Looks from Simone Rocha X H&M Collection. (Photo Credit: H&M)
Let’s face it, fashionistas everywhere crave designer clothing, but many cannot afford the hefty price tags that are often associated with luxury fashion brands. So how can luxury houses satisfy the desires of the working-class fashionista? Through collaborations of course! Overall, designer collaborations are well-received, highly sort after, and especially difficult to get your hands on before they sell out. Thanks to marketing and retail success, the number of designer collaborations have hit the roof in recent years, and with the help of celebrity fans, it’s not hard to see why these pieces are in such high demand.
An advertisement for Halston for JCPenney. (Photo Credit: JCPenney)
Halston can be attributed to creating the very first mass-market collaboration in 1983 between his namesake label and JCPenney. Halston was a successful, disco-era designer who was known for his minimalist yet glamourous aesthetic; as well as his infamous Studio 54 days where he partied with and dressed close friends Liza Minnelli, Bianca Jagger, and countless others. Halston created the controversial, cheaper Halston III line with department store giant JCPenney but the collaboration was was poorly received by elite department stores, such as Bergdorf Goodman, which stopped carrying the high-end Halston Limited label out of fear that the JCPenney collab would cheapen Halston’s overall appeal.
An advertisement for Isaac Mizrahi for Target. (Photo Credit: Target)
In 2002, Isaac Mizrahi, who was known for his vibrant and playful joie de vie collections, teamed up with Target. The Isaac Mizrahi x Target partnership was the first and longest-running Target designer collaboration (lasting from 2002-2008), and it introduced the designer to mainstream America. The extremely lucrative collaboration bolstered the designer’s own career with the collection eventually including accessories, bedding, housewares and even pet products. This collaboration kick started the luxury designer mass market craze.
An advertisement for Karl Lagerfeld for H&M. (Photo Credit: H&M)
Swiss retail giant H&M jumped on the designer collaboration bandwagon in 2004 with the legendary Karl Lagerfeld. Known for his sleek black suits, skinny jeans and French rock and roll spirit, despite skeptics, the collection sold out within minutes of the launch. This wildly successful partnership opened the door for a plethora of high-end H&M collaborations to follow and set the precedent for numerous future high-street and designer collaborations.
Once the success of these collabs were made known, the flood gates were opened. Here are a few noteworthy mentions:
Giambattista Valli for H&M in 2019
Virgil Abloh, the creative director of Off-White, partnered with multiple brands ranging from Evian and Rimowa to Ikea and Nike.
Christopher Kane X Topshop in 2006 and Crocs x Christopher Kane Spring 2017
Rodarte x Universal Standard in 2019
Lanvin x H&M in 2010
Missoni x Target in 2011
Balmain x H&M in 2015
SOME OF THE COOLEST COLLABORATIONS OF 2021
SIMONE ROCHA X H&M
A video of the Simone Rocha X H&M collaboration.
The Simone Rocha X H&M collection launched on March 11th to rave reviews. The Swiss retail giant and the Irish designer, collaborated on a collection that was based off Rocha’s archival hits filled with charming and whimsical pieces. Sustainability is said to be a key factor in this new designer collaboration. Rocha told Vogue US that, coming from a much smaller brand, H&M’s footprint was a big consideration, and that together they were able to source organic cotton, recycled polyester and a new compostable yarn.
Simone Rocha’s house codes are strong and were fully incorporated into her collaboration with H&M. There were plenty of neo-classical references, puffed sleeves and babydoll silhouettes, Lurex tweed, Broderie Anglaise, organza and cloqué fabrics, lots of embroidery, beading and even baroque pearls. It was all so delightfully sweet.
Just in time for the warmer weather, Target is bringing back the Designer Dress Collection for spring 2021. This season the retailer is collaborating with three diverse designers: Alexis, Christopher John Rogers, and Rixo. The rising stars are adding their signature styles to Target, offering a much-needed boost to a girl’s closet. There will be over 70 styles available, ranging in price from $40-60 in sizes XXS—4X, making this Target’s most size-inclusive designer capsule to date.
A look from ALEXIS’ collaboration with Target. (Photo Credit: Target)
The Miami-based label Alexis, designed by Alexis Barbara Isaias, is known for its relaxed, feminine silhouettes made for the globetrotter, bringing a wanderlust feel to easy dresses and separates. Her Cuban roots and Miami upbringing definitely influence her free-spirited collections. In an interview with The New York Post, Isaias stated, “I never wanted a design office in New York. The vibrant colors, the culture, the feeling … it’s so important that our roots are in Miami.” And while Isaias loves the nightlife, her Miami is also made up of quiet moments in nature. “To me, it’s a place for family, for connections — to be by the water and feel the breeze. There’s just something in the air here.”
A look from Christopher John Roberts collaboration with Target. (Photo Credit: Target)
Christopher John Rogers shot to stardom when Vice President Kamala Harris wore his coat and dress to her and Joe Biden’s inauguration on January 20, 2021. The young industry darling is known for his unparalleled eye for color, voluminous silhouettes, and sharp tailoring. In only a few seasons he has already earned a CFDA/Vogue Fashion Fund Award and a legion of fans, including Zendaya, Lizzo, Tracee Ellis Ross and Michelle Obama.
In an interview with Teen Vogue, Rogers was asked how his background influences his style. Rogers stated, “I’m African-American, and I grew up in Baton Rouge, Louisiana, which is basically a large small town. I was fortunate enough to have my parents put me in art classes pretty early on, at the suggestion of my grandmother, and I was always surrounded by people of various backgrounds. My best friends in elementary school were Korean, Jewish, South American, you name it. I’ve always known variety to be standard.”
A look from Rixo’s collaboration with Target. (Photo Credit: Target)
UK-based Rixo, designed by Orlagh McCloskey and Henrietta Rix, bring a modern twist to vintage-inspired wrap dresses and patterns. The contemporary label evokes a Bohemian & free spirit, with easy-to-wear pieces in feminine shapes and high-quality materials. The young design duo are known for their fusion of original hand-painted prints and timeless silhouettes that flatter all body types.
According to the brand’s profile, Henrietta & Orlagh met at University of Arts London, where on their first day enrolling as students Henrietta complimented Orlagh on her vintage handbag and the rest is history! Imminently discovering a mutual love for vintage, the pair have been best friends ever since and have also lived together through their first 5 years of Rixo – becoming more like sisters than friends.
JW ANDERSON X UNIQLO
Looks from JW Anderson x Uniqlo collaboration. (Photo Credit: Uniqlo)
Jonathan Anderson has been keeping busy the last few months. In addition to designing for his eponymous British label JW Anderson and for Spanish fashion brand Loewe, he has created a capsule collection for the Japanese mega retailer Uniqlo.
For his latest JW Anderson x Uniqlo collab, Anderson focused his attention on designing items that he would like to wear when the world fully opens up again. “I wanted something that was a bit crisp and subtle,” he says in an interview with Refinery 29. “I always think you have to subtly get back into things.” To help shoppers transition out of the sweatpants they’ve been living in for more than a year and into the forthcoming season, he also “wanted [to create] something that felt timeless.”
For the spring capsule he created boxy T-shirts hemmed with chain stitches; oversized, linen polo shirts; and baseball caps made of vintage-looking denim and detailed with embroidered daisies. To fully round out spring’s lineup of essentials, he also included chambray dresses, smocked midi skirts, and rigid denim in light blue and oatmeal.
Anderson says that he’s become “very obsessed with handcraft.” Craftcore-esque chain stitches and embroidery, therefore, became mainstays throughout the collection. “I love the subtlety of detail,” he says. “It doesn’t have to be so loud in the very beginning.”
So tell us, which fashion collaborations would you like to see?
Bora Aksu’s Spring 2021 Presentation. (Photo: Courtesy of Bora Aksu)
ON WITH THE SHOW!
While New York showed only a handful of live shows and presentations due to Covid concerns, at London and Milan fashion week it was almost business as usual. London designers staged over 30 live shows, presentations, fashion events or personal appointments, while Milan blended 28 physical shows with 24 digital ones, making Milan, thus far, the city with the most in real life showings. As American buyers, the fashion press (and the rest of us) virtually crossed the pond for London and Milan fashion week, we all got to watch some pretty amazing spring 2021 fashion in the privacy of our home, sitting on our pandemic-safe couch. Gotta love technology!
A look from Gareth Pugh’s Spring 2021 Collection. (Photo: Courtesy of Gareth Pugh)
Stating that all live events would adhere to social distancing and hygiene g regulations, the British Fashion Council kicked off LFW on September 17th and wrapped up on September 22. Burberry opened the season with a live-streamed outdoor show to rave reviews. Throughout the week 80 designers took part in London Fashion Week – 30 IRL (in real life) and 50 digitally.
The week hosted a mix of womenswear and menswear designers, but what really stood out was that the season will no longer be known as Spring 2021, but rather “London Fashion Week September 2020,” in a move towards a more season-less approach.
Here are the highlights:
Riccardo Tisci opened London Fashion Week with a bang. The influential designer live-streamed his Burberry show in a hauntingly beautiful forest. His theme: “a love story between a mermaid and a shark.” The dark theme was the perfect parable as to how we’ve all felt the past seven months locked in quarantine and working from home. Tisci’s under-the-sea analogy was anything but kitsch. The collection was rather chic and sophisticated with beautiful shades of blues; “Blue is the new beige,” Tisci teased in an interview with Vogue Runway, name-checking Burberry’s signature color.
Being in quarantine with his 92 year-old mother and relatives in his childhood home near Lake Cuomo was a breath of fresh air for the designer and gave him a new sense of appreciation for life. According to his Vogue interview, the rootsy surroundings of his quarantine made him reconnect with his childhood and the innocent mindset with which he pursued those dreams. “You open the drawer of your past and see how far you’ve gone as a person, how much you’ve done for yourself, and for others. Your dreams have come true,” he reflected.
His collection for Burberry was filled with sea-centric references – from illustrations to embellishments – that were innocent and raw. Tisci’s shark motif has been a signature of the designer from the start of his career. As for his mermaids, Tisci worked with peplum shapes, glistening dresses, and spliced trench coats.
Tisci perfectly infused Burberry’s classic aesthetic with his signature street-style. Sometimes, going back to your roots is what a designer needs to find their footing again, as his mother would say, Bravo Riccardo!
A look from Duro Olowu’s presentation. (Photo Credit: Luis Monteiro for Duro Olowu)
There is no doubt about it, 2020 will forever be known as the year of the sweatsuit. But as Duro Olowu puts it quite simply in an interview with Vogue Runway, “Ease doesn’t have to mean track pants.”
Olowu presented his collection to a handful of editors and buyers in his London boutique. The joyful collection was filled with bold colors and striking prints that were inspired by Emma Amos, an African American painter who died in May of this year. Olowu infused bold hand-painted striped prints that were chic and sophisticated, case in point, the elongated tunic over wide leg pants, gave off an elegant loungewear vibe.
The designer is also experimenting with new shapes, focusing on sarong-like midi-length silhouettes that feel fresh and new. His line-up was filled with 1950s lean looks that were refined yet youthful. These clothes are a promise to brighter days ahead and they definitely will put a smile on your face.
A look from Molly Goddard’s Spring 2021 Collection. (Photo Credit: Ben Broomfield for Molly Goddard)
Molly Goddard held intimate appointments in her studio as she presented her eclectic spring collection filled with bright, frothy, tulle confections. Mannequins were scattered throughout the space, each wearing one on Goddard’s jubilant looks. The collection was filled with ruffled, voluminous skirts and dresses, all in vibrant colors, as well as checkerboard neon sweaters, an A-line anorak dress and even floral printed denim pants.
Also, for the first time, Goddard decided to offer many of her unique dresses in white, which would make the perfect wedding dress for the cool young bride who wants an anything but traditional dress.
A look from Simone Rocha’s spring 2021 collection. (Photo: Courtesy of Simone Rocha)
With all the COVID-19 U.K. regulations set in place, Simone Rocha held an intimate presentation at the Hauser & Wirth gallery. The cavernous white walls were the perfect backdrop for Rocha’s beautifully, intricate looks to come to life. In an interview with Vogue Runway, Rocha stated “I’m not going to lie: I’ll be the first to say I love runway shows, now that the pace of shows has been stripped away, I wanted to find a space to represent that. It’s important to me to find a way to physically share the collection, just for the silhouette, texture, and weight of it. Clothes are made of cloth, and emotions, and they come to life on a body.”
Rocha’s collection was filled with voluminous, rounded shapes in gilded brocades, rich cotton embroideries, delicate pearl embroideries, and intricate scalloped edge cottons. Close up, the layers held little messages: on tulle veiling, patterns of castles; in the broderie anglaise, SR monograms. “Castles in faraway places,” Rocha laughed. “I think that’s the escapism we’re all craving.”
Just like Riccardo Tisci for Burberry, Erdem Moralioglu was inspired by fantasy for his spring 2021 collection and also opted to hold an audience-less runway show in the English forest. Moralioglu spent his quarantine time reading. His collection was inspired by a Susan Sontag novel, The Volcano Lover, Sontag’s portrait of the 18th-century beauty Emma Hamilton who married a volcanologist obsessed with Grecian vases and had a passionate love affair with Lord Nelson.
Moralioglu, like his inspiration, looked to beauty during this fearful time. The designer featured regal 18th century-inspired floral jacquard dresses with puff-sleeves juxtaposed against cozy cardigans, military-inspired outerwear and an embroidered admiral jacket.
In an interview with Vogue Runway, Moralioglu stated, “I get asked the same question: Are women’s tastes and wants changing now, given the situation? On the contrary, we have a customer who’s still buying special pieces. It’s the want for something you can wear in five and 10 years. As I enter my 15th year doing this, the most thrilling thing is seeing someone wearing your work from 10 years ago. I’ve always been obsessed with permanence. When it feels like the end of the world, doesn’t someone need a pink moiré hand-embroidered gown?”
An abstract painterly look from Christopher Kane. (Photo: Courtesy of Chrisopher Kane)
If this pandemic has taught us anything (other than the importance of wearing a mask, frequent hand-washing and social distancing) it’s a time for reflection, a reminder not to put off things that bring you joy. Christopher Kane did just that in his spring 2021 collection. The designer revisited his love of painting using multicolored glitter that he experimented with as a kid. Kane’s flagship store was turned into an exhibition space for his collection presentation, with easels and canvases featuring his paintings that he’d created during lockdown.
As for the clothes, which were displayed on mannequins, Kane recreated his artwork onto coats, dresses, and tops. Key looks included a brushstroke print long sleeve midi dress, a paint dot splatter shirt, and a brush-stroke striped sweater. With this charming collection one thing is clear, Kane had a lot of fun creating these pieces.
Dolce & Gabbana’s Spring 2021 patchwork show was inspired by Sicily. (Photo Credit: Gorunway.com)
Leave it to the Italians to add a new word to fashion’s lexicon. Milan’s Camera Nazionale della Moda Italiana billed the city’s spring 2021 shows as a “phygital fashion week.” Phygital fashion week is a portmanteau, a blend of physical, in person shows, and a digital show, a format that has become essential during COVID. Milan’s phygital fashion week took place from September 22 – 28th.
Everyone in the fashion community is asking themselves…is this hybrid model of phygital shows and presentations the future of fashion week? Only time will tell.
Prada was hands-down the most anticipated show of the season and rightfully so, since this was the debut of the Miuccia Prada and Raf Simons collaboration. The partnership was announced last February, pre-pandemic lockdown, and it was probably the most celebrated fashion news of 2020. The designers staged a digital runway show that was viewed on Prada.com and then opened up to a conversation with Prada and Simons answering questions that were submitted online. It was a genius move, giving Prada consumers the chance to listen to their “backstage-conversation.”
As for the clothes, a new Prada ‘uniform’ was introduced. You may remember that in the ‘90s Prada’s minimalistic uniform looks launched Miuccia Prada into fashion stardom. According to Miuccia and Simmons, the new Prada is all about paring back and the streamlining of excesses to get at what’s essential. The collection’s 40 looks were composed of long, narrow trousers; a sleeveless, tunic-length tee with the famous triangle logo; statement making outerwear with clutched coats; full skirts; holey (not the religious kind) knits; all worn with pointy-toed slingback kitten heels in a contrasting color. “How Miuccia dresses is very often a kind of uniform one way or another, and that was direct inspiration for me for the show,” Simons said in the interview.
The collection was filled with past references that became signatures for both designers. Case in point, Prada’s spring 1996 show of “ugly prints” reemerged on hoodies and matching full skirts, as well words and graphic silk-screened motifs on pastel shift dresses, a representation of Simmons’ personal work.
Miuccia and Simons lived up to the fashion world’s anticipation and thus far was the show of the season.
Fendi opened Milan Fashion Week with the first in-person, live, runway show, featuring both their men’s and women’s collections. And the fashion crowd couldn’t be happier. The show opened with photographic prints taken by Silvia Venturini Fendi from her bedroom window during lockdown. These soft graphic prints were found on everything from transparent shirt dresses, to tailored blazers and men’s suits.
As Italy was the first of the European cities to suffer from Covid 19, spending several months in lock-down mode, Fendi believes this will forever change the way we dress, and answered the call with sophisticated alternatives for WFH (work-from-home) looks. The collection had plenty of chic loungewear and pajama fashion, as well as floaty wood-printed caftans. Fendi closed the show with bedding-inspired looks that ranged from cozy satin quilted outerwear to pale lace embroidered linen tops and skirts. “This reminded me of Karl [Lagerfeld],” said Fendi pre-show in an interview with Vogue Runaway: “He had a love for bed linen, he had a big collection.”
This collection marked the final transition of Silvia’s decades long collaboration with Karl Lagerfeld, and her latest collaboration with newly appointed creative director Kim Jones. This announcement will surely make Fendi the most anticipated show for the Fall 2022.
Etro’s Spring 2021 Show. (Photo Credit: Gorunway.com)
The COVID-19 pandemic has been a difficult and terrifying time for us all, but if there is any silver lining to this nightmare, it is that the lockdowns have brought many families back together. This is the case for Veronica Etro, as she spent her time during lockdown at home with her mom as they listened to old Neapolitan songs, “we were bewitched by the serenity, the timelessness, and the elegance” Veronica Etro stated during her pre-show press conference. The music made her reminisce about her “2019 trip to Ischia, Capri, Naples, and Positano, and—maybe because we were so patriotic during that period—I thought, okay, let’s make the collection all about Italy.”
Veronica dug deep into her family’s print archives and turned out a youthful and vibrant collection filled with effortless vacation looks that ranged from a sexy scarf print bikini worn under a glamorous open front maxi skirt, to charming marinière knits. There were plenty of effortlessly chic printed dresses; flirty nautical themed bra tops and shorts; as well as youthful paisley shorts worn with menswear inspired shirts.
This charming collection was the perfect beach escape for next summer and beyond.
A look from Alberta Ferretti’s Spring 2021 Show. (Photo Credit: Corunway.com)
Alberta Ferretti also opted for a live, in-person show this season, as she held her runway extravaganza in the open air in one of the courtyards of Milan’s Castello Sforzesco, as guests enjoyed the sunshine. The perfect backdrop to Ferretti’s signature romantic aesthetic.
The collection was a stark contrast to the state of the world. In a pre-interview with Vogue Runway, Ferretti stated, “In this difficult situation, so harsh and unforgiving in many ways, my gut instinct was to embrace kindness and a certain seductive softness. I believe that it stems from self-confidence and from the acceptance of the natural power of femininity.”
Ferretti’s approach to the season was practical, as she offered her women a wardrobe that fits all of their needs. The designer showed a variety of feminine dresses that ranged from ethereal, flowing, maxi dresses to flirty macramé lace mini dresses – all with a bohemian yet sophisticated hand. The collection also featured plenty of every-day pieces, such as pastel denim pants, high-waisted fitted trousers paired with bralettes, embroidered tops and cropped blouses. Overall, Ferretti’s collection was a sophisticated and fresh approach to femininity.
Always with a flair for the dramatic, Donatella Versace literally took her viewers “under the sea” for her spring 2021 collection: the aquatic theme being a reoccurring motif for many designers this season. Versace staged a full on live-streamed show, with no audience, just her team. The runway’s backdrop…the imagined ruins of Atlantis with a water current streaming down its projected walls. The mythical backdrop was the perfect setting for Versace’s provocative ocean-themed collection.
Ever since the Versace label launched in 1978, by her beloved brother Gianni, the brand has always been known for its sex appeal and its loud and vibrant prints and colors. For spring 2021, Donatella embraced the DNA of the house and it was a joyful ode to life, featuring both menswear and womenswear looks. Versace started off with a maritime motif with tailored navy blazers and shorts. Then the collection took on a Malibu Barbie twist, with vibrant prints in pumped-up colors. Starfish print dresses that ranged from sheaths to baby-doll silhouettes; coral reef motif and ocean themes made their way onto everything, from skirts and tops to shorts and swimwear. Versace also showed moments of ingenuity with micro-pleated dresses trimmed with twirly ruffles, which resembled a graceful jellyfish swimming in the ocean.
Versace stated that her archival sea collection was also a metaphor for a new world of wonders, which translated to a diverse runway. The co-ed show was cast with a variety of ethnicities, as well as diversified sizes, embracing her message of body positivity and gender-nonconformity. Brava Donatella for such an inclusive representation of the world.
Let’s give it up to Jeremy Scott for producing the most creative show of the season. The digital masterpiece was an elaborate puppet show with marionette replicas of his favorite models walking down a runway and doll replications of his audience. It was a visual delight that eased the stress of a world gone mad. In an interview with Vogue Runway, Scott stated, “The best thing I could do for everyone who’s stressed about the election, the pandemic, social unrest, and the future was to give the gift of fantasy and take us away from all of it for a few minutes; let us enjoy this little fashion world of ours.”
Scott’s whimsical show may have come at a huge expense, but it was a much needed spectacular visual experience. As for the clothes, they were each re-proportioned to fit the dimensions of the marionettes without losing their authentic properties. The collection was an homage to haute couture and brought Scott’s masterful construction to the forefront of the collection, case in point, a cocktail dress that was sliced open, revealing another dress under it with a photograph of an inside-out embroidered dress. Other key looks included a feather trim gown with an exposed bone corseted bust, deconstructed cocktail dresses, as well as spliced outerwear.
When asked if fashion is still relevant, Scott stated “People are like, ‘Sweatpants forever!’ But I love exciting things that are one-of-a-kind and refined. We’re all desperate for that. I constantly kept getting dressed up every day even if I wasn’t seeing people. It’s part of who I am.” The London and Milan shows seemed to prove that point.
So far it looks like NYFW, LFW and MFW are all channeling happier times. Reminds us of the old 1920s song by Jack Yellen & Milton Ager, Happy Days Are Here Again, became the the theme song of Franklin D. Roosevelt’s Presidential campaign in 1932 and is still played at Democratic conventions today.
Queen Elizabeth watches Richard Quinn’s show with Anna Wintour at London Fashion Week Fall 2018 CREDIT AFP
London Fashion Week, founded by the British Fashion Council in 1983, has definitely established itself as one of the most creative and avant-garde fashion cities in the world. Known for showcasing a mixture of emerging designers and established brands – this season was no exception. Who could forget last season when Her Majesty The Queen sat front row at Richard Quinn? While that moment may be hard to top, there were plenty of exciting moments at LFW SS/2019. From Riccardo Tisci’s debut collection for Burberry to Victoria Beckham’s ten year anniversary show and everything in between. Oh, and let’s not forget that all of London’s runways are now fur free! Here are some outstanding moments and trends from the week.
A NEW ERA AT BURBERRY
Riccardo Tisci is ushering a new day at Burberry – his debut show was not only the most anticipated show of London Fashion Week, but possibly of the whole spring season in general. For the past 5 months, ever since Burberry announced Christopher Bailey’s departure and Tisci as his replacement, the fashion industry has been obsessed with how Tisci might put his mark on the brand. Well, just as Hedi Slimane changed the iconic YSL logo and the company name to Saint Laurent, Tisci began by changing the Burberry logo -it is now a “TB” monogram (the initials of founder Thomas Burberry.) And, for the first time ever, Burberry is now fur-free – thanks to Tisci.
Using the tried and true formula for revamping a heritage brand, by hiring new, young, hot talent, (Virgil Abloh and Nicolas Ghesquière/Louis Vuitton, Hedi Slimane/Dior/Saint Laurent/Celine, Raf Simons/Dior/Calvin Klein), Burberry is counting on Tisci to reinvigorate the label and give it the star-studded colt following that he successfully achieved at Givenchy. So, imagine everyone’s surprise when industry insiders took their seats at Monday evening’s show and discovered that there was not a single celebrity in sight (except for Kendall Jenner on the runway). When Samantha Conti of WWD asked Tisci why he opted for a ‘celebrity free zone,’ Tisci replied, “The [guests] are all people I know and they’re very good friends, so for this first season it was very important for me to really work with the people in the business: the fashion journalists, buyers, friends and family. Celebrities can sometimes give the wrong message and I don’t really like using them as windows.”
What a breadth of fresh air! No distractions, just beautiful and wearable fashion. Check out the full show using the link below:
Naming the collection “Kingdom,” Tisci told Vogue’s Sarah Mower, “It’s like a patchwork or a mix of the British lifestyle.” He wants to dress all generations, “The mother and the daughter, the father and the son.” It was Tisci’s vision of British culture from Punk to Establishment. Could he have been channeling Ralph Lauren a bit here?
Tisci opened his show with a Heritage Trench. This time, buttoned-up and cinched at the waist with a thick elasticized belt. He continued to send out versions of trench coats throughout the show, for both men and women. His menswear looks were polished, with perfectly tailored suits, sleek knits and terrific outerwear. For women, Tisci introduced eveningwear – minimal, simple, long black jersey dresses, with just a hint of sparkle that were oh so chic and refined. For day, Tisci showed smart, sophisticated looks: bow blouses, printed silk dresses, tailored suits and polo shirts. And of course, there were plenty of Burberry’s signature plaid. Let’s not forget, Tisci was one of the first designers to make street-style – high fashion and he didn’t disappoint. In the mix were anoraks, biker-inspired leather skirt suits, rain ponchos, and utility shirts most notably a pop culture print—echoing a Sex Pistols song—that read, “why did they kill Bambi?”
After all the hype and anticipation, Tisci delivered a smart collection that pushed the boundaries of Burberry just enough, while at the same time was commercially safe. After all, these are clothes that are meant to be worn in the real world, right?
Burberry’s Spring 2019 show (Photo Courtesy of Vogue.com)
Burberry’s Spring 2019 show (Photo Courtesy of Vogue.com)
Burberry’s Spring 2019 show (Photo Courtesy of Vogue.com)
Burberry’s spring 2019 show (Photo Courtesy of Vogue.comS
VICTORIA BECKHAM’S 10 YEAR ANNIVERSARY
Victoria Beckham Tenth Anniversary T-shirt image (Photo Courtesy of Victoria Beckham)
Happy Anniversary Victoria Beckham! To celebrate her 10 years in business, Beckham decided to celebrate in her native country. To kick off the celebration, she recreated the famous T-shirt that Marc Jacobs masterminded a decade ago, featuring Beckham coming out of a shopping bag, a symbol of her journey as a fashion designer. Juergen Teller shot a brilliant ad campaign for the anniversary and limited edition tees can be found on Beckham’s website.
Beckham opened the show with non-other than 90s fashion icon Stella Tennant – wearing an effortless white pantsuit paired with a silk and lace lingerie-inspired top – the epitome of 90s cool. This look is the perfect example of why Beckham has transitioned so easily from a Spice Girl to a serious designer – her clothes are ageless, timeless, elegant, chic, and yet appeal to Millennials, Gen Zs and fashionable woman of every age.
The 90s theme rang throughout the collection but with a refined hand. There were plenty of ‘dresses-over-trouser’ looks that were polished and that had a posh edge. Beckham showed a variety of perfectly fitting slim trousers, tailored blazers, delicate lace tops and sexy knits with handkerchief hems. These were real clothes that real woman can wear. Beckham is a fashion force to be reckoned with and has definitely hit a chord with fashionable women around the globe.
Victoria Beckham’s Spring 2019 show (Photo Courtesy of Vogue.com)
Victoria Beckham’s Spring 2019 show (Photo Courtesy of Vogue.com)
TOP TRENDS OF LONDON FASHION WEEK
London is known for its over-the-top fashion and designers here like to have fun on the runway. One of the biggest trends of the week was a modern day take on Victorian-inspired looks. From Erdem’s tapestry floral dress with exaggerated puffed sleeves to Simone Rocha’s ornate collars. Here are some of our favorite interpretations of this trend.
Erdem’s Spring 2019 show (Photo Courtesy of Vogue.com)
Simone Rocha’s Spring 2019 show (Photo Courtesy of Vogue.com)
Mary Katrantzo’s Spring 2019 show (Photo Courtesy of Vogue.com)
Preen by Thornton Bregazzi’s Spring 2019 show (Photo Courtesy of Vogue.com)
LET THERE BE NEON
LFW was a bright and colorful explosion of neon that will surely be insta-worthy hits.
Roksanda’s Spring 2019 show (Photo Courtesy of Vogue.com)
Emilia Wickstead’s Spring 2019 show (Photo Courtesy of Vogue.com)
Pringle of Scotland’s Spring 2019 show (Photo Courtesy of Vogue.com)
Ashish’s Spring 2019 show (Photo Courtesy of Vogue.com)
Jenny Packham’s Spring 2019 show (Photo Courtesy of Vogue.com)
Julien Macdonald’s Spring 2019 show (Photo Courtesy of Vogue.com)
House of Holland’s Spring 2019 show (Photo Courtesy of Vogue.com)
EARN YOUR STRIPES
Stripes are always a favorite on the runway for Spring, but this season designers infused them with a refreshingly bold new twist.
JW Anderson’s Spring 2019 show (Photo Courtesy of Vogue.com)
Halpern’s Spring 2019 show (Photo Courtesy of Vogue.com)
Temperly London’s Spring 2019 show (Photo Courtesy of Vogue.com)
Chalayan’s Spring 2019 show (Photo Courtesy of Vogue.com)
Duro Olowu’s Spring 2019 show (Photo Courtesy of Vogue.com)
Romance was in the air as flirty ruffles were found on a variety of sexy dresses.
Molly Goddard’s Spring 2019 show (Photo Courtesy of Vogue.com)
Preen by Thornton Bregazzi’s Spring 2019 show (Photo Courtesy of Vogue.com)
David Koma’s Spring 2019 show (Photo Courtesy of Vogue.com)
Peter Pilotto’s Spring 2019 show (Photo Courtesy of Vogue.com)
Richard Quinn’s Spring 2019 show (Photo Courtesy of Vogue.com)
Delpozo’s Spring 2019 show (Photo Courtesy of Vogue.com)
Off-the-shoulder numbers are still going strong as designers show plenty of options on the runway.
Osman’s Spring 2019 show (Photo Courtesy of Vogue.com)
Christopher Kane’s Spring 2019 show (Photo Courtesy of Vogue.com)
Delpozo’s Spring 2019 show (Photo Courtesy of Vogue.com)
Roland Mouret’s Spring 2019 show (Photo Courtesy of Vogue.com)