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Posts Tagged: "Saint Laurent"

PARIS JOINS THE MOVEMENT- YOUNG DESIGNERS TAKE CENTER STAGE

- - Fashion Shows

Naomi Campbell closes Saint Laurent’s Spring 2020 show (photo courtesy of Vogue.com)

What a great season Spring 2020 has turned out to be. Yes, the old guard and heritage houses like Ralph, Burberry, Versace and Saint Laurent have the funds to create runway spectacles chock-a-block with celebs, BUT for the first time ever, we are witnessing the Big Four- NY, London, Milan and Paris, celebrate new, creative, young design talent. Maybe it’s a sign of the times. With calls for diversity on the runway in terms of ethnicity, gender parity and  body positivity, as well as messages about climate change and sustainability, we can’t help but think that finally…established designers are making room for upstarts. No one could be happier than us here at University of Fashion, whose mission has always been, since 2008, to provide equal opportunity access to affordable fashion education for all.

Let’s take a look at  some of the emerging designers who are fast becoming fashion’s favorites.

Telfar

Telfar’s Spring 2020 show (photo courtesy Vogue.com)

Telfer Clemens is a young NY designer known for creating show experiences that are as energetic and cool as his non-gender fashion label Telfar, which he established in 2005. For his Spring 2020 collection, Clemens’ plan was to “disrupt Paris Fashion Week” (according to his show notes), and Clemens did so with fanfare.

The designer presented a short film entitled, “The World Isn’t Everything,” which he collaborated on with friends such as Moonlight’s Ashton Sanders, Kelsey Lu, Petra Collins, and Slave Play playwright Jeremy O. Harris, who was in the audience in a look from Telfar: a yellow shirt, athletic shorts, and fishnets. The video played at the theater La Cigale, and as the characters appeared on screen, models walked the runway in the exact looks; creating an interesting double affect.

According to Clemens, the collection was inspired by “the customs/security lines at any airport at any given time, anywhere in the world.” So obviously the collection focused on comfort and style. Clemens’s travelers were ultra-cool as they wore cargo pants, utility jackets, asymmetrical tops, and his new take on the tracksuit – with interesting cut-outs. Clemens interlocking T and C bags have become a huge hit, so for Spring, he expanded on his accessories by offering a small assortment of jewelry with his signature logo.

After the finale walk, the models began dancing and Clemens, the filmmakers, and eventually the show attendees, all joined in on the fun.  It was a joyful way to start Paris fashion week.

Rokh

Rokh’s Spring 2020 show (photo courtesy from Vogue.com)

We are living in a global world and Rok Hwang, the designer behind the label Rokh, embodies this concept perfectly. He is a Korean-born designer, based in London, showing in Paris. His collection was inspired by a road trip he took across America with his family when he was only 10 years old. According to Vogue.com interview, Hwang said, “I remember arriving at 8 o’clock in the morning in New York and seeing all these girls walking really fast in sharp suits and checked trenches. That was the memory embedded in me; I wanted to write a visual story of that trip.”

The collection had a fresh take on a Nineties theme, as Hwang redefined a chic, modern sportswear with a dark edge. The designer sliced, diced, and wrapped trench coats, added leather patchwork and plaids, and his slit-hemmed pants gave off an updated twist to the grunge look. With such a polished collection, it’s no surprise that Hwang was a runner-up for the LVMH Prize in 2018, and was one of the founding members of Phoebe Philo’s team, picked for her studio at Céline, straight after graduating from Central Saint Martins in 2010.

Koché

Koché’s spring 2020 show (photo courtesy from Vogue.com)

Christelle Kocher may have only been designing her fashion label Koché for a few years now, but the talented designer is already a fashion darling among the influential crowd. This year’s winner of the ANDAM Prize (Paris’ prestigious fashion award) Kocher one-upped herself by becoming the first designer ever to be offered the Centre Pompidou’s Bibliothèque as a show venue. She even snagged a collaboration with Nike.

Kocher has mastered the ‘high-low aesthetic’ as she mixes streetwear with couture details. Case in point, a sharply tailored trench with intricate embroidery. She is also passionate about sustainability and since the start of her label, has incorporated upcycled materials throughout her collection. For Spring, the recycled fabrics were found on patchwork polo dresses and tracksuits.

Her show had a heavy focus on evening looks with intricate lace dresses, pajama-inspired looks with feather trims and the finale was a spangly cocktail number, the base of which were soccer jerseys cut into embellished florets linked together by strands of tiny beads. This may have been Kocher’s strongest collection yet.

Atlein

Atlein’s Spring 2020 show (photo courtesy from Vogue.com)

Antonin Tron is another young designer who is incorporating sustainability into his collection labeled Atlein. For Spring, he presented a chic and elevated collection. Most impressive was that Tron was able to create 60% of his collection using deadstock fabrics that he sourced from mills and factories across Italy. So bravo to Tron who is elevating the concept of sustainability! The designer is also a member of the Extinction Rebellion, fighting for real action on climate change.

The majority of Tron’s collection is made in his native France, by technicians that have fine-tuned the art of craftsmanship. Tron is quickly becoming known as a master in draping, cutting and manipulating jersey (which has become his signature fabric). On his runway, there were plenty of amazing dresses, most notable were the bias-cut floral prints that where youthful, yet oh so sophisticated. It’s exciting to watch this new crop of designers bring together fashion and sustainability in a modern way, and Tron was able to execute this blend perfectly.

The Old Guard

We would not want to end our coverage of PFW without a shout-out to Anthony Vaccarello at Saint Laurent who recruited supermodel Naomi Campbell to close out his show, held under the Eiffel Tower. Remember when fashion show finales ended with a wedding dress? Well, it seems that a supermodel or celeb (JLo for Versace) is fast becoming the trend.

At the Christian Dior show, creative director Maria Grazia Chiuri held tribute to nature, with 164 trees lining the runway and that will later be planted throughout Paris. You have to admit, fashion knows how to create buzz, right?

Christian Dior’s Spring 2020 show is #PlantingForTheFuture (photo courtesy Vogue.com)

Meanwhile, at Maison Margiela, John Galliano enlisted male model Leon Dame who shot to fashion stardom with his stomping walk down the runaway.

At Maison Margiela, male model Leon Dame shot to fashion stardom with his stomping walk down the runaway. He even put a smile on Anna Wintour’s face. (Photo courtesy of DailyMail.com)

Of special note and one of the strongest and most exciting shows in Paris was the enchanting collaboration between Dries Van Noten and Christian Lacroix. According to Cathy Horyn, the two masters working together, “was unprecedented. As far as I can tell, no couturier and ready-to-wear designer have ever worked together before on a runway collection. There have been “capsule” collaborations between designers and mass or leisure brands — Karl Lagerfeld and H&M, for example, or Rick Owens and Birkenstock. But from the outset, Van Noten says he didn’t want his project with Lacroix to be seen in that context — as just another marketing opportunity.”

“I started to work on this collection in February,” Van Noten said, explaining what led him to contact Lacroix. “Normally, I try to avoid escapism and nostalgia, but the world is not a very nice at the moment. So many things go wrong, and I thought maybe it would be interesting to do something about escapism.”

Van Noten is known for his exquisite fabrics and Lacroix is a master at over the top romance, so together, they created a magical moment that sent buyers, editors and other designers into a delightful frenzy.

Dries Van Noten x Christian Lacroix’s Spring 2020 show (photo courtesy from Vogue.com)

Care to share with us which aspiring designer from Fashion Week S/S 2020 you think is on track to ‘make it’?

WHAT TO EXPECT IN FASHION 2019

Team Maison Martin Margiela (Courtesy:Edward Enninful Instagram)

Team Maison Martin Margiela (Courtesy:Edward Enninful Instagram)

Diversity and inclusion have not always been synonymous with the fashion industry, but in 2018 fashion finally “got woke.” Millennials and Gen Zers, the industry’s new generation of consumers, are much more politically active and brands are now realizing that to stay relevant, they need to take a stand on racism, gun control and socio-political issues. The age of ‘corporate neutrality’ is over.

Watchdogs like Diet Prada have become the fashion police, calling out brands for their missteps. With one million Instagram followers (and growing), the duo of Tony Liu and Lindsey Schuyler are a force to be reckoned with.

Nike’s decision to take a stand, using Colin Kaepernick in its 30th anniversary ad campaign, turned out to be a one of its smartest marketing moves yet. Gucci, who has been taking a stand on issues since 2013 with their ‘Chime for Change’ campaign (advocating for women’s rights and anti-poverty efforts), took on gun control in 2018 with a $500,000 donation to March for Our Lives, in support of Marjory Stoneman Douglas High School. Other designers have supported gun control over the past few years too, including Kenneth Cole, Tom Ford, Christian Siriano and Zac Posen.

For those brands who are clinging to ‘neutrality’ for fear that they’ll alienate their customer base, we offer this information, because learning from past mistakes is one thing, but putting what is learned into practice is another. So, let’s reflect back and then take a peek into the future of where fashion has been and where it hopes to go (and grow).

LOOKING BACK TO MOVE FORWARD

Historically, fashion as an industry has primarily catered to a “rich, thin and white” demographic. Think Charles Frederick Worth (1856) and all of those lovely French aristocrats, and the birth of haute couture. It wasn’t until the Industrial Revolution, the invention of standardized sizing followed by the concept of ready-to-wear, that fashion’s demographic expanded. However, fashion marketing and advertising lagged behind in terms of diversity and inclusion, especially within fashion magazines, runway models, and even among fashion designers.

 DIVERSITY: IN MAGAZINES

 Donyale Luna, Beverly Johnson, Naomi Campbell (Courtesy: Pinterest)

Donyale Luna, Beverly Johnson, Naomi Campbell (Courtesy: Pinterest)

The first black woman to grace a fashion magazine cover was Donyale Luna, who appeared in British Vogue in March 1966, shot by photographer David Bailey. The iconic cover image showed Luna covering most of her face, which was allegedly a request of the magazine’s editors to help mask her ethnicity. At the time, it was not popular to put a colored woman in a high-level fashion brand, nor on a luxury fashion magazine cover. Donyanle Luna, an American, is known as the first black supermodel.

It took 8 more years for U.S. Vogue to feature a woman of color. In 1974, Beverly Johnson broke America’s glass ceiling with her Vogue cover photographed by Francesco Scavullo. Johnson’s blackness was not itself the subject of the cover. Instead, Vogue presented a vision of elegant beauty that was relatable, real, and totally about the times. But as Johnson said herself, it was not easy to get there due to her race.

It took 14 more years for French Vogue to feature a woman of color on their cover. In 1988 Naomi Campbell became the first colored woman in the magazine, even though she had been working with renowned designers. In fact, Yves Saint Laurent threatened to take away their magazine advertising in order to make this happen.

Gemma Ward & Du Juan (Courtesy: Pinterest)                    Fei Fei Sun (Courtesy: Vogue)

Gemma Ward & Du Juan (Courtesy: Pinterest) Fei Fei Sun (Courtesy: Vogue)

The lack of diversity in magazines was not exclusive to Afro descendants. The Asian community only got its first model cover in 2005, shot Patrick Demarchelier for French Vogue.  However, Chinese model Du Juan had to share the cover with Australian supermodel Gemma Ward. It would take another 8 years for an Asian model to get a solo cover, this time Fei Fei Sun for Italian Vogue in 2013.

These examples of models from diverse backgrounds were more often treated as tokens or novelties, rather than representing a real market demographic. Fashion brands didn’t see the need for including these and other diverse populations and therefore neglected a broader share of the market. By placing importance on ‘exclusiveness’, rather than realizing and embracing the idea of diversity and inclusion, brands actually missed a major opportunity for increased profitability.

DIVERSITY: ON THE RUNWAY

Eleanor Lambert’s Battle of Versailles 1973 fashion show

Eleanor Lambert’s Battle of Versailles 1973 fashion show

Diversity on the fashion runway was non-existent until 1973 when American publicist Eleanor Lambert introduced American fashion to Europe at the Palace of Versailles. Lambert was the first to use 12 black models in her fashion show. However ground-breaking that 1973 show was, several decades would pass with predominately white models walking the runway, featured in advertising campaigns and on magazine covers.

HOW GLOBALIZATION AFFECTED THE FASHION INDUSTRY

By 2008 things began to change in fashion as a result of globalization. An increase in international travel and intercultural exposure, a high volume of migration and mass movement of consumers, as well as the rapid growth of information and communication though social media platforms, were all catalysts for change. Society was evolving, and this was no better reflected than in the election of the first black U.S. president, Barack Obama, followed by the first woman chancellor elected in Germany, Angela Merkel. Increased visibility for the LGBTQ movement around the world, social responsibility and the sustainability movement all came together to awaken the world and the fashion industry.

 

(Courtesy:Vogue)

(Courtesy:Vogue)

In July 2008, U.S. Vogue published an article entitled, Is Fashion Racist? The article addressed the elephant in the room. It spoke to how fashion runway shows concentrated on a single homogeneous look, “the same procession of anonymous, blandly pretty, very young, very skinny, washed-out blondes with their hair scraped back.”  This acknowledgement, in such a highly regarded publication, forced the industry to rethink their strategy. The problem was not only a lack of diverse models on the runway, but also in magazines, in fashion campaigns and other related fashion branded products. This marked a long overdue turning point in the industry, one that had taken more than 35 years to get to, ever since the first British Vogue cover featuring Donyale Luna in 1966.

FASHION ‘GOT WOKE’ IN 2018 

As millennials and GenZers became important market cohorts, a more socially-conscious fashion industry began to emerge. Words like ‘transparency,’ ‘carbon-footprint’, ‘fair trade,’ ‘gender equality,’ ‘androgynous,’ and ‘gender-binary,’ as well as movements like “MeToo’ and “Time’s Up’, did much to change the conversation, especially between 2016 and 2018. We finally began to see the fashion industry’s positive response to diversity, inclusion and other issues.

Dolce & Gabbana 2018 (Courtesy: The Fashion Spot)

Dolce & Gabbana 2018 (Courtesy: The Fashion Spot)

According to the The Fashion Spot, the fall 2018 fashion campaigns were the most diverse in terms of race with 35% of the models in the campaigns were non-white and it has been an upward trend since 2016. In addition, runway shows for Spring 2019 were the most racially diverse ever with 36% of all castings across New York, London, Milan and Paris went to models of color compared to 17% in 2015.

Diverse magazine covers 2018 (Courtesy: Pinterest)

Diverse magazine covers 2018 (Courtesy: Pinterest)

The 2018 September issues of fashion magazines, which are the most anticipated and that sell the most copies with the highest number of pages and advertisements, were also the most diverse ever. A total of 16 magazines brought their A game, featuring Afro descendants on their covers, something never before seen in the fashion industry.

Courtesy of the Cut (Yalitza Aparicio)

Courtesy of the Cut (Yalitza Aparicio)

And let’s not forget the spectacular cover of Vogue Mexico for January 2019, which featured Yalitza Aparicio, a Mixteco indigenous descendant actress from the movie Roma. It is the first time an indigenous descendant was featured in the magazine.

March 2017 Vogue’s “Diverse Cover” (Courtesy: Vogue)

March 2017 Vogue’s “Diverse Cover” (Courtesy: Vogue)

And although Vogue’s March 2017 ‘diverse cover’ was slammed for not being diverse enough, we saw a range of models that included Chinese model Lui Wen, American plus-sized model Ashley Graham, American model Kendall Jenner, American model Gigi Hadid (Dutch and Palestinian descent), Dutch model Imaan Hammam (of Egyptian and Moroccan descent), British model Adwoa Aboah (British and Ghanaian descent) and Italian model Vittoria Ceretti.

DIVERSITY IS MORE THAN COLOR

During the past few years, we have also learned that diversity is not only about color, it is also about body size, ethnicity, gender and age inclusivity and therefore the definition of what it means to be a ‘diverse’ model has changed. Since 2017, The Fashion Spot has included age, size, transgender to measure diversity on the runway.

Ashley Graham plus-size model (Courtesy: The Fashion Spot)

Ashley Graham plus-size model (Courtesy: The Fashion Spot)

We have seen the popularity of plus size models increase. In 2016, Ashley Graham became the first plus-size model to appear on the cover of the Sports Illustrated swimsuit issue and in January 2017, had her first British Vogue cover. Graham has been part of major fashion shows, from Dolce & Gabbana to Michael Kors and Christian Soriano, and has landed important jewelry campaigns, such as David Yurman Fall 2018.

73-year-old model Betty Catroux (Courtesy: The Fashion Spot)

73-year-old model Betty Catroux (Courtesy: The Fashion Spot)

Age barriers were finally torn down in 2018, as models over the age of 50 were chosen for runway shows and advertising campaigns at luxury fashion houses. In fact, Saint Laurent announced 73-year-old Betty Catroux as the face of creative director Anthony Vaccarello’s Fall 2018 ad campaign. Eighteen women over the age of 50 starred in a total of 11 campaigns for Fall 2018, not including 44-year-old supermodel Amber Valletta, who, with seven campaigns to her name, was one of the season’s most-booked model.

Adut Akech (Courtesy:Pinterest)

Adut Akech (Courtesy:Pinterest)

And let’s not forget my favorite model of the year, Adut Akech, a South Sudan refugee, that since her debut in 2017 at Saint Laurent, has robbed the hearts of the most acclaimed fashion houses, including Chanel and Valentino, and is disrupting the meaning of beauty in fashion today. Diversity and inclusivity are definitely on the front row of fashion and are here to stay.

DIVERSITY BEHIND THE SCENES

I have always been interested in fashion, ever since I was 9 years old. As an Afro-Latino woman, I always wondered why models on the runway didn’t look like me. Curves and color were not exactly popular in the industry as I was growing up in the 1980s and 90s. So, you can imagine how exciting this moment in fashion is for me. However, I am still concerned about things that happen (or don’t) behind the scenes.

I started working in the fashion industry in 2005, and I can assure you that corporate positions at internationally acclaimed fashion houses are not very diverse. In 2017, Business of Fashion examined 15 of the largest public companies in fashion. They concluded that, “the vast majority (73 percent) are led by white male chief executives. On average, men and women of any ethnic minority represented only 11 percent of the board of directors at these companies.”

This is an extremely low statistic. Brands cannot adopt a language of inclusion and diversity in their marketing campaigns without extending this inclusivity to the boardroom and to the business branch of a company. According to a McKinsey & Company report entitled, “Delivering through Diversity”, companies with the most ethnically/culturally diverse boards are 43% more likely to deliver higher profits, because they are more likely to attract and retain talent, as well as improve customer service decisions.” So, why are fashion’s corporate offices not more on board with diversity when it benefits everyone? Hopefully, that will begin to change.

We not only need representation of ethnically diverse people at magazines, on runways, and in ad campaigns, we also need fashion managers of different cultures, color, size, age and gender. Choosing people who represent the world in which we currently live, and who understand, first hand, the needs of different types of consumers, has proven to be more profitable for those brands who have become more inclusive.

So, here’s my 2019 wish list for the fashion industry, in terms of diversity and inclusion:

1.     Appoint more designers with cultural and color diversity at major fashion houses, following the example of Virgil Abloh for Louis Vuitton, who perfectly understands emerging subcultures.

Virgil Abloh for Louis Vuitton (Courtesy: BoF)

Virgil Abloh for Louis Vuitton (Courtesy: BoF)

 

2.     More cosmetics and lingerie brands, such as Fenty, that are color and size inclusive and that think about the real customer.

Savage X Fenty (Courtesy: Getty Images)

Savage X Fenty (Courtesy: Getty Images)

 

3.     More influencers of ethnic diversity used for fashion brand campaigns that include a broader representation of the consumer market.

Influencers (Courtesy: BoF)

Influencers (Courtesy: BoF)

 

4.     More high-profile advocates like Beyoncé, who can help other minorities gain exposure in the fashion industry. Beyoncé created history by appointing the first black photographer, Tyler Mitchell, to shoot her 2018 September Vogue cover.

Courtesy of Instagram

Courtesy of Instagram

 

5.     More powerful Caucasian advocates who call out the lack of diversity in the fashion industry, such as Ellen Pompeo, with her Porter Magazine team.

(Courtesy: Porter Magazine)

(Courtesy: Porter Magazine)

 

6.     More important fashion magazine appointments, such as Edward Enninful, editor-in-chief of British Vogue, who has given the magazine a fresh and diverse viewpoint and who has transformed it into a more inclusive magazine that better represents the global audience it seeks to serve.

Edward Enninful – editor British Vogue (Courtesy: The Washington Post)

Edward Enninful – editor British Vogue (Courtesy: The Washington Post)

 

7.     And finally, more fashion companies that give opportunities to ethnic and culturally diverse managers who can bring a different perspective to the brand, to better serve the final consumer.

 

So, as we begin 2019, let’s hope that the fashion industry’s New Year’s Resolution will become the definition of the word ‘diversity’:  

Diversity: “the inclusion of different types of people (such as people of different races or cultures) in a group or organization.”

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And, another thing we are excited about at the University of Fashion is the launch of our new three-book beginner series on Draping, Sewing and Pattern making techniques which launches on January 8, 2019.

DRAPING                        https://www.amazon.com/Draping-Techniques-Beginners-University-Fashion/dp/1786271761?tag=univeoffash00-20

Draping (Courtesy Photo)

Draping (Courtesy Photo)

 

PATTERN MAKING             https://www.amazon.com/Pattern-Making-Techniques-Beginners-University/dp/1786271966?tag=univeoffash00-20

Pattern Making (Courtesy Photo)

Pattern Making (Courtesy Photo)

 

SEWING                            https://www.amazon.com/Sewing-Techniques-Beginners-University-Fashion/dp/1786271982?tag=univeoffash00-20

Sewing (Courtesy Photo)

Sewing (Courtesy Photo)

 

 

PARIS FASHION WEEK: A MUCH NEEDED BEAUTIFUL ESCAPE FROM REALITY

- - Fashion Shows
Saint Laurent's spring 2019 Runway (Photo courtesy of Vogue)

Saint Laurent’s spring 2019 Runway (Photo courtesy of Vogue)

Political unrest, devastating natural disasters, fear of war, the economy, racism, the #me too movement, every day we are all bombarded with negative news, not only from our own backyard, but around the globe. At times, it feels as if we live in a mad, mad world.

So, when friends who are not in the fashion industry ask: “How can you think about fashion during these volatile times?” the answer… it’s not easy. The fashion industry is a Goliath worldwide business. According to Statista, revenue of  the U.S. Apparel Industry in 2018 was estimated at $102,820 million. Globally the retail value of luxury goods is estimated at $339.4 billion (according to Fashion United). But aside from the economic value of the fashion industry, there is also a psychological one – fashion is a great escape from the real world. And, this fashion season delivered!

Not only were the shows theatrical, but the craftsmanship and the use of bold, eye-popping color all contributed to an upbeat and happy escape from reality. Exactly what the doctor ordered.

Let’s take a look at what was happening at the Paris shows, which included debut and controversy at Celine, gender-diversity on the runway, avant-garde escapism and a space age look into a better future.

A NEW DAY AT CELINE

Hedi Slimane’s debut collection for Celine was filled with mixed reviews. Even before his show, Slimane caused controversy by rebranding the company’s logo, removing the accent aigu (Céline). As editors, influencers, buyers and celebrities eagerly awaited Slimane’s collection, many were disappointed that he replicated exactly what he did at Saint Laurent (2012-2016) and his past collections for Dior Homme (2000-2007). Slimane fired back, targeting the American press and charging them with ‘homophobia.’ I mean, really?

For many, the re-branding at the hands of Slimane was the complete and utter destruction of Celine’s house codes and Phoebe Philo’s legacy, whose fan base expects smart, chic, and intellectual collections. Some even called Simane’s debut collection, ‘Saint Celine.’

And here’s why. The collection had a glam-grunge, rock n’ roll sensibility.  There was a nod to the Eighties, with big shoulder silhouettes, exaggerated pouf details, mini lengths and plenty of shine. Maybe perfect for dancing the night away at your favorite trendy hot spot but not what the house is generally known for. Just goes to show that taking over as creative director at a heritage house is no simple task!

Celine's spring 2019 Collection (Photo courtesy of Vogue)

Celine’s spring 2019 Collection (Photo courtesy of Vogue)

Slimane also introduced menswear to Celine, showing perfectly tailored skinny pantsuits that have become his signature look. But, ladies don’t fret, these looks are unisex as well.

Celine's spring 2019 Collection (Photo courtesy of Vogue)

Celine’s spring 2019 Collection (Photo courtesy of Vogue)

On the retail front it will be interesting to see, whether Celine’s customers take to the ‘new vision’ or will Slimane’s consumer be his old Saint Laurent clientele. Only time will tell.

THE AGE OF ANDROGYNY

As the cultural discussion on gender identity keeps moving forward, designers are embracing the shift in acceptance and are positioning their brands to be all inclusive by showing their menswear and womenswear collections together, casting transgender models, and even launching entire unisex collections.

At Givenchy,  Clare Waight Keller took cues from 1930s gender-bending writer and adventurer Annemarie Schwarzenbach. Keller sent her models out with cropped boyish haircuts in leather Perfectos tucked into military pants – a direct homage to a photo of Schwarzenbach. For evening, she showed elegant bias cut asymmetrical gowns. But her daywear was what really stuck out.  There were plenty of chic army trousers paired with fitted jackets, smart suit alternatives and plenty of crisp shirts – all perfect looks for the fashion-forward working girl.

Givenchy's spring 2019 Collection (Photo courtesy of Vogue)

Givenchy’s spring 2019 Collection (Photo courtesy of Vogue)

Haider Ackermann has been showing androgynist looks for years now, with Tilda Swinton as his muse. This season the designer decided to show both his womenswear and menswear collections on the runway together.  The collections were perfectly intertwined, sending out his models in pairs of three to clearly make his point that his collection is cross-gender.

Ackermann has mastered creative tailoring. For spring, there were plenty of sharp suits in bold colors, boxy shirts with intricate laser-cut details and pajama-inspired pieces. Although the unisex concept has been seen on a number of runways this season, Ackermann’s version was effortless and elegant.

Haider Ackermann's spring 2019 Collection (Photo courtesy of Vogue)

Haider Ackermann’s spring 2019 Collection (Photo courtesy of Vogue)

THE AVANT-GARDE

There are a handful of designers who are truly creative geniuses. Season after season these avant-garde designers take us on a breathtaking journey, their collections are thought provoking, witty and intellectual. Here’s a mash-up of the best!

Comme des Garçons' spring 2019 Collection (Photo courtesy of Vogue)

Comme des Garçons’
spring 2019 Collection (Photo courtesy of Vogue)

Thom Browne's spring 2019 Collection (Photo courtesy of Vogue)

Thom Browne’s spring 2019 Collection (Photo courtesy of Vogue)

Rick Owen's spring 2019 Collection (Photo courtesy of Vogue)

Rick Owen’s spring 2019 Collection (Photo courtesy of Vogue)

Yohji Yamamoto's spring 2019 Collection (Photo courtesy of Vogue)

Yohji Yamamoto’s spring 2019 Collection (Photo courtesy of Vogue)

Junya Watanabe's spring 2019 Collection (Photo courtesy of Vogue)

Junya Watanabe’s spring 2019 Collection (Photo courtesy of Vogue)

Balenciaga's spring 2019 Collection (Photo courtesy of Vogue)

Balenciaga’s spring 2019 Collection (Photo courtesy of Vogue)

Maison Margiela's spring 2019 Collection (Photo courtesy of Vogue)

Maison Margiela’s spring 2019 Collection (Photo courtesy of Vogue)

THE GREATEST SHOWMEN/WOMAN

Meanwhile, back to reality, well, almost. Karl Lagerfeld created a tropical beach for his Chanel spectacle. Yes, you heard me right. At the Paris Grand Palais, Lagerfeld recreated a beach that included an ocean with gentle waves, blue sky, wooden docks and lifeguards. He completed the scene with none other than former Baywatch actor Pamela Anderson seated in the front row.

Chanel's spring 2019 Collection (Photo courtesy of Vogue)

Chanel’s spring 2019 Collection (Photo courtesy of Vogue)

Nicolas Ghesquière took us on a futuristic voyage for his Louis Vuitton collection. The perfect escape mechanism to avoid the reality of these times.

Louis Vuitton's spring 2019 Collection (Photo courtesy of Vogue)

Louis Vuitton’s spring 2019 Collection (Photo courtesy of Vogue)

Modern dancers performed during Maria Grazia Chiuri’s Christian Dior Show. It was a nice break from traditional cat walking.

Christian Dior's spring 2019 Collection (Photo courtesy of Vogue)

Christian Dior’s spring 2019 Collection (Photo courtesy of Vogue)

Anthony Vaccarello’s girls walked on water under the Eiffel Tower for his Saint Laurent show.

Saint Laurent's spring 2019 Collection (Photo courtesy of Vogue)

Saint Laurent’s spring 2019 Collection (Photo courtesy of Vogue)

For Miuccia Prada’s Miu Miu collection, the concept of  ‘deconstructing beauty’ continued by putting her spin on DIY, recycling, and upcycling under a backdrop modern art installations.

Miu Miu's spring 2019 Collection (Photo courtesy of Vogue)

Miu Miu’s spring 2019 Collection (Photo courtesy of Vogue)

THE ROMANTICS

Fashion week season wouldn’t be complete without a ‘romance-inspired’ collection. Beautifully feminine looks, from whimsical tulle confections to vintage floral charm, these saccharine-savy looks had just the right dose of spice.

Giambattista Valli's spring 2019 Collection (Photo courtesy of Vogue)

Giambattista Valli’s spring 2019 Collection (Photo courtesy of Vogue)

Alexander McQueen's spring 2019 Collection (Photo courtesy of Vogue)

Alexander McQueen’s spring 2019 Collection (Photo courtesy of Vogue)

Ann Demeulemeester's spring 2019 Collection (Photo courtesy of Vogue)

Ann Demeulemeester’s spring 2019 Collection (Photo courtesy of Vogue)

 

Altuzarra's spring 2019 Collection (Photo courtesy of Vogue)

Altuzarra’s spring 2019 Collection (Photo courtesy of Vogue)

Valentino's spring 2019 Collection (Photo courtesy of Vogue)

Valentino’s spring 2019 Collection (Photo courtesy of Vogue)

 SPACE AGE

In a galaxy far, far away…..some designers looked ahead to the future, creating looks that were out of this world.

Balmain's spring 2019 Collection (Photo courtesy of Vogue)

Balmain’s spring 2019 Collection (Photo courtesy of Vogue)

Louis Vuitton's spring 2019 Collection (Photo courtesy of Vogue)

Louis Vuitton’s spring 2019 Collection (Photo courtesy of Vogue)

Gucci's spring 2019 Collection (Photo courtesy of Vogue)

Gucci’s spring 2019 Collection (Photo courtesy of Vogue)

Isabel Marant's spring 2019 Collection (Photo courtesy of Vogue)

Isabel Marant’s spring 2019 Collection (Photo courtesy of Vogue)

THE REALISTS

Ok, all these fantasy looks are spectacular, but sometimes we need to see some real clothes on the runway, right? But always with a twist!

Sonia Rykiel's spring 2019 Collection (Photo courtesy of Vogue)

Sonia Rykiel’s spring 2019 Collection (Photo courtesy of Vogue)

Stella McCartney's spring 2019 Collection (Photo courtesy of Vogue)

Stella McCartney’s spring 2019 Collection (Photo courtesy of Vogue)

Loewe's spring 2019 Collection (Photo courtesy of Vogue)

Loewe’s spring 2019 Collection (Photo courtesy of Vogue)

Dries Van Noten's spring 2019 Collection (Photo courtesy of Vogue)

Dries Van Noten’s spring 2019 Collection (Photo courtesy of Vogue)

Hermès' spring 2019 Collection (Photo courtesy of Vogue)

Hermès’ spring 2019 Collection (Photo courtesy of Vogue)

Rochas' spring 2019 Collection (Photo courtesy of Vogue)

Rochas’ spring 2019 Collection (Photo courtesy of Vogue)

THE NEW GUARD

Here at UoF, we love and support new, emerging designers. Here’s a fresh crop who are disrupting the establishment……

Off-White's spring 2019 Collection (Photo courtesy of Vogue)

Off-White’s spring 2019 Collection (Photo courtesy of Vogue)

Ellery's spring 2019 Collection (Photo courtesy of Vogue)

Ellery’s spring 2019 Collection (Photo courtesy of Vogue)

Johanna Ortiz's spring 2019 Collection (Photo courtesy of Vogue)

Johanna Ortiz’s spring 2019 Collection (Photo courtesy of Vogue)

Beautiful People's spring 2019 Collection (Photo courtesy of Vogue)

Beautiful People’s spring 2019 Collection (Photo courtesy of Vogue)

Esteban Cortazar's spring 2019 Collection (Photo courtesy of Vogue)

Esteban Cortazar’s spring 2019 Collection (Photo courtesy of Vogue)

Tell us which collection took you out of reality, even if only for a moment?

 

 

 

 

 

 

 

Men’s Spring 2019 Shows: Major Fashion Moments in Menswear

Dior Homme set (Photo courtesy if Footwear News)

Dior Homme set (Photo courtesy if Footwear News)

The whirlwind of Men’s fashion week is coming to a close as its last stretch will be in New York, but there were plenty of dramatic moments.

 Virgil Abloh presented his first collection for Louis Vuitton

Virgil Abloh is an American designer, D.J. and stylist who gained recognition as Kanye West’s creative director. Today he is the designer behind the cult label Off-White and has become the newly minted creative director of Louis Vuitton Menswear collection. This is a major moment for Abloh. Not only is he the artistic director of men’s to one of the most powerful houses in history, but he is also the first African-American designer ever appointed as the artistic director to a heritage brand.

This was the most anticipated show of the season and his front row was a star-studded event with everyone from Kanye West to Rihanna supporting the young designer. Once his first look exited, the world new Abloh was the perfect fit for the job and elevated streetwear to the highest level of lux.

According to Vogue.com, Abloh was inspired by “the idea of white light hitting a prism, and dividing into its component colors,” which translated into an assortment of tailored white suits, most noteworthy was the double breasted blazer paired with pleated trousers. Then Abloh moved to bright, bold colors and plenty of 90’s Helmut Lang references. There were harnesses and a finale with lots of “Wizard of Oz” inspired prints. This collection was truly a magical, over the rainbow moment for Abloh and the giant hug he received from Kanye at the end was a testament to what a milestone moment this was for African-American designers.

 

Louis Vuitton Men's Spring 2019 Show (Photo Courtesy of Vogue.Com)

Louis Vuitton Men’s Spring 2019 Show (Photo Courtesy of Vogue.Com)

Louis Vuitton Men's Spring 2019 Show (Photo Courtesy of Vogue.Com)

Louis Vuitton Men’s Spring 2019 Show (Photo Courtesy of Vogue.Com)

Kanye West and Virgil Abloh cried at the end of his Louis Vuitton show (Photo courtesy of Harpers Bazaar)

Kanye West and Virgil Abloh cried at the end of his Louis Vuitton show (Photo courtesy of Harpers Bazaar)

Kim Jones makes his debut at Dior Homme

Another menswear designer debut was British designer Kim Jones at Dior Homme.  Jones, the former menswear artistic director for Vuitton since 2011, pre-Abloh, helped revitalize the house for a younger generation. His show was also one of the most anticipated of the season with a front row filled with celebrities ranging from Kate Moss to Victoria Beckham. For his Dior Homme collection, Jones announced that is was time for couture values to be imported into menswear, and dubbed his collection “romantic, rather than feminine,” according to Vogue.com. He opened his show in ‘royal fashion’ with Prince Nikolai of Denmark wearing a classic shirting-stripe, turned inside out, and paired the look with sneakers. Looking to the  past with a futuristic eye, Jones recreated many prints that referenced the late Monsieur Dior. For example: beautiful jackets with tiny feathered flower motifs made to replicate the pattern on Dior porcelain dinner plates, toile prints that imitated the walls on the Dior Boutique in 1947 and the bee motif Dior used in 1955. Jones even gave a shout out to John Galliano with his inclusion of tiny saddle bags. Among the sea of toile prints and florals, there were beautifully tailored suits, effortless trousers and terrific outerwear. Jones mastered the balance between fashion fantasy and commercial hits.

Dior Homme Men's Spring 2019 Show (Photo Courtesy of Vogue.Com)

Dior Homme Men’s Spring 2019 Show (Photo Courtesy of Vogue.Com)

 

Dior Homme Men's Spring 2019 Show (Photo Courtesy of Vogue.Com)

Dior Homme Men’s Spring 2019 Show (Photo Courtesy of Vogue.Com)

Maison Margiela

John Galliano, known for his Vionnet -inspired bias cut gowns (among other things) brought couture references to his  Maison Margiela collection that he called ‘Artisanal’ menswear.  An absolute first for menswear! In a category where tailoring is the usual mainstay, Galliano told Vogue.com, “It’s the highest form of dressmaking, but for men . . . I hope it’s going to define a new sensuality, a new sexuality.” In a podcast released to the press, Galliano explained why he decided to  elevate his men’s collection to couture level. Part of it was an epiphany about the shifting codes of formalwear that he had seen at the Met Gala. “Seeing the youth present, and their interpretation of black-tie . . . a seismic change from the last time,” he said. Another part of the decision stemmed from his daily dialogues with interns at the Maison Margiela studio. But possibly the biggest reason was, he was just raring to exercise his dressmaking skills and bring imagination to menswear.

Galliano’s mixed British bespoke tailoring and couture techniques and the end result was a sexy and glamourous menswear collection. There were plenty of iconic Galliano moments, such as his use of corsetry as well as flamenco and bullfighting references from his Gibraltar roots.

Maison Margiela's spring 2019 collection (Photo courtesy of Vogue.com)

Maison Margiela’s spring 2019 collection (Photo courtesy of Vogue.com)

Maison Margiela's spring 2019 collection (Photo courtesy of Vogue.com

Maison Margiela’s spring 2019 collection (Photo courtesy of Vogue.com)

Raf Simons left New York for Paris

After presenting three collections during New York Fashion Week, Raf Simons decided to return to where it all started for him as a designer, Paris, to show his menswear collection.

After many years of streetwear-inspired looks ruling the menswear runway (think Supreme, Off White, Kim Jones for Vuitton, etc.) and with every fashion-forward boy and girl owning a plethora of designer hoodies and sneakers, Raf Simons is looking to change that. The cult favorite menswear designer showed a highly energized collection of tailored looks with New Wave club references. His collection was a consistent parade of beautifully tailored jackets and coats, mostly in satin, all in bold colors. It was New Wave at its best with references to Stephen Sprouse and elevated glamour that he was responsible for bringing to New York downtown 80s club scene. Simons was quoted as saying: “There are all these references to punk, like  safety pins and studs and black leather, but I was thinking of how to do them in a way that was not that—so you don’t recognize them.”  That’s where it got interesting. There were glimpses of tiny knots of diamanté jewelry and silver D-rings embedded here and there, suggestive of piercings and fetish. And, wittily, a twisted translation of plastic six-pack holders, made into a version of a punk string vest. “Like when kids hang out, carrying their beers,” as Simons put it. “But also, like Paco Rabanne.”

 

Raf Simons Men's Spring 2019 Show (Photo Courtesy of Vogue.Com)

Raf Simons Men’s Spring 2019 Show (Photo Courtesy of Vogue.Com)

 

Raf Simons Men's Spring 2019 Show (Photo Courtesy of Vogue.Com)

Raf Simons Men’s Spring 2019 Show (Photo Courtesy of Vogue.Com)

Saint Laurent takes on New York

Italian-Belgian fashion designer Anthony Vaccarello took us back to 1978 for his spring Saint Laurent collection. How inspiration was a party Yves Saint Laurent hosted to launch his Opium fragrance, which was held on a ship docked at New York’s South Street Seaport and featured a giant bronze Buddha with thousands of orchids flown in from Hawaii. Forty years later, Vaccarello hosted an equally impressive, ultra-modernized version of that event across the Hudson at New Jersey’s Liberty State Park.

Vaccarello said he wanted to represent “the idea of New York, the idea of the icons of New York, in the ’70s.” Parts of that were Studio 54 in verve: a diamanté shirt placket and  a double-breasted blazer with a gold-trimmed peak lapel. But more so, it was the New York’s dive-ier Max’s Kansas City that sprung to mind— the sort of dirty glamour that has proven itself an immortal style, with distressed denim hoodies, patchworked boots, and show-stealing high-waisted, boot-cut trousers with just a slightly amplified flare at the kick. Vaccarello noted that these were new.

The highlight of the spectacle was the finale, when every model made their final walk in silver disco ball body paint – the moment was pure Studio 54 glamour.

 

Saint Laurent Men's Spring 2019 Show (Photo Courtesy of Vogue.Com)

Saint Laurent Men’s Spring 2019 Show (Photo Courtesy of Vogue.Com)

 

Saint Laurent Men's Spring 2019 Show (Photo Courtesy of Vogue.Com)

Saint Laurent Men’s Spring 2019 Show (Photo Courtesy of Vogue.Com)

 So tell us, what where your favorite moments from Men’s Spring 2019 shows so far?

Spring’s Most Surprising Hot Trend: The Bike Short

- - Trends

Left to right: Nina Ricci and Dion Lee spring 2018 looks (photo courtesy of Vogue.com)

Left to right: Nina Ricci and Dion Lee’s spring 2018 looks (photo courtesy of Vogue.com)

“Ugly-pretty” fashion trends have been making a mark on the runway over the past few seasons, from Balenciaga’s platform Crocs to Miu Miu’s socks with sandals look. Another surprising trend of the spring season was the return of the spandex bike short, and we’re not talking for cycling.

From New York to Paris the bike short took center stage and somehow it looked new again, especially when paired with a tailored jacket, a chunky sweater or… are you ready… for eveningwear!

 

Dolce & Gabbana spring 2018 look (photo courtesy of Vogue.com)

Dolce & Gabbana’s spring 2018 look (photo courtesy of Vogue.com)

This trend has already been spotted on models, celebrities and influencers, who have been pairing their bike shorts with mini-skirts and stilettos. Celebrity stylist Elizabeth Sulcer told Vogue, “bike shorts are flattering because they show off your legs in a different, more discreetly sexy way, and they look great with heels.”

Saint Laurent spring 2018 look (photo courtesy of Vogue.com)

Saint Laurent’s spring 2018 look (photo courtesy of Vogue.com)

But at UoF, we think the trend has more to do with the industry’s fascination with streetwear, youth culture and ‘looking fit’ (even if you haven’t hit the gym in years)! Just look at the buzz surrounding labels like Supreme and Off White and streetwear newcomers:  LA-based brand BornxRaised, the Japanese brand Doublet, Metropolitan US, MISBHV and Supreme’s ex-Creative Director Brendon Barbenzien’s brand, NOAH. They sell ‘cool’. And who doesn’t want to look cool?

Either way, it’s the latest trend and we’re predicting that it will make its way to the mainstream fashion-loving consumer by the summer. And oh, let’s face it, in our sustainability-conscious world, some of us still have our 80s bike shorts in our closet! What a great way to give them a face lift?

Fenty X Puma spring 2018 look (photo courtesy of Vogue.com)

Fenty X Puma’s spring 2018 look (photo courtesy of Vogue.com)

Here are some bike short pairings from MSGM, Nina Ricci and Saint Laurent worn under oversized jackets, dresses, and skirts, which definitely added an extra layer of interest.

MSGM spring 2018 look (photo courtesy of Vogue.com)

MSGM’s spring 2018 look (photo courtesy of Vogue.com)

Virgil Abloh, the creative director for Off-White, was inspired by Princess Diana’s daily trips to the gym, and interpreted some of her most iconic looks for his spring 2018 collection, most notably, her biker shorts.  So, how did Abloh interpret Diana’s biker short look? Well, it was the show’s finale. Supermodel Naomi Campbell (who once participated in a prank orchestrated by Diana) brought down the house in a pair of white bike shorts under a white double-breasted blazer. Could this look qualify as a runway wedding outfit finale, 21st century style?

 

Princess Diana in biker shorts (Photo courtesy of wellandgood.com)

Princess Diana in biker shorts (Photo courtesy of wellandgood.com)

 

 

Off-White spring 2018 look (photo courtesy of Vogue.com)

Off-White’s spring 2018 look (photo courtesy of Vogue.com)

So tell us, will you give the biker short a test run this summer? Send us pics of your own bike short pairing!

The Final Stretch – Paris Fall 2018 Fashion Week- Part 1

- - Fashion Shows

 

Eiffel Tower (Photo Courtesy of Vogue.Com)

Eiffel Tower (Photo Courtesy of Vogue.Com)

After a long fashion show season, fashionistas can breathe, we are now in the final stretch of the fall 2018 collections. As editors, models, buyers and fashion insiders arrived in the City of Light on Tuesday morning, they were greeted with extremely cold temperatures and a little snow, but everyone was happy because the shows were on fire!

While Paris Fashion Week is still going strong, here is a look at the excitement of the first half of the week:

Christian Dior

Christian Dior Fall 2018 (Photo Courtesy of Vogue.Com)

Christian Dior Fall 2018 (Photo Courtesy of Vogue.Com)

Are you up for a protest? Well Maria Grazia Chiuri sure is, as her fall runway collection was inspired by France’s student protest of 1968. Chiuri has become French fashion’s voice of female empowerment and a champion for women everywhere. For her latest collection, Chiuri struck a chord! She filled her runway venue with protest art from the 60s, which seemed quite relevant given the ongoing protests against NRA-beholden politicians in the aftermath of the Parkland, Florida, school shooting and student-led anti-gun movement. Let’s give a shout-out to these young people who are making their voices heard and who are planning a nationwide ‘March For Our Lives’ gun-control rally scheduled for March 24th.

Christian Dior Fall 2018 (Photo Courtesy of Vogue.Com)

Christian Dior Fall 2018 (Photo Courtesy of Vogue.Com)

Inspired by the late Sixties, Chiuri played with crochets, embroideries and plenty of patchwork – but all with a refined hand; after all, this is the House Of Dior.

 

Saint Laurent

Saint Laurent  Fall 2018 (Photo Courtesy of Vogue.Com)

Saint Laurent Fall 2018 (Photo Courtesy of Vogue.Com)

Sex sells, and no one does it sexy better than Anthony Vaccarello. The young designer’s Saint Laurent show was full of energy and excitement, as he built a stadium-size box, slap-bang opposite the Eiffel Tower.  The venue was a spectacle with dazzling lights filling the space. The clothes were just as wonderful – a full-on Eighties spectacle with big-shouldered dresses and barely there shorts. The Saint Laurent girl better get her legs in shape this season!

 

Maison Margiela

Maison Msrgiela Fall 2018 (Photo Courtesy of Vogue.Com)

Maison Margiela Fall 2018 (Photo Courtesy of Vogue.Com)

Leave it to John Galliano to imagine the apocalypse and have his girls dressed for it in the coolest of ways. For his  collection at Maison Margiela, the designer piled on layers of every type of protective device. Case in point, techy plastics and shields over just about everything. Is this his reaction (solution?) to North Korea and Russia’s ramp-up of weapons of mass destruction and sarin gas that was used on the Syrian people? Maybe.

 

Dries Van Noten

Dries Van Noten Fall 2018 (Photo Courtesy of Vogue.Com)

Dries Van Noten Fall 2018 (Photo Courtesy of Vogue.Com)

On a lighter note, Dries Van Noten, known for his beautiful and creative mix of prints and color, did not disappoint for his fall collection. While American designers were preoccupied with the 80s, Van Noten served up plenty of Seventies-inspired psychedelic references. Makes you want to contemplate the Bob Dylan song, My Back Pages (make famous by the Byrds in the late 60s) with the lyric: “Ah, but I was so much older then, I’m younger than that now.”

 Chloé

Chloe Fall 2018 (Photo Courtesy of Vogue.Com)

Chloe Fall 2018 (Photo Courtesy of Vogue.Com)

It may only be her second season designing under the Chloé label, but Natacha Ramsay-Levi has already established a cult following. Inspired by the 1970’s and actresses of that time-period, such as Anjelica Huston, Sissy Spacek, Isabelle Huppert, and Stéphane Audran, Levi showed plenty of skin-baring openings, open V-neck blouses and sexy cut-out dresses, showing just the right amount of flesh.

 

Hi And Bye

Riccardo Tisci (Courtesy Photo)

Riccardo Tisci (Courtesy Photo)

In other news, Burberry has tapped Riccardo Tisci as Chief Creative Officer, replacing 17-year Burberry veteran Christopher Bailey , one of the founders of the ‘see-now-buy-now’ and ‘direct-to-consumer’ movements and the creator of the newly revised iconic Burberry plaid, adding rainbow stripes for LGBTQ. Congratulations to Tisci as he begins his new role on March 12th.

Tell us, which shows were your favs and why and what role you think designers should play (as have athletes and actors) in making the world a better place?

75th Annual Golden Globes – More Than Just Another Award Show

- - Trends
America Ferrera in custom Christian Siriano, Natalie Portman in Dior Haute Couture, Emma Stone in Louis Vuitton and Billie Jean King

America Ferrera in custom Christian Siriano, Natalie Portman in Dior Haute Couture, Emma Stone in Louis Vuitton and Billie Jean King

Hollywood A-listers have long used their fame to promote individual causes, whether political, ethnic or humanitarian. But at this year’s 75th Annual Golden Globes, most all of the attending actors and actresses stood unified in a sea of black (or wore Time’s Up pins). Dressing in black resulted in a powerful solidarity statement, lending support to the ” Time’s Up”  and “Me To” movements and those who so courageously continue to speak out against sexual harassment and female inequality. The  days of watching award shows solely for the fashion are démodé, or are they?  Clothes at award shows are now more important than ever!  Oprah Winfrey’s Cecil B. DeMille AwardAward speech said it all : “a new day is on the horizon!”

From left Reese Witherspoon, Eva Longoria, Salma Hayek and Ashley Judd arrive at the awards

Side by side with Hollywood heavyweights stood female activists such as Monica Ramirez, a campaigner who fights sexual violence against farmworkers and Billie Jean King, the founder of the Women’s Tennis Association, whom Emma Stone portrays in Battle of the Sexes.

Oprah Winfrey  giving her Cecil B DeMille Award

Oprah Winfrey giving her Cecil B DeMille Award speech

While many celebrities dazzled on the stage, the red carpet was filled with fashion drama. Here are some of the biggest trends of the night: (All photos courtesy of Shutterstock).

THE NEW SUIT

Gal Gadot  in Tom Ford

Gal Gadot in Tom Ford

Maggie Gyllenhaal in Monse

Maggie Gyllenhaal in Monse

Alexis Bledel in Oscar de la Renta

Alexis Bledel in Oscar de la Renta

Allison Brie in Vassilis Zoulias

Allison Brie in Vassilis Zoulias

 

 BOWS

Margot Robbie in Gucci

Margot Robbie in Gucci

 

Tracee Ellis Ross in Marc Jacobs

Tracee Ellis Ross in Marc Jacobs

Emilia Clarke in Miu Miu

Emilia Clarke in Miu Miu

 

MIDAS TOUCH

Dakota Johnson in Gucci

Dakota Johnson in Gucci

 

Saoirse Ronan in Atelier Versace

Saoirse Ronan in Atelier Versace
Mary J. Blige in Custom Alberta Ferretti

Mary J. Blige in custom Alberta Ferretti

Kelly Clarkson in Christian Siriano

Kelly Clarkson in Christian Siriano

 

COVERED UP

Elisabeth Moss in Dior Haute Couture

Elisabeth Moss in Dior Haute Couture

Salma Hayek in Balenciaga

Salma Hayek in Balenciaga

Angelina Jolie in Atelier Versace

Angelina Jolie in Atelier Versace

 

Isabelle Huppert in Chloé

Isabelle Huppert in Chloé

 

PLUNGING NECKLINES

Issa Rae in Prabal Gurung

Issa Rae in Prabal Gurung

Kate Hudson in Valentino Haute Couture

Kate Hudson in Valentino Haute Couture

 

Golden Globes 2018: Every Look on the Red Carpet

COLD SHOULDER

Reese Witherspoon in Zac Posen at the Golden-Globes-2018

Reese Witherspoon in Zac Posen at the Golden-Globes-2018

Tarana Burke and Michelle Williams in Louis Vuitton

Tarana Burke and Michelle Williams in Louis Vuitton

Emma Stone in Louis Vuitton andBillie Jean King

Emma Stone in Louis Vuitton and Billie Jean King

 

Meryl Streep in custom Vera Wang and Ai Jen Poo

Meryl Streep in custom Vera Wang and Ai Jen Poo

Greta Gerwig in Oscar de la Renta

Greta Gerwig in Oscar de la Renta

 

SHORT

Millie Bobby Brown in Calvin Klein by Appointment and Repossi jewelry

Millie Bobby Brown in Calvin Klein by Appointment and Repossi jewelry

Kendall Jenner in Giambattista Valli Haute Couture

Kendall Jenner in Giambattista Valli Haute Couture

Halle Berry in Zuhair Murad

Halle Berry in Zuhair Murad

Heidi Klum in Ashi Studio

Heidi Klum in Ashi Studio

 

NOT YOUR BASIC TUXEDO

Noah Schnapp in Balmain

Noah Schnapp in Balmain

Golden Globes 2018: Every Look on the Red Carpet

James Franco in Salvatore Ferragamo and Dave Franco in Saint Laurent

James Franco in Salvatore Ferragamo and Dave Franco in Saint Laurent

Nick Jones in Versace

Nick Jonas in Versace

 

Winners of the night included:

MOVIES

Best motion picture, drama: “Three Billboards Outside Ebbing, Missouri”

Best motion picture, musical or comedy: “Lady Bird”

Best actress in a motion picture, drama: Frances McDormand, “Three Billboards Outside Ebbing, Missouri”

Best actor in a motion picture, drama: Gary Oldman, “Darkest Hour”

Best actor in a motion picture, musical or comedy: James Franco, “The Disaster Artist”

Best actress in a motion picture, musical or comedy: Saoirse Ronan, “Lady Bird”

Best supporting actor, any motion picture: Sam Rockwell, “Three Billboards outside Ebbing, Missouri”

Best supporting actress, any motion picture: Allison Janney, “I, Tonya”

Best director: Guillermo del Toro, “The Shape of Water”

Best screenplay: Martin McDonagh, “Three Billboards Outside Ebbing, Missouri”

TELEVISION

Best television series, drama: “The Handmaid’s Tale”

Best television series, musical or comedy: “The Marvelous Mrs. Maisel”

Best limited series or motion picture made for television:”Big Little Lies”

Best actress in a series, limited series or motion picture made for television: Nicole Kidman, “Big Little Lies”

Best actor in a series, limited series or motion picture made for television: Ewan McGregor, “Fargo”

Best actress in a television series, drama: Elisabeth Moss, “The Handmaid’s Tale”

Best actor in a television series, drama: Sterling K. Brown, “This Is Us”

Best actress in a television series, musical or comedy: Rachel Brosnahan, “The Marvelous Mrs. Maisel”

Best actor in a television series, musical or comedy: Aziz Ansari, “Master of None”

Best supporting actor in a series, limited series or motion picture made for television: Alexander Skarsgård, “Big Little Lies”

Best supporting actress in a series, limited series or motion picture made for television: Laura Dern, “Big Little Lies”

TELL US, WHAT WAS YOUR FAVORITE LOOK OF THE NIGHT? AND, SHOULD OPRAH RUN FOR PRESIDENT?

Halloween Inspired Looks Right Off The Runway

- - Fashion Shows, Trends

In Need of a Costume……..

Thom Browne Spring 2018 Show (Photo courtesy of Vogue.com)

Thom Browne Spring 2018 Show (Photo courtesy of Vogue.com)

We look to Fashion Week for the latest trends and style inspirations, as well as celebrity sightings, street-style stars, and drop-dead gorgeous models, but at times, runway looks can be a great source of originality for Halloween costumes. Forget the creepy, zombie  motifs. The spring/summer 2018 collections offer more feminine and sexy variations to play dress up in. Themes ranged from Disney princess’ to Andy Warhol pop art prints.  So take a look below, and see the most creative styles that’ll have you covered when it comes to costume originality and give you major high-fashion cred.

Prada Spring 2018 Show (Photo courtesy of Vogue.com)

Prada Spring 2018 Show (Photo courtesy of Vogue.com)

Swan Lake

Every little girl dreams of being a ballerina and for spring, Thom Browne created an alternate universe at the Hôtel de Ville with magic wands and pouches full of glittery fairy dust. The possibility of magic and mischief filled the air. This whimsical show was an ode to childhood fantasies – think mermaids, unicorns and ballerinas. Browne’s vision of a ballerina was am encrusted pearl studded bodysuit as they danced down the runway, now that’s what you’d call a fairy-tale beginning.

Meanwhile, Jeremy Scott was also inspired by the ballet, but his version was a tougher girl, for his Moschino show – think biker ballerina. Scott showed a variety of leather jackets, satin bustiers, tulle tutus, and fishnets in a couple dozen variations on the runway.

Thom Browne Spring 2018 Show (Photo courtesy of Vogue.com)

Thom Browne Spring 2018 Show (Photo courtesy of Vogue.com)

Moschino Spring 2018 Show (Photo courtesy of Vogue.com)

Moschino Spring 2018 Show (Photo courtesy of Vogue.com)

Fairy-Tale

Fairy Tales do come true – and no one was able to capture the joy of fairytales and princesses better then Walt Disney. For spring, Philipp Plein’s theme was “Good Gone Bad.” His recurrent logo was a ball-gagged and bonded Alice in Wonderland character (or was it Cinderella?). Plein anlo showed a handful of T-shirts that read “Plein Fairytale Crew”. Was it a fairy tale? No. But wouldn’t it make a great costume?

Meanwhile, Alessandro Michele showed an intense, contradictory, and literally dark experience, for his spring 2018 Gucci show. It was full of glitter and glam, ’80s shoulders, English tweeds, Disney and Sega references, with all his recognizable eclectic mix of reworked vintage chic. Who wouldn’t love a Snow White sequin sweatshirt?

 

Philipp Plein Spring 2018 Show (Photo courtesy of Vogue.com)

Philipp Plein Spring 2018 Show (Photo courtesy of Vogue.com)

Gucci Spring 2018 Show (Photo courtesy of Vogue.com)

Gucci Spring 2018 Show (Photo courtesy of Vogue.com)

Gucci Spring 2018 Show (Photo courtesy of Vogue.com)

Gucci Spring 2018 Show (Photo courtesy of Vogue.com)

 Pop-Art

The fashion and art world go hand in hand as many designers look to artists for inspiration. For Spring, both Raf Simons for Calvin Klein and Donatella Versace where influenced by the works of Andy Warhol and his iconic Pop-Art prints. For Raf Simons’s Calvin Klein, he experimented with American classics but in a subversive way. His new motifs for spring included Andy Warhol prints of Dennis Hopper circa Easy Rider and a 1971 Sandra Brant (is there an art movement more American than Pop?), cheerleaders, and horror movies.

Meanwhile, Donatella Versace gave a tribute to her brother Gianni,  founder of the Versace label, as the 20 year anniversary of his murder just past. It was a tribute celebrating Gianni’s inspirations and creations, and  “a genius . . . an icon . . . my brother” stated Donatella Versace.  She wanted the focus to be on his life, not his violent end, but also his feminist leanings and the eternal relevance of his designs. So of course, among the medusa and baroque motifs, there were plenty of Andy Warhol prints.

Miuccia Prada was also inspired by pop art, but of the comic book variety. Prada presented an empowering show, set among the work of women cartoonists and manga artists whose drawings dominated the company’s huge headquarters. The collection was based on putting her stamp on a blank canvas. Coats, jackets, and cropped pants were screen-printed in the various artists’ works. The result was a strong and feisty collection, with a nod to the early 80’s clubkid; but all with Prada’s sophisticated and chic hand.

Versace Spring 2018 Show (Photo courtesy of Vogue.com)

Versace Spring 2018 Show (Photo courtesy of Vogue.com)

Calvin Klein Spring 2018 Show (Photo courtesy of Vogue.com)

Calvin Klein Spring 2018 Show (Photo courtesy of Vogue.com)

Calvin Klein Spring 2018 Show (Photo courtesy of Vogue.com)

Calvin Klein Spring 2018 Show (Photo courtesy of Vogue.com)

Prada Spring 2018 Show (Photo courtesy of Vogue.com)

Prada Spring 2018 Show (Photo courtesy of Vogue.com)

Groovy

One of the easiest Halloween costume trends to pull off are the Sixties, think peace, love and happiness. Think Woodstock. And no-one does it better than Anna Sui. She laser-cuts through the past, pulling references together for a beautiful collage that is at once nostalgic, modern, and a bit kooky.

Marc Jacobs showed a happy and upbeat spring collection with giant daisies and other overscale flowers; the collection was filled with Crayola colors, tinsel trimmings, and sequins, sequins, sequins. Jacobs’s idea here was to return to the archives, passing old ideas and former hits through “exaggerated, decadent, and exotic” filters. This is hippy chic in the most lux sense.

Stacey Bendet, the quirky designer behind the Alice + Olivia label, also gave a nod to the sixties with a re-imagined version of the hippy-chic with floral peasant dresses and bohemian inspired tops with bell-bottom denim.

Anna Sui Spring 2018 Show (Photo courtesy of Vogue.com)

Anna Sui Spring 2018 Show (Photo courtesy of Vogue.com)

Alice + Olivia Spring 2018 Show (Photo courtesy of Alice + Olivia)

Alice + Olivia Spring 2018 Show (Photo courtesy of Alice + Olivia)

 

 

Marc Jacobs Spring 2018 Show (Photo courtesy of Vogue.com)

Marc Jacobs Spring 2018 Show (Photo courtesy of Vogue.com)

Dynasty

With the remake of the 80’s television series Dynasty, Eighties inspired costumes will be a sure fire hit. Anthony Vaccarello, the young designer behind Saint Laurent had plenty of dresses to choose from – from ostrich feather knee high boots to bubble hem dresses. Vaccarello’s collection was bold and cohesive, a real tribute to the founder Yves Saint Laurent. The show, held under the Eiffel Tower, was a bright and brilliant shot of sexuality, provocation, and the promise of all kinds of fun for a new generation. It was the Eighties in the most fabulous way.

Meanwhile, Waight Keller debut her first collection under the Givenchy label. Keller looked back and was inspired by the founder of the house, Hubert de Givenchy. She looked to his dynamic sketches, and zeroed in on how he started everything with the ‘shoulder;’ also, that he was a fan of graphic prints. So naturally, her runway looks were filled with strong shoulder looks, graphic prints and bold colors – just perfect for an Eighties revival costume theme party.

 

Saint Laurent Spring 2018 Show (Photo courtesy of Vogue.com)

Saint Laurent Spring 2018 Show (Photo courtesy of Vogue.com)

Givenchy Spring 2018 Show (Photo courtesy of Vogue.com)

Givenchy Spring 2018 Show (Photo courtesy of Vogue.com)

 

So with all these easy to interpret runway looks, what will you be this Halloween?

Paris Fashion Week: From Glam and Glitz to Avant-Garde

- - Fashion Shows, Trends

PARIS FASHION WEEK

Saint Laurent Runway : The Eiffel Tower  (Photo Courtesy of  Vogue.Com)

Saint Laurent Runway : The Eiffel Tower (Photo Courtesy of Vogue.Com)

 

The spring 2018 fashion shows have been a long haul, but there were so many inspiring moments from Ralph Lauren’s show in his exotic car garage in Bedford, N.Y. to Donatella Versace’s tribute to Gianni; who can ever forget the images all over Instagram with his supermodels (Cindy Crawford, Naomi Campbell, Claudia Schiffer, Helena Christensen and Carla Bruni) all on stage in golden gowns – it was an emotional moment for many in the industry. Now we reach the final stretch, Paris, the fashion capital of the world. Paris shows are not over yet, but here are some of the highlights of the week so far, from political messages to over-the-top glamour.

EMPOWERING WOMEN

It’s clear that Maria Grazia Chiuri, the first female Creative Director for Christian Dior, is using the label as a platform to empower women. Who can forget her “We Should All Be Feminists” t-shirts. Every Instagram and street style star wore them. For spring, Chiuri uses the runway to let us ponder another thought “Why Have There Been No Great Woman Artists?” This question was emblazoned on a striped marinière sweater. The question is the title of art historian Linda Nochlin’s 1971 essay that explores the topic of feminist art history; historically, woman have had a difficult time achieving success in the arts. Chiuri’s Dior is a new Dior. Gone are the pastel colored, ladies-who-lunch suits. It’s clear that Chiuri is focusing on the millennials with looks that ranged from 70’s patchwork jeans to leather jumpsuits. For evening, she showed an assortment of sheer, sparkly, glitter mini dresses in every color under the rainbow – all complete with low block heeled mesh knee high boots. It’s refreshing to see a designer put out a positive message that she really does believe in.

Christian Dior  (Photo Courtesy of  Vogue.Com)

Christian Dior (Photo Courtesy of Vogue.Com)

THE NEW CHLOE-GIRL

There’s a new Chloe Girl in town…..Natacha Ramsay-Levi just presented her first collectionas the creative director for Chloé  to rave reviews. Although this is her first moment in the spotlight, Ramsay-Levi is well-known within French fashion circles; she worked at both Balenciaga and Louis Vuitton under Nicolas Ghesquière. Ramsay-Levi looked to the entire history of the house and gave a nod to each of her predecessors. The hand-painted cotton dresses were inspired by Lagerfeld’s time at the House. McCartney and Philo both liked horses, and Ramsay-Levi embroidered the motif on trim velvet tailoring. A floaty micro-floral dress was inspired by Waight. But there was a lot of Ramsay-Levi infused as well, such as the tailored leather outerwear and skinny cropped jeans.

Chloe  (Photo Courtesy of  Vogue.Com)

Chloe (Photo Courtesy of Vogue.Com)

 

GLITZ AND GLAMOUR

Anthony Vaccarello is paying tribute to the city of lights and to Mr. Yves Saint Laurent himself. The epic show was held outdoors, on a balmy night, with the Eiffel Tower sparkling in the background. Hundreds of spectators—the public and professionals—looked on, held in the awestruck moment. Vaccarello’s Saint Laurent girl wants to have fun, there were fanciful feathers, flirty glitter, and plenty of jaw-dropping boots. But the night was bittersweet for the house of Saint Laurent as Pierre Bergé passed away earlier this month. Vacarello started the show with hippie inspired looks that had a Moroccan feel,  it was a throwback to Yves Saint Laurant  and his love of Marrakech. There were floating, billowy-sleeved silk blouses, gold-coin–dot printed tulle tops, sparkling sequined dresses, bubbled frocks and fanciful ostrich feathers, all of it paired with the shortest of shorts and miniskirts and let’s not forget the over-the-top boots. This bold collection was sexy and confident!

Although the world is on edge today, with politics, threats of terrorists attacks and war, that didn’t reflect in many collections in Paris, there was a refreshing air of glitz and glamour; lighting the way for hopefulness and fun. Such collections included Balmain, Maison Margiela, Altuzarra and Dries Van Noten.

Saint Laurent  (Photo Courtesy of  Vogue.Com)

Saint Laurent (Photo Courtesy of Vogue.Com)

Balmain  (Photo Courtesy of  Vogue.Com)

Balmain (Photo Courtesy of Vogue.Com)

Dries Van Noten (Photo Courtesy of  Vogue.Com)

Dries Van Noten (Photo Courtesy of Vogue.Com)

Maison Margiela  (Photo Courtesy of  Vogue.Com)

Maison Margiela (Photo Courtesy of Vogue.Com)

Altuzarra  (Photo Courtesy of  Vogue.Com)

Altuzarra (Photo Courtesy of Vogue.Com)

EIGHTIES ARE BACK

A throwback to the Eighties was a continuing theme that made its way to Paris. Virgil Abloh, the designer behind the cult label Off-White, was inspired by Princess Diana as “the people’s princess.” Marking the 20-year anniversary of her tragic death, Abloh payed homage to the fashion icon, most notably with his farewell to streetwear and opted for a feminine collection filled with tulle and flounce. But Naomi Campbell stole the show – with her regal strut – wearing an asymmetrically flounced white jacket and cycle shorts quite the twist on eveningwear.

Isabel Marant and Mugler also gave a nod to the Eighties this season.

Off-White  (Photo Courtesy of  Vogue.Com)

Off-White (Photo Courtesy of Vogue.Com)

Isabel Marant  (Photo Courtesy of  Vogue.Com)

Isabel Marant (Photo Courtesy of Vogue.Com)

Mugler  (Photo Courtesy of  Vogue.Com)

Mugler (Photo Courtesy of Vogue.Com)

THE INDIVIDUALISTS

Sure they may not be mainstream designers, but you have to give credit to those designers who season after season march to their own beat. Such avante-garde designers include Rei Kawakubo for Comme des Garçons, Jun Takahashi for Undercover, Junya Watanabe, Yohji Yamamoto and Rick Owens.

Comme des Garçons (Photo Courtesy of  Vogue.Com)

Comme des Garçons (Photo Courtesy of Vogue.Com)

Undercover  (Photo Courtesy of  Vogue.Com)

Undercover (Photo Courtesy of Vogue.Com)

Junya Watanabe (Photo Courtesy of  Vogue.Com)

Junya Watanabe (Photo Courtesy of Vogue.Com)

Yohji Yamamoto  (Photo Courtesy of  Vogue.Com)

Yohji Yamamoto (Photo Courtesy of Vogue.Com)

Rick Owens  (Photo Courtesy of  Vogue.Com)

Rick Owens (Photo Courtesy of Vogue.Com)