University of Fashion Blog

Posts Tagged: "Saint Laurent"

TRICK OR TREAT: HALLOWEEN-INSPIRED RUNWAY LOOKS

- - Fashion Shows

Looks from Richard Quinn’s Fall 2021 Collection. (Photo Credit: Vogue Runway)

Children of all ages love the traditions of Halloween, from wearing scary costumes to carving out pumpkins, the holiday is a magical time of year filled with fun festivities. This year, Halloween will be extra special considering the bewitching holiday was pretty much cancelled in 2020 due to the Covid-19 pandemic. So, if you are still searching for your epic Halloween costume, just look to the runways for inspiration.

A look from Off-White’s Fall 2021 Collection. (Photo Credit: Vogue Runway)

While Halloween-inspired looks have always been an inspiration on the runways. Here are a few blasts-from-the-past costume looks:

Who could ever forget Prada’s creepy 2019 Frankenstein collection with images of the monster himself and his equally spooky bride?

A look from Prada’s Fall 2019 Collection. (Photo Credit: Vogue Runway)

And what about the infamous 1997 Comme des Garçon collection that had distorted body lumps reminiscent of Quasimodo from the classic tale, The Hunchback of Notre Dame.

A look from Comme des Garçons’ Spring 1997 Collection. (Photo Credit: Vogue Runway)

Dark magic and enchantresses have always been an inspiration on the runway, one of the best witchy looks was from Martin Sitbon’s 1993 collection.

A look from Martine Sitbon’s Spring 1993 Show. (Photo Credit: Daniel Simon)

Clowns are always a favorite, here are some of our favorite clown looks through the years.

From left, Maison Margiela, fall 2015; Dior haute couture, fall 2007; Alexander McQueen, fall 2001. (Photo Credit: The New York Times)

But not all Halloween costumes need to be terrifying. There were plenty of sweet, girlie looks, ranging from princess to Barbie, case in point, Moschino’s 2015 Barbie-inspired collection.

A look from Moschino’s Spring 2015 Collection. (Photo Credit: Vogue Runway)

As we get closer to Halloween, fashionistas will be showing off their designer costume-inspired looks ranging from crafty witches to NASA astronauts. So, take a look below, and see the most artistic styles from the 2021 and 2022 runways that’ll have you covered when it comes to costume innovation, while giving you major fashion cred. And the best part? These are all looks that are available in time for your costume parties.

THE GHOST OF ELIZA DOOLITTLE

A look from Comme des Garçons’ Fall 2021 Collection. (Photo Credit: Vogue Runway)

One of the most theatrical designers of our time is Rei Kawakubo of Comme des Garçons. The avant-garde designer never disappoints. For fall 2021, Kawakubo created a tight line-up of magnificently Edwardian & Victorian-inspired looks consisting of black cloaks with puffy white linings, ballooning crinolines, and frothy layers of whipped white cotton and black tulle. Stovepipe hats completed the look. The collection echoed a modern variation of Cecil Beaton’s My Fair Lady (1964) Ascot scene.

LITTLE RED RIDING HOOD

A look from Christian Dior’ Fall 2021 Collection. (Photo Credit: Vogue Runway)

We have all been told countless fairytales throughout our lives. For fall 2022, Christian Dior’s creative director Maria Grazia Chiuri layered the collection with fairytale themes centered around the idea of appearance vs. character: Cinderella, Little Red Riding Hood and Sleeping Beauty and the stories re-recorded by Charles Perrault in Versailles in the 18th century. The tales inspired a whimsical collection suspended between the idea of classic and timeless pieces, juxtaposed against the alluringly dangerous fairytale world.

INTERGALACTIC

A look from Marc Jacobs’ Fall 2021 Collection. (Photo Credit: Vogue Runway)

Marc Jacobs made a bold statement for fall 2021 as he played with dramatic mid-century looks, and yes, Space Age proportions, all filtered through an American sportswear extremism that caught the attention of the Gen Z shopper.

POP PRINCESS

A look from Dolce & Gabbana’s Fall 2021 Collection. (Photo Credit: Vogue Runway)

Throughout the ‘90s designers Domenico Dolce and Stefano Gabbana, the geniuses behind the Italian fashion house Dolce & Gabbana, dressed a multitude of musicians for various award shows and music videos. Their sexy looks are still rocking the runway today and for their fall 2021 collection, the duo threw-it-back to their nineties heyday.

TRAGIC BEAUTY

A look from Alexander McQueen’ Fall 2021 Collection. (Photo Credit: Vogue Runway)

Alexander McQueen’s creative director, Sarah Burton, has kept true to the houses DNA. The talented designer even managed to capture the founders dramatic flare for storytelling in a dramatically beautiful yet haunting way. For fall 2021 she didn’t disappoint. Channeling the healing powers of nature, Burton was inspired by anemones and water as recurring motifs in that collection. Crushing up photographs of anemones, Burton photographed them again, and transferred the images onto gigot-sleeved poly faille gowns, worthy of Empress Sisi ( The Tragic Austrian Empress Who Was Murdered by Anarchists).

INSPECTOR GADGET

A look from Sacai’s Fall 2021 Collection. (Photo Credit: Vogue Runway)

The beloved cartoon Inspector Gadget came to life for fall 2021 as Sacai’s creative director, Chitose Abe, reinterpreted the classic trench coat into a cool, must have staple.

LET’S GET PHYSICAL

A look from Saint Laurent’s Fall 2021 Collection. (Photo Credit: Vogue Runway)

It’s time to throw on your leotard and start your aerobics class, as Saint Laurent’s creative director Anthony Vaccarello sent out dazzling eighties-inspired looks for fall 2021.

TO INFINITY AND BEYOND

A look from Balenciaga’s Fall 2021 Collection. (Photo Credit: Vogue Runway)

Never one to go the traditional route, Demna Gvasalia, creative director at Balenciaga, presented his fall 2021 as a working video game. The fashion-turned-game-designer created the electronic game Afterworld: The Age of Tomorrow, an allegorical adventure that showcased his latest creations, including NASA-inspired outerwear.

LITTLE DEVIL

A look from Junya Watanabe’s Fall 2021 Collection. (Photo Credit: Vogue Runway)

Rock on! Junya Watanabe’s “Immortal Rock Spirit” fall 2021 show was inspired by true rock bands including Kiss, Aerosmith, AC/DC, the Rolling Stones, Queen and the Who. His classic concert tees were wrapped up, patchworked, and reconstructed into draped shapes, challenging the standard fashion vocabulary. Watanabe was quite brilliant at rocking that aesthetic.

WELCOME TO THE JUNGLE

A look from Moschino’s Fall 2021 Collection. (Photo Credit: Vogue Runway)

Jeremy Scott, creative director at Moschino, really knew how to have fun with fashion; case in point, a giraffe-inspired dress with headpiece and all.

UNITED NATIONS

A look from Vetements’ Fall 2021 Collection. (Photo Credit: Vogue Runway)

Guram Gvasalia, Demna’s younger brother and creative director behind the cultish label Vetements, is always courting controversy.  For fall 2021, the differences between observing, commenting on, and simply mocking real political events for profit has become a dangerously blurred line. Guram exhibited flashes of idealism in passing, case in point, the United Nations flag print suit.

WEDNESDAY ADDAMS

A look from Valentino’s Fall 2021 Collection. (Photo Credit: Vogue Runway)

For fall 2021, Valentino’s creative director Pierpaolo Piccioli, added a punk touch to his otherwise chic collection. It was the perfect collection for a modern-day, grown-up Wednesday Addams (circa ’60s TV show The Addams Family and recent animated cartoon movie, The AddamsFamily2) .

WITCHCRAFT

A look from Yohji Yamamoto’s Fall 2021 Collection. (Photo Credit: Vogue Runway)

Yohji Yamamoto is known for his hauntingly beautiful collections. His artistic creations for fall 2021 were rendered entirely in black, with the exception of stitching, piping and a single print. The dark yet romantic looks had a witchy aesthetic that was spellbinding.

BOY MEETS GIRL

A look from Thom Browne’s Fall 2021 Collection. (Photo Credit: Vogue Runway)

Thom Browne, the designer behind his namesake collection, created his fall 2021 collection based on extreme scales that were overwhelmingly delightful. Browne fused black-tie clothing with sport apparel and in one look even added a gigantic couture bow. Beneath all those bubble helmets and big-time bows were models of all genders, but Browne insisted that gender really doesn’t matter. His creatively beautiful clothes are for everyone.

ALIEN NATION

A look from Rick Owens’ Fall 2021 Collection. (Photo Credit: Vogue Runway)

The global pandemic has undoubtedly affected everyone’s mental health. So it’s no surprise that Rick Owens’ fall 2021 collection had post-apocalyptic vibes. His girls were otherworldly, like a fashionable parade of aliens who came to earth to party.

So tell us, what will you wear for Halloween?

JE NE SAIS QUOI – PARIS FASHION WEEK 2022 TRENDS

- - Fashion Shows

Models strut the runway at Saint Laurent’s Spring 2022 show. (Photo Credit: Getty Images)

Masks may be an au courant trend (not without controversy), but thanks to masks, social distancing and vax cards Paris Fashion Week roared back to life. The festivities that began on Monday, September 27th wind down on Tuesday, October 5th with major fashion houses opting for live shows such as Dior, Chanel, Hermes, and Vuitton.

Looks from Dior’s Spring 2022 Collection. (Photo Credit: Reuters)

“We are overjoyed at their return and the presence of the other big brands,” Pascal Morand, head of France’s Federation for Haute Couture and Fashion, told AFP, a news network in France. “We feel this appetite for the physical, for the show,” he added.

But we cannot forget that COVID-19 is not yet over and so just like in New York, London, and Milan, face coverings were compulsory at all the shows this week in the City of Lights.

Of the 97 fashion brands showing at PFW, about two-thirds are continuing with online presentations.

A look from Kenneth Ize’s Spring 2022 show. (Photo Credit: Vogue Runway)

Nigerian designer, Kenneth Ize, a favorite of supermodel Naomi Campbell, kicked off Paris Fashion Week with a show at the Palais de Tokyo.

Then on Sunday evening, Givenchy held its first IRL catwalk presentation by its new American artistic director Matthew Williams, who brought an element of street style to the historic French brand.

Saint Laurent was also back with a live show on Tuesday evening, despite being the first major house to quit the Paris Fashion official calendar when the deadly pandemic hit in 2020. Today it’s obvious that the brand and it’s creative director, Anthony Vaccarello, made the right choice. The historic French house has been protesting the chaotic pace of the fashion calendar, which has led several major brands to rethink their strategies even before the pandemic.

A video of Saint Laurent’s spring 2022 show. (Video courtesy of Saint Laurent on YouTube)

Kim Kardashian’s Met Gala Balanciaga Look rewrote the Red Carpet’s Rules. (Photo Credit: Elle)

On Saturday night the much-anticipated Balenciaga show took place. All eyes were on the brand’s creative director Demna Gvasalia, especially after making waves at the Met Gala when he dressed Kim Kardashian in a controversial all-black, head-to-toe covering (talk about the ultimate Covid mask!).

Balenciaga, which is under the umbrella of the French global luxury group Kering (Saint Laurent, Gucci, and Bottega Veneta to name a few) proved that they are totally committed to the future of fashion. Prior to Paris Fashion Week they announced at their brands would be going entirely fur-free. Balenciaga announced that they had teamed up with the hit cartoon comedy show The Simpsons, and they announced a partnership with Unreal Engine’s popular computer game Fortnite. Keep your eyes on this space and watch for our upcoming blog topic on how the fashion industry is entering the gaming space.

Video about Kering going fur-free. (Video Courtesy of France24 on YouTube)

Although there was plenty of excitement and so many live shows to attend, there were still a few who have opted out of showing during the Paris Fashion Week calendar. Most noteworthy absent brands were Celine, whose artistic director Hedi Slimane has argued that the traditional calendar was “obsolete” in the age of social media. Off-White, the brand of the popular streetwear designer Virgil Abloh, has not appeared for several seasons now, as well as Stella McCartney, although she has not given a reason for skipping out of the fashion calendar.

PFW will end with an homage to Israeli-American designer Alber Elbaz, who died from Covid-related complications in April 2020. The late Elbaz’s company, AZ Factory, planned a tribute show with 44 of the world’s most talented designers, each of whom have created a piece in Elber’s honor. Among the designers participating: Rei Kawakubo, Alessandro Michele, Donatella Versace, and Nicolas Ghesquière, and from the U.S., Ralph Lauren, Virgil Abloh and Daniel Roseberry of Schiaparelli.  The company is calling the event, which will be live streamed on October 5 at 8 pm CET, “Love Brings Love.” I am sure the event will bring many to tears as Alber Elbaz was one of the most beloved and charismatic designers of our time.

While the final stretch of the Spring 2022 shows is still going strong, here are some key trends coming out of Paris so far:

POSH SPLICE

This season, designers in Paris played mix masters with a mélange of luxe and alluring combinations.

A look from Marine Serre’s Spring 2022 show. (Photo Credit: Vogue Runway)

A look from Sarawong’s Spring 2022 show. (Photo Credit: Vogue Runway)

A look from Thebe Magugu’s Spring 2022 show. (Photo Credit: Vogue Runway)

A look from Lutz Huelle’s Spring 2022 show. (Photo Credit: Vogue Runway)

A look from Isabel Marant’s Spring 2022 show. (Photo Credit: Vogue Runway)

TWISTER

Twisted halter tops take center stage this season as the sexy neckline can be found on everything from body-con dresses and jumpsuits to barely there tops.

A look from Courrèges’ Spring 2022 show. (Photo Credit: Vogue Runway)

A look from Issey Miyake’s Spring 2022 show. (Photo Credit: Vogue Runway)

A look from Balmain’s Spring 2022 show. (Photo Credit: Vogue Runway)

A look from Saint Laurent’s Spring 2022 show. (Photo Credit: Vogue Runway)

JUMP STARTS

No longer the sole domain for dancers and gymnasts, the jumpsuit takes on a racy twist in skintight versions that are oh-so-sexy.

A look from Balenciaga’s Spring 2022 collection. (Photo Credit: Vogue Runway)

A look from Saint Laurent’s Spring 2022 show. (Photo Credit: Vogue Runway)

A look from Marine Serre’s Spring 2022 show. (Photo Credit: Vogue Runway)

A look from Acne Studios’ Spring 2022 show. (Photo Credit: Vogue Runway)

A look from Balmain’s Spring 2022 show. (Photo Credit: Vogue Runway)

SPORTS CENTER

Getting in shape never looked better. Designers are inspired by the sporty life with chic riffs on everything from cool basketball-style shorts to a full-on boxing looks.

A look from Christian Dior’s Spring 2022 show. (Photo Credit: Vogue Runway)

A look from Loewe’s Spring 2022 show. (Photo Credit: Vogue Runway)

A look from Isabel Marant’s Spring 2022 show. (Photo Credit: Vogue Runway)

A look from Meryll Rogge’s Spring 2022 show. (Photo Credit: Vogue Runway)

A look from Andreas Kronthaler for Vivienne Westwood’s Spring 2022 collection. (Photo Credit: Vogue Runway)

THE BELT WAY

Cinch it in! Designers are opting for belting looks this season to accentuate the waist.

A look from Dries Van Noten’s Spring 2022 show. (Photo Credit: Vogue Runway)

A look from Patou’s Spring 2022 show. (Photo Credit: Vogue Runway)

A look from Andrew Gn’s Spring 2022 show. (Photo Credit: Vogue Runway)

A look from Christian Dior’s Spring 2022 show. (Photo Credit: Vogue Runway)

A look from Valentino’s Spring 2022 show. (Photo Credit: Vogue Runway)

A look from Hermès’ Spring 2022 collection. (Photo Credit: Vogue Runway)

BARING CONDITIONS

The French have a flare for sexiness and this spring designers are adding an extra dose of seduction with strategically placed  cut-outs leaving very little to the imagination.

A look from Rick Owens’ Spring 2022 show. (Photo Credit: Vogue Runway)

A look from Gauchere’s Spring 2022 show. (Photo Credit: Vogue Runway)

A look from Coperni’s Spring 2022 show. (Photo Credit: Vogue Runway)

A look from Saint Laurent’s Spring 2022 show. (Photo Credit: Vogue Runway)

YOU’RE A GEM

The collections in Paris were filled with brilliant jewel tone colors – rich magentas, emeralds, and blues – enough to make you sparkle like a gem.

A look from Andrew Gn’s Spring 2022 show. (Photo Credit: Vogue Runway)

A look from Kenneth Ize’s Spring 2022 show. (Photo Credit: Vogue Runway)

A look from Issey Miyake’s Spring 2022 show. (Photo Credit: Vogue Runway)

A look from Christian Dior’s Spring 2022 show. (Photo Credit: Vogue Runway)

A look from Patou’s Spring 2022 show. (Photo Credit: Vogue Runway)

A look from Dries Van Noten’s Spring 2022 show. (Photo Credit: Vogue Runway)

SHINE LANGUAGE

Metallic hues take a playful turn for spring 2022 as designers show an array of shiny looks from a gold fringe dress to a silver futuristic topper, one things for sure, it’s time to shine on.

A look from Valentino’s Spring 2022 show. (Photo Credit: Vogue Runway)

A look from Balmain’s Spring 2022 show. (Photo Credit: Vogue Runway)

A look from Courrèges’ Spring 2022 show. (Photo Credit: Vogue Runway)

A look from Lutz Huelle’s Spring 2022 show. (Photo Credit: Vogue Runway)

A look from Loewe’s Spring 2022 show. (Photo Credit: Vogue Runway)

A look from Christopher Kane’s Spring 2022 show. (Photo Credit: Vogue Runway)

A look from Balenciaga’s Spring 2022 collection. (Photo Credit: Vogue Runway)

Now that we’ve covered each of the major fashion week capitals, which city do you believe has the most creative talent?

 

 

ICONIC FASHION DESIGNERS ON THE SILVER SCREEN

An image from the film Saint Laurent. (Photo Courtesy of Mandarin Films/ EuropaCorp)

Let’s face it, it’s been a tough year and a half, between the global pandemic, and all the political and social unjust in the world today, we can all use a break from reality and escape into the magical world of film. So here at UoF, we compiled a list of some of our favorite films based on, you guessed it, fashion designers.  Whether it’s a biopic on Yves Saint Laurent’s life, Gabrielle Chanel’s first steps into the fashion, or a brush up on some fashion history with documentaries covering the glamorous life of Valentino, the rebellious escapades of Vivienne Westwood, or the agony and the ecstasy of Alexander McQueen, one thing is for sure, we LOVE to peer into the secret lives of fashion designers. Just check out the 82% Rotten Tomatoes audience score that the latest Halston biopic series on Netflix got and the 88% score that the 2019 Halston documentary received.

Whether it’s a documentary or a scrumptious little slice of fiction, these films transport us to another world with eccentric stories and extravagant anecdotes that make up the theatrical, glittering and whimsical world of fashion.

START THE POPCORN

Without further ado, here are a few of our favorite films and documentaries based on some of the most innovative designers. I guess you can all them the University of Fashion Oscars!

SAINT LAURENT (2014)

Saint Laurent official trailer. (Courtesy of Sony Pictures Entertainment)

Saint Laurent is a 2014 French biographical drama film about Yves Saint Laurent. The film was co-written and directed by Bertrand Bonello;  the film stars Gaspard Ulliel as Yves Saint Laurent, Jérémie Renier as Pierre Bergé, and Louis Garrel as Jacques de Bascher. The film centers on Yves Saint Laurent’s life from 1967 to 1976, which was the peak of his career, as he becomes one of the most iconic designers in the history of fashion.

The film examines the mythical and sometime scandalous life of the late Yves Saint Laurent. The director transports the audience into the 1970s, to a time where the designer was known for sporting both innovative and elegant outfits. In a divine journey into Yves Saint Laurent’s mind, the director examines this era, filled with folly and changing tides. Gaspard Ulliel offers an intense portrayal of the designer, who dives into a world of drugs and partying to silence his inner demons and his chronic, acute depression.

Saint Laurent was selected as the French entry for the Best Foreign Language Film at the 87th Academy Awards, but was not nominated.  In January 2015, Saint Laurent received ten César Award nominations, including Best Film, Best Director, Best Actor, and Best Supporting Actor. It also received five nominations at the 20th Lumières Awards, winning Best Actor for Gaspard Ulliel.

COCO BEFORE CHANEL (2009)

A preview of Coco Before Chanel. (Courtesy of YouTubeMovies)

Coco Before Chanel is a biographical film based on the start of Gabrielle “Coco” Chanel’s extraordinary career.  The French film was directed by Anne Fontaine and stars Audrey Tautou as she plays a young Coco Chanel. The story of Coco Chanel’s journey from obscure, headstrong orphan to the legendary couturier who represented the modern woman and became an eternal symbol of success, freedom and style.

The French director decided to focus on the designer before her time of glory, to better understand the woman behind the fashion icon, and portrays a wounded woman, bruised by her neglected childhood and her tragic love stories.

By day, young Coco works as a seamstress, but at night, she performs as a cabaret entertainer.  Coco then meets a wealthy heir (Benoît Poelvoorde) and becomes not only his lover, but also his fashion consultant. Gabrielle “Coco” Chanel throws herself as passionately into her work as she does into her love life. Audrey Tautou gracefully embodies this great Mademoiselle who liberated women with her sleek, straightforward clothes. Tired of the flowery hats, tight corsets and yards of lace that define women’s fashion, Coco infused her lover’s clothing as a starting point to refine an elegant and sophisticated line of women’s clothing that propels her to the top of Parisian haute couture.

DIOR AND I (2014)

Dior And I official trailer. (Courtesy of Madman Films)

Dior and I (French: Dior et moi) is a 2014 French documentary film written and directed by Frédéric Tcheng. The film captures the artistic genius of designer Raf Simons as he creates his first haute couture collection as the new artistic director of Christian Dior.

The film premiered at the Tribeca Film Festival on April 17, 2014. The film focused upon Simons’ debut season at Dior and includes non-speaking cameo appearances by Marion Cotillard, Isabelle Huppert, Jennifer Lawrence, and Sharon Stone. The documentary received positive reviews by critics.

Dior and I brings the audience inside the storied world of the Christian Dior fashion house with a privileged, behind-the-scenes look at the creation of Raf Simons’ first haute couture collection -a true labor of love created by a loyal group of collaborators. Melding the everyday, pressure-filled elements of fashion with mysterious echoes from the iconic house’s past, the film is also a colorful homage to the seamstresses who serve Simons’ vision.

VALENTINO: THE LAST EMPEROR (2008)

Valentino: The Last Emperor official trailer. (Courtesy of YouTube)

Valentino: The Last Emperor is a documentary film about the life of famed Italian fashion designer Valentino Garavani, the designer and founder of the legendary label Valentino. It was produced and directed by Matt Tyrnauer, Special Correspondent for Vanity Fair magazine. The picture documents the dramatic final act of Valentino’s career, tells the story of his life, and delves into the heart of the fashion industry. The documentary also delves into the loving relationship between Valentino and his business partner and companion of 50 years, Giancarlo Giammetti.

Valentino Garavani opened his first fashion house in 1959. In 2007, Valentino shocked the fashion world as he revealed his retirement plans and began preparing for his final fashion show. The documentary follows Valentino during the last two years of his time as a designer, as he gets ready to conclude his fashion career; as well as his worries about the intentions of the corporation buying his namesake label.

The filmmakers shot over 250 hours of footage with exclusive access to Valentino and his entourage. “We were let into the inner circle, but we had to stick it out for a long time, practically move in, to capture the truly great moments,” says Tyrnauer in an interview with Italian Living. “Valentino is surrounded by a tight-knit family of friends and employees, but, eventually, their guard came down and they forgot there was a camera crew in the room.”

“Valentino was one of the first designers to make himself the inspirational figure at the center of the story he was telling,” says Tyrnauer in an interview with Vanity Fair. “He is a born dreamer and the last true couturier, who let us in on his creative process and also let us in on the life he built around him to sustain this process,” adds Tyrnauer. “He lives as lavishly as his clients and set a standard for the industry. He shuts out all that is not beautiful, and we followed him around the world to capture that special world.”

WESTWOOD: PUNK. ICON. ACTIVIST. (2018)

Westwood: Punk. Icon. Activist. official trailer. (Courtesy of Madman Films)

Vivienne Westwood has been disrupting British fashion for more than 40 years, using her fashion status fame as a platform for her political, social and environmental activism. In 2018, filmmaker Lorna Tucker releases a feature-length documentary about the designer, Westwood: Punk. Icon. Activist. chronicling the incredible career of the designer.

Vivienne Westwood ignited the punk movement with ex-partner and Sex Pistols’ manager Malcolm McLaren, and the iconic designer has been redefining British fashion since 1971. She is responsible for creating many of the most distinctive pieces of recent time. Blending archival footage and insightful interviews a portrait emerges of Vivienne’s fascinating network of collaborators, taking the audience on her journey — from a childhood in postwar Derbyshire to the runways of Paris and Milan.

Westwood: Punk. Icon. Activist. is the first film to embody the extraordinary story of one of the true icons of our time, as she fights to maintain her brand’s integrity, her principles – and her legacy. The documentary was screened at the Sundance film festival on January 20, 2018, in the World Cinema Documentary Competition.

MCQUEEN (2018)

A preview of the MCQUEEN trailer. Courtesy of YouTube.

McQueen is a 2018 biographical documentary film, directed by Ian Bonhôte, written and co-directed by Peter Ettedgui, and produced by Ian Bonhôte, Andee Ryder, Nick Taussig, and Paul Van Carter under the banner of Misfits Entertainment, and Salon Pictures. The documentary looks into life and career of the late British fashion designer Alexander McQueen.

The life of Alexander McQueen is a rags-to-riches story, a modern-day fairy tale, laced with the gothic, tragic twist. The designer started his career in his teens before gaining notice as designer for Givenchy and launching his own label in 1992, which continues to this day under the creative direction of Sarah Jane Burton. Mirroring the savage beauty, boldness and exuberance of his creations, this documentary is an intimate exposé of McQueen’s own world, both tortured and inspired, which celebrates a radical and hypnotic brilliance of great influence. Sadly the brilliant designer took his life February 11, 2010

The film is a personal look at the extraordinary life, career and artistry of Alexander McQueen. Through exclusive interviews with his closest friends and family, recovered archives, exquisite visuals and music, McQueen is an authentic celebration and thrilling portrait of an inspired yet tortured fashion visionary.

Let us know, which is your favorite film?

WILL FASHION SHOWS EVER LOOK THE SAME AGAIN?

- - Fashion Shows

Erdem’s resort collection draws on the juxtaposition of Regency dress and the 1960s. (Photo Credit: Erdem)

COVID-19 has changed the world, no doubt about it. This deadly pandemic took many innocent lives and toppled global economies in just months. It is unfathomable how every industry has been affected and how each is racing to adapt to a new way of doing business. The fashion industry is no exception. As our industry grapples with millions of dollars in losses, stockpiles of unsold merchandise, and store closures and bankruptcies that resulted in thousands of people being furloughed, the industry is also grappling with the future of the fashion show.

You may remember our blogpost back on November 18, 2019, we covered the topic of whether fashion shows are still relevant. Well, who knew back then that a deadly pandemic would help make the decision for us.

As we wait for scientists and doctors to advise us on when it will become safe enough to gather in large groups, the idea of presenting and attending live fashion shows seems far off. Though LVMH just announced that their brands will produce a live show this fall, most designers are getting creative with new ways to showcase their collections. Here is a rundown of what the new fashion calendar will look like.

RESORT/CRUISE 2021

On March 27th, the CFDA announced the cancellation of the official New York Fashion Week Resort 2021 schedule of presentations, which had been planned for the week of June 6. According to a statement by the CFDA, “The decision was based on the current global situation, the ongoing uncertainty regarding its impact on retailers and their open-to-buys, and designers’ challenges in producing collections at this moment,” the statement read. “We strongly recommend and urge designers not to show their resort spring 2021 collections. The news followed similar announcements by the Camera Nazionale della Moda Italiana in Milan and the Fédération de la Haute Couture et de la Mode in Paris to postpone or cancel their respective spring 2021 men’s collections, as well as the fall 2020 haute couture shows.”

The resort 2021 season would have been in full swing by now with many of the bigger brands holding mega-shows in exotic locations, while the majority would hold intimate shows or appointments in New York City. As a result of Covid, many designers chose to skip the season altogether citing worldwide factory lockdowns, huge sales losses on spring merchandise and the inability to receive the fabrics and trimmings needed to create a collection. However, a few designers did opt to present their collections, through videos and lookbook images. Here are a few ways designers became creative with presenting their latest collections.

CHANEL

A look from Chanel’s Resort 2021 Collection. (Photo Credit: Chanel).

Click link to Chanel’s video presentation:

The Chanel cruise 2021 collection was originally intended to be shown onto Isle of Capri, the mythically beautiful Italian island a ferry ride from Naples, a place that Chanel’s creative director Virginie Viard still has yet to visit. But while on lockdown, Viard traveled there ‘in her mind’ and created a collection labeled Balade en Méditerranée (A Mediterranean Jaunt). Viard, along with photographer Karim Sadli, created the illusion of a Caprese sunset in Chanel’s Paris photo studio.

As for the clothes, Viard created a destination wardrobe of effortless pieces, which were sophisticated yet oh so cool. The designer focused on swimsuits that were worn – every which way – as under-pieces to cardigan jackets to tops paired with wide-legged trousers. Viard also updated the classic Chanel suit, opting for vibrant little jackets and miniskirts – all in cotton tweed. The collection was injected with a youthful appeal with a maxi cardigan paired with micro shorts, a collarless jacket paired with denim pants with tweed insets, and a bandeau top paired with a handkerchief skirt. Overall the collection was the ultimate vacation wardrobe.

BALMAIN

A look from Balmain’s Resort 2021 Collection. (Photo Credit: Balmain)

The Eighties made a major comeback at Balmain, as creative director Olivier Rousteing created a fun and cheeky collection for both his woman’s resort collection and his menswear spring 2021 line up. The designer invited a handful of his “Balmain army” friends to style themselves in his latest looks. Clearly Rousteing has spent his quarantine time watching 80s films and television shows; the collections were filled with Miami Vice inspired jackets, polka dot dresses inspired by Pretty Woman, graphic t-shirt mash-ups with a nod to The Fresh Prince of Bel Air, while heavily encrusted bustiers and exaggerated shoulder pads were straight out of Dynasty’s wardrobe. With all the turmoil in the world today, Rousteing’s collections were a throwback to happier times.

TANYA TAYLOR

A look from Tanya Taylor’s Resort 2021 Collection. (Photo Credit: Tanya Taylor)

Being on lockdown brought out many innovative ideas and designer Tanya Taylor came up with a very creative way to showcase her resort line-up. Taylor sent her latest collection to a handful of artists, stylists, and friends, with instructions that each one was to style themselves in one of here looks and then photograph themselves. The results were a lookbook come to life. In an interview with Vogue, Taylor stated, “I’ve never loved styling our customer. I prefer seeing what they do with our clothes and how they add their own personal twist. That’s where the lookbook came to life. It felt like these women were telling us how they want to feel in their clothes.

As for the clothes, they were infused with Taylor’s signature feminine charm. There was a vibrant fuchsia jumpsuit, ruffled trim wrap skirts, playful print dresses, flirty dot motifs and for evening, a pleated lame one-shoulder dress..

GANNI

A look from Ganni’s Resort 2021 Collection. (Photo Credit: Ganni)

The husband and wife team behind Danish brand Ganni, Ditte and Nicolaj Reffstrup, literally designed their resort collection in their home kitchen, so it felt only natural for the duo to shoot their lookbook in the kitchen. The collection focused on the foundation pieces that have made Ganni such a coveted brand among the “It-Girl” set. There were pilgrim collars, bubble sleeve mini dresses, striped tops and party dresses to dance the night away once a coronavirus vaccine is found.

RAG & BONE

A look from Rag & Bone’s men’s resort collection. (Photo Credit: Rag & Bone)

A look from Rag & Bone’s woman’s resort collection. (Photo Credit: Rag & Bone)

Marcus Wainwright of Rag & Bone, focused on pieces that make their customers feel good. The collection was filled with classics with a modern twist. These are pieces that you can live in and wear all winter long.

DAVID KOMA

A look from David Koma’s Resort 2021 Collection. (Photo Credit: David Koma)

David Koma is known for his glamourous collections and for resort he did not shy away from his campy aesthetic. The collection was filled with sexy crystal embellished dresses, body-con neon dresses, patent leather biker shorts and plenty of corsets. Koma’s girls are ready to step out into the world of cocktails and celebration.

LONDON MEN’S SHOWS

Natasha Zinko x Duo Spring 2021 Menswear Collection in London. (Photo Credit: Natasha Zinko x Duo)

Right around  now, Europe would have held their menswear fashion shows in London, Milan, and Paris. In lieu of traditional shows, Industry leaders came up with creative solutions. The British Fashion Council hosted a three-day coed digital week, which took place from June 12-14. This event brought together British brands that shared creative content that varied from podcasts to photo diaries. “By creating a cultural fashion week platform, we are adapting digital innovation to best fit our needs today and something to build on as a global showcase for the future,” Caroline Rush, the chief executive of the British Fashion Council, said in a press release.

E. Tautz’s spring 2021 menswear collection in London. (Photo Credit: E. Tautz)

However, many British coed brands like Burberry are holding off on showcasing their spring collections until September. It will be a runway show, outdoors with no audience, following social distancing guidelines. The only people in attendance will be the models and members of the Burberry team.

PARIS’ NEW SCHEDULE

Hermès will be livestreaming a digital experience tied to its spring 2021 collection, slated to go live on July 5th at 8 a.m. ET.

The Fédération de la Haute Couture et de la Mode (FHCM) will host the first-ever virtual couture fashion week. The three day event will take place from July 6-8th and accredited couture maisons will present videos and complementary content that will go live on a preset show schedule, replicating the format of a physical couture fashion week. Although Giorgio Armani will skip out of showing his couture collection this season, the Italian designer will host a seasonless Privé show at the Palazzo Orsini in January. Joining Armani, Chitose Abe of Sacai will debut her couture collection for Jean Paul Gaultier as his first guest designer in the New Year. Meanwhile, Balenciaga has not yet officially confirmed a new date, but the French house has likely postponed Demna Gvasalia’s couture debut until 2021.

The FHCM has also announced that the men’s spring 2021 collections would evolve into a video-only format this season and will be held from July 9-13th. The digital week schedule will run like a live fashion week with organized time slots, allowing for back-to-back streams on one central platform. “Digital is clearly part of the shape of fashion to come and we will take it as an opportunity for innovation to complement tradition,” Ralph Toledano, the president of the FHCM, told Vogue. “This being said, [in the] last weeks behind our screens, we all felt that a dimension was missing: the sensorial one. This has tremendously reinforced our position that nothing will ever replace the unity of time and place. Shows are a major component of the fashion industry, and this will remain…. Physical events will always have our preference, but as long as there is uncertainty, there should be flexibility.”

A portrait of Anthony Vaccarello, the creative director of Saint Laurent. )Photo Credit: W Magazine)

Anthony Vaccarello, the creative director for Saint Laurent, announced the brand’s departure from this year’s preset schedules and beyond. “Conscious of the current circumstance and its waves of radical change, Saint Laurent has decided to take control of its pace and reshape its schedule,” Vaccarello, wrote in an Instagram post published in April. “Now more than ever, the brand will lead its own rhythm.”

Meanwhile, German-based streetwear blog, media brand and production agency Highsnobiety hosted a digital fashion event known as “Not in Paris,” which brought together luxury, streetwear, art, music, architecture and even fine wine, under one digital roof. The online exhibition project —which debuted on June 24 and will run through July 2nd — is a direct response to the Highsnobiety audience’s continued zest for fashion storytelling.

“Not In Paris” presented by Highsnobiety. (Photo Credit: Highsnobiety)

So many of the events we write about have been canceled, so we’ve had to think of ourselves as cultural producers in our own right,” said Thom Bettridge, the publication’s editor in chief, in an interview with WWD. “We basically thought, let’s set our own calendar and become this project-based media brand. If there isn’t anything going on in the world, let’s just make it happen.’”

According to an article published in WWD, Highsnobiety is bringing together everyone from Berlin-based company GmbH, which is shooting a film in Berlin exclusively for the online event, to up-and-coming stars like Wales Bonner and Marine Serre, as well as luxury megabrands including Bottega Veneta, Dior, Fendi and Hermès. The latter let the Highsnobiety team loose into its archives to narrate the history of its famous silk scarf.

MILAN’S NEW SCHEDULE

Italy’s Camera della Moda team also announced a cyber-focused men’s and women’s fashion show format which will take place from July 14–17th. The four day event will be known as Milano Fashion Week Digital and consist of panel discussions on social media to virtual showroom appointments, giving designers a chance to showcase their latest collections in a new and innovative way. “Everybody can decide their own message. The advantage is that in a digital world, you are completely free. You find your way of expression. We said to everybody, you have from one minute to 15 minutes, and you decide what you want to show,’” Carlo Capasa, the president of the Camera della Moda, told Vogue.

Ermenegildo Zegna will stage an innovative-slash-intimate hybrid event that will feature the brand’s spring 2021 collection and will also celebrate the label’s 110th anniversary.

A portrait of Alessandro Michele, the creative director for Gucci. (Photo Credit: Vogue)

Gucci is confirmed to premiere its men’s and women’s resort 2021 collection in the form of a digital fashion show on the final day of Milano Digital fashion Week.  This will be Gucci’s last pre-collection; on May 25th, Creative Director Alessandro Michele announced that the house will only hold two coed shows a year (one in the spring and one in the fall) instead of the five seasonal runway spectacles a year.  “I’m passionate about fashion shows, but maybe we can be open to seeing them in a different way,” Michele said.

SEPTEMBER SHOWS

September’s Spring 2021 NY Fashion Week also has plenty of shakeups. Kerby Jean-Raymond of Pyer Moss is staging a full-fledged drive-in fashion experience tour to showcase his new film American, Also. Jean-Raymond is slowing down the speed of how much he produces and is focusing on improving the quality of what he produces. This may be a popular mindset for many designers moving forward – quality over quantity.

A portrait of Kerby Jean-Raymond of Pyer Moss. (Photo Credit: Hyperbeast)

Jean-Raymond is not the only New York–based designer planning something big in September. While many designers had to cancel their resort seasons due to factory closures and shelter-in-place orders, some labels, such as Proenza Schouler and Collina Strada, have refocused their efforts on New York Fashion Week, a strategy that is gaining momentum in Milan and Paris too.

A portrait of Virgil Abloh, the creative director for Off-White. (Photo Credit: High Museum of Art)

While the majority of designers are set on staging something in September, there are a few who are altering the fashion calendar to fit their needs. Virgil Abloh is holding out until 2021 to present his own women’s and men’s spring collections for his label Off-White. Abloh’s decision to wait until January means Off-White is officially experimenting with the see-now-buy-now calendar.

A portrait of Alexander Wang. (Photo Credit: W Magazine)

For the past few years Alexander Wang has been presenting two seasonless collections a year, one in June and one in December, that were in sync with the fashion calendar’s pre-collections.  However, Wang opted out of showing last December and instead planned a bigger event for 2020 to celebrate his labels 15 year anniversary.

Michael Kors on the runway. (Photo Credit: Vogue)

Michael Kors announced he would be stepping back from New York Fashion Week for the Spring 2021 season due to unsold inventory and Fall 2020 production delays due to Covid-19. Instead, the designer will present his Michael Kors Collection line sometime between mid-October and mid-November. “I have for a long time thought that the fashion calendar needs to change. It’s exciting for me to see the open dialogue within the fashion community about the calendar — from Giorgio Armani to Dries Van Noten to Gucci to YSL to major retailers around the globe — about ways in which we can slow down the process and improve the way we work,” he said in a statement. “We’ve all had time to reflect and analyze things, and I think many agree that it’s time for a new approach for a new era.”

PARIS WILL GO LIVE IN SEPTEMBER

The Fédération de la Haute Couture et de la Mode announced on June 24th that the spring 2021 ready-to-wear shows will resume in Paris from September 28 through October 6. Although few details were shared, the FHCM announced that they “will comply [with] the recommendations of public authorities.” Designers will have to limit their guest lists and venue choices, perhaps shows will occur in outdoor spaces, only time will tell how the future of runway shows will takes shape.

So the question remains, will the glamour of fashion shows ever return to its glorious heyday?

PARIS JOINS THE MOVEMENT- YOUNG DESIGNERS TAKE CENTER STAGE

- - Fashion Shows

Naomi Campbell closes Saint Laurent’s Spring 2020 show (photo courtesy of Vogue.com)

What a great season Spring 2020 has turned out to be. Yes, the old guard and heritage houses like Ralph, Burberry, Versace and Saint Laurent have the funds to create runway spectacles chock-a-block with celebs, BUT for the first time ever, we are witnessing the Big Four- NY, London, Milan and Paris, celebrate new, creative, young design talent. Maybe it’s a sign of the times. With calls for diversity on the runway in terms of ethnicity, gender parity and  body positivity, as well as messages about climate change and sustainability, we can’t help but think that finally…established designers are making room for upstarts. No one could be happier than us here at University of Fashion, whose mission has always been, since 2008, to provide equal opportunity access to affordable fashion education for all.

Let’s take a look at  some of the emerging designers who are fast becoming fashion’s favorites.

Telfar

Telfar’s Spring 2020 show (photo courtesy Vogue.com)

Telfer Clemens is a young NY designer known for creating show experiences that are as energetic and cool as his non-gender fashion label Telfar, which he established in 2005. For his Spring 2020 collection, Clemens’ plan was to “disrupt Paris Fashion Week” (according to his show notes), and Clemens did so with fanfare.

The designer presented a short film entitled, “The World Isn’t Everything,” which he collaborated on with friends such as Moonlight’s Ashton Sanders, Kelsey Lu, Petra Collins, and Slave Play playwright Jeremy O. Harris, who was in the audience in a look from Telfar: a yellow shirt, athletic shorts, and fishnets. The video played at the theater La Cigale, and as the characters appeared on screen, models walked the runway in the exact looks; creating an interesting double affect.

According to Clemens, the collection was inspired by “the customs/security lines at any airport at any given time, anywhere in the world.” So obviously the collection focused on comfort and style. Clemens’s travelers were ultra-cool as they wore cargo pants, utility jackets, asymmetrical tops, and his new take on the tracksuit – with interesting cut-outs. Clemens interlocking T and C bags have become a huge hit, so for Spring, he expanded on his accessories by offering a small assortment of jewelry with his signature logo.

After the finale walk, the models began dancing and Clemens, the filmmakers, and eventually the show attendees, all joined in on the fun.  It was a joyful way to start Paris fashion week.

Rokh

Rokh’s Spring 2020 show (photo courtesy from Vogue.com)

We are living in a global world and Rok Hwang, the designer behind the label Rokh, embodies this concept perfectly. He is a Korean-born designer, based in London, showing in Paris. His collection was inspired by a road trip he took across America with his family when he was only 10 years old. According to Vogue.com interview, Hwang said, “I remember arriving at 8 o’clock in the morning in New York and seeing all these girls walking really fast in sharp suits and checked trenches. That was the memory embedded in me; I wanted to write a visual story of that trip.”

The collection had a fresh take on a Nineties theme, as Hwang redefined a chic, modern sportswear with a dark edge. The designer sliced, diced, and wrapped trench coats, added leather patchwork and plaids, and his slit-hemmed pants gave off an updated twist to the grunge look. With such a polished collection, it’s no surprise that Hwang was a runner-up for the LVMH Prize in 2018, and was one of the founding members of Phoebe Philo’s team, picked for her studio at Céline, straight after graduating from Central Saint Martins in 2010.

Koché

Koché’s spring 2020 show (photo courtesy from Vogue.com)

Christelle Kocher may have only been designing her fashion label Koché for a few years now, but the talented designer is already a fashion darling among the influential crowd. This year’s winner of the ANDAM Prize (Paris’ prestigious fashion award) Kocher one-upped herself by becoming the first designer ever to be offered the Centre Pompidou’s Bibliothèque as a show venue. She even snagged a collaboration with Nike.

Kocher has mastered the ‘high-low aesthetic’ as she mixes streetwear with couture details. Case in point, a sharply tailored trench with intricate embroidery. She is also passionate about sustainability and since the start of her label, has incorporated upcycled materials throughout her collection. For Spring, the recycled fabrics were found on patchwork polo dresses and tracksuits.

Her show had a heavy focus on evening looks with intricate lace dresses, pajama-inspired looks with feather trims and the finale was a spangly cocktail number, the base of which were soccer jerseys cut into embellished florets linked together by strands of tiny beads. This may have been Kocher’s strongest collection yet.

Atlein

Atlein’s Spring 2020 show (photo courtesy from Vogue.com)

Antonin Tron is another young designer who is incorporating sustainability into his collection labeled Atlein. For Spring, he presented a chic and elevated collection. Most impressive was that Tron was able to create 60% of his collection using deadstock fabrics that he sourced from mills and factories across Italy. So bravo to Tron who is elevating the concept of sustainability! The designer is also a member of the Extinction Rebellion, fighting for real action on climate change.

The majority of Tron’s collection is made in his native France, by technicians that have fine-tuned the art of craftsmanship. Tron is quickly becoming known as a master in draping, cutting and manipulating jersey (which has become his signature fabric). On his runway, there were plenty of amazing dresses, most notable were the bias-cut floral prints that where youthful, yet oh so sophisticated. It’s exciting to watch this new crop of designers bring together fashion and sustainability in a modern way, and Tron was able to execute this blend perfectly.

The Old Guard

We would not want to end our coverage of PFW without a shout-out to Anthony Vaccarello at Saint Laurent who recruited supermodel Naomi Campbell to close out his show, held under the Eiffel Tower. Remember when fashion show finales ended with a wedding dress? Well, it seems that a supermodel or celeb (JLo for Versace) is fast becoming the trend.

At the Christian Dior show, creative director Maria Grazia Chiuri held tribute to nature, with 164 trees lining the runway and that will later be planted throughout Paris. You have to admit, fashion knows how to create buzz, right?

Christian Dior’s Spring 2020 show is #PlantingForTheFuture (photo courtesy Vogue.com)

Meanwhile, at Maison Margiela, John Galliano enlisted male model Leon Dame who shot to fashion stardom with his stomping walk down the runaway.

At Maison Margiela, male model Leon Dame shot to fashion stardom with his stomping walk down the runaway. He even put a smile on Anna Wintour’s face. (Photo courtesy of DailyMail.com)

Of special note and one of the strongest and most exciting shows in Paris was the enchanting collaboration between Dries Van Noten and Christian Lacroix. According to Cathy Horyn, the two masters working together, “was unprecedented. As far as I can tell, no couturier and ready-to-wear designer have ever worked together before on a runway collection. There have been “capsule” collaborations between designers and mass or leisure brands — Karl Lagerfeld and H&M, for example, or Rick Owens and Birkenstock. But from the outset, Van Noten says he didn’t want his project with Lacroix to be seen in that context — as just another marketing opportunity.”

“I started to work on this collection in February,” Van Noten said, explaining what led him to contact Lacroix. “Normally, I try to avoid escapism and nostalgia, but the world is not a very nice at the moment. So many things go wrong, and I thought maybe it would be interesting to do something about escapism.”

Van Noten is known for his exquisite fabrics and Lacroix is a master at over the top romance, so together, they created a magical moment that sent buyers, editors and other designers into a delightful frenzy.

Dries Van Noten x Christian Lacroix’s Spring 2020 show (photo courtesy from Vogue.com)

Care to share with us which aspiring designer from Fashion Week S/S 2020 you think is on track to ‘make it’?

WHAT TO EXPECT IN FASHION 2019

Team Maison Martin Margiela (Courtesy:Edward Enninful Instagram)

Team Maison Martin Margiela (Courtesy:Edward Enninful Instagram)

Diversity and inclusion have not always been synonymous with the fashion industry, but in 2018 fashion finally “got woke.” Millennials and Gen Zers, the industry’s new generation of consumers, are much more politically active and brands are now realizing that to stay relevant, they need to take a stand on racism, gun control and socio-political issues. The age of ‘corporate neutrality’ is over.

Watchdogs like Diet Prada have become the fashion police, calling out brands for their missteps. With one million Instagram followers (and growing), the duo of Tony Liu and Lindsey Schuyler are a force to be reckoned with.

Nike’s decision to take a stand, using Colin Kaepernick in its 30th anniversary ad campaign, turned out to be a one of its smartest marketing moves yet. Gucci, who has been taking a stand on issues since 2013 with their ‘Chime for Change’ campaign (advocating for women’s rights and anti-poverty efforts), took on gun control in 2018 with a $500,000 donation to March for Our Lives, in support of Marjory Stoneman Douglas High School. Other designers have supported gun control over the past few years too, including Kenneth Cole, Tom Ford, Christian Siriano and Zac Posen.

For those brands who are clinging to ‘neutrality’ for fear that they’ll alienate their customer base, we offer this information, because learning from past mistakes is one thing, but putting what is learned into practice is another. So, let’s reflect back and then take a peek into the future of where fashion has been and where it hopes to go (and grow).

LOOKING BACK TO MOVE FORWARD

Historically, fashion as an industry has primarily catered to a “rich, thin and white” demographic. Think Charles Frederick Worth (1856) and all of those lovely French aristocrats, and the birth of haute couture. It wasn’t until the Industrial Revolution, the invention of standardized sizing followed by the concept of ready-to-wear, that fashion’s demographic expanded. However, fashion marketing and advertising lagged behind in terms of diversity and inclusion, especially within fashion magazines, runway models, and even among fashion designers.

 DIVERSITY: IN MAGAZINES

 Donyale Luna, Beverly Johnson, Naomi Campbell (Courtesy: Pinterest)

Donyale Luna, Beverly Johnson, Naomi Campbell (Courtesy: Pinterest)

The first black woman to grace a fashion magazine cover was Donyale Luna, who appeared in British Vogue in March 1966, shot by photographer David Bailey. The iconic cover image showed Luna covering most of her face, which was allegedly a request of the magazine’s editors to help mask her ethnicity. At the time, it was not popular to put a colored woman in a high-level fashion brand, nor on a luxury fashion magazine cover. Donyanle Luna, an American, is known as the first black supermodel.

It took 8 more years for U.S. Vogue to feature a woman of color. In 1974, Beverly Johnson broke America’s glass ceiling with her Vogue cover photographed by Francesco Scavullo. Johnson’s blackness was not itself the subject of the cover. Instead, Vogue presented a vision of elegant beauty that was relatable, real, and totally about the times. But as Johnson said herself, it was not easy to get there due to her race.

It took 14 more years for French Vogue to feature a woman of color on their cover. In 1988 Naomi Campbell became the first colored woman in the magazine, even though she had been working with renowned designers. In fact, Yves Saint Laurent threatened to take away their magazine advertising in order to make this happen.

Gemma Ward & Du Juan (Courtesy: Pinterest)                    Fei Fei Sun (Courtesy: Vogue)

Gemma Ward & Du Juan (Courtesy: Pinterest) Fei Fei Sun (Courtesy: Vogue)

The lack of diversity in magazines was not exclusive to Afro descendants. The Asian community only got its first model cover in 2005, shot Patrick Demarchelier for French Vogue.  However, Chinese model Du Juan had to share the cover with Australian supermodel Gemma Ward. It would take another 8 years for an Asian model to get a solo cover, this time Fei Fei Sun for Italian Vogue in 2013.

These examples of models from diverse backgrounds were more often treated as tokens or novelties, rather than representing a real market demographic. Fashion brands didn’t see the need for including these and other diverse populations and therefore neglected a broader share of the market. By placing importance on ‘exclusiveness’, rather than realizing and embracing the idea of diversity and inclusion, brands actually missed a major opportunity for increased profitability.

DIVERSITY: ON THE RUNWAY

Eleanor Lambert’s Battle of Versailles 1973 fashion show

Eleanor Lambert’s Battle of Versailles 1973 fashion show

Diversity on the fashion runway was non-existent until 1973 when American publicist Eleanor Lambert introduced American fashion to Europe at the Palace of Versailles. Lambert was the first to use 12 black models in her fashion show. However ground-breaking that 1973 show was, several decades would pass with predominately white models walking the runway, featured in advertising campaigns and on magazine covers.

HOW GLOBALIZATION AFFECTED THE FASHION INDUSTRY

By 2008 things began to change in fashion as a result of globalization. An increase in international travel and intercultural exposure, a high volume of migration and mass movement of consumers, as well as the rapid growth of information and communication though social media platforms, were all catalysts for change. Society was evolving, and this was no better reflected than in the election of the first black U.S. president, Barack Obama, followed by the first woman chancellor elected in Germany, Angela Merkel. Increased visibility for the LGBTQ movement around the world, social responsibility and the sustainability movement all came together to awaken the world and the fashion industry.

 

(Courtesy:Vogue)

(Courtesy:Vogue)

In July 2008, U.S. Vogue published an article entitled, Is Fashion Racist? The article addressed the elephant in the room. It spoke to how fashion runway shows concentrated on a single homogeneous look, “the same procession of anonymous, blandly pretty, very young, very skinny, washed-out blondes with their hair scraped back.”  This acknowledgement, in such a highly regarded publication, forced the industry to rethink their strategy. The problem was not only a lack of diverse models on the runway, but also in magazines, in fashion campaigns and other related fashion branded products. This marked a long overdue turning point in the industry, one that had taken more than 35 years to get to, ever since the first British Vogue cover featuring Donyale Luna in 1966.

FASHION ‘GOT WOKE’ IN 2018 

As millennials and GenZers became important market cohorts, a more socially-conscious fashion industry began to emerge. Words like ‘transparency,’ ‘carbon-footprint’, ‘fair trade,’ ‘gender equality,’ ‘androgynous,’ and ‘gender-binary,’ as well as movements like “MeToo’ and “Time’s Up’, did much to change the conversation, especially between 2016 and 2018. We finally began to see the fashion industry’s positive response to diversity, inclusion and other issues.

Dolce & Gabbana 2018 (Courtesy: The Fashion Spot)

Dolce & Gabbana 2018 (Courtesy: The Fashion Spot)

According to the The Fashion Spot, the fall 2018 fashion campaigns were the most diverse in terms of race with 35% of the models in the campaigns were non-white and it has been an upward trend since 2016. In addition, runway shows for Spring 2019 were the most racially diverse ever with 36% of all castings across New York, London, Milan and Paris went to models of color compared to 17% in 2015.

Diverse magazine covers 2018 (Courtesy: Pinterest)

Diverse magazine covers 2018 (Courtesy: Pinterest)

The 2018 September issues of fashion magazines, which are the most anticipated and that sell the most copies with the highest number of pages and advertisements, were also the most diverse ever. A total of 16 magazines brought their A game, featuring Afro descendants on their covers, something never before seen in the fashion industry.

Courtesy of the Cut (Yalitza Aparicio)

Courtesy of the Cut (Yalitza Aparicio)

And let’s not forget the spectacular cover of Vogue Mexico for January 2019, which featured Yalitza Aparicio, a Mixteco indigenous descendant actress from the movie Roma. It is the first time an indigenous descendant was featured in the magazine.

March 2017 Vogue’s “Diverse Cover” (Courtesy: Vogue)

March 2017 Vogue’s “Diverse Cover” (Courtesy: Vogue)

And although Vogue’s March 2017 ‘diverse cover’ was slammed for not being diverse enough, we saw a range of models that included Chinese model Lui Wen, American plus-sized model Ashley Graham, American model Kendall Jenner, American model Gigi Hadid (Dutch and Palestinian descent), Dutch model Imaan Hammam (of Egyptian and Moroccan descent), British model Adwoa Aboah (British and Ghanaian descent) and Italian model Vittoria Ceretti.

DIVERSITY IS MORE THAN COLOR

During the past few years, we have also learned that diversity is not only about color, it is also about body size, ethnicity, gender and age inclusivity and therefore the definition of what it means to be a ‘diverse’ model has changed. Since 2017, The Fashion Spot has included age, size, transgender to measure diversity on the runway.

Ashley Graham plus-size model (Courtesy: The Fashion Spot)

Ashley Graham plus-size model (Courtesy: The Fashion Spot)

We have seen the popularity of plus size models increase. In 2016, Ashley Graham became the first plus-size model to appear on the cover of the Sports Illustrated swimsuit issue and in January 2017, had her first British Vogue cover. Graham has been part of major fashion shows, from Dolce & Gabbana to Michael Kors and Christian Soriano, and has landed important jewelry campaigns, such as David Yurman Fall 2018.

73-year-old model Betty Catroux (Courtesy: The Fashion Spot)

73-year-old model Betty Catroux (Courtesy: The Fashion Spot)

Age barriers were finally torn down in 2018, as models over the age of 50 were chosen for runway shows and advertising campaigns at luxury fashion houses. In fact, Saint Laurent announced 73-year-old Betty Catroux as the face of creative director Anthony Vaccarello’s Fall 2018 ad campaign. Eighteen women over the age of 50 starred in a total of 11 campaigns for Fall 2018, not including 44-year-old supermodel Amber Valletta, who, with seven campaigns to her name, was one of the season’s most-booked model.

Adut Akech (Courtesy:Pinterest)

Adut Akech (Courtesy:Pinterest)

And let’s not forget my favorite model of the year, Adut Akech, a South Sudan refugee, that since her debut in 2017 at Saint Laurent, has robbed the hearts of the most acclaimed fashion houses, including Chanel and Valentino, and is disrupting the meaning of beauty in fashion today. Diversity and inclusivity are definitely on the front row of fashion and are here to stay.

DIVERSITY BEHIND THE SCENES

I have always been interested in fashion, ever since I was 9 years old. As an Afro-Latino woman, I always wondered why models on the runway didn’t look like me. Curves and color were not exactly popular in the industry as I was growing up in the 1980s and 90s. So, you can imagine how exciting this moment in fashion is for me. However, I am still concerned about things that happen (or don’t) behind the scenes.

I started working in the fashion industry in 2005, and I can assure you that corporate positions at internationally acclaimed fashion houses are not very diverse. In 2017, Business of Fashion examined 15 of the largest public companies in fashion. They concluded that, “the vast majority (73 percent) are led by white male chief executives. On average, men and women of any ethnic minority represented only 11 percent of the board of directors at these companies.”

This is an extremely low statistic. Brands cannot adopt a language of inclusion and diversity in their marketing campaigns without extending this inclusivity to the boardroom and to the business branch of a company. According to a McKinsey & Company report entitled, “Delivering through Diversity”, companies with the most ethnically/culturally diverse boards are 43% more likely to deliver higher profits, because they are more likely to attract and retain talent, as well as improve customer service decisions.” So, why are fashion’s corporate offices not more on board with diversity when it benefits everyone? Hopefully, that will begin to change.

We not only need representation of ethnically diverse people at magazines, on runways, and in ad campaigns, we also need fashion managers of different cultures, color, size, age and gender. Choosing people who represent the world in which we currently live, and who understand, first hand, the needs of different types of consumers, has proven to be more profitable for those brands who have become more inclusive.

So, here’s my 2019 wish list for the fashion industry, in terms of diversity and inclusion:

1.     Appoint more designers with cultural and color diversity at major fashion houses, following the example of Virgil Abloh for Louis Vuitton, who perfectly understands emerging subcultures.

Virgil Abloh for Louis Vuitton (Courtesy: BoF)

Virgil Abloh for Louis Vuitton (Courtesy: BoF)

 

2.     More cosmetics and lingerie brands, such as Fenty, that are color and size inclusive and that think about the real customer.

Savage X Fenty (Courtesy: Getty Images)

Savage X Fenty (Courtesy: Getty Images)

 

3.     More influencers of ethnic diversity used for fashion brand campaigns that include a broader representation of the consumer market.

Influencers (Courtesy: BoF)

Influencers (Courtesy: BoF)

 

4.     More high-profile advocates like Beyoncé, who can help other minorities gain exposure in the fashion industry. Beyoncé created history by appointing the first black photographer, Tyler Mitchell, to shoot her 2018 September Vogue cover.

Courtesy of Instagram

Courtesy of Instagram

 

5.     More powerful Caucasian advocates who call out the lack of diversity in the fashion industry, such as Ellen Pompeo, with her Porter Magazine team.

(Courtesy: Porter Magazine)

(Courtesy: Porter Magazine)

 

6.     More important fashion magazine appointments, such as Edward Enninful, editor-in-chief of British Vogue, who has given the magazine a fresh and diverse viewpoint and who has transformed it into a more inclusive magazine that better represents the global audience it seeks to serve.

Edward Enninful – editor British Vogue (Courtesy: The Washington Post)

Edward Enninful – editor British Vogue (Courtesy: The Washington Post)

 

7.     And finally, more fashion companies that give opportunities to ethnic and culturally diverse managers who can bring a different perspective to the brand, to better serve the final consumer.

 

So, as we begin 2019, let’s hope that the fashion industry’s New Year’s Resolution will become the definition of the word ‘diversity’:  

Diversity: “the inclusion of different types of people (such as people of different races or cultures) in a group or organization.”

———————————————————————————————————————————————————

And, another thing we are excited about at the University of Fashion is the launch of our new three-book beginner series on Draping, Sewing and Pattern making techniques which launches on January 8, 2019.

DRAPING                        https://www.amazon.com/Draping-Techniques-Beginners-University-Fashion/dp/1786271761?tag=univeoffash00-20

Draping (Courtesy Photo)

Draping (Courtesy Photo)

 

PATTERN MAKING             https://www.amazon.com/Pattern-Making-Techniques-Beginners-University/dp/1786271966?tag=univeoffash00-20

Pattern Making (Courtesy Photo)

Pattern Making (Courtesy Photo)

 

SEWING                            https://www.amazon.com/Sewing-Techniques-Beginners-University-Fashion/dp/1786271982?tag=univeoffash00-20

Sewing (Courtesy Photo)

Sewing (Courtesy Photo)

 

 

PARIS FASHION WEEK: A MUCH NEEDED BEAUTIFUL ESCAPE FROM REALITY

- - Fashion Shows
Saint Laurent's spring 2019 Runway (Photo courtesy of Vogue)

Saint Laurent’s spring 2019 Runway (Photo courtesy of Vogue)

Political unrest, devastating natural disasters, fear of war, the economy, racism, the #me too movement, every day we are all bombarded with negative news, not only from our own backyard, but around the globe. At times, it feels as if we live in a mad, mad world.

So, when friends who are not in the fashion industry ask: “How can you think about fashion during these volatile times?” the answer… it’s not easy. The fashion industry is a Goliath worldwide business. According to Statista, revenue of  the U.S. Apparel Industry in 2018 was estimated at $102,820 million. Globally the retail value of luxury goods is estimated at $339.4 billion (according to Fashion United). But aside from the economic value of the fashion industry, there is also a psychological one – fashion is a great escape from the real world. And, this fashion season delivered!

Not only were the shows theatrical, but the craftsmanship and the use of bold, eye-popping color all contributed to an upbeat and happy escape from reality. Exactly what the doctor ordered.

Let’s take a look at what was happening at the Paris shows, which included debut and controversy at Celine, gender-diversity on the runway, avant-garde escapism and a space age look into a better future.

A NEW DAY AT CELINE

Hedi Slimane’s debut collection for Celine was filled with mixed reviews. Even before his show, Slimane caused controversy by rebranding the company’s logo, removing the accent aigu (Céline). As editors, influencers, buyers and celebrities eagerly awaited Slimane’s collection, many were disappointed that he replicated exactly what he did at Saint Laurent (2012-2016) and his past collections for Dior Homme (2000-2007). Slimane fired back, targeting the American press and charging them with ‘homophobia.’ I mean, really?

For many, the re-branding at the hands of Slimane was the complete and utter destruction of Celine’s house codes and Phoebe Philo’s legacy, whose fan base expects smart, chic, and intellectual collections. Some even called Simane’s debut collection, ‘Saint Celine.’

And here’s why. The collection had a glam-grunge, rock n’ roll sensibility.  There was a nod to the Eighties, with big shoulder silhouettes, exaggerated pouf details, mini lengths and plenty of shine. Maybe perfect for dancing the night away at your favorite trendy hot spot but not what the house is generally known for. Just goes to show that taking over as creative director at a heritage house is no simple task!

Celine's spring 2019 Collection (Photo courtesy of Vogue)

Celine’s spring 2019 Collection (Photo courtesy of Vogue)

Slimane also introduced menswear to Celine, showing perfectly tailored skinny pantsuits that have become his signature look. But, ladies don’t fret, these looks are unisex as well.

Celine's spring 2019 Collection (Photo courtesy of Vogue)

Celine’s spring 2019 Collection (Photo courtesy of Vogue)

On the retail front it will be interesting to see, whether Celine’s customers take to the ‘new vision’ or will Slimane’s consumer be his old Saint Laurent clientele. Only time will tell.

THE AGE OF ANDROGYNY

As the cultural discussion on gender identity keeps moving forward, designers are embracing the shift in acceptance and are positioning their brands to be all inclusive by showing their menswear and womenswear collections together, casting transgender models, and even launching entire unisex collections.

At Givenchy,  Clare Waight Keller took cues from 1930s gender-bending writer and adventurer Annemarie Schwarzenbach. Keller sent her models out with cropped boyish haircuts in leather Perfectos tucked into military pants – a direct homage to a photo of Schwarzenbach. For evening, she showed elegant bias cut asymmetrical gowns. But her daywear was what really stuck out.  There were plenty of chic army trousers paired with fitted jackets, smart suit alternatives and plenty of crisp shirts – all perfect looks for the fashion-forward working girl.

Givenchy's spring 2019 Collection (Photo courtesy of Vogue)

Givenchy’s spring 2019 Collection (Photo courtesy of Vogue)

Haider Ackermann has been showing androgynist looks for years now, with Tilda Swinton as his muse. This season the designer decided to show both his womenswear and menswear collections on the runway together.  The collections were perfectly intertwined, sending out his models in pairs of three to clearly make his point that his collection is cross-gender.

Ackermann has mastered creative tailoring. For spring, there were plenty of sharp suits in bold colors, boxy shirts with intricate laser-cut details and pajama-inspired pieces. Although the unisex concept has been seen on a number of runways this season, Ackermann’s version was effortless and elegant.

Haider Ackermann's spring 2019 Collection (Photo courtesy of Vogue)

Haider Ackermann’s spring 2019 Collection (Photo courtesy of Vogue)

THE AVANT-GARDE

There are a handful of designers who are truly creative geniuses. Season after season these avant-garde designers take us on a breathtaking journey, their collections are thought provoking, witty and intellectual. Here’s a mash-up of the best!

Comme des Garçons' spring 2019 Collection (Photo courtesy of Vogue)

Comme des Garçons’
spring 2019 Collection (Photo courtesy of Vogue)

Thom Browne's spring 2019 Collection (Photo courtesy of Vogue)

Thom Browne’s spring 2019 Collection (Photo courtesy of Vogue)

Rick Owen's spring 2019 Collection (Photo courtesy of Vogue)

Rick Owen’s spring 2019 Collection (Photo courtesy of Vogue)

Yohji Yamamoto's spring 2019 Collection (Photo courtesy of Vogue)

Yohji Yamamoto’s spring 2019 Collection (Photo courtesy of Vogue)

Junya Watanabe's spring 2019 Collection (Photo courtesy of Vogue)

Junya Watanabe’s spring 2019 Collection (Photo courtesy of Vogue)

Balenciaga's spring 2019 Collection (Photo courtesy of Vogue)

Balenciaga’s spring 2019 Collection (Photo courtesy of Vogue)

Maison Margiela's spring 2019 Collection (Photo courtesy of Vogue)

Maison Margiela’s spring 2019 Collection (Photo courtesy of Vogue)

THE GREATEST SHOWMEN/WOMAN

Meanwhile, back to reality, well, almost. Karl Lagerfeld created a tropical beach for his Chanel spectacle. Yes, you heard me right. At the Paris Grand Palais, Lagerfeld recreated a beach that included an ocean with gentle waves, blue sky, wooden docks and lifeguards. He completed the scene with none other than former Baywatch actor Pamela Anderson seated in the front row.

Chanel's spring 2019 Collection (Photo courtesy of Vogue)

Chanel’s spring 2019 Collection (Photo courtesy of Vogue)

Nicolas Ghesquière took us on a futuristic voyage for his Louis Vuitton collection. The perfect escape mechanism to avoid the reality of these times.

Louis Vuitton's spring 2019 Collection (Photo courtesy of Vogue)

Louis Vuitton’s spring 2019 Collection (Photo courtesy of Vogue)

Modern dancers performed during Maria Grazia Chiuri’s Christian Dior Show. It was a nice break from traditional cat walking.

Christian Dior's spring 2019 Collection (Photo courtesy of Vogue)

Christian Dior’s spring 2019 Collection (Photo courtesy of Vogue)

Anthony Vaccarello’s girls walked on water under the Eiffel Tower for his Saint Laurent show.

Saint Laurent's spring 2019 Collection (Photo courtesy of Vogue)

Saint Laurent’s spring 2019 Collection (Photo courtesy of Vogue)

For Miuccia Prada’s Miu Miu collection, the concept of  ‘deconstructing beauty’ continued by putting her spin on DIY, recycling, and upcycling under a backdrop modern art installations.

Miu Miu's spring 2019 Collection (Photo courtesy of Vogue)

Miu Miu’s spring 2019 Collection (Photo courtesy of Vogue)

THE ROMANTICS

Fashion week season wouldn’t be complete without a ‘romance-inspired’ collection. Beautifully feminine looks, from whimsical tulle confections to vintage floral charm, these saccharine-savy looks had just the right dose of spice.

Giambattista Valli's spring 2019 Collection (Photo courtesy of Vogue)

Giambattista Valli’s spring 2019 Collection (Photo courtesy of Vogue)

Alexander McQueen's spring 2019 Collection (Photo courtesy of Vogue)

Alexander McQueen’s spring 2019 Collection (Photo courtesy of Vogue)

Ann Demeulemeester's spring 2019 Collection (Photo courtesy of Vogue)

Ann Demeulemeester’s spring 2019 Collection (Photo courtesy of Vogue)

 

Altuzarra's spring 2019 Collection (Photo courtesy of Vogue)

Altuzarra’s spring 2019 Collection (Photo courtesy of Vogue)

Valentino's spring 2019 Collection (Photo courtesy of Vogue)

Valentino’s spring 2019 Collection (Photo courtesy of Vogue)

 SPACE AGE

In a galaxy far, far away…..some designers looked ahead to the future, creating looks that were out of this world.

Balmain's spring 2019 Collection (Photo courtesy of Vogue)

Balmain’s spring 2019 Collection (Photo courtesy of Vogue)

Louis Vuitton's spring 2019 Collection (Photo courtesy of Vogue)

Louis Vuitton’s spring 2019 Collection (Photo courtesy of Vogue)

Gucci's spring 2019 Collection (Photo courtesy of Vogue)

Gucci’s spring 2019 Collection (Photo courtesy of Vogue)

Isabel Marant's spring 2019 Collection (Photo courtesy of Vogue)

Isabel Marant’s spring 2019 Collection (Photo courtesy of Vogue)

THE REALISTS

Ok, all these fantasy looks are spectacular, but sometimes we need to see some real clothes on the runway, right? But always with a twist!

Sonia Rykiel's spring 2019 Collection (Photo courtesy of Vogue)

Sonia Rykiel’s spring 2019 Collection (Photo courtesy of Vogue)

Stella McCartney's spring 2019 Collection (Photo courtesy of Vogue)

Stella McCartney’s spring 2019 Collection (Photo courtesy of Vogue)

Loewe's spring 2019 Collection (Photo courtesy of Vogue)

Loewe’s spring 2019 Collection (Photo courtesy of Vogue)

Dries Van Noten's spring 2019 Collection (Photo courtesy of Vogue)

Dries Van Noten’s spring 2019 Collection (Photo courtesy of Vogue)

Hermès' spring 2019 Collection (Photo courtesy of Vogue)

Hermès’ spring 2019 Collection (Photo courtesy of Vogue)

Rochas' spring 2019 Collection (Photo courtesy of Vogue)

Rochas’ spring 2019 Collection (Photo courtesy of Vogue)

THE NEW GUARD

Here at UoF, we love and support new, emerging designers. Here’s a fresh crop who are disrupting the establishment……

Off-White's spring 2019 Collection (Photo courtesy of Vogue)

Off-White’s spring 2019 Collection (Photo courtesy of Vogue)

Ellery's spring 2019 Collection (Photo courtesy of Vogue)

Ellery’s spring 2019 Collection (Photo courtesy of Vogue)

Johanna Ortiz's spring 2019 Collection (Photo courtesy of Vogue)

Johanna Ortiz’s spring 2019 Collection (Photo courtesy of Vogue)

Beautiful People's spring 2019 Collection (Photo courtesy of Vogue)

Beautiful People’s spring 2019 Collection (Photo courtesy of Vogue)

Esteban Cortazar's spring 2019 Collection (Photo courtesy of Vogue)

Esteban Cortazar’s spring 2019 Collection (Photo courtesy of Vogue)

Tell us which collection took you out of reality, even if only for a moment?

 

 

 

 

 

 

 

Men’s Spring 2019 Shows: Major Fashion Moments in Menswear

Dior Homme set (Photo courtesy if Footwear News)

Dior Homme set (Photo courtesy if Footwear News)

The whirlwind of Men’s fashion week is coming to a close as its last stretch will be in New York, but there were plenty of dramatic moments.

 Virgil Abloh presented his first collection for Louis Vuitton

Virgil Abloh is an American designer, D.J. and stylist who gained recognition as Kanye West’s creative director. Today he is the designer behind the cult label Off-White and has become the newly minted creative director of Louis Vuitton Menswear collection. This is a major moment for Abloh. Not only is he the artistic director of men’s to one of the most powerful houses in history, but he is also the first African-American designer ever appointed as the artistic director to a heritage brand.

This was the most anticipated show of the season and his front row was a star-studded event with everyone from Kanye West to Rihanna supporting the young designer. Once his first look exited, the world new Abloh was the perfect fit for the job and elevated streetwear to the highest level of lux.

According to Vogue.com, Abloh was inspired by “the idea of white light hitting a prism, and dividing into its component colors,” which translated into an assortment of tailored white suits, most noteworthy was the double breasted blazer paired with pleated trousers. Then Abloh moved to bright, bold colors and plenty of 90’s Helmut Lang references. There were harnesses and a finale with lots of “Wizard of Oz” inspired prints. This collection was truly a magical, over the rainbow moment for Abloh and the giant hug he received from Kanye at the end was a testament to what a milestone moment this was for African-American designers.

 

Louis Vuitton Men's Spring 2019 Show (Photo Courtesy of Vogue.Com)

Louis Vuitton Men’s Spring 2019 Show (Photo Courtesy of Vogue.Com)

Louis Vuitton Men's Spring 2019 Show (Photo Courtesy of Vogue.Com)

Louis Vuitton Men’s Spring 2019 Show (Photo Courtesy of Vogue.Com)

Kanye West and Virgil Abloh cried at the end of his Louis Vuitton show (Photo courtesy of Harpers Bazaar)

Kanye West and Virgil Abloh cried at the end of his Louis Vuitton show (Photo courtesy of Harpers Bazaar)

Kim Jones makes his debut at Dior Homme

Another menswear designer debut was British designer Kim Jones at Dior Homme.  Jones, the former menswear artistic director for Vuitton since 2011, pre-Abloh, helped revitalize the house for a younger generation. His show was also one of the most anticipated of the season with a front row filled with celebrities ranging from Kate Moss to Victoria Beckham. For his Dior Homme collection, Jones announced that is was time for couture values to be imported into menswear, and dubbed his collection “romantic, rather than feminine,” according to Vogue.com. He opened his show in ‘royal fashion’ with Prince Nikolai of Denmark wearing a classic shirting-stripe, turned inside out, and paired the look with sneakers. Looking to the  past with a futuristic eye, Jones recreated many prints that referenced the late Monsieur Dior. For example: beautiful jackets with tiny feathered flower motifs made to replicate the pattern on Dior porcelain dinner plates, toile prints that imitated the walls on the Dior Boutique in 1947 and the bee motif Dior used in 1955. Jones even gave a shout out to John Galliano with his inclusion of tiny saddle bags. Among the sea of toile prints and florals, there were beautifully tailored suits, effortless trousers and terrific outerwear. Jones mastered the balance between fashion fantasy and commercial hits.

Dior Homme Men's Spring 2019 Show (Photo Courtesy of Vogue.Com)

Dior Homme Men’s Spring 2019 Show (Photo Courtesy of Vogue.Com)

 

Dior Homme Men's Spring 2019 Show (Photo Courtesy of Vogue.Com)

Dior Homme Men’s Spring 2019 Show (Photo Courtesy of Vogue.Com)

Maison Margiela

John Galliano, known for his Vionnet -inspired bias cut gowns (among other things) brought couture references to his  Maison Margiela collection that he called ‘Artisanal’ menswear.  An absolute first for menswear! In a category where tailoring is the usual mainstay, Galliano told Vogue.com, “It’s the highest form of dressmaking, but for men . . . I hope it’s going to define a new sensuality, a new sexuality.” In a podcast released to the press, Galliano explained why he decided to  elevate his men’s collection to couture level. Part of it was an epiphany about the shifting codes of formalwear that he had seen at the Met Gala. “Seeing the youth present, and their interpretation of black-tie . . . a seismic change from the last time,” he said. Another part of the decision stemmed from his daily dialogues with interns at the Maison Margiela studio. But possibly the biggest reason was, he was just raring to exercise his dressmaking skills and bring imagination to menswear.

Galliano’s mixed British bespoke tailoring and couture techniques and the end result was a sexy and glamourous menswear collection. There were plenty of iconic Galliano moments, such as his use of corsetry as well as flamenco and bullfighting references from his Gibraltar roots.

Maison Margiela's spring 2019 collection (Photo courtesy of Vogue.com)

Maison Margiela’s spring 2019 collection (Photo courtesy of Vogue.com)

Maison Margiela's spring 2019 collection (Photo courtesy of Vogue.com

Maison Margiela’s spring 2019 collection (Photo courtesy of Vogue.com)

Raf Simons left New York for Paris

After presenting three collections during New York Fashion Week, Raf Simons decided to return to where it all started for him as a designer, Paris, to show his menswear collection.

After many years of streetwear-inspired looks ruling the menswear runway (think Supreme, Off White, Kim Jones for Vuitton, etc.) and with every fashion-forward boy and girl owning a plethora of designer hoodies and sneakers, Raf Simons is looking to change that. The cult favorite menswear designer showed a highly energized collection of tailored looks with New Wave club references. His collection was a consistent parade of beautifully tailored jackets and coats, mostly in satin, all in bold colors. It was New Wave at its best with references to Stephen Sprouse and elevated glamour that he was responsible for bringing to New York downtown 80s club scene. Simons was quoted as saying: “There are all these references to punk, like  safety pins and studs and black leather, but I was thinking of how to do them in a way that was not that—so you don’t recognize them.”  That’s where it got interesting. There were glimpses of tiny knots of diamanté jewelry and silver D-rings embedded here and there, suggestive of piercings and fetish. And, wittily, a twisted translation of plastic six-pack holders, made into a version of a punk string vest. “Like when kids hang out, carrying their beers,” as Simons put it. “But also, like Paco Rabanne.”

 

Raf Simons Men's Spring 2019 Show (Photo Courtesy of Vogue.Com)

Raf Simons Men’s Spring 2019 Show (Photo Courtesy of Vogue.Com)

 

Raf Simons Men's Spring 2019 Show (Photo Courtesy of Vogue.Com)

Raf Simons Men’s Spring 2019 Show (Photo Courtesy of Vogue.Com)

Saint Laurent takes on New York

Italian-Belgian fashion designer Anthony Vaccarello took us back to 1978 for his spring Saint Laurent collection. How inspiration was a party Yves Saint Laurent hosted to launch his Opium fragrance, which was held on a ship docked at New York’s South Street Seaport and featured a giant bronze Buddha with thousands of orchids flown in from Hawaii. Forty years later, Vaccarello hosted an equally impressive, ultra-modernized version of that event across the Hudson at New Jersey’s Liberty State Park.

Vaccarello said he wanted to represent “the idea of New York, the idea of the icons of New York, in the ’70s.” Parts of that were Studio 54 in verve: a diamanté shirt placket and  a double-breasted blazer with a gold-trimmed peak lapel. But more so, it was the New York’s dive-ier Max’s Kansas City that sprung to mind— the sort of dirty glamour that has proven itself an immortal style, with distressed denim hoodies, patchworked boots, and show-stealing high-waisted, boot-cut trousers with just a slightly amplified flare at the kick. Vaccarello noted that these were new.

The highlight of the spectacle was the finale, when every model made their final walk in silver disco ball body paint – the moment was pure Studio 54 glamour.

 

Saint Laurent Men's Spring 2019 Show (Photo Courtesy of Vogue.Com)

Saint Laurent Men’s Spring 2019 Show (Photo Courtesy of Vogue.Com)

 

Saint Laurent Men's Spring 2019 Show (Photo Courtesy of Vogue.Com)

Saint Laurent Men’s Spring 2019 Show (Photo Courtesy of Vogue.Com)

 So tell us, what where your favorite moments from Men’s Spring 2019 shows so far?

Spring’s Most Surprising Hot Trend: The Bike Short

- - Trends

Left to right: Nina Ricci and Dion Lee spring 2018 looks (photo courtesy of Vogue.com)

Left to right: Nina Ricci and Dion Lee’s spring 2018 looks (photo courtesy of Vogue.com)

“Ugly-pretty” fashion trends have been making a mark on the runway over the past few seasons, from Balenciaga’s platform Crocs to Miu Miu’s socks with sandals look. Another surprising trend of the spring season was the return of the spandex bike short, and we’re not talking for cycling.

From New York to Paris the bike short took center stage and somehow it looked new again, especially when paired with a tailored jacket, a chunky sweater or… are you ready… for eveningwear!

 

Dolce & Gabbana spring 2018 look (photo courtesy of Vogue.com)

Dolce & Gabbana’s spring 2018 look (photo courtesy of Vogue.com)

This trend has already been spotted on models, celebrities and influencers, who have been pairing their bike shorts with mini-skirts and stilettos. Celebrity stylist Elizabeth Sulcer told Vogue, “bike shorts are flattering because they show off your legs in a different, more discreetly sexy way, and they look great with heels.”

Saint Laurent spring 2018 look (photo courtesy of Vogue.com)

Saint Laurent’s spring 2018 look (photo courtesy of Vogue.com)

But at UoF, we think the trend has more to do with the industry’s fascination with streetwear, youth culture and ‘looking fit’ (even if you haven’t hit the gym in years)! Just look at the buzz surrounding labels like Supreme and Off White and streetwear newcomers:  LA-based brand BornxRaised, the Japanese brand Doublet, Metropolitan US, MISBHV and Supreme’s ex-Creative Director Brendon Barbenzien’s brand, NOAH. They sell ‘cool’. And who doesn’t want to look cool?

Either way, it’s the latest trend and we’re predicting that it will make its way to the mainstream fashion-loving consumer by the summer. And oh, let’s face it, in our sustainability-conscious world, some of us still have our 80s bike shorts in our closet! What a great way to give them a face lift?

Fenty X Puma spring 2018 look (photo courtesy of Vogue.com)

Fenty X Puma’s spring 2018 look (photo courtesy of Vogue.com)

Here are some bike short pairings from MSGM, Nina Ricci and Saint Laurent worn under oversized jackets, dresses, and skirts, which definitely added an extra layer of interest.

MSGM spring 2018 look (photo courtesy of Vogue.com)

MSGM’s spring 2018 look (photo courtesy of Vogue.com)

Virgil Abloh, the creative director for Off-White, was inspired by Princess Diana’s daily trips to the gym, and interpreted some of her most iconic looks for his spring 2018 collection, most notably, her biker shorts.  So, how did Abloh interpret Diana’s biker short look? Well, it was the show’s finale. Supermodel Naomi Campbell (who once participated in a prank orchestrated by Diana) brought down the house in a pair of white bike shorts under a white double-breasted blazer. Could this look qualify as a runway wedding outfit finale, 21st century style?

 

Princess Diana in biker shorts (Photo courtesy of wellandgood.com)

Princess Diana in biker shorts (Photo courtesy of wellandgood.com)

 

 

Off-White spring 2018 look (photo courtesy of Vogue.com)

Off-White’s spring 2018 look (photo courtesy of Vogue.com)

So tell us, will you give the biker short a test run this summer? Send us pics of your own bike short pairing!

The Final Stretch – Paris Fall 2018 Fashion Week- Part 1

- - Fashion Shows

 

Eiffel Tower (Photo Courtesy of Vogue.Com)

Eiffel Tower (Photo Courtesy of Vogue.Com)

After a long fashion show season, fashionistas can breathe, we are now in the final stretch of the fall 2018 collections. As editors, models, buyers and fashion insiders arrived in the City of Light on Tuesday morning, they were greeted with extremely cold temperatures and a little snow, but everyone was happy because the shows were on fire!

While Paris Fashion Week is still going strong, here is a look at the excitement of the first half of the week:

Christian Dior

Christian Dior Fall 2018 (Photo Courtesy of Vogue.Com)

Christian Dior Fall 2018 (Photo Courtesy of Vogue.Com)

Are you up for a protest? Well Maria Grazia Chiuri sure is, as her fall runway collection was inspired by France’s student protest of 1968. Chiuri has become French fashion’s voice of female empowerment and a champion for women everywhere. For her latest collection, Chiuri struck a chord! She filled her runway venue with protest art from the 60s, which seemed quite relevant given the ongoing protests against NRA-beholden politicians in the aftermath of the Parkland, Florida, school shooting and student-led anti-gun movement. Let’s give a shout-out to these young people who are making their voices heard and who are planning a nationwide ‘March For Our Lives’ gun-control rally scheduled for March 24th.

Christian Dior Fall 2018 (Photo Courtesy of Vogue.Com)

Christian Dior Fall 2018 (Photo Courtesy of Vogue.Com)

Inspired by the late Sixties, Chiuri played with crochets, embroideries and plenty of patchwork – but all with a refined hand; after all, this is the House Of Dior.

 

Saint Laurent

Saint Laurent  Fall 2018 (Photo Courtesy of Vogue.Com)

Saint Laurent Fall 2018 (Photo Courtesy of Vogue.Com)

Sex sells, and no one does it sexy better than Anthony Vaccarello. The young designer’s Saint Laurent show was full of energy and excitement, as he built a stadium-size box, slap-bang opposite the Eiffel Tower.  The venue was a spectacle with dazzling lights filling the space. The clothes were just as wonderful – a full-on Eighties spectacle with big-shouldered dresses and barely there shorts. The Saint Laurent girl better get her legs in shape this season!

 

Maison Margiela

Maison Msrgiela Fall 2018 (Photo Courtesy of Vogue.Com)

Maison Margiela Fall 2018 (Photo Courtesy of Vogue.Com)

Leave it to John Galliano to imagine the apocalypse and have his girls dressed for it in the coolest of ways. For his  collection at Maison Margiela, the designer piled on layers of every type of protective device. Case in point, techy plastics and shields over just about everything. Is this his reaction (solution?) to North Korea and Russia’s ramp-up of weapons of mass destruction and sarin gas that was used on the Syrian people? Maybe.

 

Dries Van Noten

Dries Van Noten Fall 2018 (Photo Courtesy of Vogue.Com)

Dries Van Noten Fall 2018 (Photo Courtesy of Vogue.Com)

On a lighter note, Dries Van Noten, known for his beautiful and creative mix of prints and color, did not disappoint for his fall collection. While American designers were preoccupied with the 80s, Van Noten served up plenty of Seventies-inspired psychedelic references. Makes you want to contemplate the Bob Dylan song, My Back Pages (make famous by the Byrds in the late 60s) with the lyric: “Ah, but I was so much older then, I’m younger than that now.”

 Chloé

Chloe Fall 2018 (Photo Courtesy of Vogue.Com)

Chloe Fall 2018 (Photo Courtesy of Vogue.Com)

It may only be her second season designing under the Chloé label, but Natacha Ramsay-Levi has already established a cult following. Inspired by the 1970’s and actresses of that time-period, such as Anjelica Huston, Sissy Spacek, Isabelle Huppert, and Stéphane Audran, Levi showed plenty of skin-baring openings, open V-neck blouses and sexy cut-out dresses, showing just the right amount of flesh.

 

Hi And Bye

Riccardo Tisci (Courtesy Photo)

Riccardo Tisci (Courtesy Photo)

In other news, Burberry has tapped Riccardo Tisci as Chief Creative Officer, replacing 17-year Burberry veteran Christopher Bailey , one of the founders of the ‘see-now-buy-now’ and ‘direct-to-consumer’ movements and the creator of the newly revised iconic Burberry plaid, adding rainbow stripes for LGBTQ. Congratulations to Tisci as he begins his new role on March 12th.

Tell us, which shows were your favs and why and what role you think designers should play (as have athletes and actors) in making the world a better place?