackson together, accessory design is the common tie between the three female powerhouses in the fashion industry you’re about to meet. Read More