University of Fashion Blog

Posts Tagged: "Sustainability"

The Vital Role of Back-to-School Fashion in the Ever-Evolving Fashion Industry

- - Current Topics in Fashion, Fashion Business

Gen Z is embracing the Y2K trend. (Photo Credit: Getty Images for the NY Post)

As the sun-kissed days of summer begin to fade, a palpable excitement fills the air. It’s that time of year again – the season of fresh starts, eager minds and boundless possibilities. Back-to-school, a tradition as old as academia itself, has transformed into a runway for the fashion industry, a crucial showcase of innovation, style, and adaptability. In this era of constant change, where trends emerge and dissipate at the speed of a mouse click, back-to-school fashion stands as a testament to the fashion industry’s vitality and enduring relevance.

Back-to-school fashion acts as a playground where designers, retailers, and consumers alike come to play. It’s a symphony of colors, fabrics, and silhouettes, a canvas where creativity knows no bounds. The industry seizes this opportunity to flex its design muscles, concocting garments that mirror the hopes and aspirations of a new academic year. And has traditionally been a major marketing season for the industry. This year is no exception.

Olivia Rodrigo is a punk rock cutie. (Photo Credit: Getty Images)

For the 2023/24 back-to-school season, designers have reimagined classic staples – from plaid skirts and varsity jackets to crisp button-down shirts – infusing them with a modern twist that reflects the evolving tastes of  Generation Z (1995 to 2009) and Generation Alpha (2010 to 2024). These reimagined classics become more than just clothing; they become statements of individuality and belonging. This fusion of timelessness and innovation is a reminder that fashion is, at its core, a celebration of the present, while embracing echoes of the past.

Bella Hadid’s preppy with a twist vibe will surely be a back-to-school hit. (Photo Credit: Getty Images)

The back-to-school rush serves as a microcosm of the industry’s intricate dance with trends. It’s not merely about forecasting the next big thing; it’s about deciphering the intricate tapestry of consumer preferences. As students head back to their classrooms, they’re not just armed with textbooks – they’re equipped with an arsenal of trends, ready to express themselves in the ever-evolving language of style.

Industry leaders meticulously study the back-to-school market to identify patterns that offer insights into the future. The colors that capture attention, the fabrics that evoke emotion, and the styles that foster confidence all act as signposts, guiding the fashion world towards the next chapter of its narrative.

NUTURING BRAND LOYALTY AND IDENTITY

Nike back-to-school promotional looks. (Photo Credit: Nike)

Back-to-school fashion transcends the realm of aesthetics; it’s an exercise in identity formation. As students walk through the school gates clad in their carefully curated ensembles, they’re broadcasting more than just fashion choices – they’re showcasing their identities, their aspirations, and their stories. This emotional connection fosters brand loyalty that can last a lifetime.

For the industry, this loyalty isn’t just a fleeting affair; it’s an investment in a lifelong relationship. The brands that succeed in capturing the hearts of back-to-school shoppers often become woven into their stories, becoming trusted companions on their journey through life.

SUSTAINABILTY AND ETHICAL CONSIDERATIONS

Levi’s sustainable denim looks. (Photo Credit: Levi’s)

In recent years, the fashion industry has faced increasing scrutiny over its environmental and ethical practices. Back-to-school fashion serves as an opportunity for the industry to demonstrate its commitment to sustainability and responsible production. Brands that prioritize eco-friendly materials, ethical labor practices, and conscious consumption are not only shaping their own narratives but also contributing to a broader movement of positive change.

THE ECONOMIC BOOST OF BACK-TO-SCHOOL SHOPPING

Back-to-school fashion is an important sales and marketing tool for industry. (Photo Credit: SmartAsset)

The impact of back-to-school shopping on the economy is profound. In 2022, the back-to-school shopping season injected a surge of vitality into various sectors. From retail giants to local boutiques, the cash registers chimed in unison, contributing billions to the GDP. The ripple effect extends beyond traditional school supplies; it’s a time when electronics, clothing, accessories, and even home furnishing experience a surge in demand. The financial heartbeat of countless businesses races as they gear up to cater to the influx of eager shoppers.

According to the National Retail Federation and Prosper Insights & Analytics, “back-to-school spending is expected to reach an unparalleled $41.5 billion, up from $36.9 billion last year and the previous high of $37.1 billion in 2021. Back-to-college spending is expected to hit $94 billion, about $20 billion more than last year’s record.”

Air Jordan’s and straight leg denim is a back-to-school favorite. (Photo Credit: Getty Images)

“Back-to-class shopping is one of the most important consumer shopping occasions of the year. Our research for 2023 shows American consumers are eager to jumpstart their back-to-school and college purchases early,” NRF President and CEO Matthew Shay said. “Retailers have been preparing for months to ensure they are well stocked with essential items that families and students need for the school year.”

Since 2003, the National Retail Federation has conducted a thorough survey on back-to-class shopping trends. This year’s research included 7,843 consumers and was fielded June 30-July 6 with a margin of error of plus or minus 1.1 percentage points.

Back-to-school shopping is well underway. According to the National Retail Federation, “as of early July, more than half (55%) of consumers who are buying for back-to-class said they have already started shopping. This is on par with last year, but is up from 44% in 2019, and is in line with the trend of consumers shopping earlier for major spending events. While consumers have started shopping early, as of early July, 85% said they still have at least half of their shopping left to do.”

Planned back to school Source NRF’s Annual 2023 Back to School Survey, conducted by Prosper Insights & Analytics

Families with children in elementary through high school plan to spend an average of $890.07 on back-to-school items this year, approximately $25 more than last year’s record of $864.35, and a new high. College students and their families are expected to spend an average of $1,366.95 per person, up from $1,199.43 last year, and a new record from the previous record of $1,200.32 in 2021. Since 2019, back-to-college spending has nearly doubled.

Kendeall Jenner’s chill Ninties Vibe. (Photo Credit: Getty Images)

For many back-to-school consumers, the leading destinations are online, department stores and discount stores with the more creative and sustainably-minded, hitting up resale clothing shops or are making or upcycling their own clothes.  “Even though consumers plan to spend more on school and college-related items this year, they are still looking to find the best value and deals,” Prosper Executive Vice President of Strategy Phil Rist said. “Consumers are stretching their dollars by comparing prices, considering off-brand or store-brand items, and are more likely to shop at discount stores than last year.”

So tell us, what are your back-to-school wardrobe plans? Will you be making or upcycling your own clothes? Thrift shop hunting? Or going traditional: online, department store or mass merchant store?

Spotlight on Sustainable Designer: Eudora Tucker

- - Current Topics in Fashion, Designer FashionSpeak, Fashion Business, Fashion Innovation, Student Spotlight, Sustainability, Women in Fashion
image of Eudora Tucker

Eudora Tucker – New York City sustainable fashion designer (Image credit: Eudora Tucker)

This week’s blogpost is dedicated to Custom Collaborative’s latest success story, NYC-based sustainable fashion designer, Eudora Tucker. But first, a bit about Custom Collaborative (CC).

Custom Collaborative is a Harlem-based non-profit 501(c)(3) founded in 2015 by Executive Director Ngozi Okaro. The organization provides free training and ongoing support for women from low-income and immigrant communities through their entrepreneurship and workforce-development programs. Their Training Institute teaches the art, craft and techniques used in sustainable garment-making, as well as ethical business practices in the fashion industry.

 CC’s mission is to help women professionalize their sewing and design skills, overcome barriers to employment, and, ultimately, bring greater equity and inclusivity to the business of fashion.

University of Fashion partnered with Custom Collaborative in 2020, gifting full access to our fashion education content library. Since then, Custom Collaborative has graduated 10 cohorts of ‘fashion-preneurs’ who are making their mark by starting their own sustainable fashion brand.

Last week, I had the chance to interview Eudora and learned about her studies at CC, her design philosophy and her career aspirations. Here goes:

Eudora Tucker’s Graffiti dress

Eudora Tucker’s Graffiti dress (Image credit: Camila Falquez)

Francesca: Tell me about your journey into fashion. Are you NYC born and raised?

Eudora: I was born and raised in Brooklyn. As a Native New Yorker, fashion has always been on my radar. I knew I wanted to be a fashion designer early on and attended The High School of Art and Design to study fashion illustration and then went on to study at FIT. Unfortunately, life happened, forcing me to pivot, but fashion has always been a huge interest. I started seriously getting back into fashion when my idol, Prince, died in 2016. As a lifelong fan, I was devastated when he passed away and I started making Prince themed jean jackets and outfits as a tribute to him. I wore them to different Prince related events that I attended. People seemed to love and admire my designs and complimented me on my creativity. That reignited my passion and pushed me to seriously pursue my dreams of being a fashion designer again. I was hand sewing and using adhesives to create my designs, which meant there were constant repairs and maintenance needed. I knew finding sewing classes would be the next step if I wanted to seriously start making custom designs for others.

Eudora Tucker’s Embellished Purple Vineyard Jacket (Image credit: Eudora Tucker)

Francesca: Can you tell me about the program at Custom Collaborative? How rigorous was it and what types of things did you learn?

Eudora: The program is a 15-week course that meets Monday through Friday from 9am to 3pm. It was a serious commitment, and it was truly intense. I had never used a sewing machine before so when our instructor, Delia Alleyne, showed us how to thread the needle on the first day, my head nearly exploded. I didn’t think I would ever be able to thread the machine, let alone sew something together. Fear and self-doubt overcame me, and I was questioning why I ever signed up. Delia encouraged and helped us overcome our fears and by the end of the day, I was able to successfully thread my machine. I knew it was going to be a tough road ahead, but I was up for the challenge. During those 15 weeks there were many tears shed out of frustration, but also with happiness when I was able to get through another tough lesson. In the end I completed the course with the ability to design and sew; a portfolio of work including illustrations for two collections, which included inspiration, mood and fabric boards; an awesome business plan that I wrote, and most importantly, the knowledge and confidence to go forward in pursuit of my dream.

Eudora Tucker’s Rocket Man Jacket (Image credit: Eudora Tucker)

Francesca: How were the University of Fashion lessons utilized at CC?

Eudora: We constantly referred to the University of Fashion lessons while studying. We used them to reinforce lessons that Delia taught us and to complete projects on our own. I am a visual learner, so it was a tremendous help and resource for me. The videos that were the biggest help were the lessons on the invisible zipper, pattern making and layout, and draping. These were life saving for me. Due to time constraints, and the amount of projects we covered, it was impossible to learn and complete everything in class. The videos allowed us to review the task, step by step, on our own time to complete the projects correctly.

 

Eudora Tucker’s Incomparable Lady Day Shirt Dress

Eudora Tucker’s Incomparable Lady Day Shirt Dress (Image credit: Eudora Tucker)

Francesca: Can you tell me about your capstone project at CC?

Eudora: My capstone project was a hand painted, full length gown with a train. My design was inspired by the feelings of fear, uncertainty and sense of lawlessness in NYC post Covid-19. With the closing of so many businesses, the graffiti artists had once again transformed our city’s landscape with their artwork, reminiscent of the late 1970s and 80s. Using donated fabric that I treated to create the Ombre effect, the design ascends from darkness to light, reflecting the transitioning of Oppression and Anarchy, rising out of Out Rage and Despair, through Faith and Unity, to ultimately arrive at Love and Peace. My design was chosen as the finale of Cohort 9’s graduation runway show and was also featured in both Vogue Business and Harper’s Bazaar articles. Not only were these very proud moments for me, but they also serve as a testament that my perseverance and hard work are truly paying off.

Eudora Tucker’s Queen Bee Jacket (Image credit: Eudora Tucker)

Francesca: What made you want to focus on upcycling and sustainable design?

Eudora: Custom Collaborative is an organization that is built on the principles of fashion sustainability. I never heard of fashion sustainability and, to be honest, I was a consumer of fast fashion without even knowing it. I had never heard of the term “fast fashion” until I came to Custom Collaborative. Once I found out what it was and how it affects the planet; coupled with the unfair labor practices that affect the seamstresses that work in the factories, I quickly got on board. I started changing my purchasing habits and decided to focus on upcycling and sustainable design. I truly enjoy taking a “pre-loved” garment and repurposing it into something new and creative. It allows me to create one of a kind, statement pieces that make my clientele feel special when they wear it.

Eudora Tucker’s Dear Mum Jacket (Image credit (Eudora Tucker)

Francesca: What is the hardest thing about being a sustainable fashion designer?

Eudora: The most challenging aspect of being a sustainable designer is figuring out how to alter an existing garment. When you are locked into a design it is sometimes hard to come up with creative ways to change the garment to fit your new design. You have to use your imagination and become an out-of-the box thinker and really think about the techniques to use in order to execute your new design with the least amount of complication and in a timely manner.

Eudora Tucker’s Ode to Jean-Michele Jacket (Image credit: Eudora Tucker)

Francesca: What is your ultimate goal, or goals, as a designer in the fashion industry?

Eurora: I would like to continue creating one-of-a kind statement pieces and growing my fashion sustainability brand, Princess Arabia’s Atelier. I also plan to partner with environmental agencies in NYC to offer fashion sustainability workshops to teach others what they can do to reduce their carbon footprint through more mindful fashion practices. My ultimate goal is to travel around NYC and neighboring states to educate as many people as possible and bring awareness on how the fast fashion industry continues to proliferate the amount of waste in our landfills and how it is fueling the profound negative effects of climate change. This is my small way of giving back to the planet and carrying out my duty as a good global citizen.

 Follow Eudora on Instagram: @princessarabia9

The Rainbow of it All Vest

Eudora Tucker’s  The Rainbow of it All Vest (Image credit: Eudora Tucker)

Are you a woman from a low-income community interested in starting a career in fashion? Apply to our Training Institute.

If you are interested in providing paid internships for their students write to us at: CS@UniversityofFashion.com

Are you a small or start-up clothing business? Apply to their Business Incubator. They provide services including manufacturing, technical assistance, and consulting for those who need it.

Want to volunteer? Sign up here. They’re always looking for folks to help as teacher’s assistants, guest speakers, graphic designers, special event coordinators, or fabric inventory sorters.

Want to donate fabrics, machines, or supplies? Complete this form.

To support their work in supporting striving women. Donate today.

 

UOF INSTRUCTOR UPDATE: RUCHIRA AMARE

- - Illustration, Instructor Spotlight, Pattern Making, Sewing

Our fans and subscribers LOVE to hear what our esteemed instructors are up to these days and if you’ve been reading this blog for the past month, then you know that some of our instructors are newly minted entrepreneurs: our menswear instructor, Rishabh Manocha and our swimwear instructor, Jessica Krupa, each have launched their flourishing new businesses.

This week, we’d like to put the spotlight on Ruchira Amare, an amazing talent who manages to combine her artistic talents with her technical fashion design skills. And, she too has launched her brand.

At UoF, Ruchira shares her expertise as an “artistic engineer” in her lessons:  Designer’s Inspiration & Portfolio, Fashion Illustration Using Pastels, Fashion Illustration Using Watercolors, Drafting a Women’s Jacket and Women’s Jacket Pad-Stitching & Inner Construction.

RUCHIRA AMARE (AKA Y.R. Egon)

UoF instructor, artist/designer Ruchira Amare (Image courtesy: Ruchira Amare)

Ruchira was born and raised in Mumbai and is a life-long learner. Although she earned a bachelor’s degree in technology and communication engineering at the University of Mumbai, Ruchira, who has always been interested in the arts, listened to her heart, and pursued individual study with famous Mumbai artists, photography at the National Institute of Photography Mumbai and eventually moved to New York to study fashion design. She earned a bachelor’s degree at Parsons the New School for Design and has worked under fashion designers Donna Karan, Laura Smalls and Peter Speliopoulous.

fashion illustration by Ruchira Amare

Live model fashion illustration by Ruchira Amare, aka Y.R. Egon (Image courtesy: Ruchira Amare)

Ruchira is a modern-day polymath. She is just as comfortable using her engineering skills to draft and sew tailored jackets as she is with a paint brush in her hand. As a fine artist, Ruchira’s work has been exhibited in Manhattan at the Dacia Gallery, The Leo House and Space 776. In Brooklyn her artwork has been exhibited at Established Gallery and the Greenpoint Gallery, and her photography at 440 Gallery. Her work was also featured at the Rochester Contemporary Art Centre in Rochester, New York, in Laguna Beach at Six Summit Gallery and online at the Colors of Humanity gallery.

Illustration by Ruchira Amare

Collage by Ruchira Amare – watercolor on paper with newspaper print entitled: Girl with Yellow Glasses (Image courtesy: Ruchira Amare)

Ruchira’s fashion illustrations have been featured during New York Fashion Week and her work was chosen as part of The New School Alumni Bookshelf 2022, a highly curated list of works by their most notable alum.

fashion illustration by Ruchira Amare

Fashion illustration by Ruchira Amare (AKA Y.R. Egon) exhibited during NYFW Art Hearts Fashion event at Angel Orensanz Church. (Image courtesy: Ruchira Amare)

In 2021, Ruchira continued her studies at the New York Academy of Art and the School of Visual Arts. She also explored block printing in India, using plant-based natural dyes from turmeric, dogwood and indigo. Ruchira’s new business venture combines age old block printing techniques, with contemporary motifs from her paintings, to create a fresh take on sustainable fashion.

block printing

Ruchira’s Indian block-printing using plant-based natural dyes. (Image courtesy: Ruchira Amare)

fashion sketches by Ruchira Amare

Block-printed fashion designs using sustainable dyes inspired by Ruchira’s artwork. (Image courtesy: Ruchira Amare)

block printed scarf by Ruchira Amare

Ruchira’s mission is to lead a happy life and be able to share her craft with the world, We wish Ruchira much success in all of her endeavours and especially with her new block printing sustainable clothing venture!

For more info on Ruchira:

Facebook: Ruchire Amare

Instagram: @ruchiraamare

Website: www.yregon.com

WHY NOT HAVE YOUR NEW YEAR’S RESOLUTION BE ABOUT SUSTAINABILITY?

- - Sustainability

Climate activists. (Photo Credit:Prakati India.in)

Happy New Year! As we kick off 2023 in style, let your New Year’s Resolution count. Why not look to become more sustainable this new year, both personally, as well as in your work as a fashion professional or as an aspiring one?

The start of a new year is often a time of reflection. A time to learn from past mistakes. Were you as eco-minded as you would have liked last year? Did you compost? Did you make fashion purchases with landfills in mind? Was sustainability top of mind when you chose fabrics for your designs? Well then, maybe it’s time you do.

Climate change has been one of the biggest topics of conversation this decade, with activists like Greta Thunberg emphasizing the damning scientific facts about the future of Mother Earth. It’s the voices of our younger generation that are crying for help, and they are within their rights. If we all don’t get onboard and make changes, they will inherit a very unlivable earth.

Unfortunately, the fashion industry is known as one of the biggest and most damaging pollutants to our planet and although some strides have been made over the years, we have a long way to go in becoming carbon-neutral. It’s almost ironic that the fashion industry, who is extremely vital in implementing trends and can influence the buying habits of a majority of consumers, is not doing more.

Regulation, circularity, greenwashing and climate resilience will be hot topics in the year ahead. (Photo Credit: Getty Images, Renewcell, and Shutterstock. Collage by BoF)

Consumers buy what they are offered. And if fashion brands don’t offer sustainable products, then consumers don’t get to buy them. Simple. In a survey conducted by McKinsey during the beginning of the Covid-19 pandemic, “67 percent [of respondents] consider the use of sustainable materials to be an important purchasing factor, and 63 percent consider a brand’s promotion of sustainability in the same way.”

Therefore, consumers could BE the solution if only they were being offered sustainably-made products. The pressure for sustainability high. Data provided by Launchmetrics’ proprietary algorithm that measures Media Impact Value (MIV is a monetary representation my company uses for brand performance), reveals that the MIV for sustainability grew by 54% during the first semester of 2022 compared to the first semester of 2021, accounting for $2 billion and $1.3 billion in value, respectively.  The data revealed just how much discussion ‘sustainability’ generated in the media, as well as how many placements the word generated across sectors. When comparing the growing MIV to the placements that the industry generates, it is clear that consumers are beginning to make changes towards going green. This shift indicates that brands need to reevaluate their operations to project the right brand image. In order to achieve this, fashion companies need to take more concrete steps to incorporate sustainability, a process which goes further than just brand images and campaigns.

True sustainability should guarantee that the creation of each garment is environmentally and socially sound, from textiles to manufacturing all the way to fair pay and workers’ conditions. This is a massive change for an industry that has struggled with wasteful operations and negative environmental consequences for years. The fashion industry is responsible for the production of up to 10% of the global carbon dioxide output and accounts for one-fifth of the 300 million tons of plastic produced globally each year, according to the United Nations Environment Program (via Bloomberg). So obviously, incorporating sustainable practices is a challenge for the fashion industry. Nevertheless, many designers, brands, and manufacturers are open to embracing climate change.

The need for fashion to go green. (Photo Credit Getty Images)

There is some hope. In fact, fashion accounted for $618 million in MIV when it came to sustainability during the first semester of 2022, according to Launchmetrics’ sustainability report, “Making Sense of Sustainability,” which was produced in partnership with the Camera Nazionale della Moda Italiana. The report analyzed data from multiple platforms between January 2021 and October 2022. The fashion industry accounted for one-third of the overall sustainability conversations, indicating how open it is to committing to a greener future. Very encouraging.

Vivienne Westwood in February, 2018 in London. (Photo By Getty Images)

Dame Vivienne Westwood, known as the Queen of Punk was a true climate activist. Sadly, the groundbreaking designer passed away on December 29, 2022 at the age of 81. As one of the last independent brands in the UK, Westwood used her voice to educate the industry on climate change and sustainability. She was as notorious for her Kings Road Sex shop, as she was for her activism and ecological crusading. For the past 20 years Westwood supported hundreds of causes, NGOs, grass root charities and campaigns including Amnesty International, War Child and Liberty, as well as launching her own campaigning movement – Climate Revolution. She is was an ambassador for Greenpeace and in 2013 designed their official ‘Save the Arctic’ logo. In 2015, Westwood launched a global campaign to stop drilling and industrial fishing in the Arctic region.

Stella McCartney, pictured here with Vivienne Westwood in Paris in 2019, said: ‘fur is immoral, cruel and barbaric’. (Photo Credit: Getty Images_

Following in Westwood’s activism footsteps is Stella McCartney. She has been a true pioneer in the climate change movement for decades and always works with innovative sustainable textiles. The fashion industry grapples with the pressure of continuous growth, while still publicly pledging to slash greenhouse gas emissions. According to an interview with Vogue magazine, McCartney believes a balance can be struck between the two. “I do believe if we can continue to progress, and if we truly want it, then we can replace bad business with clean business,” she says.

This is just one of the reasons McCartney continues to team up with innovators that are developing more sustainable materials such as Econyl, a regenerated nylon created from discarded fishing nets and other plastic waste. In early 2023, the brand will launch its first commercially available, fully circular garment: a parka made from Econyl that is 100 percent recycled and recyclable. McCartney previously launched an Infinite Hoodie in collaboration with Adidas in 2019, made using NuCyl, a fiber designed to be broken down and reused into endless future garments. Only 50 were available at the time.

Stella McCartney is launching a new fully circular parka made from Econyl that is 100 percent recycled and recyclable. (Photo Credit: Stella McCartney)

“The parka fully closes the loop—it’s taking 100 percent waste and then [when you’re finished with it] you can either bring it back to a Stella McCartney store or you can use the QR code on there and post it, and we can then recycle it back into fiber and make it into another garment,” McCartney explains. “It’s really cool—for me it’s cooler than just going, ‘Oh, I really love neon green fuzzy boots this season.’ It’s the most fashionable thing you can do if you’re working in the world of fashion right now.”

Along with Econyl, McCartney has partnered with Bolt Threads on its Mylo “un-leather,” made from mushroom roots (the designer was part of an early “consortium” of brands backing the company) and a “wine leather” made by the Italian company Vegea made from grape waste. Meanwhile, McCartney has also helped set up a new $200 million fund called Collab SOS, which invests in companies including Bolt Threads. Other projects the fund has supported are: Natural Fiber Welding, which has created a plastic-free leather alternative called Mirum, and Protein Evolution, a start-up that has developed a process designed to allow plastic waste (including nylon and polyester) to be infinitely recycled.

“It’s important for me personally to put investment into those new start-ups and into the future of fashion because I’m in fashion,” McCartney says of her involvement in the fund in an interview with Vogue. “I’m working every day alongside so many incredible tech brands. We’re working on developing materials together and solutions, and then I’m bringing them into a business model. For me to use my partners [and] my contacts to upscale everything [via the fund]—then you can truly see a meaningful change.”

McCartney has been advocating for these textile changes within the designer community for several years now, however, she states that legislation is what is really needed for significant progress to be made. This is why she attended the G7 Summit in Cornwall in 2020 and is among a number of designers to have backed The Fashion Act in New York—a proposed bill that would require any fashion brand that does business in New York and has an annual global revenue of over $100 million to disclose their greenhouse gas emissions, as well as their energy, water, material and plastic usage, and chemical management.

McCartney makes it clear that government policies need to change around the issues of climate change. “I just thought I’d go to [Central] Saint Martins and be a fashion designer,” McCartney jokes in a Vogue interview. “But there’s a lot of work to be done. I have my political hat on or my fashion hat on; I’m a bit confused as to which one to wear half the time.”

Stella McCartney is not the only fashion designer to tirelessly work as a climate advocate. There are countless others ranging from young designers to more established brands such as, Gabriela Hearst, Mara Hoffman, Eileen Fisher, Katie Jones, Alejandra Alonso Rojas, Morgane Sézalory of Sézane, Alexandra Sipa, Emma Hill of Damson Madder, Teodora And Pavel Lozanov of Bogdar, Kevin Germanier of Germanier, Roopa Pemmaraju, Conner Ives, Misha Nonoo, Christy Dawn, Jonathan Cohen, Zero + Maria Cornejo, Katharine Hamnett, Christopher Raeburn, and Sandra Sandor to name a few.

MATERIAL EXCHANGE

If you are looking for ways to become more sustainable in your designs, you can join the Material Exchange organization. They are offering a workshop on Thursday, January 12th from 9 AM to 3 PM EST. It will be a remote impact-reduction workshop and will offer insights into sustainable sourcing solutions, as well as the know-how to adopt these solutions into your brand’s sourcing workflows. Topics covered will include: implementing sustainable design strategies; calculating transportation, material, and product impacts; assessing hotspots; shifting to responsible sourcing methods; adopting a circular business model; and creating engaging take-back plans. Participants will receive a Certificate of Completion at the end of the course!

Workshop details

What: Fashion Assessment and Impact-Reduction Workshop co-hosted by the USFIA and Material Exchange

Where: online

When: Thursday, January 12th from 9 AM to 3 PM EST

Who: any and all fashion professionals trying to reduce the environmental impacts of their products and work toward circularity at their companies

Fee: $165

Here is the link to register:

https://www.usfashionindustry.com/index.php?option=com_civicrm&task=civicrm/event/register&id=413&reset=1

UOF LESSONS ON SUSTAINABILITY

Be sure to catch UoF’s lessons on sustainable design and sourcing:

Introduction to Sustainable Fashion Design

 

Meet Sustainable Designer Parron Allen

 

 

Sustainable Materials For Fashion Design

 

Designing, Producing & Marketing a Sustainable Collection

So tell us, what will you do to create or purchase more sustainable fashion?

SUSTAINABLE MATERIALS PART 3: FUR – WOOL – DOWN ALTERNATIVES

- - Current Topics in Fashion, Fashion Innovation, Sustainability, Technology

 

Stella McCartney champions ethical fashion with fur-free collection. (Photo Credit: Stella McCartney)

“Design is not just about product. Design is about responsibility.”

If you haven’t already seen this quote by Dr. Carmen Hijosa of Piñatex, you will, it is ubiquitous on the web. Every eco-friendly brand uses it as its mantra. And, every fashion student in every school on the planet is making sure that they incorporate it into every single one of their classes. After all, if the design process starts at desk of the designer, well then, it’s up to us to be on top of alternative textile and material choices when designing a collection.

In 2021, Google launched a fashion supply chain platform called called Global Fibre Impact Explorer (GFIE) in partnership with Stella McCartney, The Textile Exchange and the World Wide Fund for Nature (WWF), to help fashion brands understand the environmental risk of their raw material sourcing. The tool, which is built on Google Earth Engine and uses Google Cloud computing, assesses the environmental risk of different fibers across regions in terms of environmental factors such as air pollution, biodiversity, climate and greenhouse gases, forestry and water use. In 2022, Google and WWF transitioned GFIE to Textile Exchange, a global non-profit focused on positively impacting climate through accelerating the use of preferred fibers across the global textile industry. Their Friend Level Membership is reserved for small to medium-sized enterprises that generate under $5million in annual revenue, as well as universities, non-profits and NGOs.

Last week we educated our viewers on earth-friendly leather and silk alternatives, that are being created using a variety of materials made from pineapples to coffee grounds, sea shells, cactus, bamboo, mushrooms and spiders, just to name a few. This week we’d like to focus on fur and wool alternatives.

Cruelty-free Fur Alternatives

Last Chance for Animals – Global Ban on Fur (Image credit: lcanimals.com) 

The wearing of fur, just like leather and silk, has long been associated with luxury and wealth. However, beginning in the 1980s and after decades of massive pressure from PETA & activists, many designers and retailers announced that they would stop selling fur due to the cruel methods used in killing the animals. In 2019, California became the first state to make it illegal to sell, donate or manufacture new fur products and in 2021, Israel became the first country to ban the sale of fur clothing, although their are several carve-outs, including one for educational reasons and another that permits residents to buy skins and pelts for religious purposes.

Enter…Tencel® and Koba® faux fur

Faux fur was first introduced in 1929 but didn’t become popular until the 1950s. Due to fur’s growing unpopularity since the 1980s and the fact that many countries are now banning fur farms, the use of faux fur increased. Two reports issued by eco experts at Ce Delft, an independent research and consultancy company, found that five faux fur coats have significantly less impact on climate change than that of one mink fur coat.

Since most faux fur is manufactured with non-renewable petroleum-based products and synthetic fabrics it can be toxic to the environment unless it is recycled properly. Today, technologies and innovations offer new ways to design amazing and ethical alternatives to fur and fake fur as well. Popular kinds of faux fur include faux rabbit, faux fox, shearling, sheepskin, and sherpa and luxury faux fur fabrics include chinchilla, sable, beaver, ermine, marten, lynx, and leopard.

KOBA®  the first vegan faux fur (Image credit: Ecopel.com)

Ecopel, a leader in the development of high end faux fur, supplies more than 300 top fashion brands that have stopped using real fur. In partnership with Dupont, they launched KOBA® faux fur, integrating DuPont™ Sorona® fibers, creating the first faux fur made with vegetal ingredients.

UGG’s new faux fur shoe brand using Tencel®  fiber (Image credit: Tencel.com)  

Lenzing, a leader in the field of botanic cellulose fibers and famous for its flagship brand Tencel®, is providing solutions to faux fur production. Their fibers are derived from certified renewable wood sources using an eco-responsible production process that generates up to 50% lower emissions and water impact compared to generic viscose. In 2021, the company partnered with UGG and debuted Plant Power, a collection of shoes made with carbon-neutral, plant-based materials.

Wool Alternatives

Spinnova partners with the outdoor brand The North Face. (Photo Credit: The North Face)

As we have previously reported, controversies surrounding leather and fur are well-known, however there is a common misconception that wool is a ‘gentle’ fabric that simply implies a ‘haircut’ for sheep. Wrong. According to Plant Based News, “One little-known fact about wool production is its environmental impact: sheep, just like cows, emit large quantities of methane gas, which has several times the global warming potential of CO2. The 2017 Pulse of Fashion Industry Report put wool in the fourth place on its list of the fashion materials that had the highest cradle-to-gate environmental impact per kg of material.” And that doesn’t even touch on the undercover reports of the systemic cruelty involved and the abuse the animals suffer.

Enter…hemp, organic cotton, Tencel®, Spinnova®,  soybean fiber, linen, bamboo, woocoa and nullarbor

Wool had its peak in the 1990s and then continued to be replaced by synthetics and cotton blends. Today’s eco-conscious consumers are shunning animal-derived or petroleum-based fabrics and are searching for alternatives. Luckily, there are options. From cotton to wood to coconuts and soybeans, technology is helping drive the movement. As we have already discussed, Tencel is a great replacement and we covered the benefits of organic hemp, cotton, linen and bamboo in a previous blog. 

But did you know about Woocoa? This is a material created by a group of university students in Colombia made from a coconut and hemp fiber ‘wool’, treated with enzymes from the oyster mushroom. Keep you eye on this space. Another bio-tech creation is Nullarbor, developed by Australian material innovation company Nanolloose. This fabric is created by using bacteria to ferment liquid coconut waste from the food industry into cellulose. Spinnova

Spinnova® is a fiber made by Spinnova, a Finnish sustainable materials company. They are the only company in the world able to create textile fiber out of cellulose without involving any harmful chemicals, minimal water use and emissions, and zero waste.  The company has worked with a number of recognized brands, such as Bestseller, The North Face and Marimekko, in fact, Adidas is one of their investors.

A Pangaia fitted short puffer. (Photo Credit: Pangaia)

Down Alternatives

A little known fact about the use of down feathers in the production of down jackets, handbags, pillows and comforters is the level of cruelty involved in the extraction of the feathers. According to Gentle World, “while most down and other feathers are removed from ducks and geese during slaughter, birds in breeding flocks and those raised for meat may be plucked repeatedly while they are still alive. This process is repeated every 6-7 weeks before the bird’s eventual slaughter (or death from the trauma of the plucking process itself). For birds that have been killed for their flesh and/or internal organs (foie gras) the process usually involves scalding the birds’ bodies in hot water for one to three minutes so the feathers are easier to pull out. The body feathers can then be plucked (often by hand), after which the down is removed by hand or machine.”

Where using polyester microfiber was once considered a cruelty-free alternative to down comforters and clothing they use a mass-produced petroleum-based polyester, a nonrenewable resource. They are also known to contain chlorinated phenols, formaldehyde and other volatile organic compounds (VOCs), carcinogenic dyes, allergens and irritants. The production of these materials require a lot of energy, are impossible to break down and eventually end up in landfills.

Enter…next-gen down

Rather than using a polyester microfiber, try a next-gen down, which uses plants, recycled PET, or other sustainable materials to create the pillowy feeling many brands and customers crave. While many, like H&M and Jack Wolfskin, have incorporated next-gen down into some of their products, Pangaia, a materials science company and Save the Duck are two companies that have set up a ‘business-to-business’ line selling their eco-friendly down alternatives to other brands.

Pangaia’s FLWRDWN™ is a bio-based down-fill material made using a combination of wildflowers, a biopolymer (made from maize (corn) and is fully compostable) and a patented biodegradable aerogel. This warm, breathable and animal-friendly innovation is the first of its kind and is used in their outerwear jackets, vests and accessories.

Save the Duck’s RECYCLED PLUMTECH® is a padding made by polyester fiber entirely coming from recycled materials, including plastic bottles. All the jackets from the RECYCLED collection are distinguished by the green and white logo.

A large part of unsustainable fashion is the result of poor fabric choice. Many materials that make it into our clothes harm humans, animals, and the environment. Not to mention, they release harmful chemicals and microplastics into our environment for hundreds of years. So, all of you designers out there, get onboard the eco-textile train. It starts with YOU!

Are you as excited as we are about material innovation and the exciting developments that are still to come?

 

A NEW ERA IN SUSTAINABLE FASHION PART 2: NEXT-GEN LEATHER & SILK ALTERNATIVES

- - Sustainability

H&M Conscious collection using Orange Fiber. (Photo Credit: H&M)

At UOF we are committed to the promotion and education of all things related to designing fashion sustainability. Our Zero Waste series, our lessons by Noor Bchara of Upcycle Design School and our upcoming interview series where working sustainable designers talk about how they started their brand, are all part of our commitment to designing with purpose.

As consumers continue to look for more sustainable alternatives to synthetics and animal-based materials, new ‘breeds’ of fabrics continue to make a mark on the industry. This blog post is part of our series on sustainable practices and how textile innovations are providing great alternatives for designers to make a difference in helping save the planet, one thread at a time.

In a report entitled Brand Engagement with Next-Gen Materials: 2022 Landscape released by the Material Innovation Initiative (MII), they covered the most significant and progressive materials that are making a mark on the fashion industry today.

Branded as ‘Next Generation’ or  Next-Gen, the products highlighted in the report offer replacements for animal-based materials such as leather, silk, wool, down (bird), and fur. Technical innovations in next-gen materials are not only present in the fashion industry, but also in automotive and home goods. In this blogpost we will cover leather and silk alternatives. Stay tuned for our coverage of other Next-Gen materials.

Frequently, producing Next-Gen materials utilize various biomimicry techniques to replicate animal-based textiles, which are then implemented into the supply chain of various industries. Next-Gen methods have risen in popularity due to consumer demand and the need for sustainably-sourced materials, with investors reportedly jumping on the trend in order to secure their place in this fast-growing industry.

In the State of the Industry report, published by the MII, interest in next generation materials is steadily growing. Fifty-five new next generation firms were formed since 2014, increasing the number of operating companies in the sector to 95. By 2015, investments in this sector rose to over $2.3 billion and the number of Next-Gen material producers rose to a total of 187 unique investors. All very encouraging news, right?

Genuine Non-Leather 

Genuine leather has long epitomized luxury in the fashion world, however a major shift has taken place with growing awareness about the cruelty of mass livestock-rearing, the number of resources consumed, carbon emitted and the slew of chemicals used in it’s production, such as formaldehyde, cyanide and chromium during the tanning and dyeing processes, which can be hazardous to both people and the environment. According to a poll by market research company Morning Consult, “more than a third of people in the UK and 23 per cent of people in the US think that leather is an inappropriate material to use in clothing.”

Enter…genuine non-leather.

There are now over 67 companies working on alternative versions of the material. Some of the pioneers of genuine non-leather are Piñatex by Ananas Anam (made from pineapples), Tômtex by Uyen Tran (made from waste coffee grounds and discarded seafood shells), Palm leather by Tjeerd Veenhoven (from the leaves of the areca palm), Desserto’s Cactus Leather, the latest innovation in sustainable fashion, is a vegan leather made from the leaves of nopal cactus – a plant that grows abundantly in Mexico, without even needing any water (seems like a great option for those of us constantly killing our plants).

Bio-leather by Shahar Livne (from discarded animal fat and bones), Beyond Leather (Leap™ from upcycled apple waste) and Mylo by Bolt Threads, (created from mycelium, the branching filament structure that mushrooms and other fungi use to grow. The material reportedly consumes substantially less water than is needed to produce animal leather while emitting fewer greenhouse gases). In fact, Adidas, Stella McCartney Lululemon and Gucci’s parent company have all teamed up and invested in Mylo.

 

Cruelty-Free Silk Altermatives

For thousands of years silk, like leather, has been associated with luxury. Although silk is biodegradable, the process of creating silk involves boiling the silkworm alive to save the integrity of the silk. Finding this to be cruel, various designers to find alternative ways of making silk.

Enter…Spider Alternatives.

Did you know that those spider webs in your home are five times stronger than steel and more elastic than rubber bands? Bolt Threads makes a fabric molecularly equal to natural spider silk (since spider silk is not yet widely available) made from yeast, water, and sugar. The resulting raw, purely vegan silk is produced through fermentation, much like brewing beer, except instead of the yeast turning the sugar into alcohol, they turn it into the raw stuff of spider silk. Bolt Threads recently reported partnerships with the eco friendly outdoor brands Patagonia and The North Face.

Lotus silk is another silk alternative and made from the stems of lotus flowers. Although it eliminates the torture of silk worms, creating Lotus Silk is a highly laborious process, with some 6,500 lotus stems required to make a single length of hand woven fabric. Art silk is another silk-alternative, made from bamboo fibers that are crushed then combed and spun into yarn with a lecture more like raw silk. Ramie is another silk alternative that comes from a flowering plant in the nettle family. Orange silk, made from discarded husks of oranges squeezed from the juicing industry. Called  Orange Fiber Fabric, the material made its high fashion debut with Salvatore Ferragamo. And also in the Orange Fibre x H&M Conscious Collection, which launched worldwide in 2019.

Meanwhile, Next-Gen silk now has a total of 12 producers, wool and fur have seven, down materials have six, and exotic skins have one. In 2021, MII reported that 980 million dollars was raised in total, double the amount that was invested in 2020. The organization said in its report that we can expect to see larger deals within the industry as companies continue to develop and provide proof of concept.

Today, a growing number of brands are starting to incorporate Next-Gen materials. A very good sign. The MII report reports that 38 out of 40 leading fashion companies are actively seeking textile alternatives, with a wide variety of fashion labels already counted among the organization’s “First Mover” list. Labels such as Ganni, Pangaia, Karl Lagerfeld, and Adidas are among the 150 highlighted by the MII for their already prominent work in the industry. These selected companies are projected to increase revenue “by exemplifying their positive effect on the environment and animals” according to MII.

Consumer demand is one of the most important considerations to implement these innovative materials into collections, with most consumers willing to pay more for products made from materials that align with their values. In addition, each individual Next-Gen material holds a 50 percent potential market share when compared to conventional materials, according to MII.

Regardless of revenue being an obvious factor, the environmental positives cannot go unnoticed when it comes to Next-Gen materials. As documented in the MII report, much of a brand’s environmental impact comes down to raw materials, leading many to turn to plant-based products instead. It also states that independently certified materials from trusted companies can guarantee both environmental and ethical qualities of the product at hand. In fact, animal welfare has seen an increase in importance among consumers, making it MII’s third most prominent reason to utilize Next-Gen materials.

Investigations into supply chains have repeatedly uncovered troubling cases of animal cruelty within brands and many fashion companies have banned animal products altogether. As more guidelines and industry standards are put into place, fashion is starting to move towards a more animal-friendly future, in which consumers are increasingly demanding.

THE MATERIALS

LEATHER

Karl Lagerfeld’s vegan cactus leather bag. (Photo Credit: Karl Lagerfeld)

 

Hugo Boss’ Pineapple trainers for men. (Photo Credit: Hugo Boss)

 

SILK

Salvatore Ferragamo’s capsule collection for Orange Fiber. (Photo Credit: Salvatore Ferragamo)

As the fashion industry becomes more sustainable-minded, there is also the risk of greenwashing (the practice of making misleading statements or claims about the sustainability of a product or a service).  A recent exposé on fast-fashion retailer H&M in Forbes reported that “the company’s environmental promise is undermined by greenwashing. H&M was using a scorecard system to inform customers about the environmental soundness of each product, but a report by Quartz claims that more than half of the scorecards portrayed products as being better for the environment than they actually were. The report also found some instances in which H&M’s scorecards allegedly gave information about the sustainability of a product that was completely opposite from the truth.” Hopefully this will be a lesson to other brands who might try to fool customers with slick advertising and false claims.

Do you know of any other vegan leathers and silks we didn’t mention?

 

EARTH DAY & HOW SUSTAINABLE, BIODEGRADABLE & COMPOSTABLE TEXTILES ARE CHANGING THE FACE OF FASHION

- - Sustainability

Chloé’s eco-chic spring 2022 show on the bank of the Seine in Paris. (Photo Credit: Shutterstock)

Earth Day is right around the corner (Friday, April 22nd) and while many think that the fashion industry is not doing enough to reduce its carbon footprint, we’re here to say, we’re making progress. Remember, Rome wasn’t built in a day! If you are a faithful reader of UoF’s weekly blog then you know how dedicated we are, not only in keeping our readers up to date on the latest in sustainable fashion and textiles, but in teaching our students how to become ‘sustainable’ designers.

In fact, UoF has a whole series of lessons covering the topic: Introduction to Sustainable Design, Sustainable Materials for Fashion Design, Designing, Producing & Marketing a Sustainable Collection, Eco-Textiles, Creative Draping-Zero Waste Dress, Creative Draping-2D Draping, Creative Draping-Zero Puzzle Dress, Creative Draping-Silk Taffeta Dress, Creative Draping-Organza Blouse, Creative Draping-Cocoon Jacket, Eco Fashion Global Initiative, Sustainable Fashion Designer-Monisha Raja and Sustainable Fashion Designer-Kristen Luong. And we continue to add more!

It’s hard to believe that it’s been 60 years since Rachel Carson’s book, Silent Spring (published September 27, 1962), warned us of the adverse environmental effects caused by the indiscriminate use of pesticides. James Hansen (considered the ‘father of global warming’), forty-three years ago created one of the world’s first climate models, nicknamed Model Zero that predicted what was to come. Earth Day, which began fifty-two years ago (April 22, 1970), is now an annual event in support of  environmental protection that today includes a wide range of events coordinated globally by EarthDay.org and reaches one billion people in more than 193 countries. The official Earth Day theme for 2022 is Invest In Our Planet.  As a scientist once told Rachel Carson, “We are walking in nature like an elephant in a china cabinet“.

 

Some Fashion Industry Facts & Solutions 

Here are some frightening numbers: Since the 2000s, fashion production has doubled and it will likely triple by 2050, according to the American Chemical Society. The production of polyester, which is a popular fabric used in fast fashion, as well as athleisurewear, has increased nine times the amount in the last 50 years. Fast fashion has made clothing so inexpensive that items are easily discarded after being worn only a few times. According to State Of The Planet, a journal published by Columbia Climate School, a survey found that 20 percent of clothing in the U.S. is never worn; in the UK, it is 50 percent. Online shopping, available day and night, has also made impulse buying and returning items easier.

According to McKinsey, the average consumer buys 60 percent more than they did in 2000 and keep it half as long. And in 2017, it was estimated that 41 percent of young women felt the need to wear something different whenever they left the house. In response, there are companies that send consumers a box of new clothes every month.

So, as we look to the future generation of fashion designers, keep in mind that being a sustainable brand may be the key to your success.

One of the most effective ways a designer can go green is to work with sustainable textiles. Did you know that the world produces over 50 million tons of textile waste per year? So, we’d like to share some of the most innovative textiles that will help you create beautiful clothes while reducing your carbon footprint, water, and chemical use.

As you read about these new textiles, you should know the difference between biodegradable and compostable. All compostable items are biodegradable, but not all biodegradable products are compostable. A notable difference between the two is that biodegradable products break down into a few natural elements, while compostable products leave behind a single organic material called humus.

So, is biodegradable more eco-friendly than compostable, you ask? No, a biodegradable product is not necessarily better for the environment than a compostable product. That’s because biodegradable products can still be made of chemical plastics whereas compostable products are typically made from plants.

Here’s a list of some of the latest materials that are prioritizing sustainability.

AIRCARBON

Nike is trying to incorporate more sustainable materials like Aircarbon into its collection. (Photo Credit: Nike)

AirCarbon is made by Huntington Beach-based, Newlight Technologies. They collaborated with Nike on a material that sucks carbon from the air. The secret to AirCarbon, a material that took 10 years into develop, is found in nature: methane-loving micro-organisms. AirCarbon is certified carbon-negative by SCS Global Services, resulting in a net reduction in carbon dioxide emissions in the atmosphere through production.

AIRMYCELIUM

AirMycelium is a mushroom root (mycelium) material from a New York-based innovation firm, Ecovative. The material has a production capacity of 100,000 pounds a year and over time is biodegradable — with its raw mycelium materials being at-home compostable in soil.

BIOFIBER

BioFiber is created solely from food crop residues and was developed by Agraloop Bio-Refinery. It is meant to replace high-quality knits and woven fabrics. Agraloop processes waste from various food and medicine crops including oilseed hemp/flax, CBD hemp, banana, and pineapple, while incentivizing the waste among communities in need. BioFiber is mixed with other natural staple fibers to produce a variety of ring-spun and open-end yarns.

BIOSTEEL

BioSteel is a biotechnologically produced high-performance version of spider silk, which made its debut in 2015. It is produced by German biotech company AMSilk and has been used especially in shoe upper material for Adidas’ Futurecraft Biofabric sneakers. Properties include being 15 percent lighter than conventional synthetics, as well as being completely biodegradable. BioSteel has been certified by the Hohenstein Institute and the SGS Institut Fresenius.

CIRCULOSE

H&M became the first brand to use Circulose – made from textile waste.  (Photo Credit: H&M)

Circulose is a patented fiber created by chemically processing 100 percent cotton fabric waste or other cellulosic textiles (like viscose). It is produced by Renewcell, a technology company founded in January 2012 by a group of cellulose researchers from KTH Royal Institute of Technology. Circulose significantly reduces the use of water and carbon footprint and is closed loop. H&M was the first to debut the Circulose material to consumers. As one of the biggest ‘fast fashion’ retailers, they are trying to do their part in reducing their carbon footprint.

In 2013, H&M launched a global garment collecting program and has a goal of having all products in stores made from recycled or sustainably sourced materials by 2030. H&M has tripled the amount of recycled materials used in its products from 5.8 percent to 17.9 percent with a goal of 30 percent by 2025.

H&M is launching a new line of sustainable tops, bottoms with adjustable waistbands and cuff, jackets, hats and blankets that can be composted once they are old and worn out. The 12-piece collection for newborns is made from organic cotton and launches in May 2022.

 

H&M launches a compostable 12-piece collection for newborns made from organic cotton in May 2022. (Photo credit: H&M)

DESSERTO

Karl Lagerfeld Collabs with Amber Valletta on a sustainable accessory collection using the material Desserto. (Photo Credit: Karl Lagerfeld)

Desserto is made of 40 percent organic cactus fiber, protein, pigments and 60 percent polyurethane. Backings are made with different fiber blends. Desserto, created by Adriano di Marti , is a leather replacement in handbags, footwear and apparel. Brands like Karl Lagerfeld, Fossil and H&M have used the material.

EVRNU

NuCycl™ a  regenerated fiber composed of  100% post-consumer waste using technology by Evernu® (Photo credit: Evernu.com)

Seattle-based Evrnu® is the firm behind NuCycl™, a regenerated fiber made from post-consumer clothing waste via its proprietary NuCycl technology. Garment waste is collected, sorted, and separated. The waste is then purified, shredded, and turned into a pulp. Extruded cellulose is made into a fiber that is finer than silk and stronger than cotton. The fiber is then spun into yarn, dyed and woven into fabric to be used to create recyclable textiles. Their mission is to create a circular economy for fashion. The fiber has been used by brands like Levi’s, Adidas and Stella McCartney.

FLOCUS

Flocus kapok fibers used for Frank and Oak’s outerwear. (Photo Credit: Frank and Oak)

Flocus is 100 percent biodegradable and 100 percent recyclable. The material is made from a yarn blend of fibers from the kapok tree. It is used for a wide range of fabrics and insulation materials being that it is lightweight, hypoallergenic and soft to the touch. Moisture management, temperature regulation and insect repellence are other qualities. The brand Frank and Oak uses Flocus for their outerwear.

PLNT  & FRUT

PLNT and FRUT – bio-based fibers made from agricultural waste using Pangaia technology (Photo credit: Pangaia.com)

Another alternative to cotton is a bio-based technology developed from agricultural waste by Pangaia Material Science Ltd. Their Plnt fiber, is a blend of 60% bamboo lyocell, 20% Himalaya nettle and 20% SeaCell lyocell. Their Frut fiber is a cocktail of 60% bamboo lyocell, 20% pineapple leaf fiber, and 20% banana leaf fiber. Pangaia also has their own direct-to-consumer line of clothing.

HEIQ

HeiQ innovative textile technologies include fabric offerings such as Eco Dry, Real Silk and Clean Tech, aiding the performance and sustainability of fabric manufacturing by substituting less eco-friendly chemicals. The Eco Dry process, for example, eliminates the need for fluorine and makes a water-repellant layer for footwear and clothing applications. It complies with EU REACH and ZDHC chemical protocols, as well as Oeko-Tex.

INNER METTLE MILK

Inner Mettle Milk is a 100-percent natural fabric produced by apparel company Inner Mettle. The IM Milk fabric is a biodegradable fabric made from a blend of surplus milk from the Italian agricultural-sector and 60 percent Lenzing-produced Tencel Micromodal. The fabric is manufactured in Italy and employed in Inner Mettle’s innerwear collection.

KOBA

Koba is a partially bio-based faux fur developed by DuPont and Ecopel of which Stella McCartney and Maison Atia are devoted fans. Because it is also recycled polyester, it is not biodegradable, but the companies tout recycling options at the material’s end of life.

MALAI

Malai is a bio-based material grown atop coconut water through fermentation, a leftover from the coconut industry in South India. The jelly is harvested and enhanced with natural fibers, gums and resins to create a more durable and flexible material. Although Malai is in its early stages, the leather alternative is biodegradable and compostable.

MIRUM

Patches made with Natural Fiber Welding’s Mirum leather substitute are included on Ralph Lauren’s Team USA parade apparel at the Tokyo Olympics. (Photo Credit: Ralph Lauren)

Mirum is a welded 100 percent natural, biodegradable plant-based leather alternative made by Natural Fiber Welding. The material comes from raw materials like cork, coconut, vegetable oil and natural rubber. With certification from the U.S. Department of Agriculture BioPreferred program, the company also counts investments from brands like Allbirds and Ralph Lauren Corp. The material is never coated in polyurethane or PVC, and is fully biodegradable with 40 percent lower carbon impact, per the company’s assessments. In addition to having a low carbon footprint, Mirum requires no water during manufacturing and dyeing.

NATIVA

Nativa wool is a 100 percent traceable wool fiber launched by Chargeurs Luxury Materials, a leader in luxury combed wool. The firm’s blockchain technology records transactions in a digital tamper-proof and decentralized database. Finnish outdoor brand UphillSport switched to all Nativa wool in 2020.

ORANGE FIBER

A look from the Orange Fiber capsule collection by Salvatore Ferragamo. (Photo Credit: Salvatore Ferragamo)

Orange Fiber is a luxurious fabric made out of waste citrus juice byproducts. It makes use of the otherwise more than 700,000 tons of citrus juice byproducts that would normally end up as waste. The Italian company (which collaborated with Lenzing) was the winner of the H&M Global Change Award in 2015. Also, Salvatore Ferragamo launched a capsule collection with the Orange Fiber in 2017.

REISHI

Sylvania is a mycelium material developed by MycoWorks and Hermès. (Photo Credit: Hermès)

Reishi is a non-plastic, non-animal leather alternative from biotech startup MycoWorks. The material is grown rapidly from mycelium and agricultural byproducts in a carbon-negative process. Luxury house Hermès has partnered with the Reishi to work on its own material dubbed “Sylvania.”

REPREVE

Repreve is a yarn made from recycled plastic bottles by maker Unifi. Repreve, was confirmed to reduce global warming potential related to greenhouse gases by 21 percent compared to generic, mechanically recycled polyester and 42 percent compared to virgin polyester, according to technology firm Higg (a partner to the Sustainable Apparel Coalition).

SORONA

Sorona, created by DuPont, was created to be a corn-based alternative to spandex (with about 37 percent of the polymeric fibers being made of renewable plant-based ingredients). The material is known for comfort, stretch and recovery properties, but is entirely free of spandex. The North Face, Club Monaco, and Stella McCartney have released products with Sorona.

SPINNOVA

Apparel made form Spinnova’s new wood-based fiber. (Photo Credit: Spinnova)

Spinnova is a 100 percent natural, biodegradable and recyclable alternative to cotton made of wood and waste without the use of harmful chemicals. It is free of microplastics and harmful chemicals and uses 99 percent less water than cotton. The North Face and H&M are already partners, as is the world’s largest wood pulp producer Suzano.

TEXLOOP

Texloop RCOT is made with up of 50 percent Global Recycle Standard-certified recycled cotton, blended with other natural fibers, including Global Organic Textile Standard-certified organic cotton and Tencel Lyocell. Brands ranging from H&M to Lee have used the material to create more sustainable denim.

ZOA

Modern Meadow uses biotechnology in its Zoa Biofabricated Material. (Photo Credit: Modern Meadow)

Zoa is a bioengineered leather-like innovation from biotech firm Modern Meadow. Zoa is made from protein collagen produced through fermentation from yeast in a lab and can be easily combined with other materials to accommodate any shape or texture. Zoa is already partnering with luxury and consumer goods brands.

As every student and teacher of fashion design knows, it’s up to us to chose the materials that we will use for our designs and therefore, unless we all make a concerted effort to source these eco-friendly materials we are only contributing to the earth’s pollution. Sustainable and ethical fashion starts with the fabric!

Here’s a few links where you can find sustainable fabrics and yarns – Happy Eco-Designing

30 Sustainable Fabrics For The Most Eco Friendly Fashion

Birds of a Thread

My Green Closet

So tell us, what will you do to reduce your carbon footprint?

 

 

 

RINGING IN 2022 WITH A NEW FOCUS ON SUSTAINABILITY

- - Sustainability

Stella McCartney Winter 19 CampaignCourtesy of Stella McCartney. (Photo Credit: Stella McCartney)

At the University of Fashion we want to start by wishing everyone a Happy New Year!

As we leave behind the uncertainty of 2021 (with the rise of Covid-19’s latest strand: Omicron), we want to focus on the positive. Moving forward, the fashion industry is taking new strides in sustainability and focusing on greener methods to produce fashion. While our industry may get a bad rap from environmentalists, there were plenty of sustainable wins this year that fashion companies should focus on, including bolstering garment worker rights, as well as strides in the circular fashion space — steered by bio-based material innovators, luxury companies, pre-owned vendors and systems thinkers alike.

Labor Rights Became Something to Shout About

Garment Center workers. (Photo Credit: Garmentworkeract)

2021 marked a hard-earned triumph for garment workers and ethical business allies in California with the signing of the Garment Worker Protection Act (known as SB 62) into law this past September.

The bill takes a jab at the industry’s high rates of wage theft and sub-minimum pay, by first eliminating the piece-rate system of compensation, while closing a prior loophole in the original legislation that let fashion labels avoid responsibility for their supply chains. Under this groundbreaking new law, joint liability will exist, so fashion companies, subcontractors, and workers are all included in the negotiating process.

According to WWD, the law’s passage is far-reaching, and by some experts, it ushers in a new sustainable era for fashion and a chance to shift the power balance.

“Over the past 20 years, fashion has changed.…Labor laws become obsolete because the economic structure of that industry has changed,” according to Victor Narro, project director and professor of Labor Studies at the University of California Los Angeles Labor Center. Narro was on the team that drafted California’s landmark worker protection law in 1999.

Fashion is constantly changing and so far more than 140 fashion brands (among them Reformation, Boyish, Mara Hoffman, Eileen Fisher) have been threads of change (no pun intended).

California is home to the biggest garment manufacturing hub in the U.S. and counts for over 45,000 garment industry workers. According to WWD, the majority of the garment industry workforce are highly skilled women of color (averaging 20 years of experience), fueling brands like Fashion Nova, Forever 21, Windsor, Charlotte Russe, Urban Outfitters and Lulus. All of which were named as “top violators” in wage theft cases according to SB 62 bill co-sponsor the Garment Worker Center.

“I would say that I think that the bill is bordering on revolutionary, not just for garment workers, but also other low-wage workers in farming and agriculture,” said Ngozi Okaro, executive director of Custom Collaborative, a New York City-based workforce development nonprofit and social enterprise. “What’s important is it drills down to holding everyone along the value chain responsible.”

Safety for Garment Workers

ACCORD on Fire and Building Safety in Bangladesh. (Photo Credit: Apparel Insider)

In another extensive and time-sensitive move for garment worker protection, The Bangladesh Accord on Fire Building Safety saw a last-ditch revision in The International Accord for Health and Safety in the Textile and Garment Industry.

As of December 2021, the International Accord totals 155 brand signatories (just shy of the 200 signatories for the original document) with H&M, Inditex, Bestseller and C&A among the first to sign. The purpose of the International Accord is to expand health and safety coverage for factory garment workers in Bangladesh, as well as other high-risk sourcing countries in the South Asian territories.

In 2021, many brands rushed to pen their support for sustainable causes. Many fashion labels including Everlane, ThredUp, Rebecca Minkoff, Allbirds, Reformation and more signed a letter to U.S. President Joe Biden to appoint a “fashion czar”; while in the U.K., similar calls echoed out for a “garment trade adjudicator”.

So, it is clear that 2021 was the year the fashion industry moved forward in their intent for advancing social and environmental progress.

Resale Momentum

The 2018 campaign for Vestiaire Collective. (Photo Credit: Vestiaire Collective)

“Buying a pre-loved handbag from the same brand’s online store that you bought a new pair of boots from is going to be a billion-dollar game changer for the fashion community,” said The RealReal’s former director of business development, Karin Dillie, who went from Sotheby’s, The RealReal, to now, brand-owned resale space at Recurate, in an interview with WWD.

Last year, direct-to-consumer fashion brands like Boyish Jeans, Coclico Shoes and Époque Évolution, partnered with branded business-to-consumer marketplace Treet, ​while Cuyana, Vera Bradley and Fabletics partnered with ThredUp.

Kering announced a $216 million investment in Vestiaire Collective in March of 2021. Richemont rolled out resale partnerships (via Watchfinder) at Net-a-porter and Mr Porter in July. By August, new collaborations were forged in-store and online, one highlight being luxury pre-owned vendor Fashionphile teaming up with Neighborhood Goods.

The athletic brand New Balance launched its “New Balance Renewed” program with The Renewal Workshop. H&M newly launched its own “Rewear” resale marketplace in Canada, and URBN announced its “Nuuly Thrift” platform in fall 2021.

Throughout the pandemic, the luxury resale market gained momentum while used goods piled up as people had time to purge their closets.

Innovation in Sustainability

Stella McCartney’s new bag made with Mylo. (Photo Credit: Vegnews)

Sustainability innovation has definitely ramped up and has become a BIG movement within the fashion industry. Throughout 2021, giant fashion and athletic brands including Adidas, Nike, H&M, Stella McCartney, Ralph Lauren, Patagonia, and Gap, to name a few, have looked to nature and have invested in buzzy next-gen materials.

“There are exciting innovations for clothing production that are designed to have less of an environmental impact after its intended use; for example, fibers and fabrics designed to: be collected and mechanically or chemically recycled back into new textiles; biodegrade (under specific conditions); or compost into non-toxic constituents,” Barbara Martinez, open innovation director at Conservation X Labs, a technology and innovation hub based in Washington, D.C., told WWD.

A September report from nonprofit Material Innovation Initiative and consumer research firm North Mountain Consulting tallied $1.29 billion invested in standout material innovation firms from 2015 to May 2021. MII found that vegan leather alone could command 54 percent of the market, according to Nicole Rawling, cofounder and chief executive officer of the Material Innovation Initiative. “The findings reveal that cost-competitive next-gen materials could command the majority of many markets,” she said in an interview with WWD.

Even luxury designers are looking to vegan leather options. Case-in-point, Hermès, a house immersed in tradition, shocked the luxury world when it announced a partnership with the California-based start-up MycoWorks to develop a leather-type material out of mycelium – this would be the first time the luxury label stepped away from the houses’ signature calfskin leather of its renowned Birkin and Kelly bags.

Stella McCartney, one of the first luxury designers to focus on sustainability, has been experimenting with fungi as well. This past year, the fashion house has partnered with Bolt Threads in developing Mylo, a new trademarked material made from the root system of fungi.

McCartney introduced a mushroom leather bag during her spring 2022 show, which began with a voice stating that “In fashion, mushrooms are the future,” across its Paris venue. The designer’s goal is to offer the innovative material to other brands and help bring the use of sustainable materials into mainstream fashion.

Luxury, Resale Boast B Corp Chops

At Chloé, Gabriela Hearst trimmed dresses with metal “talismans” sourced from deadstock jewelry supplies. (Photo Credit Vogue: Runway)

Fashion brands (both luxury and mass) are often criticized for the fast pace of their production calendars, hosting shows in exotic locations, and having little visibility in their massive supply chains.

But in the past few years, many brands are taking sustainability seriously by reaching for a new title-grab. 2021 was the pathfinding year when luxury fashion houses (including luxury resellers) bought into B Corp status.

The Benefit Corporation (abbreviated as B Corp) is regarded as the “gold standard” in sustainable companies; the certification is provided by nonprofit B Lab, when companies showcase that they can fulfill its strict ESG criteria. B Corps are legally bound to act in the interest of both people and out planet.

This past September, Kering-backed Vestiaire Collective led the way as the first in resale to earn B Corp status. Richemont-owned Chloé was the first luxury fashion house to receive the much-acclaimed certification, setting a new standard of how brands should operate moving forward in the fashion industry.

“Beyond the fact that we are proud of it as a company, we also aim to inspire many others to join,” said Riccardo Bellini, chief executive officer of the Compagnie Financière Richemont-owned brand, to WWD. “We upgraded our operations, governance and policies in a way that allows us to operate in a more environmentally and socially responsible manner.”

Chloé began moving to a purpose-driven business model before the pandemic and with the appointment of Gabriela Hearst (named creative director in December 2020), whose entire design philosophy revolves around environmentally friendly practices. Some of the policies Chloé implemented along the way included its “Women Forward for a Fairer Future” mission statement; the appointment of an advisory board of experts; as well as the inclusion of more social entrepreneurs in its supply chain.

Richemont’s Bellini summed up the B Corp differential best: “It’s all about the mindset of continuously challenging ourselves to improve, and to bring the full equation of financial, social and environmental value to the table in every decision we make.”

Sustainable fashion is more than just a trend. (Photo Credit: Girotti Shoes)

 

Be sure to check out UoF’s lessons on sustainability:  Introduction to Sustainable Fashion Design, Sustainable Materials For Fashion Design, 

Designing, Producing & Marketing a Sustainable Collection, Sustainable Fashion Designer – Monisha Raja

Eco-Textiles, and Sustainable Fashion Designer – Kristen Luong,

So tell us, how will you create a more sustainable brand moving forward?

IS RENTING CLOTHING REALLY BETTER FOR THE ENVIRONMENT?

- - Sustainability

Renting a pair of denim pants. (Photo Credit: wabeno/iStock, cumhurkaplan/iStock)

After decades of scientists and environmentalists warning us of the affects of global warming, we are sadly starting to see the result of our inaction. In North America, the northwestern region is literally on fire as Oregon and parts of California are battling blazing flames that are contributed to record breaking heat waves and extreme drought. This past week devastating floods hit West Germany and over 150 people have died due to the rapid flooding. And in many countries, June hit record high temperatures, which is a great cause of concern as the arctic is slowly melting and sea levels are rising. So, as governments from around the world continue to try and find solutions, such as electric cars and recycling programs, we can all try to do our part.

The fashion industry is a big contributor to global warming A report by the World Economic Forum this year indicated that our industry generates 5 percent of global emissions. It has taken decades to convince its major industry players to look for ways to go greener by using sustainable materials. But the high cost of using these types of fabrics and limitations on how to scale production presented challenges. So, in 2009, Rent The Runway was born, a concept that seemed like the perfect answer for fashionistas who wanted to replenish their wardrobes daily but still wanted to be environmentally responsible. Soon, renting designer looks became the craze and rental platforms were popping up around the world. Brands got in the act too, by launching their own rental services. According to GlobalData, the clothing rental business is predicted to be worth nearly $3.2 billion by 2029, and is being hyped as a possible solution to fashion’s environmental crisis. Not so fast…

An image of Rent The Runway. (Photo Credit: Getty Images for Rent the Runway)

Some in the industry believe that by renting clothes they were doing something positive for the environment; brands were creating less and therefore, less waste was being produced. But today, research has found that renting clothes could actually be worse for the environment. According to a scientific study recently released by Lahti University of Technology (LUT) in Finland, which was published in the scientific journal Environmental Research Letters and reported on in The Guardian, renting clothes produces higher greenhouse gas emissions generated by shipping items back and forth from consumers to warehouses. And let’s not forget about the constant dry cleaning of the clothing.  The study found that in terms of environmental impact, the fashion rental process could actually be worse than buying and throwing away new pieces of clothing.

According to the Finnish study, researchers analyzed the environmental impact of five different scenarios for textile “ownership” and “end-of-life,” including clothing rental, recycling, re-selling, or wearing items for more or less time before throwing them away. This was something that had not previously been considered.

The results were surprising. Renting clothes was found to have the highest climate impact (specifically higher greenhouse gas emissions). Researchers concluded that this could be even worse than throwing out clothes after one wear. These findings are especially shocking as many of these fashion rental services present themselves as an eco-conscious alternative to conventional shopping.

According to research, renting clothes was found to have higher climate impact compared to throwing them away. (Photo Credit: Angela Bailey/Unsplash)

Specifically, the study implies that the numerous round trips between renters and warehouses, and therefore the substantial amount of transportation involved, play a key role in driving up greenhouse gas emissions. Correspondingly, the excessive dry cleaning of these rented articles of clothing also have a significant impact on the environment.

Ultimately, fashion rental companies would have to transform their logistics to make their services eco-friendlier. If they can achieve this, then the environmental impact of renting apparel would be on par with clothing resale, although this does not appear to be the most eco-friendly option either, according to the findings in the Finnish study. However, rather than trying to solve fashion’s environmental crisis, renting should be recategorized. “We should think of renting like second-hand shopping,” said Dana Thomas, author of Fashionopolis: The Price of Fast Fashion and the Future of Clothes. “It’s not something we do all the time, instead of buying our clothes and swapping out outfits nonstop, but on occasion, when the need arises, like proms or weddings.”

This new study also found many fashion rental brands misuse the phrase “circular economy” (the system of sharing, leasing, reusing, repairing, refurbishing and recycling existing materials and products as long as possible), as a form of greenwashing. “No executive wants to overhaul their business, and that’s what ‘going green’ will require, not tweaks but an entire overhaul,” said Thomas. “They are too focused on short-term gains to invest in long-term benefits. Only regulation will solve that problem. No company, in any industry, will volunteer to take a loss for the sake of the planet. They’ll do so when it’s the law. The biggest obstacle is greed.”

The Recycling Logo. (Photo Credit: Elle Magazine)

In the end, the Finnish researchers concluded that the greatest solution is to purchase fewer articles of clothing and to wear them as much as possible before reselling or donating them. And. according to Dana Thomas, “You want to be sustainable? Buy less, buy better.”

So tell us, as an aspiring designer, how are you reducing your carbon footprint to become a more sustainable brand?

Introducing our ITAA Sustainability Design Winner Lynda Xepoleas

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Lynda Xepoleas of Cornell University – winner of the UoF/Alvanon/Motif Sustainability Award

The University of Fashion, in partnership with the Alvanon dress forms and MOTIF, were proud sponsors of this year’s Sustainability Award presented at the annual International Textiles & Apparel Association (ITAA) conference Nov 16th – 18th.  If you are unfamiliar with the ITAA, they are a professional, educational association composed of scholars, educators, and students in the textile, apparel, and merchandising disciplines in higher education. The association dates back to 1935, when the United States Office of Education cooperated with institutions of higher learning in studying the curricula. As a result of these curricula studies, conferences of textile and clothing professors have been held annually in the U.S. since 1944.

The recipient of this year’s Sustainability Award is Lynda Xepoleas, a Ph D candidate in the Fiber Science and Apparel Design Department at Cornell University, for her sustainable dress design entitled “Collision”. The Sustainability Design Award is a $3279 value and includes: 1) a one-year subscription to the complete catalog of Alvanon’s virtual AlvaForms via the Alvanon Body Platform, https://abp.alvanon.com/ ($2500 value).  2.) an all-access pass to the entire library of professional apparel courses on MOTIF https://motif.com ($590 value), and 3.) a one-year full access subscription to over 500 fashion design and business education videos via University of Fashion, https://www.universityoffashion.com ($189 value).

Lynda Xepoleas “Collision” sustainable dress design front view. (Photo credit: Lynda Xepoleas)

Lynda Xepoleas “Collision” sustainable dress design detail. (Photo credit: Lynda Xepoleas)

Lynda Xepoleas “Collision” sustainable dress design back view (Photo credit: Lynda Xepoleas)

Lynda’s “Collision” dress design was borne out of an opportunity where she witnessed the ecological footprint of the fashion industry firsthand while visiting several manufacturing facilities in different regions of India. Lynda was surprised by the amount of textile waste created during the cutting process. This experience not only led her to undertake upcycled design scholarship using cut-offs (production scraps), but also to think about how sustainable practices could be incorporated within the cutting and manufacturing of mass-produced apparel.

Currently, sustainable fashion is quite exclusive and unattainable for most individuals who can’t afford to spend $100 on a t-shirt. Therefore, Lynda hopes to work with several manufacturing facilities in India to identify ways whereby they can work with local vendors to transform production scraps into products for the domestic market. For Lynda, this really embodies the nonlinear nature of the upcycle design process, which she feels often requires us to reshape and rethink how we approach apparel design. This is also something that is reflected in her Collision dress design, which she attempted to capture visually, by positioning each cut-off at a different angle to create the illusion of intersecting diagonal and vertical lines.

Like many of us who chose fashion as a career, Lynda has had quite a unique and interesting past. In her own words:

“Initially, fashion served as another creative outlet that allowed me to express myself in ways that differed from my association as a high-performance athlete and competitive tennis player. From the ages of 10-18 I trained 6 hours a day and attended school online. My decision to attend school online was based on the fact that I started to play tennis quite late. Most competitive tennis players start at the age of 4 or 5. I started around the age of 8, so I had a lot of catching up to do. In the end this paid off, I was one of the top ranked tennis players in the United States for my age and was sponsored by Wilson for a couple of years. The transition from high school to college was actually quite easy for me since I was already in charge of staying on top of all my coursework and assignments. A typical day for me would consist of two, three-hour training sessions, one in the morning and one in the afternoon with a one-hour lunch break in between. Afterwards, I would do about three hours worth of schoolwork every night. I didn’t have the chance to attend a school dance or anything like that, but I was able to travel the country and meet people from all over the world. I have trained with coaches and hitting partners from countries like Egypt, Uganda, France, England, Bulgaria, New Zealand, Australia, China, Japan, Thailand, Ecuador, Venezuela, and Bolivia. 

“In my spare time, I would often make my own clothing to wear on and off the court. When faced with the decision to play on the professional tour or attend college, I decided to pursue a career in the field of fashion. I attended Purdue University on a full athletic scholarship and earned my B.S. in Apparel Design. Even though I enjoyed designing apparel, I was also interested in exploring the two-dimensional representation of fashion in art and photography. I decided to pursue a M.A. in Art History at Arizona State University. This experience allowed me to investigate the representation of fashion in 1930s fashion photography for my M.A. thesis.”  

“As a Ph.D. student in the Fiber Science and Apparel Design Department at Cornell, I have begun to bring together my interests in apparel design and art history. My dissertation examines the ways in which several museum collections in New York City informed the design of early twentieth-century American fashion and simultaneously contributed to the normalization of cultural appropriation in the American fashion industry.”

Lynda Xepoleas “Collision” sustainable dress design side view (Photo credit: Lynda Xepoleas)

As part of her Collision project, Lynda utilized Optitex fashion design software and found it to be quite user-friendly compared to other systems that she had used before. In the future, Lynda also plans to use CLO3D to identify additional methods for upcycling production scraps, since much of her design scholarship seeks to use technology as a means of identifying sustainable solutions for the design and manufacture of apparel.

Upon receiving her Ph.D. in Apparel Design, Lynda hopes to become an Assistant Professor in the field of fashion studies or apparel design. While conducting research for her dissertation, she discovered that the very practices and systems which have informed the development of fashion education in the United States, continue to perpetuate Western ideals related to beauty, race, sexuality, gender, and indigeneity. Her objective therefore is to create more inclusive teaching practices in hopes of destabilizing the exclusive foundation of fashion education.

On behalf of Alvanon, Motif and University of Fashion, we wish Lynda all the best for a successful and productive career in fashion!

 

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(Graphic courtesy Mark Higden: @mark_higden – www.markhigden.com)