University of Fashion Blog

Posts Tagged: "sustainable"

Introducing our ITAA Sustainability Design Winner Lynda Xepoleas

Lynda Xepoleas of Cornell University – winner of the UoF/Alvanon/Motif Sustainability Award

The University of Fashion, in partnership with the Alvanon dress forms and MOTIF, were proud sponsors of this year’s Sustainability Award presented at the annual International Textiles & Apparel Association (ITAA) conference Nov 16th – 18th.  If you are unfamiliar with the ITAA, they are a professional, educational association composed of scholars, educators, and students in the textile, apparel, and merchandising disciplines in higher education. The association dates back to 1935, when the United States Office of Education cooperated with institutions of higher learning in studying the curricula. As a result of these curricula studies, conferences of textile and clothing professors have been held annually in the U.S. since 1944.

The recipient of this year’s Sustainability Award is Lynda Xepoleas, a Ph D candidate in the Fiber Science and Apparel Design Department at Cornell University, for her sustainable dress design entitled “Collision”. The Sustainability Design Award is a $3279 value and includes: 1) a one-year subscription to the complete catalog of Alvanon’s virtual AlvaForms via the Alvanon Body Platform, https://abp.alvanon.com/ ($2500 value).  2.) an all-access pass to the entire library of professional apparel courses on MOTIF https://motif.com ($590 value), and 3.) a one-year full access subscription to over 500 fashion design and business education videos via University of Fashion, https://www.universityoffashion.com ($189 value).

Lynda Xepoleas “Collision” sustainable dress design front view. (Photo credit: Lynda Xepoleas)

Lynda Xepoleas “Collision” sustainable dress design detail. (Photo credit: Lynda Xepoleas)

Lynda Xepoleas “Collision” sustainable dress design back view (Photo credit: Lynda Xepoleas)

Lynda’s “Collision” dress design was borne out of an opportunity where she witnessed the ecological footprint of the fashion industry firsthand while visiting several manufacturing facilities in different regions of India. Lynda was surprised by the amount of textile waste created during the cutting process. This experience not only led her to undertake upcycled design scholarship using cut-offs (production scraps), but also to think about how sustainable practices could be incorporated within the cutting and manufacturing of mass-produced apparel.

Currently, sustainable fashion is quite exclusive and unattainable for most individuals who can’t afford to spend $100 on a t-shirt. Therefore, Lynda hopes to work with several manufacturing facilities in India to identify ways whereby they can work with local vendors to transform production scraps into products for the domestic market. For Lynda, this really embodies the nonlinear nature of the upcycle design process, which she feels often requires us to reshape and rethink how we approach apparel design. This is also something that is reflected in her Collision dress design, which she attempted to capture visually, by positioning each cut-off at a different angle to create the illusion of intersecting diagonal and vertical lines.

Like many of us who chose fashion as a career, Lynda has had quite a unique and interesting past. In her own words:

“Initially, fashion served as another creative outlet that allowed me to express myself in ways that differed from my association as a high-performance athlete and competitive tennis player. From the ages of 10-18 I trained 6 hours a day and attended school online. My decision to attend school online was based on the fact that I started to play tennis quite late. Most competitive tennis players start at the age of 4 or 5. I started around the age of 8, so I had a lot of catching up to do. In the end this paid off, I was one of the top ranked tennis players in the United States for my age and was sponsored by Wilson for a couple of years. The transition from high school to college was actually quite easy for me since I was already in charge of staying on top of all my coursework and assignments. A typical day for me would consist of two, three-hour training sessions, one in the morning and one in the afternoon with a one-hour lunch break in between. Afterwards, I would do about three hours worth of schoolwork every night. I didn’t have the chance to attend a school dance or anything like that, but I was able to travel the country and meet people from all over the world. I have trained with coaches and hitting partners from countries like Egypt, Uganda, France, England, Bulgaria, New Zealand, Australia, China, Japan, Thailand, Ecuador, Venezuela, and Bolivia. 

“In my spare time, I would often make my own clothing to wear on and off the court. When faced with the decision to play on the professional tour or attend college, I decided to pursue a career in the field of fashion. I attended Purdue University on a full athletic scholarship and earned my B.S. in Apparel Design. Even though I enjoyed designing apparel, I was also interested in exploring the two-dimensional representation of fashion in art and photography. I decided to pursue a M.A. in Art History at Arizona State University. This experience allowed me to investigate the representation of fashion in 1930s fashion photography for my M.A. thesis.”  

“As a Ph.D. student in the Fiber Science and Apparel Design Department at Cornell, I have begun to bring together my interests in apparel design and art history. My dissertation examines the ways in which several museum collections in New York City informed the design of early twentieth-century American fashion and simultaneously contributed to the normalization of cultural appropriation in the American fashion industry.”

Lynda Xepoleas “Collision” sustainable dress design side view (Photo credit: Lynda Xepoleas)

As part of her Collision project, Lynda utilized Optitex fashion design software and found it to be quite user-friendly compared to other systems that she had used before. In the future, Lynda also plans to use CLO3D to identify additional methods for upcycling production scraps, since much of her design scholarship seeks to use technology as a means of identifying sustainable solutions for the design and manufacture of apparel.

Upon receiving her Ph.D. in Apparel Design, Lynda hopes to become an Assistant Professor in the field of fashion studies or apparel design. While conducting research for her dissertation, she discovered that the very practices and systems which have informed the development of fashion education in the United States, continue to perpetuate Western ideals related to beauty, race, sexuality, gender, and indigeneity. Her objective therefore is to create more inclusive teaching practices in hopes of destabilizing the exclusive foundation of fashion education.

On behalf of Alvanon, Motif and University of Fashion, we wish Lynda all the best for a successful and productive career in fashion!

 

AT LAST! OUR ONCE-A-YEAR HOLIDAY PROMO IS HERE!

Having trouble finding the right gift for that fashionista in your life? Well, search no more, we’ve got you covered. More than 500 lessons to learn from in 13 different disciplines like drawing, sewing, draping, patternmaking, menswear, childrenswear, knits, product development, accessories, CAD art & CAD patternmaking, fashion business and fashion lectures in color theory, trend forecasting fashion history, influencer marketing, sustainable design and much, much more!

We only offer our book & video subscription discounts ONCE A YEAR so get going!

Offers expire 12/31/20

$40 off our Yearly subscription (was 189 now $149)

https://www.universityoffashion.com/holiday-offer/ Promo Code: Learn1

$5 off the first month of our Monthly subscription (was $19.95 now $14.95) https://www.universityoffashion.com/holiday-offer/ Promo Code: Learn2

35% off any of our books: Beginner Techniques: Draping or Pattern Making or Sewing

https://www.universityoffashion.com/3-book-series-ad-lkp-discount/ Promo code: Uof35

(Graphic courtesy Mark Higden: @mark_higden – www.markhigden.com)

INTRODUCING OUR NEW INSTRUCTOR: NOOR BCHARA Upcycle Design School

Noor Bchara – Founder Upcycle Design School – upcycledesignschool.com (Photo credit: Michael Cooper @mcoopercreative)

For years, the fashion industry insisted that upcycling would never be able to scale to the level of volume & profitability. And then along came climate change, irresponsible landfill overages, a global pandemic and sustainable-focused brands like Eileen Fisher, Reformation, Patagonia and Mara Hoffman. Brands like Alexander McQueen and Eckhaus Latta had experimented with upcycling for years, while other ethics-focused companies began using deadstock fabrics. By the end of 2019, sustainable design began trickling down to even more brands like Prabal Gurung, Tanya Taylor, Jonathan Cohen, Gabriela Hearst, Marine Serre, Coach, Collina Strada, PH5, Stella McCartney, Miu Miu, John Galliano for Maison Margiela and Demna Gvasalia for Balenciaga.

But the real challenge our industry faces is how to educate aspiring designers on the importance of designing sustainably. And that is where Noor comes in.

Noor Bchara is a New York based fashion designer, sustainability consultant & educator. She is the founder of Upcycle Design School where she offers on-demand video classes specializing in the scalability of upcycling and repurposing. She received her Bachelor of Fine Arts in Fashion Design from the Fashion Institute of Technology in New York, and Polimoda in Florence, Italy.

Noor got her start in fashion by interning at Marc Jacobs and has since designed for Zac Posen, Tahari, Ellen Tracy and Kate Spade. In 2015, she founded NOORISM, after being disheartened by the volume of poorly-made, practically disposable clothes produced every year by the fashion industry.

NOORISM is a Brooklyn based women’s wear brand that produces clothing and accessories using repurposed jeans, all made in New York. Her mission is to inspire and educate people on upcycling and repurposed design and how to do it on a bigger scale.

Noorism by Noor Bchara (Photo credit: Michael Cooper @mcoopercreative)

Noor is a former Venture Fellow at the Brooklyn Fashion Design Accelerator, a Pratt initiative, as well as an adjunct professor at the Fashion Institute of Technology. She is also an Alumni of the Arts Envoy Program where she travels through the U.S. Embassy and teaches about upcycling in other countries. She is a frequent guest lecturer at fashion industry events, as well as at major art and fashion colleges around the world.

We are proud and honored to announce that Noor has generously offered to share her knowledge about sustainable fashion design and upcycling with University of Fashion. As a UoF subscriber, you will have full access to these three lessons:

Introduction to Sustainable Fashion Design

Sustainable Materials for Fashion Design

Designing, Producing & Marketing a Sustainable Collection

Fun fact: Noor was a student in the late 1990s of our founder Francesca Sterlacci, while at the Fashion Institute of Technology.  We are all very proud of Noor and her accomplishments, especially as a pioneer of fashion sustainability.

You may contact Noor at info@upcycledesignschool.com

On Instagram: @upcycledesignschool

 

Why not give the gift of learning on how to become a more responsible fashion designer?

We only offer our book & video subscription promo discounts ONCE A YEAR!!!

Offers expire 12/31/20

$40 off our Yearly subscription (was $189 now $149)

https://www.universityoffashion.com/holiday-offer/ Promo Code: Learn1

$5 off the first month of our Monthly subscription (was $19.95 now $14.95) https://www.universityoffashion.com/holiday-offer/ Promo Code: Learn2

35% off any of our books: Beginner Techniques: Draping or Pattern Making or Sewing

https://www.universityoffashion.com/3-book-series-ad-lkp-discount/ Promo code: Uof35

Pandemic, Pollution – A Fashion Industry Wake-Up Call ?

- - Sustainability

Naomi Campbell wears Hazmat suit to the airport. (Photo credit: CNN)

2020 is turning out to be one of the most difficult years in world history. Globally, we are fighting a war against COVID-19, a virus that spreads so quickly and easily that the numbers of those effected and who die rises daily at alarming rates. Worldwide, people are on lockdown or partial lockdown, and a new word has been  added to our vocabulary, social-distancing.

COVID-19 is not only affecting our health, physically and mentally, but is greatly affecting the world economy, as companies and factories are shut down with only essential businesses remaining open. As we adapt to the new ‘work-from-home’ model, schools are asking teachers and students to move online. However, without accessible content, many teachers are finding it difficult if not impossible.

At University of Fashion, we are very proud to say that we are meeting the needs of schools by offering all schools free 30-day access to our lesson content. We are also offering flexible subscription rates & terms (contact us at cs@UniversityofFashion.com to learn more). The list of schools taking advantage of our offer is rapidly growing (last count more than 55). Schools such as Parsons, San Francisco State University, Buffalo State College, Virginia Tech, Western Michigan University, University of North Carolina at Greensboro to name a few,. Even high schools have taken advantage of our resource. And, for individual subscribers we are  offering a $20 discount on a yearly subscription (was $189/now$169, using promo code NEWS21Y (offer expires 12/31/20).

As doctors and scientists around the globe race to find a vaccine for the virus, environmentalists have found a silver lining among the fear and anxiety. They have noted that while COVID-19 is a global health crisis, the forcing of businesses to shut down and people to quarantine has had a positive effect on the planet. The biggest difference is the change in air quality, as industry, aviation, and other forms of transportation came to an almost worldwide halt, thus resulting in a reduction in air pollution. These air quality reductions have mostly been tracked in countries such as China and Italy. India, who recently went on lockdown, will hopefully soon follow.

Air pollution levels, as observed by satellite, are showing drastic improvements in many areas that have been undergoing restrictive quarantines due to COVID-19” Peter DeCarlo, an Associate Professor of Environmental Health Engineering at Johns Hopkins University, told Newsweek.

However, in the U.S., the Environmental Protection Agency on Thursday March 26th, announced a sweeping relaxation of environmental rules in response to the coronavirus pandemic, allowing U.S. power plants, factories and other facilities to ‘determine for themselves’ if they are able to meet legal requirements on reporting air and water pollution. The agency will not issue fines for violations of certain air, water and hazardous-waste-reporting requirements during the corona outbreak and for an undetermined period of time. In a New York Times article on March 25th, former E.PA. administrator Gina McCarthy was quoted as saying that this new rule is “an open license to pollute.” Let’s all keep our eyes on this situation.

The water in the Venice canals is clear enough to see fish swimming below as the coronavirus halts tourism in Italy. (Photo credit: ABC News)

With all that Italy has had to deal with as a result of the pandemic, Venice reported that the water in city’s famous canals appear to be unusually clear, due to the fact that the canals are empty because of the coronavirus lockdown. The quarantine is also having an effect on wildlife across the globe. As people are confined to their homes, animals are roaming the streets looking for food.  According to a recent article in Newsweek, “In Japan, for example, sika deer living in the popular tourist destination Nara Park were spotted wandering into urban areas to look for food after restrictions on visitors from China and South Korea came into place. Normally, tourists buy special snacks to feed the deer, and many of the animals have become accustomed to eating these treats.”

As the pandemic manages to wreak havoc, perhaps now’s the time for the fashion industry to take a long hard look at changing our business model and commit to becoming more responsible earth citizens?

In an interview with Newsweek, Steven Davis, an Associate Professor in the Department of Earth System Science at the University of California, Irvine stated that as a result of the virus, “We will have a new baseline of what’s possible to do online: telecommute, educate, shop, etcetera. And to the extent our government, institutions, and social networks succeed by coming together, we may feel more empowered to take on daunting issues like climate change and a transition to sustainable energy sources.”

Once a vaccine is discovered and the world can get back to some sense of normalcy, it is important that the fashion industry come together to find sustainable solutions. As an industry, we are constantly producing goods. We use tons of natural resources and produce garments all over the world just to keep up with ever changing trends. A recipe for planet disaster!

Let’s ask ourselves how can we still create, design and produce, while making a smaller carbon footprint and a more positive impact while doing so.

Here are a few ways that fashion designers can work together to achieve sustainability and decrease that every enlarging footprint.

SUPPLY CHAIN TRANSPARENCY & BLOCKCHAIN 

A sustainable textile is Organic Cotton. (Photo credit: What About Yves)

First, as a designer, examine your supply chain. It is important to know from where you are buying your textiles and whether these textile mills follow environmental guidelines, as well as protect the communities that surround them. This information can be easily found through organizations like the Sustainable Apparel Coalition /The Higg Index and various textile exchange organizations, like Queen of Raw and The Textile Exchange.

Designers should also try to buy from sustainable textile mills and educate themselves on the global impact that certain textiles have on the environment. Today, organizations are working to certify fibers and textiles with more transparency, so that designers can educate their consumers to make educated choices.

Queen of Raw uses blockchain, a distributed database existing on multiple computers at the same time. It is constantly growing as new sets of recordings, or ‘blocks’, are added to it. Each block contains a timestamp and a link to the previous block, so they actually form a chain. By design, a blockchain is resistant to modification of the data, thus guaranteeing a transaction’s authenticity/transparency.

BRING MANUFACTURING HOME

Made in the USA. (Photo credit: US Chamber of Commerce)

Another way designers can make a positive impact on the environment is to manufacture their collections in their own country. In the 198os, 70% of our clothing was made in the United States, today it is only 2%. Bringing manufacturing home will not only help boost the economy, but it will also minimize the environmental stress that comes with shipping, which in turn, will produce less air and ocean pollution.

TEXTILE WASTE

Textiles go to waste. (Photo credit: Apparel News)

As consumers crave the latest trends and our landfills are piling up with last season’s clothes, designers need to make better products with responsible materials so that when they are discarded they leave less pollution. In turn, designers must train consumers to understand quality over quantity.

On February 25, 2020, a new sustainability initiative was announced entitled, Accelerating Circularity, an organization that works with major apparel companies such as Gap Inc., Target Corp. and VF Corp, helping to find ways to eliminate textile industry waste and recycle it into new fibers and materials.

Accelerating Circularity’s mission is to research and identify opportunities in apparel supply chains in order to make them circular, which means taking returned goods and items defined as waste materials and turning them into new textiles. According to Karla Magruder, the group’s leader, “If we’re going to have circularity, textile waste will be the new raw material. We’re going to have to find out how to get from point A to point B. Less than 1 percent of textile waste gets recycled into new textiles. It’s nothing.”

In a 2017 Apparel News article, the Environmental Protection Agency estimated that 16.9 million tons of textile waste is dumped annually. “There needs to be new maps for the supply chain that don’t exist today. We need to create the knowledge of where the textile waste is, how we should collect it and where we need to feed it to the appropriate recyclers.

FRENCH GOVERNMENT BANS COMPANIES FROM DESTROYING UNSOLD PRODUCTS

 

Twitter post from The Fashion Law (TFL).  (Photo credit: TFL)

Earlier this year, France began working on passing one of the strongest laws when it comes to the handling of unsold garments and accessories. The legislation will ban companies from destroying certain unsold products making good on the French government’s vow to “put in place in the [fashion and textile industries] the major principles of the fight against food waste in order to ensure that unsold materials are not thrown away or destroyed.”

According to TFL’s website, French companies are slated to be subject to more than 100 new sustainability-centric provisions, such as those that require the systematic phasing out of automatic paper receipts and single use plastic in fast food restaurants, followed by the outright ban on all single-use plastics by 2040.

The fashion industry has been especially called out according to French legislators  as “apparel retailers, in particular, as they renew their products more frequently [than other industries] and often have surplus unsold stock.” As a result of its longstanding practice of destroying unsold merchandise to avoid discounting it and/or paying to burn it, the industry itself is one of the biggest culprits in terms of the more than €650 million (nearly $710 million) worth of new consumer products that are destroyed, or disposed of in landfills on an annual basis, according to Prime Minister Édouard Philippe’s office.

For years prestigious brands such as Louis Vuitton, Burberry, Cartier, Piaget, Baume & Mercier, and even H&M, have destroyed their unsold goods as part of a large-scale scheme to maintain its brand image.

CLIMATE CRISIS WILL RESHAPE FINANCE

Laurence D. Fink, the chief of BlackRock. (Photo credit: The New York Times)

Laurence D. Fink, the founder and chief executive of BlackRock, the world’s largest asset manager with nearly $7 trillion in investments, announced early this month that his firm would make investment decisions with environmental sustainability as its core goal; stating his firm would avoid investments in companies that “present a high sustainability-related risk.”

According to The New York Times, BlackRock will fundamentally shift its investing policy — and could reshape how corporate America does business. It will undoubtedly put pressure on other large money managers to follow suit.

Fink’s annual letter to the chief executives of the world’s largest companies is closely watched and in the 2020 edition he said that BlackRock would begin to exit certain investments that “present a high sustainability-related risk,” such as those in coal producers. His intent is to encourage every company, not just energy firms, to rethink their carbon footprint. “Awareness is rapidly changing, and I believe we are on the edge of a fundamental reshaping of finance,” Mr. Fink wrote in the letter obtained by The New York Times. “The evidence on climate risk is compelling investors to reassess core assumptions about modern finance.

Fink anticipates a major shift, much sooner than many might imagine, in the way money will be allocated. This dynamic will accelerate as the next generation takes the helm of government and business,” he wrote. “As trillions of dollars shift to millennials over the next few decades, as they become C.E.O.s and C.I.O.s, as they become the policymakers and heads of state, they will further reshape the world’s approach to sustainability.”

This is meaningful news for those companies that are on the forefront of sustainability when it comes to looking for funding.

BEYOND RECYCLING

Puma Shoes. (Photo courtesy of Puma)

Global athletic brand Puma and First Mile have co-created a sportswear and shoe collection made from recycled yarn that is manufactured from plastic bottles collected by the First Mile network.

First Mile is a people-focused network that strengthens micro-economies in Taiwan, Honduras, and Haiti by collecting plastic bottles. This helps to create sustainable jobs and reduce pollution. The bottles are then sorted, cleaned, shredded, and turned into yarn, which is later used to create products with purpose that truly empower from ‘the first mile’ forward.

Plastic recycling in Bangladesh. (Photo by Flickr)

Even though one of the key benefits of this partnership is social impact, the Puma and First Mile program has diverted over 40 tons of plastic waste from landfills and oceans, just for the products made for 2020. This roughly translates into 1,980,286 plastic bottles being reused,” said Stefan Seidel, head of corporate sustainability for Puma. “The pieces from this co-branded training collection range from shoes, tees, shorts, pants and jackets — all the apparel is made of at least 83% to even 100% from the more sustainable yarn sourced from First Mile.”

The collaboration with First Mile is part of Puma’s commitment to reduce its environmental impact and lives up to its code of being “Forever Better.”

CARBON NEUTRAL AND CARBON NEGATIVE

In September 2019, Gucci announced it was going carbon neutral (net-zero), meaning it would no longer be adding carbon into the atmosphere.

Other companies are going ‘carbon negative’, meaning they will remove more carbon from the atmosphere than they emit. In January 2020, Microsoft announced their carbon negative pledge, promising that by 2030, they will remove all of the carbon from the environment that it has emitted since the company was founded in 1975. That goes well beyond a pledge by its cloud-computing rival Amazon, which intends to go carbon neutral by 2040.

According to an article in Fashionista on how brands don’t know enough about their carbon footprint, Elizabeth L. Cline wrote:

” Stand.Earth, an environmental advocacy group, ranked 45 major clothing brands, and found that only two brands — Levi’s and American Eagle Outfitters — are doing enough to curb emissions to keep us under 1.5 degrees of warming, which is the limit recommended by the UN’s Intergovernmental Panel on Climate Change.”

“The Institute of Public and Environmental Affairs (IPE) published its Green Supply Chain CITI (Corporate Information Transparency Index) ranking, which scores over 400 global brands that manufacture in China, including 80 major clothing companies, based on their efforts to curb pollution and their emissions. What these rankings reveal is that few brands are doing anything to measure their carbon footprint, much less cut it back to an Earth-sparing size.”

Hopefully the tide will turn in 2020 and beyond, as more brands make a concerted effort.

NEW CERTIFICATION HELPS BRANDS

Many fashion brands are claiming to be carbon-neutral but are actually not, a term referred to as “greenwashing.” As of April 2020, a San Francisco-based company called  Climate Neutral is unveiling a Climate Neutral Certified label that will identify companies that have reached a net-zero carbon footprint by reducing and offsetting emissions released through their entire creation process, from design to production to shipping.

Designers can and should play a bigger role in the products that they design. With a trove of agencies, organizations and other resources, there is really no excuse not to be eco-compliant.

OTHER HELPFUL RESOURCES

Here are a few additional organizations that are pushing the envelope in sustainability:

Cradle to Cradle Products Innovation Institute (C2C)– An organization that educates and empowers manufacturers of consumer products to improve what their products are made of and how they are made.

Evrnu – A new fiber that comes from the recycling of cotton garments. They take garment waste to its supply chain in a way that is good for business, for the environment, and for consumers.

Let us know what you are doing to reduce your carbon footprint and what other agencies you might know to help designers “design green”?

 

SLOW FASHION & THE CONSCIOUS EDIT – 4 Basic Principles of Slow Fashion

“Slow fashion” is on everybody’s mind at the moment as consumers are becoming more and more aware of the environmental and social impact of their purchasing decisions.

If you are interested in diving a little deeper into this worldwide movement, read on for the four basic principles of slow fashion.

 

1. It is all about mindfulness.

The most crucial aspect of slow fashion is that a consumer works to become more conscious and mindful of what they are consuming. It doesn’t mean that you have to throw out all your old clothes and refill your closet to the brim with ethical brands. Instead, it means switching your mindset about clothing and thinking more deeply about the daily purchase decisions you do (or don’t) make.

When looking to embrace slow fashion, you want to start differentiating between need vs. want. Therefore, before you purchase anything new, have a look through your closet and identify any gaps. Then, you can create a wish list of items that can fill the holes in your wardrobe, as well as a couple of other pieces that’ll add a fresh injection to what you already have (like a pair of Balenciaga shoes).

By being more mindful with your shopping strategy, you will find that you are increasingly rewarded as you become more content with your closet.

 

2. Always opt for quality over quantity.

The second basic principle of slow fashion is to always opt for quality over quantity.

In other words, if you have $100 to spend on clothes this month, don’t buy ten items for $10; instead, buy one high-quality piece that you need (principle #1) for $100. While this may seem like a massive investment at first, what you are actually doing is choosing to appreciate the items that you bring into your life. The well-made item that you select is going to last you a lot longer (years!) than any item you find in a cheap fast-fashion store.

That being said, don’t assume that you are going to have to take out a second mortgage to buy a few quality pieces. Perhaps you can choose to add one or two pieces to your closet each season and slowly grow your collection of high-quality basics.

Generally, sustainable brands offer similar basics each season, so you can take your time when saving up. Additionally, you can also find quality items in vintage and secondhand shops. Keep your eyes peeled for reinforced seams, lining, extra fabric on a hem, and natural fibers  – these are all indicators of quality. Or, find something from Farfetch’s ‘The Conscious Edit’- their pre-owned section on their website. For example:

 

4. Support sustainable slow-fashion brands.

Last but not least, when you do decide to shop, you want to look at the offerings from sustainable slow-fashion brands. The brands that have adopted the “slow-fashion” mantra are conscious about the environment, their social responsibility, and the effect that their business and creations have on the planet. Farfetch offers ‘The Conscious Edit’ a series of designers who are dedicated to taking positive steps across three areas: environmental, social and animal welfare. ‘Positivity Conscious’ Reformation garments are made from eco-friendly materials with sustainability at the core of everything they make. Stella McCartney is known for her uncompromising stance on using cruelty-free, organic and recycled materials in her designs. In fact, her sneaker collaboration with Adidas boasts that more than half of their range of apparel and footwear is made with recycled materials.

By supporting sustainable slow-fashion brands, you are helping to reduce the negative repercussions of clothing and textiles on the environment. Also, you are ensuring that your hard-earned money is going to a company who, in turn, pays fair wages and provides better working conditions for the people who make your clothes.

What do you think about slow fashion? Is it something that you are looking to incorporate into your life?

Let us know your thoughts and any relevant experiences you have in the comments below!