University of Fashion Blog

Posts Tagged: "Ralph Lauren"

WILL THE METAVERSE & PHYGITAL BECOME THE CENTER OF YOUR FASHION UNIVERSE?

- - Technology

British Fashion Council launched a Metaverse Fashion Award red carpet on Roblox. (Photo Credit: Hypebae)

Fashion week in any major city if often described as a sensory explosion, with vibrations of bass-heavy music as models sashay down the runway in an elaborate display of a designer’s latest collection. While established labels often dominate the various Fashion Weeks, this year was a bit different. The new kids in town not only showcased their work as physical designs, but also digitally, or better known as “phygitally” (physical and digital)

So much buzz is generated around New York Fashion Week for traditional designers, but are you familiar with the Nolcha Shows? These shows, also held during NYFW, are where independent fashion designers showcase their collections to a global audience of press, retailers, stylists and industry influencers. Over the past eleven years the Nolcha Shows have become an established platform of discovery; promoting cutting edge innovative fashion designers through runway shows and exhibitions. The real Future of Fashion?

This past September, during NYFW Nolcha Shows, blockchain gaming ecosystem Chain Guardians took up space next to traditional designers, presenting their phygital take on classic designs. Their collection included a colorful, anime-style bodysuit, which included an NFC chip that, when scanned, was linked to a non-fungible token (NFT) that is wearable in the Chain Guardians metaverse. With a virtual reality (VR) headset, a user can physically try on garments, as well as interact with the brand’s virtual storefront.

Megan Kaspar is the managing director of Web3 venture capital firm Firstlight, and founding member of digital fashion house Red DAO. By the way, in tech lingo, a DAO is a decentralized autonomous organization (DAO) – a system developed to distribute decision-making, management, and entity ownership dictated by code on a blockchain. Kaspar has been a pioneer in blockchain-based digital wearables Web3 styling. In October 2021, she “wore” three pieces from DRESSX – a multi-brand retailer of digital-only clothing, NFT fashion items and augmented reality (AR) looks – on a Yahoo! Finance news segment using AR filters. In January, she had nine digital Fendi pieces tailored and transposed onto a photo of herself for the cover of Haute Living.

Megan Kaspar’s Haute Living Magazine cover. (Photo Credit: Haute Living)

“As we move to a reality where device disruption keeps occurring in the near term…that will come with the use of more digital fashion,” Kaspar told CoinDesk.

Kaspar describes digital fashion as having four major use cases at present in her interview with CoinDesk.

One of Dolce & Gabbana’s debut NFTs. (Photo Credit: Wired)

For starters, there are digital-only garments sold as NFTs, which are intended to be worn in the metaverse. This form of digital fashion was embraced by Tommy Hilfiger, Dolce & Gabbana, Forever 21 and dozens more designers who released full collections on the metaverse platform Decentraland during the launch of Metaverse Fashion Week in March 2022.

The second is AR photo filters, which Kaspar used in her appearance on Yahoo! Finance. These filters are often used to create overlays on social media platforms like Snapchat, Instagram and TikTok, and can easily be integrated into live videos or photos.

The next example is digital tailoring, meaning that after a real-life photo is taken, digital garments can be placed onto a user’s photo, which is how Kaspar rocked Fendi on her Haute Living magazine cover.

NFT Nike Sneaker. (Photo Credit: Nike)

Last but not least, Kaspar mentions that people can also view digital fashion as investable assets – such as buying NFT garments as speculative assets, such as a pair of NFT sneakers to resell for a profit. Alternatively, consumers who purchase a rare digital designer handbag can prove their ownership over the asset on the blockchain.

Mason Rothschild’s 100 MetaBirkins NFTs honoring Hermes. (Photo Credit: Medium)

Kaspar states that while many people view digital fashion as speculative investments for now, she believes that a “pretty viable solution” for mass adoption of these technologies will be created within the next five years.

Many emerging brands are looking to digital fashion and technology to help solve many of the problems plaguing the fashion industry, such as sustainability.

One of the biggest issues the fashion industry faces is the production of fast fashion, which has practically doubled within the last twenty years. Present fashion consumption trends result in enormous amounts of textile waste, most of which is sent to landfills, burned, or sent to developing countries. Additionally, it was estimated in 2019, that textile production creates over 1.2 billion tons of greenhouse gasses per year, larger than all international flights and maritime shipping combined.

Of course, there are still concerns about evolving technologies like NFTs and their environmental impact due to energy consumption, but some emerging designers have found ways to use NFTs to tackle issues of overproduction and overconsumption of apparel. Notably, the Merge, Ethereum’s transition from proof-of-work to proof-of-stake consensus mechanisms has reduced the network’s energy use by over 99% to help make most NFT transactions more efficient.

KRWN Studio NFT. (Photo Credit: KRWN Studio)

KRWN Studio, a small fashion brand that sells virtual streetwear as NFTs, aims to make fashion greener by manufacturing garments on the blockchain.

Digitally native brands that adopt a phygital model take on some of the environmental responsibility related to manufacturing, including the physical production of garments alongside minting digital replicas as NFTs. Although, many recognize that they can scale operations and mindfully release products in small batches to avoid mass production.

Digital wearables present users with tools for self-expression and are often used to adorn an avatar or another form of a digital identity. Metaverse Fashion Week, for example, was fueled by a desire for self-expression and individuality online.

Digital fashion also makes the fashion industry more accessible for both producers and consumers. NFTs make it easier for a designer to get their pieces out to the public and provide a wider range of prices for consumers.

Web3 wearables marketplace The Dematerialised (DMAT) prides itself on using blockchain technology to fix the mistakes of other retail giants. Co-founder Karinna Nobbs told CoinDesk that DMAT prioritizes accessibility and hopes to set a standard for future digital fashion houses.

“Whether crypto native or non-crypto native, people should be able to access digital fashion and NFTs. For us to have a luxury and an aspirational aesthetic, but to be able to have accessibility at different economic points, is really important,” Nobbs told CoinDesk.

For designers and creators in digital spaces, the limitations of what fashion is and who is invited into the exclusive world continue to grow. The digital fashion landscape is now infinite and spans various platforms and mediums. Digital images are finally moving  away from blocky 8-bit creations (an 8-bit image is a method of storing image information in a computer’s memory or in an image file, so that each pixel is represented by 8 bits (1 byte) to more life-like images.

Fortnite X Polo Ralph Lauren. (Photo Credit: Ralph Lauren)

Even video games have collaborated with fashion designers. Fortnite has had ‘digital skins’ from Balenciaga, and Ralph Lauren. Nintendo Switch also got into the fashion world with their game Animal Crossings with designers like Marc Jacobs and Valentino creating looks for avatars.

Tommy Hilfiger’s virtual collection with Roblox. (Photo Credit: The Fashion Starter)

If you still think that digital fashion is a thing of the future, well, we’re here to tell you the future is NOW.  According to Business of Fashion, Roblox says it has over 11.5 million users designing over 63 million virtual clothing and accessories for its virtual worlds, and millions more are willing to pay for these items to dress their avatars, according to a new study released by Roblox and Parsons School of Design. Most of these items were created by users rather than established brands, so we are pretty sure we can soon expect to see designer Roblox-specific items. Business of Fashion also reported that Alice Delahunt left her role as Ralph Lauren’s chief digital and content officer to strike out on her own and to start a new web3 company in the belief that digital fashion is reaching a turning point.

All this is our way of telling you to subscribe to UoF and start learning all about 3D design software. Check out our 3 new lessons in Browzwear:

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UoF lesson: Intro to 3D Design

 

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UoF lesson in 3D stitching

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UoF 3D lesson in creating a pant

So, tell us, are you as excited as we are about 3D designing in the metaverse?

EQUALITY: HOW THE FASHION INDUSTRY IS SUPPORTING THE LGBTQ+ COMMUNITY & WOMEN’S RIGHTS

Looks from Pink by Victoria’s Secret Pride Collection. (Photo Credit: Pink by Victoria’s Secret)

As we process the overturning of Roe v Wade and what it means for women’s rights, we know one thing, the fashion industry will not take this lying down. There are many organizations mobilizing in defense of women’s equality, one of the newest is Don’t Ban Equality. The list of companies that support women’s reproductive rights is growing and you can bet that the impact of this decision will have have far-reaching consequences, both on and off the runway.

And, as we near the end of Pride Month, we’d like to dedicate this blog to women’s and gender equality. This year, the fashion community has stepped up and given back to the LGBTQ+ community. Pride Month, which commemorates the 1969 Stonewall Riots in New York City where spontaneous demonstrations by the gay community in response to a police raid at the Stonewall Inn in Greenwich Village, was a tipping point in the Gay Liberation Movement. The community originally observed the Stonewall Riots for a day at the end of June, but it has since evolved into a month-long tribute.

Over the last two years, due to Covid-19, the parades and parties celebrating Pride Month were cancelled, but this year, the month-long festivities were in full swing. Fashion brands also did their part in supporting the LGBTQ+ community with their “Pride-themed” collaborations and merchandise.

H&M’s video titled My Chosen Family Pride Month 2022 at H&M. Video Courtesy of H&M

Fashion brands working with the LGBTQ+ community isn’t new: H&M has been a longtime collaborator with LGBTQIA+ actors and activists, and their “My chosen family” initiative donated $100,000 this year to the UN Free & Equal campaign, a global fight for equality led by United Nations Human Rights.

Still, LGBTQ+ leaders have accused brands of pushing “pinkwashed” merchandise—basically using Pride Month as a marketing tool and profiting off the LGBTQ+ community without offering anything back. This is particularly distasteful after two years that’ve hit the community especially hard, financially-speaking.

The Rainbow Flag. (Photo Credit: Getty Images)

In prior Pride months, companies released everything from sneakers to that notorious mouthwash with Pride-themed packaging and not much else, not a single donation to support the community. Is an identifiable, color palette enough to persuade the LGBTQ community and supporters, to spend their hard-earned money after two long years of pandemic fatigue, inflation, and record-breaking gas prices?

According to YouGov, a quarter of Americans say that they are more likely to shop from LGBTQ+ friendly brands, and over 80% are likely to try new products from brands who actively support LGBTQ+ communities as opposed to ones that don’t. Authenticity is the key, although retailers have taken a financial hit the past few years due to the global pandemic, we’re seeing more companies putting their money where their mouth is and donating to worthy causes.

So here are a few of the Pride Month collaborations, from brands that are using their platform to support the LGBTQ+ community.

CHER X VERSACE

Cher and fashion house Versace are teaming up to celebrate Pride Month. (Photo Credit: Versace)

The music legend Cher and luxury Italian fashion house Versace have teamed up to create “Chersace,” a limited-edition capsule collection with all proceeds benefiting Gender Spectrum, a charity that works with LGBTQ children and youth.

The “Chersace” collection includes T-shirts, socks and a baseball cap designed with Versace’s iconic Medusa motif and the Versace logo reimagined to read “Chersace.” A portion of all the proceeds will benefit Gender Spectrum, a nonprofit organization chosen by both Donatella Versace and Cher for their advocate work supporting LGBTQ community, especially youths and families.

CONVERSE

Sneakers from Converse’s 2-22 Pride Collection. (Photo Credit: Converse)

Converse’s Pride 2022 Collection puts a twist on the iconic Chuck Taylors, as each shoe from the collection is united by a vibrant patchwork representing diversity, belonging and unity. Alongside the Pride collection, Converse released a digital campaign, “Found Family,” which presents stories from the brand’s LGBTQ+ community. Converse also gives annual grants to seven organization partners that work to create safe spaces for the LGBTQ+ community.

COACH

Coach’s Pride Collection. (Photo Credit: Coach)

Coach didn’t just slap a rainbow on some purses, the fashion house has been a longtime supporter of LGBTQ+ causes. The brand releases annual Pride collections, partners with nonprofits and donates to community funds around the world through the Coach Foundation.

This year, the Coach Foundation’s “Go All Out For Pride” campaign will make donations to the brand’s longstanding LGBTQ+ partners, including the Hetrick-Martin Institute, Point Foundation and CenterLink to support their work connecting young LGBTQ+ folks with supportive communities. Coach’s Pride collection includes the labels iconic canvas bags, sneakers, and slides – all with the brands classic logo remixed with pride flag-inspired colors.

LEVI’S

A look from Levi’s Pride Collection. (Photo Credit: Levi’s)

Sure, there are a number of brands brandishing gender-neutral fashion lines this summer, but the Levi’s Pride collection celebrates the spectrum of identities in the LGBTQ+ community. Levi’s latest line of tees, denim and accessories are designed to be worn by anyone, but feature pronouns across the pieces as a call to respect everyone’s lived experiences.

The denim company says that they will donate $100,000 to OutRight Action International, a nonprofit working year-round to defend and advance human rights for LGBTQ+ people around the globe. For this year’s collection, the brand also photographed the fashion line on five social justice advocates from within the LGBTQ+ community.

RALPH LAUREN

Ralph Lauren’s pride collection. (Photo Credit: Ralph Lauren)

For over 30+ years, Ralph Lauren has committed to the LGBTQ+ community. The fashion houses recent Pride campaign explores the complex and intersectional history of Pride. In the video, the former editor in chief of Out magazine, Phillip Picardi interviewed luminaries like Ariel Nicholson, Keith Boykin and Staceyann Chin as they provided insight on the community, the history of Pride and the New American Dream.

In addition, Ralph Lauren will merchandise a rainbow assortment of merchandise throughout the month, including rainbow cashmere sweaters, Polo shirts and canvas sneakers. The company has also partnered with the Stonewall Community Foundation once more, providing a donation to support the LGBTQ community.

VINYARD VINES

Looks from Vinyard Vines’ Pride Collection. (Photo Credit: Vineyard Vines)

Perfect for this month’s beach life, and more, Vineyard Vines’s 2022 Pride Collection is here for the LGBTQ+ community to celebrate and toast to the good life. A portion of all proceeds from their Pride collection will be donated to GLSEN, a non-profit whose mission is to ensure that every school-aged youth is valued and respected regardless of sexual orientation, gender identity or gender expression.

UGG

Ugg’s Rainbow Sandals. (Photo Credit: Ugg)

This year Ugg has collaborated with The Trevor Project for its “Feel Heard” campaign, starring advocate and writer Alok, model Chloe Vero, yoga teacher and artist Isa’ah, science teacher and model Sarina Moralez and vintage collectors Robert and Orren. Ugg has also donated $125,000 to the nonprofit organization.

For their Pride 2022 Collection, Ugg featured rainbow Pride-inspired detailing on its signature slides as well as apparel, including a T-shirt, hoodie, socks and more.

PUMA

Cara Delevingne launches pride collection with Puma. (Photo Credit: Puma)

Puma has teamed up with model and actress Cara Delevingne and illustrator Carra Sykes, to create a collection called “Together Forever,” which encourages wearers to raise their voices and celebrate their strength. The collaboration includes T-shirts, hoodies, shorts, a patterned bralette, and matching leggings, all of which feature vibrant logos and graphics.

Puma has also pledged to donate 20 percent of the proceeds from the collection, with a minimum of $250,000, to GLAAD.

KATE SPADE NEW YORK

Items from Kate Spade’s Pride Collection. (Photo Credit: Kate Spade)

Kate Spade New York is celebrating Pride Month with their latest campaign, “Celebrate with Pride”. The fashion and accessories brand also announced a year-long partnership with The Trevor Project for the third year. As part of their partnership together, Kate Spade has pledged to donate $150,000 to the organization.

Additionally, the company will also release a series of videos on its website and social media channels, inviting members of the LGBTQ+ community to share their stories.

SAKS FIFTH AVENUE

Christian Cowan for Saks’ “Show Your Pride” campaign. (Photo Credit: Saks)

Luxury retailer Saks Fifth Avenue launched their Pride campaign called “Show Your Pride,” which celebrated notables from the LGBTQ+ community and their stories. Additionally, the retailer is continuing its support for the community by partnering with the Stonewall Inn Gives Back Initiative (the official charitable giving organization of the historic landmark site of the 1969 riots) for the fourth consecutive year, with a cumulative donation of $245,000.

Throughout June, Saks Fifth Avenue will be featuring names like singer and drag performer Adore Delano, designer Christian Cowan, actress Dominique Jackson and comedians Jes Tom and Sam Jay on social media, the Saks website, and its editorial hub, The Edit. On its TikTok channel, influencer Emira D’Spain will host a “get ready with me” style video, while Jackson will be featured in a Reels video on Instagram.

Additionally, the Saks Fifth Avenue flagship windows in New York City will be transformed to create a deconstructed Pride flag.

NORDSTROM

Nordstrom’s Pride 2022 Campaign. (Photo Credit: Nordstrom)

Throughout Pride Month, the luxury department store will highlight labels that are launching initiatives in support of the LGBTQ+ community. The brands include BP., who released a Be Proud collection, Bombas, Converse, Dr. Martens, Happy Socks, Vans, The Phluid Project and Toms.

The retailer’s Pride Month initiatives will also include celebrating and supporting their LGBTQ+ employees and corporate donations to and partnerships with nonprofit organizations who work to support the LGBTQ+ community. Nordstrom will donate $200,000 to The Hetrick-Martin Institute, $100,000 to Trans Lifeline and $135,000 to Human Rights Campaign, among other charity programs.

CAROLINA HERRERA

A closer look at Carolina Herrera’s jewelry capsule celebrating Pride. (Photo Credit: Carolina Herrera)

The luxury house Carolina Herrera launched an exclusive jewelry capsule inspired by the rainbow colors of the official Pride flag, featuring a crystal necklace and earrings. Carolina Herrera will be donating 100 percent of the proceeds from the sales of the collection to Callen-Lorde, a community health center providing healthcare and other related services for New York’s LGBTQ+ communities.

According to Don’t Ban Equality, “77% of consumers consider reproductive health care (i.e., access to contraception and abortion) an important issue; 91% of Gen Z and 86% of Millennials say it is important“. Who knew that we would still be fighting for women’s rights in today’s day and age?

So, tell us, how important it is for fashion brands to include equality in their brand identity?

EARTH DAY & HOW SUSTAINABLE, BIODEGRADABLE & COMPOSTABLE TEXTILES ARE CHANGING THE FACE OF FASHION

- - Sustainability

Chloé’s eco-chic spring 2022 show on the bank of the Seine in Paris. (Photo Credit: Shutterstock)

Earth Day is right around the corner (Friday, April 22nd) and while many think that the fashion industry is not doing enough to reduce its carbon footprint, we’re here to say, we’re making progress. Remember, Rome wasn’t built in a day! If you are a faithful reader of UoF’s weekly blog then you know how dedicated we are, not only in keeping our readers up to date on the latest in sustainable fashion and textiles, but in teaching our students how to become ‘sustainable’ designers.

In fact, UoF has a whole series of lessons covering the topic: Introduction to Sustainable Design, Sustainable Materials for Fashion Design, Designing, Producing & Marketing a Sustainable Collection, Eco-Textiles, Creative Draping-Zero Waste Dress, Creative Draping-2D Draping, Creative Draping-Zero Puzzle Dress, Creative Draping-Silk Taffeta Dress, Creative Draping-Organza Blouse, Creative Draping-Cocoon Jacket, Eco Fashion Global Initiative, Sustainable Fashion Designer-Monisha Raja and Sustainable Fashion Designer-Kristen Luong. And we continue to add more!

It’s hard to believe that it’s been 60 years since Rachel Carson’s book, Silent Spring (published September 27, 1962), warned us of the adverse environmental effects caused by the indiscriminate use of pesticides. James Hansen (considered the ‘father of global warming’), forty-three years ago created one of the world’s first climate models, nicknamed Model Zero that predicted what was to come. Earth Day, which began fifty-two years ago (April 22, 1970), is now an annual event in support of  environmental protection that today includes a wide range of events coordinated globally by EarthDay.org and reaches one billion people in more than 193 countries. The official Earth Day theme for 2022 is Invest In Our Planet.  As a scientist once told Rachel Carson, “We are walking in nature like an elephant in a china cabinet“.

 

Some Fashion Industry Facts & Solutions 

Here are some frightening numbers: Since the 2000s, fashion production has doubled and it will likely triple by 2050, according to the American Chemical Society. The production of polyester, which is a popular fabric used in fast fashion, as well as athleisurewear, has increased nine times the amount in the last 50 years. Fast fashion has made clothing so inexpensive that items are easily discarded after being worn only a few times. According to State Of The Planet, a journal published by Columbia Climate School, a survey found that 20 percent of clothing in the U.S. is never worn; in the UK, it is 50 percent. Online shopping, available day and night, has also made impulse buying and returning items easier.

According to McKinsey, the average consumer buys 60 percent more than they did in 2000 and keep it half as long. And in 2017, it was estimated that 41 percent of young women felt the need to wear something different whenever they left the house. In response, there are companies that send consumers a box of new clothes every month.

So, as we look to the future generation of fashion designers, keep in mind that being a sustainable brand may be the key to your success.

One of the most effective ways a designer can go green is to work with sustainable textiles. Did you know that the world produces over 50 million tons of textile waste per year? So, we’d like to share some of the most innovative textiles that will help you create beautiful clothes while reducing your carbon footprint, water, and chemical use.

As you read about these new textiles, you should know the difference between biodegradable and compostable. All compostable items are biodegradable, but not all biodegradable products are compostable. A notable difference between the two is that biodegradable products break down into a few natural elements, while compostable products leave behind a single organic material called humus.

So, is biodegradable more eco-friendly than compostable, you ask? No, a biodegradable product is not necessarily better for the environment than a compostable product. That’s because biodegradable products can still be made of chemical plastics whereas compostable products are typically made from plants.

Here’s a list of some of the latest materials that are prioritizing sustainability.

AIRCARBON

Nike is trying to incorporate more sustainable materials like Aircarbon into its collection. (Photo Credit: Nike)

AirCarbon is made by Huntington Beach-based, Newlight Technologies. They collaborated with Nike on a material that sucks carbon from the air. The secret to AirCarbon, a material that took 10 years into develop, is found in nature: methane-loving micro-organisms. AirCarbon is certified carbon-negative by SCS Global Services, resulting in a net reduction in carbon dioxide emissions in the atmosphere through production.

AIRMYCELIUM

AirMycelium is a mushroom root (mycelium) material from a New York-based innovation firm, Ecovative. The material has a production capacity of 100,000 pounds a year and over time is biodegradable — with its raw mycelium materials being at-home compostable in soil.

BIOFIBER

BioFiber is created solely from food crop residues and was developed by Agraloop Bio-Refinery. It is meant to replace high-quality knits and woven fabrics. Agraloop processes waste from various food and medicine crops including oilseed hemp/flax, CBD hemp, banana, and pineapple, while incentivizing the waste among communities in need. BioFiber is mixed with other natural staple fibers to produce a variety of ring-spun and open-end yarns.

BIOSTEEL

BioSteel is a biotechnologically produced high-performance version of spider silk, which made its debut in 2015. It is produced by German biotech company AMSilk and has been used especially in shoe upper material for Adidas’ Futurecraft Biofabric sneakers. Properties include being 15 percent lighter than conventional synthetics, as well as being completely biodegradable. BioSteel has been certified by the Hohenstein Institute and the SGS Institut Fresenius.

CIRCULOSE

H&M became the first brand to use Circulose – made from textile waste.  (Photo Credit: H&M)

Circulose is a patented fiber created by chemically processing 100 percent cotton fabric waste or other cellulosic textiles (like viscose). It is produced by Renewcell, a technology company founded in January 2012 by a group of cellulose researchers from KTH Royal Institute of Technology. Circulose significantly reduces the use of water and carbon footprint and is closed loop. H&M was the first to debut the Circulose material to consumers. As one of the biggest ‘fast fashion’ retailers, they are trying to do their part in reducing their carbon footprint.

In 2013, H&M launched a global garment collecting program and has a goal of having all products in stores made from recycled or sustainably sourced materials by 2030. H&M has tripled the amount of recycled materials used in its products from 5.8 percent to 17.9 percent with a goal of 30 percent by 2025.

H&M is launching a new line of sustainable tops, bottoms with adjustable waistbands and cuff, jackets, hats and blankets that can be composted once they are old and worn out. The 12-piece collection for newborns is made from organic cotton and launches in May 2022.

 

H&M launches a compostable 12-piece collection for newborns made from organic cotton in May 2022. (Photo credit: H&M)

DESSERTO

Karl Lagerfeld Collabs with Amber Valletta on a sustainable accessory collection using the material Desserto. (Photo Credit: Karl Lagerfeld)

Desserto is made of 40 percent organic cactus fiber, protein, pigments and 60 percent polyurethane. Backings are made with different fiber blends. Desserto, created by Adriano di Marti , is a leather replacement in handbags, footwear and apparel. Brands like Karl Lagerfeld, Fossil and H&M have used the material.

EVRNU

NuCycl™ a  regenerated fiber composed of  100% post-consumer waste using technology by Evernu® (Photo credit: Evernu.com)

Seattle-based Evrnu® is the firm behind NuCycl™, a regenerated fiber made from post-consumer clothing waste via its proprietary NuCycl technology. Garment waste is collected, sorted, and separated. The waste is then purified, shredded, and turned into a pulp. Extruded cellulose is made into a fiber that is finer than silk and stronger than cotton. The fiber is then spun into yarn, dyed and woven into fabric to be used to create recyclable textiles. Their mission is to create a circular economy for fashion. The fiber has been used by brands like Levi’s, Adidas and Stella McCartney.

FLOCUS

Flocus kapok fibers used for Frank and Oak’s outerwear. (Photo Credit: Frank and Oak)

Flocus is 100 percent biodegradable and 100 percent recyclable. The material is made from a yarn blend of fibers from the kapok tree. It is used for a wide range of fabrics and insulation materials being that it is lightweight, hypoallergenic and soft to the touch. Moisture management, temperature regulation and insect repellence are other qualities. The brand Frank and Oak uses Flocus for their outerwear.

PLNT  & FRUT

PLNT and FRUT – bio-based fibers made from agricultural waste using Pangaia technology (Photo credit: Pangaia.com)

Another alternative to cotton is a bio-based technology developed from agricultural waste by Pangaia Material Science Ltd. Their Plnt fiber, is a blend of 60% bamboo lyocell, 20% Himalaya nettle and 20% SeaCell lyocell. Their Frut fiber is a cocktail of 60% bamboo lyocell, 20% pineapple leaf fiber, and 20% banana leaf fiber. Pangaia also has their own direct-to-consumer line of clothing.

HEIQ

HeiQ innovative textile technologies include fabric offerings such as Eco Dry, Real Silk and Clean Tech, aiding the performance and sustainability of fabric manufacturing by substituting less eco-friendly chemicals. The Eco Dry process, for example, eliminates the need for fluorine and makes a water-repellant layer for footwear and clothing applications. It complies with EU REACH and ZDHC chemical protocols, as well as Oeko-Tex.

INNER METTLE MILK

Inner Mettle Milk is a 100-percent natural fabric produced by apparel company Inner Mettle. The IM Milk fabric is a biodegradable fabric made from a blend of surplus milk from the Italian agricultural-sector and 60 percent Lenzing-produced Tencel Micromodal. The fabric is manufactured in Italy and employed in Inner Mettle’s innerwear collection.

KOBA

Koba is a partially bio-based faux fur developed by DuPont and Ecopel of which Stella McCartney and Maison Atia are devoted fans. Because it is also recycled polyester, it is not biodegradable, but the companies tout recycling options at the material’s end of life.

MALAI

Malai is a bio-based material grown atop coconut water through fermentation, a leftover from the coconut industry in South India. The jelly is harvested and enhanced with natural fibers, gums and resins to create a more durable and flexible material. Although Malai is in its early stages, the leather alternative is biodegradable and compostable.

MIRUM

Patches made with Natural Fiber Welding’s Mirum leather substitute are included on Ralph Lauren’s Team USA parade apparel at the Tokyo Olympics. (Photo Credit: Ralph Lauren)

Mirum is a welded 100 percent natural, biodegradable plant-based leather alternative made by Natural Fiber Welding. The material comes from raw materials like cork, coconut, vegetable oil and natural rubber. With certification from the U.S. Department of Agriculture BioPreferred program, the company also counts investments from brands like Allbirds and Ralph Lauren Corp. The material is never coated in polyurethane or PVC, and is fully biodegradable with 40 percent lower carbon impact, per the company’s assessments. In addition to having a low carbon footprint, Mirum requires no water during manufacturing and dyeing.

NATIVA

Nativa wool is a 100 percent traceable wool fiber launched by Chargeurs Luxury Materials, a leader in luxury combed wool. The firm’s blockchain technology records transactions in a digital tamper-proof and decentralized database. Finnish outdoor brand UphillSport switched to all Nativa wool in 2020.

ORANGE FIBER

A look from the Orange Fiber capsule collection by Salvatore Ferragamo. (Photo Credit: Salvatore Ferragamo)

Orange Fiber is a luxurious fabric made out of waste citrus juice byproducts. It makes use of the otherwise more than 700,000 tons of citrus juice byproducts that would normally end up as waste. The Italian company (which collaborated with Lenzing) was the winner of the H&M Global Change Award in 2015. Also, Salvatore Ferragamo launched a capsule collection with the Orange Fiber in 2017.

REISHI

Sylvania is a mycelium material developed by MycoWorks and Hermès. (Photo Credit: Hermès)

Reishi is a non-plastic, non-animal leather alternative from biotech startup MycoWorks. The material is grown rapidly from mycelium and agricultural byproducts in a carbon-negative process. Luxury house Hermès has partnered with the Reishi to work on its own material dubbed “Sylvania.”

REPREVE

Repreve is a yarn made from recycled plastic bottles by maker Unifi. Repreve, was confirmed to reduce global warming potential related to greenhouse gases by 21 percent compared to generic, mechanically recycled polyester and 42 percent compared to virgin polyester, according to technology firm Higg (a partner to the Sustainable Apparel Coalition).

SORONA

Sorona, created by DuPont, was created to be a corn-based alternative to spandex (with about 37 percent of the polymeric fibers being made of renewable plant-based ingredients). The material is known for comfort, stretch and recovery properties, but is entirely free of spandex. The North Face, Club Monaco, and Stella McCartney have released products with Sorona.

SPINNOVA

Apparel made form Spinnova’s new wood-based fiber. (Photo Credit: Spinnova)

Spinnova is a 100 percent natural, biodegradable and recyclable alternative to cotton made of wood and waste without the use of harmful chemicals. It is free of microplastics and harmful chemicals and uses 99 percent less water than cotton. The North Face and H&M are already partners, as is the world’s largest wood pulp producer Suzano.

TEXLOOP

Texloop RCOT is made with up of 50 percent Global Recycle Standard-certified recycled cotton, blended with other natural fibers, including Global Organic Textile Standard-certified organic cotton and Tencel Lyocell. Brands ranging from H&M to Lee have used the material to create more sustainable denim.

ZOA

Modern Meadow uses biotechnology in its Zoa Biofabricated Material. (Photo Credit: Modern Meadow)

Zoa is a bioengineered leather-like innovation from biotech firm Modern Meadow. Zoa is made from protein collagen produced through fermentation from yeast in a lab and can be easily combined with other materials to accommodate any shape or texture. Zoa is already partnering with luxury and consumer goods brands.

As every student and teacher of fashion design knows, it’s up to us to chose the materials that we will use for our designs and therefore, unless we all make a concerted effort to source these eco-friendly materials we are only contributing to the earth’s pollution. Sustainable and ethical fashion starts with the fabric!

Here’s a few links where you can find sustainable fabrics and yarns – Happy Eco-Designing

30 Sustainable Fabrics For The Most Eco Friendly Fashion

Birds of a Thread

My Green Closet

So tell us, what will you do to reduce your carbon footprint?

 

 

 

HOW THE FASHION INDUSTRY IS SUPPORTING UKRAINE AS WAR RAGES ON

ALL WE ARE SAYING IS GIVE PEACE A CHANCE…….

It was 1969, in room #1742 of Montreal’s Queen Elizabeth Hotel, that John Lennon wrote “Give Peace a Chance“.  The anti-war song, originally meant to be a “revolutionary” song for workers, has once again become the battlecry for our times. When on March 9th, a Ukrainian maternity and children’s hospital in Mariupol, southern Ukraine, was bombed we were all shocked to our core. Ukraine President Volodymyr Zelensky said the bombing was “proof of a genocide.” No one could disagree. As the world watches, in horror, the atrocities being inflicted by Putin on innocent civilians in Ukraine, the fashion industry is stepping up, not only by banding together in solidarity, but doing much more. Read on.

An injured pregnant woman leaves the damaged hospital with her belongings. (Photo Credit: AP)

President Zelenskyy and his people are fighting back, a true David & Goliath story come to life. Most of the world is rooting for Ukraine to win, but in war, no one ever truly wins as the death toll is growing daily. As of this writing, over two million people have fled Ukraine and families are being ripped apart as women, children, and the elderly are leaving their loved ones, homes, and all their possessions behind to find refugee throughout Europe and the U.S. Men and many women are staying behind to fight for their land, many untrained, as civilians are given guns and quickly trained to aim and shoot to protect themselves.

For now, the West is aiding Ukraine with weapons, money, and medical necessities. As of March 9th, the U.S. House of Representatives voted with a wide bipartisan majority to pass a ban on importing Russian oil, natural gas and coal into the United States. A move that can further cripple the Russian economy. The bill will also take steps to revisit Russia’s role in the World Trade Organization and reauthorize the Magnitsky Act to strengthen sanctions on Russia for human rights violations.

Protests against Russia’s invasion of Ukraine are being held throughout Europe and the United States. (Photo Credit: Getty Images)

Fashion Industry Responds

When Russia invaded Ukraine on February 24, 2022 in the middle of Milan Fashion Week, many designers and brands immediately began donating to various charities, as well as temporarily closing their stores throughout Russia.

Protest pictures during Milan Fall 2022 Fashion Week. (Photo Credit: Acielle Tanbetova)

Designers from Giorgio Armani to Balenciaga’s Demna Gvasalia (who was a child refugee himself as he fled his homeland of Georgia in 1993 at the age of twelve) have been speaking up against the conflict; and numerous international brands and luxury fashion groups, from LVMH and Kering to Prada, Hermès and H&M, announced they were temporarily stopping their commercial activities and shuttering their stores in Russia as a sign of protest against the war on Ukraine.

A man walks past a closed H&M store in a St. Petersburg, Russia, shopping center. (Photo Credit: Getty Images)

“We are currently living through a war in the heart of Europe. We strongly condemn it and we are close to the population involved in this tremendous situation,” said Italy’s Camera della Moda in a statement to WWD on the fashion retail situation in Russia. They went on to say that “the temporary closure of the retail stores in Russia is not contemplated by the regulations on sanctions currently in force in Europe, it is a voluntary decision that has been made by many national and international brands that have a direct retail distribution organization. However, we recall that many brands sell their collections in Russia through distributors or dealers and therefore cannot, including from a contractual point of view, close the sales areas in the season, as they already delivered the spring/summer collection in the past few months.”

The statement underscored that the Camera’s “commitment today is aimed at being close to all those who are suffering and this is why we have joined the UNHCR at its side in fund-raising to support the refugees with concrete aid for the people and families forced to flee within the national boundaries or to neighboring countries.”

Protests in Milan against the Russian attack on Ukraine. (Photo Credit: WWD)

Global and wide-ranging sanctions on Russia are bound to drastically impact those brands and businesses with a retail footprint in in the country, but in the humanitarian aspect of the crisis it is vital to take a stand. To that end, the fashion industry has united and is stepping up its efforts during this time of crisis.

Here’s a roundup of the initiatives taken by the fashion industry thus far:

LVMH

LVMH, the world’s largest luxury conglomerate (owning brands such as Louis Vuitton, Christian Dior, Fendi, Givenchy, Marc Jacobs, and Stella McCartney to name a few) donated €5 million ($5.4 million USD) to support the International Committee of the Red Cross (ICRC) “to help the direct and indirect victims of this conflict.”

In addition, the company stands in solidarity with Ukraine and closed 124 of its stores in Russia. LVMH will still continue to pay its 3,500 employees in Russia.

LOUIS VUITTON

The French luxury powerhouse Louis Vuitton, made an immediate donation of €1 million ($1.09 million USD) to UNICEF, to provide aid for Ukrainian children and families.

“As millions of children and their families are facing immediate danger, the Maison, through the Louis Vuitton for UNICEF partnership, pledges to support UNICEF’s emergency response on the ground, responding swiftly to any emergencies by providing children and families in Ukraine with humanitarian aid including access to clean water, healthcare and education supplies, child protection services and psychosocial care,” the brand shared in a statement.

KERING

Kering, owner of Gucci and Saint Laurent among other brands, said on Instagram that it was making a “significant donation to the UNHCR, the United Nations Refugees Agency,” though it did not specify the amount.

GUCCI

Gucci enacted its global charity campaign Chime for Change and donated $500,000 to the UNHCR.

BALENCIAGA

The French label Balenciaga donated an undisclosed amount to the World Food Program (WFP), which launched an emergency operation to provide food assistance for people fleeing Ukraine and in neighboring countries.

CHANEL

The iconic French fashion house closed its stores in Russia and halted all e-commerce in the country. The brand also donated €2 million (about $2.18 million) to two relief organizations, CARE and UNHCR-UN Refugee Agency, which is “recognized for refugee support at the borders and for the specific care of families and children.”

In an Instagram post, the fashion house also announced that “Foundation Chanel will be working closely with its local partners to provide future critical support over the medium and long term to women and children impacted by this evolving situation.”

GIORGIO ARMANI

After showing its latest collection in Milan in silence, out of respect for the war in Ukraine, the Armani Group announced a donation of €500,000 (about $543,000) to UNHCR “for the assistance and protection of those who have been forced to flee the war in Ukraine.”

The company is also donating clothing essentials to refugees through the Italian nonprofit organization Comunità di Sant’Egidio, which already has a presence on the borders of Ukraine.

FASHION MODELS

Argentine model Mica Argañaraz, a regular presence on almost every major runway, posted on her Instagram story, “I have to say it feels very weird walking fashion shows knowing there’s a war happening in the same continent.” She noted that she would “be donating part of my earnings of this fashion week to help Ukrainian organizations” and called on fellow models to do the same. Supermodel sisters Gigi and Bella Hadid, Kaia Gerber, Vittoria Ceretti, Kiki Willems, Francesca Summers, and Aylah Peterson have also joined the movement and will donate part of their earnings to Ukraine.

L’OREAL PARIS

The cosmetic giant L’Oréal Paris, has teamed up with a number of local and international nonprofits (including UNHCR, Red Cross and UNICEF) to support the growing number of refugees, and people on the ground in Ukraine with a donation of €1 million ($1.09 million) through its L’Oréal Fund for Women.

“We have already made a donation of one million euros and have started to deliver hygiene products to NGOs in Poland, the Czech Republic, Romania and in Ukraine itself,” a statement reads on the company’s corporate website. “We will donate 300,000 products over the coming weeks.”

The beauty brand continues: “We strongly condemn the invasion and war in Ukraine, which is causing so much suffering to the Ukrainian people. Our thoughts go out to our 326 Ukrainian employees, their families and the people of Ukraine whose lives have been changed so dramatically in the last eight days. Although some have managed to cross the border, the majority of our employees remain in the country in increasingly harsh circumstances. We are concerned about them and fear for their safety.”

HERMES

Hèrmes announced that it would “temporarily close our stores in Russia and pause all our commercial activities,” where they have three stores and 60 employees.

BURBERRY

Burberry has shut down its three stores in Russia. The British luxury house brand also donated an undisclosed amount to the British Red Cross Ukraine Crisis Appeal. It also said it would match any employee donations to charities supporting humanitarian efforts in Ukraine.

VALENTINO

Italian luxury house Valentino donated €500,000 (about $543,000) to the UNHCR to provide immediate help to the Ukrainian refugees.

RALPH LAUREN

Given the urgency of the situation, the Ralph Lauren Corporate Foundation has made an immediate donation to @CARE.org, an organization working with partners to provide critical support and aid to Ukrainian families and is double-matching employee donations to CARE. In addition, it is partnering with its network of international charities to donate essential clothing that will be distributed throughout Ukraine as well as in bordering countries to reach refugees. The company has paused operations in Russia.

TORY BURCH

Tory Burch is supporting World Central Kitchen, which is on the ground in Poland feeding hundreds of thousands of Ukrainian refugees. The company has made a donation and pledged to match any employee donations throughout the month of March.

COACH

Coach’s parent company’s Tapestry Foundation has donated to the United Nations Refugee Agency to provide safety and shelter to those who have been displaced.

MINIMALIST

Tamara Davydova is the fashion designer behind the brand MINIMALIST and was born, raised, and married in Kyiv, Ukraine. She founded the circular fashion brand MINIMALIST last year and is devastated by what’s currently happening in her homeland and affecting friends and family. She’s pledging 30% of the proceeds from sales of her collection to the Red Cross and UNICEF in Ukraine plus offering 10% off to customers using the code TOGETHER at checkout. The collection is available at minimalist.nyc.

ADIDAS

Athletic brand Adidas has suspended its long-term partnership with the Russian Football Union (RFU), the German sportswear company also announced it would be is donating €100,000 (about $108,700) as well as footwear and apparel to organizations helping children and refugees.

H&M

The fast-fashion retailer H&M has currently paused all sales in Russia and closed its 170 stores located throughout the country.

ASOS

Fast-fashion company ASOS said on Twitter that it would no longer be doing any retail out of Russia.

“We’ve been watching the shocking events in Ukraine in horror and disbelief. We’ve concluded it’s neither practical nor right to continue to trade in Russia & today have suspended sales there,” the brand wrote. “We’re supporting the humanitarian effort and our thoughts are with the people of Ukraine.”

MANGO

Mango has halted sales in Russia and donated €100,000 (about $108,700) to the International Red Cross and Red Crescent Movement.

GANNI

Ganni, the Danish contemporary ready-to-wear fashion brand, donated 100.000 DKK (approx. $14,700) to the Danish Refugee Council, a nonprofit currently on the ground helping the crisis in Ukraine.

 

As governments around the world grapple with how to stop Putin’s war and the needless suffering, we will continue to keep an eye on how the fashion industry, and hopefully soon the music industry, is doing its part. At UoF we are donating to Ukrainian children through UNICEF USA.

Here’s a list of the organizations that the fashion industry is donating to:

International Committee of the Red Cross

United Nations Refugees Agency

Direct Relief

Mercy Corps

International Medical Corps

Save the Children

Unicef USA

So tell us, how are you helping to support Ukraine in these troubling times?

THE MET GALA: A LEXICON OF FASHION

- - Fashion Events

Andrew Bolton discusses the underlying themes and importance of the upcoming exhibition. (Photo Credit: The Metropolitan Museum Of Art)

It’s not the first Monday of May, but the Met Gala is back on. And, for the first time in its history, it coincides with New York Fashion Week. and will be presented in two parts, In America: A Lexicon of Fashion and In America: An Anthology of Fashion. The first glamorous event will take place on Monday, September 13th, however, this time it will be a smaller and more intimate soirée. (The fashion extravaganza was cancelled last year and postponed due to COVID-19.) While the highly anticipated affair will look a little different this year, there will still be a red carpet filled with magnificent fashion and celebrity sightings. The second part, In America: An Anthology of Fashion will have its red carpet moment on May 2, 2022.

Here is everything you need to know about fashion’s biggest night.

(Watch a video about the exhibition, In America: A Lexicon of Fashion. Film by Sterling Ruby for The Met).

WHAT IS THE MET GALA?

The Met gala is the fashion world’s equivalent of the Oscars. Designers, models, brand ambassadors and Hollywood stars assemble for one night out of the year to wear the most fantastical looks in celebration of the Metropolitan Museum of Art’s Costume Institute latest show. Most guests dress to fit the theme of the exhibit and the Met Red Carpet is something like the Greenwich Village Halloween Parade.

Katy Perry in Atelier Versace in 2018 for the Catholic Imagination theme at the Met Gala. (Photo Credit: Getty Images)

 

MET THEME 2021

“Veil Flag” by S.R. STUDIO. LA. CA., 2020, courtesy of Sterling Ruby Studio. (Photo Credit: Melanie Schiff)

This year’s Met gala theme celebrates American fashion. Andrew Bolton, the Wendy Yu Curator-in-Charge of the Costume Institute, felt it was time to reexamine American identity and fashion, especially as it has changed over the last several years due to both political and social justice movements. “I’ve been really impressed by American designers’ responses to the social and political climate, particularly around issues of body inclusivity and gender fluidity, and I’m just finding their work very, very self-reflective,” Andrew Bolton told Vogue. “I really do believe that American fashion is undergoing a renaissance. I think young designers in particular are at the vanguard of discussions about diversity and inclusion, as well as sustainability and transparency, much more so than their European counterparts, maybe with the exception of the English designers.”

THIS YEAR’S CO-CHAIRS

Left to Right: Met Gala co-chairs Billie Eilish, Naomi Osaka, Timothée Chalamet, and Amanda Gorman. (Photo Credit: Getty Images)

The Met gala traditionally has a number of co-chairs that help host the event every year. For this year’s 2021 Met gala it’s a list of the current Who’s Who: Timothée Chalamet, Billie Eilish, Amanda Gorman, and Naomi Osaka, while Tom Ford, Instagram’s Adam Mosseri, and Anna Wintour (who has chaired the event since 1995) will serve as honorary chairs.

WILL THERE BE A RED CARPET?

Yes! There will be a red carpet, although the affair will be intimate and will follow New York City’s COVID-19 safety protocols. On the iconic Met steps will be a cast of celebrities and guests in their outré ensembles.

DRESS CODE

Yes, the Met gala will have a formal dress code. On the 2021 invitation, the dress code is listed as American Independence. We are sure there will be many over-the-top variations on the theme, from bedazzled American flag inspired looks, to classic gowns created by American designers. We can guarantee that looks will be anything but boring.

ATTENDING GUESTS

Kim Kardashian in Mugler with Kanye West in 2019 regularly attend the Met Gala . (Photo Credit: Getty Images)

Part of the excitement of the Met gala is not knowing who will show up! Designers typically invite, as their guests, the hottest celebrities of the moment.

The exclusive invite list is always kept closely guarded until right before the event, but rumored guests include TikTok dancer Addison Rae, YouTube vlogger Emma Chamberlain, singer Camila Cabello, sprinter Allyson Felix, and British Formula 1 driver Lewis Hamilton.

Met Gala regulars Beyoncé, Jennifer Lopez and Kim Kardashian will reportedly be in attendance, but a New York Post Page Six article suggested that some big stars won’t be showing up this year. For example, Tom Brady and Gisele Bündchen due to Brady’s Buccaneers training schedule. Other Met gala regulars that will have to miss this year’s festivities are Sarah Jessica Parker, who has a scheduling conflict with her filming of the Sex And The City reboot. And Kate Moss and Saoirse Ronan who live overseas and might be unable to attend due to COVID travel restrictions. Some European designers may miss it since they will be prepping for their own fashion shows.

One celebrity agent told the Post: “I think the big actors and the big fashionistas will come next year, when it returns in May. I also don’t think a lot of people feel like dressing up in ridiculously expensive outfits and putting on a mask for this.”

We will wait and see which celebrities make their dramatic red carpet reveal on September 13th.

THE EXHIBITS: Parts 1 & 2

A look from Prabal Gurung’s spring 2020 collection. Courtesy of The Metropolitan Museum of Art. (Photo Credit: Paolo Lanzi for IMAXTREE)

PART 1

The Met gala event on September 13th, A Lexicon of Fashion, will open to the public on September 18th at the Anna Wintour Costume Center at the Met, marking the Costume Institute’s 75th anniversary. The exhibition will be staged to resemble a home, with intersecting walls and rooms that will establish what Bolton calls “a new vocabulary that’s more relevant and more reflective of the times in which we’re living.” Part one of the exhibit will feature looks from Christopher John Rogers, Sterling Ruby, Conner Ives, Prabal Gurung, and Andre Walker, to name a few.

PART 2

The second exhibit, An Anthology of Fashion, will open to the public on May 5, 2022, and will be located in the period rooms of the museum’s American Wing. According to an interview with Vogue, Bolton and the museum’s curatorial team will work with American film directors to create cinematic scenes within each room that depict a different history of American fashion. (On May 2, 2022, a second Met gala will take place to celebrate the opening of An Anthology of Fashion.)

This two-part exhibition is one of the most ambitious that the Costume Institute has ever attempted to date. The exhibitions will explore the  question: Who gets to be an American? A red, white, and blue silk sash from the grand finale of Prabal Gurung’s 2020 10th-anniversary collection featured the phrase, and it will greet visitors from the entrance of the Anna Wintour Costume Center. It’s a question every immigrant considers—but wrapped in golden light at the onset of a fashion retrospective, it takes on a new spirit. “It was important to open with that,” says Andrew Bolton, in an interview with Vogue. “It tackles this notion of acceptance and belonging, which recent events have brought to the fore. Of course, these are questions that have always been present—but there are moments in history when they’re more resonant and resounding.”

Ensemble by Christopher John Rogers from his fall 2020 collection. Courtesy Christopher John Rogers. Image courtesy of The Metropolitan Museum of Art. (Photo Credit: Christina Fragkou)

In America, the museum’s two-part exploration of all things Made in the U.S.A., is a yearlong celebration spanning three centuries of fashion. The first part, which includes pieces from such American iconic designers such as Ralph Lauren, Donna Karan, and Calvin Klein alongside the current vanguard of millennial talent, such as Christopher John Rogers, opens to the public on September 18, with part two opening on May 5, 2022.

According to Vogue, In America, echoes the work Bolton has done expanding the Met’s archives to include more contributions from designers of color and marginalized groups—and though it serves as a retrospective, the show’s observations about national identity are rooted in current concerns. “It was almost impossible to do this show without looking at it through the lens of politics,” says Bolton. “There’s no art form that addresses the politics of identity more than fashion.”

Bolton credits 2020’s social ­justice movements as the prompt for him to reexamine the topic of terminology—​particularly when tackling such important issues—since, in the 20 years since the museum’s last overview of American fashion, discussions around style have changed. “American designers are at the forefront of conversations around diversity, inclusivity, sustainability, gender fluidity, and body positivity,” Bolton says in an interview with Vogue, “and the framework of the show enables us to focus on the younger designers who are engaging thoughtfully and deeply with those ideas.”

Cape by Andre Walker using Pendleton Woolen Mills, spring 2018 colection. Courtesy Andre Walker Studio. Image courtesy of The Metropolitan Museum of Art. (Photo Credit: Shoji Fujii)

During the height of the pandemic, when New York City was in complete lockdown, Bolton played with the idea of organizing the exhibition as a kind of high-tech house inspired by Witold Rybczynski’s Home: A Short History of an Idea—but wedging designers into categories in different rooms of the house. Bolton’s final inspiration, Reverend Jesse Jackson’s speech at the 1984 Democratic National Convention. “America is not like a blanket, one piece of unbroken cloth, the same color, the same texture, the same size,” he told the audience at San Francisco’s Moscone Center. “America is more like a quilt: many patches, many pieces, many colors, many sizes, all woven and held together by a common thread.”

“The act of making a quilt celebrates the notion of community that is so strong in America,” says Bolton, who adds that quilts also connect ideas about family and about repurposing and recycling. “Each square is a different designer, who represents a specific quality of American fashion.”

“Traditionally American fashion has been described in terms of the American tenets of simplicity, practicality, and functionality. Fashion’s more emotional qualities have tended to be reserved for more European fashion,” Bolton says. “In part one we’ll be reconsidering this perception by reestablishing a modern lexicon of fashion based on the emotional qualities of dress.” The many rooms in this part of the exhibit will be titled to reflect the personal and emotional relationship we have to fashion: “Well-Being for the kitchen galleries, Aspiration for the office, and Trust, the living room, for example.”

Bolton is writing a new history of American fashion that focuses less on sportswear and Seventh Avenue dressmakers, and instead presenting American designers as creators, innovators, and artists. “Taken together these qualities will compromise a modern vocabulary of American fashion that prioritizes values, emotions, and sentiments over the sportswear principles of realism, rationalism, and pragmatism,” he says.

The exhibit will feature approximately 100 pieces from about 80 labels, and designers and will range from delightful 1994 Anna Sui dresses to Christian Francis Roth’s 1990 “Rothola” dress. Obviously, the show will feature a number of quilted and handcraft looks, case in point, Hollywood costumer turned designer Adrian’s 1947 dress which references the floral designs found on traditional hand-sewn American quilts. Other noteworthy patchwork pieces include a custom piece from Emily Adams Bode made from a vintage quilt. Sweet floral looks are also part of the exhibit with looks ranging from Adolfo’s silk evening­wear from the early ’70s, to Marc Jacobs’s spring 2020 botanical theme collection.

Florals might be subversively romantic. Two good examples on the Nice Corridor Balcony at left, Adolfo 1973, proper, Marc Jacobs, spring 2020. (Photo Credit: The Metropolitan Museum of Art)

Part two of the exhibition, An Anthology of Fashion, will be shown in the museum’s period rooms. Themes such as 2004’s Dangerous Liaisons: Fashion and Furniture in the 18th Century will be shown in the French period rooms. And, 2006’s AngloMania: Tradition and Transgression in British Fashion will be set in the English period rooms. “In its conceptualization, part two actually preceded part one and actually inspired and informed it. For many years now we’ve been examining our collection to uncover hidden or untold stories with a view to complicating or problematizing monolithic interpretations of fashion. Our intention for part two is to bring these stories together in an anthology that challenges perceived histories and offers alternative readings of American fashion,” Bolton explains.

By engaging American film directors to create cinematic scenes within each room, Bolton and the museum’s curatorial team will illustrate a different history of American fashion, such as pieces from the midcentury couturier Ann Lowe and the work of African American designer Stephen Burrows. “Key themes will include the emergence of an identifiable American style and the rise of the named designer with an individual aesthetic vision,” says Bolton.  The exhibit will run through September 5, 2022 and is made possible by Instagram and with support from Condé Nast.

Anna Wintour and Andrew Bolton in the Metropolitan Museum of Art. (Photo Credit: Getty Images)

“For me, this past year confirmed what I’ve been thinking already—that American fashion is undergoing another renaissance,” Bolton says. As a fashion industry veteran, I thrilled to have the opportunity to witness fashion’s rebirth at the Met later this month.

SOME OF OUR FAVORITE MET GALA CELEBRITY LOOKS

Cher in Bob Mackie in 1974. (Photo Credit: Getty Images)

Bianca Jagger and Mick Jagger in 1974. (Photo Credit: Getty Images)

Iman in Calvin Klein, with the designer in 1981. (Photo Credit: Getty Images)

Naomi Campbell in Versace 1990. (Photo Credit: Getty Images)

Princess Diana in Dior in 1995. (Photo Credit: Getty Images)

Donatella Versace in her own design, with Gianni Versace in 1996. (Photo Credit: Getty Images)

Demi Moore in Donna Karan with the designer in 2000. (Photo Credit: Getty Images)

Sarah Jessica Parker in Alexander McQueen with the late designer in 2006. (Photo Credit: Shutterstock)

Kate Moss in Marc Jacobs in 2009. (Photo Credit: Getty Images)

Rihanna in Guo Pei Couture in 2015. (Photo Credit: Getty Images)

Beyoncé in Givenchy in 2015. (Photo Credit: Getty Images)

Kylie Jenner Balmain in 2016. (Photo Credit: Getty Images)

Zendaya in Dolce & Gabbana Alta Moda in 2017. (Photo Credit: Getty Images)

Lady Gaga in Brandon Maxwell in 2019. (Photo Credit: Getty Images)

So tell us, which celebrities would you like to see on the red carpet?

 

 

 

 

PRESIDENTIAL STYLE: JOE BIDEN’S SARTORIAL CHOICES THROUGHOUT THE YEARS

President Joe Biden in his signature navy suit and aviator sunglasses. (Photo Credit: @Drew Angerer)

There is no denying that President Joe Biden has nailed the fashion formula throughout his campaign trail, state visits and even during his off-duty sartorial looks. Joe Biden turned 78 on Nov. 20, 2020 and has had a long and successful political career, including two terms as Vice-President of the United States (2009-2017). He is now the most powerful political figure of the United States of America and his clothing choices are being eagerly watched by the fashion industry, who are desperately in need of a shot in the arm (vaccine pun, unintended).

For the most part, men’s suits on the political stage are simply that: men’s suits and not much more. Apart from a pattern on a tie or shirt color, they all look roughly the same. But the truth is that everything from the fit of their shoulders to the size of their shirt collar matters. It can be the difference between looking put together versus wearing unbuttoned oversized baggy suits.

PRESIDENT JOE BIDEN’S INAUGURATION

(Left) First Lady Dr. Jill Biden and (Right) President Joe Biden wearing American Designers on his Inauguration Day. (Photo Credit: Getty Images)

On Jan. 20, 2021, the world watched as Joe Biden was sworn in as the 46th President of the United States of America. President Biden is known for his effortless, classic American style, so it was no surprise that Ralph Lauren designed his suit for this President’s inauguration.  Before his big day, WWD published an article announcing that Ralph Lauren would be dressing the President for the inauguration. Sources stated that “Biden has been working with the designer on a suit for the historic ceremony. The custom suit will be made in the recently renamed Rochester Tailored Clothing in Rochester, N.Y., which has been making Hickey Freeman clothing for more than a century.” Throughout the years, Joe and Jill Biden have been regular Ralph Lauren customers. “You can’t go wrong wearing Ralph Lauren,” said one menswear designer to WWD.

As President Biden was sworn in, he was the epitome of classic American style. He wore a navy blue suit and overcoat by Ralph Lauren. In a WWD article, one observer commented, “ This is a symbolic sartorial statement for a return to decorum and upholding the values of America.”  President Joe Biden wore a navy, single-breasted, notch lapel, two-button suit, a crisp white dress shirt, and a pale blue tie to coordinate with First Lady Dr. Jill Biden’s Markarian coat and dress look was created by the young American designer Alexandra O’Neill. The color blue was a nod to the Democratic party, according to WWD, a symbol of trust, confidence, and stability. President Biden captured the essence of how a modern day leader of the free world would look like.

Wearing Ralph Lauren was a departure from Brooks Brothers the oldest men’s clothier, founded in 1818, who had outfitted 41 of the 46 American presidents, including Barack Obama during his inauguration in 2009. Due to their failure to adapt to the trend towards slim cut suits and business casual wear, Brooks Brothers fell into bankruptcy last year and was sold for $325 million to SPARC Group, a joint venture between Simon Property and Authentic Brands Group.

Ralph Lauren has a history of nonpartisan dressing, including moments with Michelle Obama and outgoing First Lady Melania Trump. Joe Biden even sported a classic Polo shirt recently to take both of his COVID-19 vaccinations on television.

 

FASHION CHOICES THROUGH THE YEARS

A young Joseph Biden, wearing a casual short-sleeved shirt, pictured in 1967. (Photo Credit: Twitter)

Joe Biden’s political career began in 1970 when he was first elected to a county council seat in Delaware. The law graduate and public defender worked as a senator and launched his first presidential campaign in the 1980s. In 2009, Joe Biden became the Vice President under Barack Obama, the two were a political dream team and had the cool-guy swagger that elevated the menswear game. Biden served as VP of the United States for two terms, ending his post in 2017.

President Joe Biden and former President Barack Obama sharing a laugh and looking dapper. (Photo Credit: barackobama.medium.com)

Throughout his numerous years in political office, Biden has, naturally, refined his work wardrobe, moving from bolder prints and heavier fabrics to cleaner-cut tailoring and the occasional relaxed, open-necked shirt. The President also has embraced accessories to define his style, from his signature aviator sunglasses to funky print socks. President Biden has also been seen throughout his campaign wearing a face-mask, to protect not only himself, but everyone around him.

President Joe Biden in his elegant sartorial look and face mask . (Photo Credit: Getty Images)

When not on the campaign trail, President Biden has also been known to dabble in leather jackets, short-sleeved shirts and his signature aviators. A relaxed preppy vibe with a modern twist.

InStyle Magazine’s 2017 spread on Joe Biden. (Photo Credit Mario Sorrenti)

Here are some of Biden’s looks throughout the years:

Joseph Biden, in stripes and polka dots, checks in at the office of the Secretary of the Senate on December 13, 1972. (Photo Credit: Getty Images)

 

Joe Biden, in a slick tux, pictured at an event on July 14, 1987. (Photo Credit: Getty Images)

 

 

Joseph Biden, left, in a casual shirt and aviators, receives a briefing at the border village of Panmunjom, South Korea, on August 11, 2001. (Photo Credit: Getty Images)

 

Joe Biden, in midnight blue, visits the Melbourne Cricket Ground on July 17, 2016 in Melbourne, Australia. (Photo Credit: Getty Images)

BIDEN’S STYLE TODAY

Joe Biden, in his favorite color of suit, navy, and his wife, Jill Biden, attend at his election night event at the Chase Centre in Delaware, US, on November 3, 2020. (Photo Credit: EPA)

Today, President Biden is one of the best dressed politicians in the United States. The President is known for wearing a well-tailored classic cut suit, which makes sense given his physique (slim and tall). To the unqualified eye President Biden’s suits might appear to fit a little on the large side, but the slight pull at his top button and the way the back of his jacket collar sits flush against his shirt collar indicate a well-fitted suit.

For the most part President Biden sticks to what works best for him. His suits are usually navy, although occasionally he pushes himself out of his comfort zone and wears black or khaki tones. It seems that the President also prefers to wear crisp white shirts, which give him a sleek and refined look.

President Joe Biden supports his local community. For years he has been working with his local tailor in Wilmington, Delaware and occasionally orders custom shirts from Wright & Simon, a narrow shop on Market Street. Leonard Simon, the shop’s proprietor, has plenty of selfies with the President, but Simon laughs in an interview with the local paper Northjersey.com; “The pictures are in my phone. That’s where they will stay,” said Simon, 71, whose father, Morris Simon, cofounded Wright & Simon in 1935. “I’m a small store in a small state. I have to have discretion.”

Custom suits created at Wright & Simon are beautifully tailored and fit to perfection on their clients. Leonard Simon boasts that his clients can receive a perfectly tailored suit at a fraction of the cost of a designer version. Wilmington is not a $3,000-suit kind of town. At Wright & Simon, a customer can purchase a custom fit and press suit in their tailoring shop above the store for $795. Now that’s a bargain!

President Biden also perfected the art of accessorizing with his cool signature Ray Ban aviator sunglasses, dapper pocket squares, sleek facemasks, elegant repp ties (repetitive woven ribs of the silk tie fabric) and playful socks.

A pair of American Flag themed socks that Joe Biden has worn in the past. (Photo Credit: HuffPost)

PRESIDENT BIDEN BRAND  CHOICES

President Biden mostly chooses his suits from his local tailor shop in Wilmington, Delaware for a moderate price, and the tailoring is impeccable; former President Trump on the other hand has his suits custom made by the Italian luxury brand Brioni for a whopping $3,000.

According to Patrick Henry, better known as LA designer/tailor ‘Fresh’, a slimmer, more tailored fit reads more youthful and modern like those worn by Biden, while a larger and more relaxed suit like that of former President Trump, may speak to a different audience.

According to Fresh, President Biden’s pants are a perfect choice for his silhouette. “Biden’s break sits right at the top of his shoe. “Even though he’s moving and walking, you can still see it hits right at the top. He’s not showing his whole sock off, he’s not trying to look super cool or like a teen, the whole leg fits great.”

Ultimately, Fresh said the tailoring on President Biden’s suits and details like pocket squares make him look more youthful, confident, and ready.

“The presidency isn’t about health and physical fitness, but Biden looks like a young man, like he could go toe to toe with anyone,” he said. “He looks confident and, in my opinion, gives a look of readiness. Whereas a more conservative, looser fit looks like he might be ready to go do something else.”

FASHION AT THE WHITE HOUSE

Throughout the history of the White House, the United States has had several very fashionable first ladies and dapper presidents; from John and Jacqueline Kennedy to Barack and Michelle Obama. These political powerhouses brought style and grace to the White House.

Former President Barack Obama and President Joe Biden have plenty of swag. (Photo Credit: The New York Times)

No one has championed young American designers the way Michelle Obama did, so today, designers are becoming excited again for a fashionable-forward president and first lady. In an article in GQ magazine, America’s most influential designers are celebrating President Joe Biden’s sartorial choices.

In an interview with GQ, American fashion designer and CFDA Chairman Tom Ford stated, “Joe Biden is the perfect American president for now. I have always said that true elegance is not about style but about the way that one treats others. And Joe Biden is elegant. He also happens to be sartorially elegant: understated and a kind of calm and self-assurance that comes with age and experience. Slim and long with perfect posture, I find him quite sleek. A dramatic contrast to his predecessor. In fact, a welcome contrast in every way.”

Tom Ford, you captured President Biden’s essence perfectly!

REMINDER – UNIVERSITY OF FASHION HAS A MEN’S PATERN MAKING SERIES TO GET YOU STARTED AS A MENSWEAR DESIGNER

GAMECHANGERS: THE RISE OF FASHION VIDEO GAMES

 

Ralph Lauren collaborates with Snapchat. (Photo Credit: Ralph Lauren)

With the holidays just around the corner and our festivities limited to “home pod” celebrations and Zoom events, one thing is for certain, this was a year like no other. As we witnessed a global pandemic, an unprecedented number of deaths, a world in lockdown and a toppling of the world economy, we somehow managed to remain hopeful. With the rolling out a COVID-19 vaccine, we just need to have more patience. This year we learned to appreciate our families, health-care workers and first responders. We also learned that wearing a mask shows you care.

Face Masks have become the most popular accessory of 2020. (Photo Credit: Vogue)

Despite the pandemic, this was a year of creativity. Fashion designers went into full scale production of masks and PPE, schools migrated to remote learning, parents threw drive-by celebrations for their kids’ birthdays, schools threw virtual proms and graduations for their seniors and families organized Thanksgiving  Zoom-ebrations.

The fashion industry, once a bastion of tradition, became exceptionally creative as a result of the pandemic, when it came to fashion week. Some brands held virtual audience-less fashion shows, some created short videos and others found artistic ways to shoot their lookbooks.

And now, one of the most inventive ways a designer can showcase their collection is the video game platform. If you are a fervent reader of the UoF blog, you will remember that on April 6th   we predicted this as an innovative way for brands to connect with their customers (Demna Gvasalia, were you listening?)  Here’s the link for reference:

https://www.universityoffashion.com/blog/fashion-computer-game/

BALENCIAGA

On Dec. 6th the video game “Afterworld: The Age of Tomorrow” (set in the year 2031) was launched featuring Demna Gvasalia’s main collection for Balenciaga’s fall 2021 season. Enter the world of fashion-tainment!

According to WWD, the allegorical adventure features environments and characters using cutting-edge photogrammetry and the most advanced technology for game hosting, according to the Paris-based fashion house, noting that “Afterworld sets a record for the largest volumetric video project ever undertaken.” For those of us new to digital jargon, photogrammetry is “the science and technology of obtaining reliable information about physical objects and the environment through the process of recording, measuring and interpreting photographic images and patterns of electromagnetic radiant imagery and other phenomena.

Like many designers, Gvasalia must surely miss the excitement of a live runway show, but honestly, the pandemic didn’t stop him from presenting his fashion-forward collection in an avant-garde way. For Paris Fashion Week Spring 2021, Gvasalia was highly praised for his fashion film set to Corey Hart’s “I Wear My Sunglasses at Night,” which showcased Balenciaga’s summer pre-collection with models dashing through rain-slicked Paris streets after dark.

Afterworld: The Age of Tomorrow

What better timing to launch a new computer game than the holidays, during a pandemic, with a stay-at-home order in place! Brilliant marketing, no?

So here’s how it works:

“A hero avatar advances throughout distinct zones, motivated by tasks and interactions,” the house said, sharing details of the online game first with WWD. “The narrative of ‘Afterworld’ is anchored to mythological pasts and projected futures with timeless archetypes and speculative imagery.”

Balenciaga’s pre-collection is futuristic and is inspired by what fashion might be like in 2031 in a conceptual way, and the idea carries over into what’s displayed in the video game.

“A theme of Balenciaga fall 2021 is human destiny, as seen by an interactive, gamified journey,” the house said. “The world may appear to be decaying at first, but it is far from a dystopian view, showing instead the slow return to a healthier balance of nature and industry.”

If you’re a true gamer with quick skills and can beat the game, the reward is “A real-life breathing exercise set in a virtual utopia. In the end, the hero has finally becomes (as it is referred to in Hero’s Journey analysis) a ‘Master of  Two Worlds’,” Balenciaga told WWD, apparently alluding to studies of archetypal heroes by the late American academic Joseph Campbell.

Gvasalia has been breaking the traditional fashion industry rules and they seem to be working to his advantage. Last September the designer revealed that he would show Balenciaga’s pre-collections during Paris Fashion Week, and his main collections for the house in June and December, reversing his previous show order.  The unconventional designer also stated in past interviews that he wishes to break away from the hamster wheel of doing runway shows every season; although he hasn’t ruled out runway shows in the future. Gvasalia is already planning to stage a show next July for Balenciaga’s much anticipated return to haute couture.

Demna Gvasalia, the Creative Director for Balenciaga. (Photo Credit: WWD)

“Fashion has become such a checklist. And I feel like I personally want to try to do it differently,” Gvasalia said in an interview with WWD.

 

OTHER FASHION COMPUTER GAMES

Balenciaga’s timing to release an online video game comes at a pinnacle time in the crossover between gaming and fashion, a relationship that has been progressively developing.

Animal Crossings designer collaborations. (Left) Looks from Valentino. (Right) Looks from Marc Jacobs. (Photo Credit: AllGamers HyperX)

Since lockdowns began, fashion lovers have been playing Animal Crossing, a Nintendo-created game (launched in 2001), but since May, designer brands such as Marc Jacobs and Valentino have created “New Horizons” looks and the game’s popularity took off.  Suddenly, the Nintendo Switch and Switch Light, the game system to play Animal Crossings on, were on everyone’s wish list and they became hard to find. Even Instagram accounts like Animal Crossing Fashion Archive, Nook street Market, and Animalcrossfits became a craze. 2020 has brought in a new area in fashion and gaming, and it’s so much more than just picking out your favorite color for a character’s t-shirt.

Across the board, luxury fashion houses are collaborating with the video game industry, as this promises to be the future of marketing and retail as Generation Z and Alpha are incredibly tech driven.

Gucci unveiled a series of new app features including the Arcade App, inviting customers to play with popular house motifs and characters, plus AR technology allowing them to virtually “try on” sneakers and watches. The Italian luxury brand also launched a collaboration with The Sims and a tennis-themed outfit game, Tennis Clash.

K slash DA in Louis Vuitton. (Photo Credit Louis Vuitton)

Louis Vuitton launched its League of Legends capsule collection last year, in partnership with Riot Games. Meanwhile, Burberry collaborated with Snapchat and created Animal Kingdom, an in-store gamified experience in which Snapcodes transport shoppers to a Burberry world. Snapchat also teamed up with Ralph Lauren to create virtual clothing for personal Bitmojis.

“With confinement, we started the year 2020 to wake up into 2025,” describes Christian Louboutin of such acceleration in an interview with Nylon magazine. “I’m not a gamer myself — I can barely switch on the TV — but I’ve observed in the last few years more and more people, especially at the airport or in planes, playing on their phones.” Just this past October, the footwear designer presented his Spring 2021 collection via the app Zepeto, enabling users to create personal avatars and discover his latest creations.

In an interview with Nylon magazine, “Our social lives are now predominantly playing out online. Therefore, our main channel to present ourselves and shape out identity is digital,” says Rachael Stott, futures analyst at strategic foresight consultancy the Future Laboratory, which estimates that when it comes to in-game spending, U.S. gamers each spend on average $229 on digital purchases. For comparison’s sake, the new stand alone XBox Series X and Sony PlayStation 5 both retail for $499, while the Oculus Quest 2 all-in-one virtual reality headset retails for $399.

According to the trend forecasting agency WGSN, gaming has an estimated global reach of 2.7 billion; and ‘skins’, virtual items that change the look of a character, accounted for 80% of the $120 billion spent on digital games in 2019.

“Fashion working with gaming is kind of the next obvious step in the evolution of fashion,” says Erin Wayne, head of community and creator marketing at Twitch (in an interview with Nylon magazine). The live-streaming platform launched in 2011, now boasts 26.5 million daily visitors. In September, Burberry became the first luxury fashion label to partner with the service and stream its Spring 2021 show, and in July, the UK-based university Ravensbourne streamed its graduating fashion students’ collections, which had been presented via a digital avatar project.

“Gen Zers are digital natives. They don’t want content pushed at them,” says Adam Harris, global head of brand partnership studio at Twitch. On Twitch, you can find anything from cats sleeping to ASMR to gaming to chatting. Teens today will seek out the content they are interested in, case in point, Fortnite’s Travis Scott spectacular in April: 12 million players logged into the concert. Meanwhile, Lil Nas X’s recent stint on gaming platform Roblox drew 33 million views.

“Fashion brands are primarily infiltrating gaming as a marketing tool,” points out Stott. With doors to physical stores shuttered, gaming devices have the potential to build communities. “Spending hours crafting a digital replica to show your peers currently makes sense,” she says.

The Puma X Tabitha Simmons Collection on Drest. (Photo Credit: Drest)

There are a handful of other fashion video games as well. “Drest” an interactive styling game, that was launched towards the end on 2019 now carries over 200 brands. The video game was founded by Lucy Yeomans, a former magazine editor-in-chief of Net-a-Porter and editor of the fashion magazine Harper’s Bazaar in the UK. Another popular fashion game is DressX, which was founded by Daria Shapovalova and Natalia Modenova. They are a retail platform for digital fashion, carrying over 30 brands, mostly URL only, some IRL, too, sell between $25 and $200. It’s like digital couture.

“Gaming is starting to become such a cultural force. Our mission is to become one of those brands like the Dickies [of the world] or whoever was at the beginning of that culture,” Simon Brown, product director of Fnatic says in an interview with Nylon.

 

As you’re planning your holiday gift-giving list, don’t miss the opportunity to take advantage of UoF’s ONCE A YEAR subscription promo offers (expires 12/30/20)

$40 off our Yearly subscription (was $189 now $149)

https://www.universityoffashion.com/holiday-offer/ Promo Code: Learn1

 

$5 off the first month of our Monthly subscription (was $19.95 now $14.95) https://www.universityoffashion.com/holiday-offer/ Promo Code: Learn2

 

35% off any of our books: Beginner Techniques: Draping or Pattern Making or Sewing

https://www.universityoffashion.com/3-book-series-ad-lkp-discount/Promo code: Uof35

 

 

 

 

HOW THE FASHION COMMUNITY IS AIDING IN THE FIGHT AGAINST COVID-19

Billie Eilish in a Gucci mask pre-pandemic at the 62nd Annual GRAMMY on January 26, 2020 in Los Angeles. (Photo credit: Jon Kopaloff for FilmMagic)

The Covid-19 pandemic is turning out to be a wake up. The lack of domestic manufacturing has definitely caught us unprepared and as a result, we will surely be seeing an increase in the number of new factories, not just for building up bigger, better stockpiles of the things we need in a pandemic (masks and other protective gear for hospital workers), but also for manufacturing fashion apparel.

As of May 2, 2020, there are 3.4 million confirmed cases of coronavirus worldwide, with 1.07 million recovered and 242,000 deaths.

New Vocabulary

Phrases like “stay-at-home,” shelter-in-place,” “flatten the curve,” “contact-tracing,” “PPE,” “herd immunity,” “surgical & non-surgical face masks,” “antibody testing,” and “social-distancing” are now part of our vocabulary.

As some states and countries are better than others at taking the proper precautions to slow the spread of this deadly pandemic, at University of Fashion, we are promoting ‘stay-at-home’ to help stop the spread and we’re using this opportunity to make hundreds of non-surgical face masks and donating them nursing homes.

University of Fashion non-surgical face masks donated to nursing homes

 

And, as some employers allow their employees to work from home, almost all schools have all closed for the term. Because teachers were asked to complete their academic term online and many struggled due to the lack of accessible content, at UoF we are proud to say that as of March 10th (and continuing into the fall), we initiated a free, full access give-a-way to any and all schools for 30 days to help teachers & students get through their term.

More than 100 schools (and growing) have taken advantage of our offer, those included in that number are Parsons, Cornell, Duke, University of Texas Austin, Virginia Tech, UNC Greensboro, Baylor, College of Fashion Design Dubai, Columbia College of Art & Design, Otis School of Art & Design and more as well as numerous high schools. It has been our honor to help! We are here for you! Teachers/schools can still request access, just write to us at CS@UniversityofFashion.com.

In addition, Laurence King Publishing is offering a 40% discount on all 3 UoF companion books through May 31, 2020. Use this discount code: FRIENDS40 and the links below per book:

Draping: Techniques for Beginners         Pattern Making: Techniques for Beginners                                             Sewing: Techniques for Beginners

 

Face Mask Contest 

If you are making face masks and donating them to a good cause, let us know at CS@UniversityofFashion.com. Send your info on how many face masks you’ve made & donated for a chance to win a 1-year subscription to UoF.

Fashion Hits the Pause Button

The fashion event of the year, the Met Gala, will be postponed indefinitely. Though @theebillyporter and @voguemagazine just launched the #metgalachallenge, with winners to be announced May 3.

Photo Credit  @aili_in_town version of @janellemonae inspired Siriano piece

Numerous fashion weeks have been canceled, including those in L.A., Shanghai, Melbourne, Beijing, Seoul, Moscow and Tokyo. May and June, when many designers show their resort/cruise lines, have either been cancelled or postponed.

Men’s Fashion Week for the spring 2021 season will be cancelled in Paris and London, while Milan will postpone their Men’s Fashion Week until September and will merge it with their women’s runway presentation. New York Men’s Fashion Week always takes place in July, but this year it is postponed, though a date has not yet been released.

In Paris, the haute couture shows (which would have included the highly anticipated return of Balenciaga) were scheduled for July, but are also being canceled by the Federation de la Haute Couture et de la Mode. In a statement, the Federation announced, “In light of the spread of the COVID-19 epidemic worldwide, strong decisions are required to ensure the safety and health of houses, their employees and everyone working in our industry.”

Fashion Delivers

But with all the sadness and despair that COVID-19 has caused, there have been moments of joy in watching fashion people come together. Instead of creating next season’s looks, many designers are keeping their employees working by creating protective gear such as hospital gowns, masks and scrubs. Others are donating proceeds from their online sales to various charities.

Fashion companies are helping to make masks all over the world. (Photo credit: Quartz)

Here are a few designers who are doing their part to help their cities, states and the world.

GIORGIO ARMANI

Giorgio Armani. (Photo credit: WWD)

Giorgio Armani was one of the first designers to understand the danger of the Coronavirus. During his Milan Fashion Week show held on February 23rd, the designer alerted his guests beforehand that his show would be closed to an audience and would be live-streamed.

In addition, Giorgio Armani is utilizing all four of its production sites to manufacture protective gear for healthcare workers. What’s more, the luxury house has already pledged 1.25 million euros to donate to Italy’s Civil Protection and a slew of Italian hospitals, including Luigi Sacco and the Istituto Lazzaro Spallanzani in Rome. Armani also bumped its donation up to 2 million euros by supporting Italy’s Bergamo and Piacenza hospitals.

AMERICAN GIANT

American Giant is part of a coalition of 11 brands that include Hanes, Fruit of the Loom, and Los Angeles Apparel. They have begun manufacturing personal protective equipment for healthcare workers who are on the front line.  Over the years, the majority of U.S. apparel manufacturing moved off shore but a small number of brands had chosen to produce their products locally. Thanks to these brands and their coalition, they are able to shift their production and deliver much-needed gear to hospitals quickly. The coalition companies are making a million masks a week and all have been certified by the Department of Health and Human Services.

RALPH LAUREN

Ralph Lauren’s generous donation. (Photo credit: Ralph Lauren)

Ralph Lauren released the following a statement:

“In response to the global pandemic, Ralph Lauren’s corporate foundation announced a $10 million commitment to help, outlining that the funds would be spent: to provide financial grants to Ralph Lauren colleagues facing medical, eldercare or childcare needs; contribute to the World Health Organization’s COVID-19 response fund; continue its support to cancer care; and commit an inaugural gift to the Council of Fashion Designers of America (CFDA) fund for COVID-19 relief.”

In addition to this most generous donation, Ralph Lauren will also produce 250,000 masks and 25,000 isolation gowns with their U.S. manufacturing partners.

“Our hearts and thoughts are with the global community. Our hope is to be a beacon of optimism and unity as we navigate this unprecedented time. It is in the spirit of togetherness that we will rise. With warmth and gratitude, Your Ralph Lauren Team” was issued on the Ralph Lauren website.

BROOKLYN NAVY YARD

Crye Precision and Lafayette 148 have teamed up to make reusable PPE gowns for NYC hospital workers. (Twitter Photo credit: Freddi Goldstein from NYC Mayor de Blasios office)

At New York’s Brooklyn Navy Yard two fashion companies have come together to help make protective gear for New York City’s healthcare workers as NY became the epicenter of COVID-19 in the United States. Crye Precision, a body armor company and the upscale fashion company Lafayette 148 are making surgical gowns for hospitals.

What we see today is truly inspiring,” Mayor Bill de Blasio said after touring the facility.”Two companies here in the Brooklyn Navy Yard are creating a product they’ve never created before to help health care workers,” he added.

Greg Thompson of Crye Precision and Deirdre Quinn of Lafayette 148 are honored to be working to continue to help front line workers. By the end of April, 320,000 reusable  personal protective equipment (PPE) gowns will be made.

Lafayette 148 will also be donating 20% of their sales, between April 12-30, to the Brooklyn Hospital Center, supporting NYC’s heroes on the front lines.

LOUIS VUITTON

Model Jessica Hart in a Louis Vuitton face mask. (Photo credit: Dailymail.com)

Louis Vuitton announced it will re-purpose its American workshops in Piscataway, NJ, Ontario, CA, Johnson County, TX, San Dimas, CA, and Irwindale, CA to produce non-surgical face masks.

The face masks Louis Vuitton will produce will be made of cotton cloth so they can be re-used, washed and adjusted to better fit users. Masks will be donated and distributed in vulnerable states heavily impacted by Covid-19 and Louis Vuitton will partner with local organizations in each state to give support.

LVMH

LVMH joins the fight against Cornavirus. (Photo credit: LVMH)

Louis Vuitton falls under the LVMH umbrella, and even though Louis Vuitton is making a generous contribution to the fight against COVID-19, LVMH is also making donations on behalf of all the brands they own (Marc Jacobs, Givenchy, Fendi, Kenzo, Loro Piana, and others). LVMH is using its Chinese suppliers to provide 10 million surgical masks to France. The brand announced that it will reorder masks for the next few weeks in similar quantities.

In order to secure this order during an extremely tense period and to ensure that production begins today, Bernard Arnault arranged for LVMH to finance the whole of the first week of deliveries, amounting to five million euros,” LVMH said in a statement.

BVLGARI

Bvlgari is making hand sanitizer. (Photo credit: Bulgari)

Bvlgari (Bulgari) is another brand owned by LVMH. Bvlgari announced that it will manufacture thousands of hand sanitizers to be distributed to medical facilities throughout Italy. The hand gels will be created in 75ml recyclable bottles with plans to produce more in the upcoming months.

I believe as a major economic actor and symbol of Italy, Bvlgari has a responsibility to contribute to the national effort to help prevent, fight and eradicate Covid-19. Thanks to our fragrances expertise we have been able to develop together with ICR a ‘hand cleansing gel with sanitizer’ which will be manufactured in our Lodi Factory already making our high-end perfumes and hotel amenities,” Jean-Christophe Babin, Bvlgari CEO, said in a statement. “Aware of the difficult situation we are experiencing, we believe it is our duty to contribute with our know-how and production facilities.”

LOEWE

Workers make masks at the Loewe factory. (Photo credit: WWD)

Loewe, also owned by LVMH, will be donating 100,000 surgical masks to the Spanish Red Cross and non-surgical masks to volunteer workers, Loewe employees and their families. In addition, high-end Spanish fashion brand will be donating proceeds from every product in its Paula’s Ibiza collection. For every product sold, Loewe will donate 40 euros to support educational projects for kids, starting with an initial donation of 500,000 euros. “To achieve this, Loewe is collaborating with Plataforma de Infancia — a Spanish alliance of social organizations that works to protect children and adolescents’ rights — to launch a series of educational programs this summer in Spain which aims to reduce inequality and school dropouts,” the brand said in a statement.

YOOX NET-A-PORTER GROUP

Net-A-Porter closes their e-commerce site and using their delivery vehicles to deliver food. (Photo credit: Fashionweekdaily)

Yoox Net-a-Porter Group is known for delivering their high-end fashion goods to their customers by personal vans. In March, the company stopped this exclusive service and began using their vans to deliver food to those in need. They are now teaming up and volunteering their vehicles to non-profit God’s Love We Deliver to support its Emergency Shelf-Stable Meal Drive. The charity has already delivered over 140,000 meals, containing 14 days’ worth of non-perishable food, to vulnerable communities and people living with severe illnesses across all five boroughs of New York, in Hudson County, and Westchester, Nassau, and Suffolk Counties.

In London, the Yoox Net-a-Porter Group have been utilizing their company vehicles to deliver food and supplies to seven charities in London. The vans will read, “Fashion that delivers” and will also deliver to the elderly people throughout London.

Now, more than ever, the primary focus of our colleagues and customers is the well-being of relatives, friends and communities. Reflecting our core sustainability priorities, the group hopes that the redistribution of these resources will help to make a difference in London,” the company said, per WWD.

AMERICAN EAGLE/AERIE

American Eagle and its sister brand, Aerie, have committed $1 million to COVID-19 relief efforts. The brands will also donate more than one million masks to public health workers in vulnerable communities and have joined forces with America’s Food Fund (AFF) to ensure that people have reliable access to food.

UGG

Ugg pleged $1 Million to Covid-19 relief. (Photo credit: Fashionista)

Deckers Brands, the parent company of UGG, launched a new initiative Better Together, where the brands will donate more than $1 million to the COVID-19 relief efforts through monetary and product donations.

Our hearts are with our friends, colleagues, customers and those on the frontlines during this pandemic. The newly launched Better Together initiative aims to deliver relief, support and comfort to those most in need. We are in this together,” Dave Powers, president & CEO of Deckers Brands, said in a statement.

Ugg will also be partnering with select hotels that have opened their rooms to frontline workers and first responders. UGG will supply cozy robes and slippers so first responders can get comfortable after working a long hospital shift.

DAVID YURMAN

The Yurman Family Foundation announced they will donate $1 million to COVID-19 related causes. Also, David Yurman promised that their furloughed employees will continue to receive their health benefits until they can come back to work.

For us, jewelry has always been a way of connecting with other people and expressing our feelings. Sybil, Evan and I, along with the design team, continue to collaborate on new collections with a heartfelt message that we hope will express comfort and beauty,” David Yurman said in a statement.

KATE SPADE

Tapestry’s generous donation. (Photo credit: Tapestry)

On March 28, Kate Spade announced on its Instagram that the brands at Tapestry, through the Coach Foundation, would be donating $2 million to New York City’s small business continuity fund. The post added that the money was “for all the small businesses in NYC that make our hometown so incredibly special, and right now need some extra love and support. We appreciate each one of you, we’re here for you and we can’t wait to see you again soon.

The Kate Spade New York Foundation will also be donating $100,000 to their partner Crisis Text Line, a program that provides mental health counseling and emotional support to doctors and nurses as they grapple with the ongoing effects of the pandemic.

THIRD LOVE

Doctors, nurses and healthcare workers have been working tirelessly on the frontline battling COVID-19. To keep them comfortable, ThirdLove donated 1,000 sets of bras and underwear to workers at the University of California San Francisco and several hospitals on the east coast. In addition, the brand has already donated 2,000 surgical masks to UCSF in response to the virus.

TOMS

As of April 1st, Toms began donating one-third of its net profits to the COVID-19 Global Giving Fund. The fund was created to support Giving Partners currently on the frontlines of the health crisis. The Global Giving Fund currently supports Americares, Crisis Text Line, International Medical Corps, Partners in Health, and WaterAid.

Toms has always been in business to improve lives. That mission is important to us and our community everyday. Now, more than ever, we are honored to apply what we have learned over the past 14 years of giving to address this global health crisis,” Amy Smith, Toms chief giving officer, said in a statement. “We know the best way to help is to use our resources and the power of our customer’s purchase to invest in our giving partners who are on the frontlines directly addressing this pandemic. We are grateful for these deep partnerships and are eager, together with our customers, to continue to support their efforts to combat COVID-19.”

LA LIGNE

La Ligne is a contemporary label known for their terrific stipes. The label recently launched its Giving Back initiative, which will offer customers 15% off site wide and will donate 15% of total sales to a different charity each week until the quarantine ends. The initiative kicked off its first week with Baby2Baby and its second week with World Central Kitchen, which launched their initiative #chefsforamerica to provide fresh meals to communities that need support, feeds frontline healthcare workers, and more.

TIFFANY & CO.

Tiffany & Co. Foundation’s generous donation. (Photo credit: Tiffany & Co.)

Tiffany & Co. Foundation announced it will be committing $1 million to COVID-19 relief efforts.  $750,000 will be donated to the COVID-19 Solidarity Response Fund for the World Health Organization; while the other $250,000 will be given to The New York Community Trust’s NYC COVID-19 Response & Impact Fund. In addition to its own donation, the New York-based company will be matching employee donations, dollar for dollar.

During this global health crisis, we must all be responsive to the urgent needs of our global communities,” the brand said in a statement. “We are proud to support organizations providing immediate relief for communities impacted by COVID-19, including our hometown of New York,” Anisa Kamadoli Costa, chairman and president of The Tiffany & Co. Foundation, said.

LEVI STRAUSS AND CO.

Levi’s has been doing its part to help fight against COVID-19 by hosting its virtual concert series on Instagram Live; some artists who have participated are Snoop Dogg, Sigrid, Kali Uchis, Burna Boy and more.  Levi’s is donating $10,000 per performance to a charity picked by the artist. The company is also donating $3 million to communities that are vulnerable and at-risk. “There’s been a real rush for emergency support on the front end of this,” Jennifer Sey, chief marketing officer of Levi Strauss & Co., told WWD. “We want to make sure we’re addressing some of the midterm and long-term impacts that could go unaddressed by supporting our existing community partners.”

KENNETH COLE

Kenneth Cole is working with the Covid-19 Solidarity Response Fund. (Photo credit: Kenneth Cole)

Kenneth Cole is donating 1% of the net sales on KennethCole.com to the COVID-19 Solidarity Response Fund in support of those severely affected by the coronavirus. The COVID-19 Solidarity Response Fund was launched by the World Health Organization and is being managed by the United Nations Foundation and the Swiss Philanthropy Foundation.

According to Kenneth Cole, donations will be used for the following:

Ensure that patients can access the care they need and that frontline workers can get supplies and information.

Support efforts in tracking and understanding the spread of COVID-19.

Accelerate the development of vaccines, tests and treatments.

ALEXANDER WANG

Alexander Wang’s charity for COVID-19. (Photo credit: NY Post)

On April 6, Alexander Wang launched its Alexander Wang vault shop, a curated collection of Wang’s archived pieces selling for up to 80 percent off in celebration of the brand’s 15th anniversary. Opened in response to COVID-19, Wang donated 20 percent of sales to The United Nation’s COVID-19 Solidarity Response Fund.

CAPRI HOLDING

Michael Kors gives back. (Photo credit: Fashion United)

Capri Holding, the luxury fashion company that owns Michael Kors, Versace and Jimmy Choo, joined the fight against coronavirus by donating $3 million across all three brands. The $3 million donation will benefit organizations from each brand’s home cities, New York (Michael Kors), London (Jimmy Choo), and Milan (Versace).

Our hearts and souls go out to those who are working on the front lines to help the world combat the COVID-19 pandemic,” John D. Idol, chairman and chief executive officer of Capri Holdings Limited, said in a statement. “We thank them for their remarkable dedication and courage and want to support them and the hospitals where they work. We also aim to strengthen organizations dedicated to helping the community.”

In addition to Capri’s donation, Michael Kors announced on his Instagram that he and Capri Holdings CEO John Idol will also be making personal donations of $1 million each.

Among the many things that I love about New York and New Yorkers is their strength and unwavering resilience in times of crisis. For a city as big as it is, there’s always been a strong sense of community,” Kors wrote in an Instagram post. “It’s heartbreaking to see what is happening here in my hometown, which is currently an epicenter of the virus, and the impact this outbreak is having on people in our city and around the world. I commend everyone working on the frontlines in our health care centers and thank you for your dedication to helping others.

PVH CORP

PVH Corp, which owns Calvin Klein and Tommy Hilfiger, is donating $1 million toward COVID-19 relief, plus another $100,000 donation to the Solidarity Response Fund’s COVID relief efforts.

As I work with our global leadership team to address a responsible plan forward for our business, how we execute it as good corporate citizens is an important part of our discussions,” Manny Chirico, Chairman and CEO of PVH, said in a statement posted online. “There is no roadmap for this crisis, but I know that at PVH we have strong values and connections to our communities.

The company announced over Instagram that it will be sending out over two million Personal Protective Equipment (PPE) – which include masks, gowns, and face shields – to healthcare workers in New York City. The first shipment has already been delivered to the Montefiore Health System.

CHANEL

Chanel face mask.( Photo credit: Forbes)

As the spread of the virus intensifies throughout France, Chanel has pledged to produce over 50,000 face masks and gowns for healthcare workers, police, and other essential workers in France. What’s more, the fashion house is also contributing €1.2 million to French emergency services.

SAKS FIFTH AVENUE

The Saks Fifth Avenue windows. (Photo credit: WWD)

The Saks Fifth Avenue Foundation has committed to donating $600,000 to coronavirus relief efforts split across three organizations: NewYork-Presbyterian COVID-19 Patient Care Fund, Bring Change to Mind, and Girls Inc. “Now is the time to stand together to support our community, our customers and all those affected both physically and mentally by the COVID-19 pandemic,” Marc Metrick, president at Saks Fifth Avenue, said in a statement. “Whether it’s medical workers on the frontlines, hospitals that require more essential supplies and resources, or those experiencing stress or anxiety about the virus, we know donations through the Saks Fifth Avenue Foundation will provide vital relief to those in need during this challenging and uncertain time.”

CALDEZONIA

The Italian luxury legwear and beachwear brand Caldezonia is converting it plants to produce medical masks and gowns using special machinery the brand purchased. The brand predicts it will be able to produce up to 10,000 masks per day, with that number increasing in the coming weeks.

REVOLVE

Revolve donates masks to two Los Angeles Hospitals. (Photo credit: Revolve.com)

Revolve announced on its Instagram that it will donate 10,000 N95 FDA-approved face masks to two Los Angeles hospitals. The brand also procured 20,000 additional masks to put aside for other healthcare workers, and called upon its influencers and followers to spread the word to frontline workers in need of protective gear.

Our doctors and nurses are on the front lines risking their lives to save ours, and are often doing so without adequate protective equipment,” the brand said in a statement. “Revolve’s mission for this initiative is to do anything we can to support our sisters and brothers, and hope to be able to make donations in the future.”

NORDSTROM

Nordstrom is sewing over 100,000 masks for medical personal. (Photo credit: Footwear News)

Nordstrom is teaming up with Kaas Tailored, to have members of its Nordstrom Alterations teams in Washington, Oregon, Texas, and California produce 100,000 masks to be donated to Providence Health & Services in Washington. Nordstrom will also offer additional support to Seattle Foundation, YouthCare, and Hetrick Martin Institute (HMI).

Also, by purchasing a gift card, Nordstrom will donate one percent of the sale to “annual community cash grants and support organizations that provide basic necessities for kids and families which includes things like access to health care, housing, food and education,” the company said in a press release.

SANDRO

Sandro will 10,000 cloth masks using excess fabric from past collections to help support hospital workers in France and around Europe. On March 30th, Sandro delivered 1,000 masks to the Aulnay-sous-Bois French hospital with an additional 2,000 masks to be delivered in early April. Sandro will deliver the remaining masks to other hospitals throughout Europe and 3,000 masks to the New York City hospital NYU.

VERA BRADLEY

Vera Bradley is producing protective gear such as masks and scrubs for essential workers. (Photo credit: News Sentinel)

Vera Bradley is known for their playful prints in handbags and accessories, but the brand is halting production of their accessories and will now use their own fabrics to produce masks for essential workers, and work alongside its supplier to procure protective gear such as masks and scrubs.

Our Company and Associates are honored to be able to contribute to the cause during this difficult and challenging time,” Rob Wallstrom, CEO of Vera Bradley, said in statement. “Our hearts go out to all affected by COVID-19 and to the courageous people serving on the front lines in our communities. We’re proud to be able to pivot our operations, lend a helping hand, and create a product with so much purpose.”

 

ATSUMI FASHION

Atsumi Fashion pivoting production from bras to masks (Photo credit: Fast Company)

 

Intimate apparel company Atsumi Fashion has been making masks out of bra lining material. A throwback to the 89s, wearing inner wear as outerwear (think Madonna wearing Gaultier’s bra).

BURBERRY

Burberry is making hospital gowns and face masks. (Photo credit: Metro News)

On the company website, Burberry announced that it would be dedicating significant time, money, and resources to helping with the COVID-19 global pandemic. The company said in a statement that it is going to “retool” its Yorkshire-based trench coat factory to make non-surgical gowns and masks and is facilitating the delivery of more than 100,000 surgical masks to U.K. National Health Service (NHS) staff. The company also said it is donating to charities across the country and funding University of Oxford research for a single-dose vaccine.

In challenging times, we must pull together,” Burberry’s CEO, Marco Gobbetti, said. “The whole team at Burberry is very proud to be able to support those who are working tirelessly to combat COVID-19, whether by treating patients, working to find a vaccine solution or helping provide food supplies to those in need at this time. COVID-19 has fundamentally changed our everyday lives, but we hope that the support we provide will go some way towards saving more lives, bringing the virus under control and helping our world recover from this devastating pandemic. Together, we will get through this.”

KERING

Kering Group steps to the plate to help with Covid-19. (Photo credit: Forbes)

Kering, the luxury goods giant behind Alexander McQueen, Bottega Veneta, Gucci and more, will supply three million surgical masks to French health services. Taking it a step futher, Kering brands Yves Saint Laurent and Balenciaga are also manufacturing “masks while complying with the strictest health protection measures for their staff members, with production getting underway as soon as the manufacturing process and materials have been approved by the relevant authorities,” Kering said in a statement.

GUCCI

Gucci’s “We’re all in this together”. (Photo credit: Gucci)

While Gucci is part of the Kering umbrella, Gucci also pledged 2 million euros to COVID-19 efforts that will be divided in two different donations. Gucci will donate 1 million euros to the Italian Civil Protection Department and another million euros to the World Health Organization’s COVID-19 Solidarity Response Fund.

This pandemic calls us to an unexpected task, but it is a call to which we respond decisively, advocating the selfless work carried out by health workers, doctors and nurses on the front lines every day in the fight against the COVID-19 pandemic, in Italy and in the rest of the world,” Gucci creative director Alessandro Michele and Marco Bizzarri, president and chief executive officer, said in a statement, per WWD. “Their generosity and courage light our way forward in these difficult days. By supporting each other and helping those who are most vulnerable among us, we will be able to overcome this crisis: united, even more than before.”

SKIMS

Kim Kardashian West donates $1 Million under her label Skims. (Photo credit: Buzzfeednews.com)

Kim Kardashian West is using her upcoming Skims Solutionwear restock to support corona relief. Skims pledged to donated $1 million to those affected by the virus.

To support mothers and children in need during this time, SKIMS is committed to donating $1M to families affected by COVID-19,” KKW said in a press release. “On Monday, we’re restocking the collection we first launched with, and in doing so, are able to help bring relief to those affected by this pandemic. I am so grateful to all of you who have supported SKIMS since we first started 6 months ago. It’s been a dream of mine for so long, and has only been possible because of your love for what we do. Our six-month anniversary has fallen in the middle of a Global crisis so more than ever, it’s our responsibility to give back and do what we can to help others.”

UNIQLO

Uniqlo has partnered with its manufacturing companies in China to procure 10 million masks to donate to high-priority hospitals around the world. One million masks will be donated to Italy and another million will be donated to Japan. In addition to the masks, Uniqlo is also providing healthcare workers with their signature Heattech and Airism clothing. “The company will continue to give assistance where needed, and as the situation evolves,” the brand said in a statement.

H&M GROUP

H&M will use its facilities to produce personal protective equipment (PPE) to be donated to hospitals and health care workers working on the frontline.

The Coronavirus is dramatically affecting each and every one of us, and H&M Group is, like many other organizations, trying our best to help in this extraordinary situation,” Anna Gedda, head of sustainability at H&M Group, said in a press release. “We see this is as a first step in our efforts to support in any way we can. We are all in this together, and have to approach this as collectively as possible.”

GAP INC.

Gap, Old Navy, Athleta, Banana Republic, Intermix, Hill City, and Janie and Jack all fall under the Gap Inc. umbrella, which announced that they will be using its factories to produce protective wear for healthcare workers.

An update on our #COVID19 response: Our teams are connecting some of the largest hospital networks in Calif. w/ our vendors to deliver PPE supplies while we pivot resources so factory partners can make masks, gowns & scrubs for healthcare workers on the front lines,” the Gap Inc. brand wrote on Twitter.

MICHAEL COSTELLO

Michael Costello with a face mask that he designed. (Photo credit: Michael Costello)

Michael Costello announced he’ll be collaborating with his Calabasas-based manufacturer to create 20,000 surgical masks to distribute to hospitals and first-team responders throughout the Los Angeles area.

For the first couple of days of this emergency I, like many others, felt frustrated and helpless just sitting at home. I realized that even if I couldn’t do what I wanted as a Designer, I should do what I can to help others that keeps our community safe,” Costello said in a press release. “While I’m not a nurse, doctor or first responder, I knew I can give the one thing I know best, which is fashion, and help design masks that will be crucial for preventing exposure.”

CHRISTIAN SIRIANO

Christian Siriano is helping to make masks. (Photo credit: The New Yorker)

In late March, After Andrew Cuomo revealed that New York is facing a surgical mask shortage, designer Christian Siriano came to the rescue.

If @NYGovCuomo says we need masks my team will help make some,” he tweeted, tagging New York governor Andrew Cuomo. “I have a full sewing team still on staff working from home that can help.”

Shortly after, Siriano posted a short clip of what his masks will look like, writing, “We will be making a few versions of this in order to help as many people as we can. Here is the process so we can get a perfect fit. More to come thank you everyone we hope to get these to the right people ASAP.”

REFORMATION

Fashion brand Reformation is teaming up with Los Angeles mayor Eric Garcetti to produce protective face masks for not only health care professionals, but grocery store associates and food delivery workers as well. Garcetti hopes the initiative will create more jobs for people. Manufacturers or businesses that are interested in participating can learn more about the initiative at laprotects.org.

Fashion companies are helping to make masks in the USA. (Photo credit: Jurgute/iStock)

While the fashion industry is doing its part to help Coronavirus relief efforts, not every brand can afford a $10 million donation, like Ralph Lauren, or to turn over its design studios and factories to produce supplies, like Christian Siriano. But we can all do our part. Whether its staying at home to stop the spread or making face masks in your studio, tell us, How are you helping to stop the spread of COVID-19?

 

 

 

 

 

 

 

ARE FASHION SHOWS STILL RELEVANT?

Louis Vuitton’s spring 2020 show. (Photo courtesy of Vogue.com)

As our industry grapples with the impact of fast fashion on our planet and explores circular fashion concepts, such as ‘fundamental redesign’ (the shift from a ‘take-make-waste’ model towards a ‘reuse-based’ model), while other more responsible brands move to put the health of our planet over profits, we must ask ourselves… are fashion shows still relevant?

Add to these concerns the reality that designers are expected to execute four collections a year (spring/summer, fall/winter, resort, and pre-fall) as well as produce an expensive fashion show twice a year. As the industry once again ponders whether the expense and the number of shows are necessary, especially in a digital, on-demand, eco-conscious environment, the fact remains that consumers are not spending as much money on clothing as they are on technology and vacations. So, is this pace and expense sustainable?  Let’s take a look. But first, let’s explore the origins of the fashion show.

History of the Fashion Show

According to Historical Dictionary of the Fashion Industry, written by our founder, Francesca Sterlacci and Joanne Arbuckle, the former Dean of the Fashion Institute Technology:

“The first fashion shows can be traced to Paris, beginning in the mid-1800s, with designers Charles Frederick Worth, Jeanne Paquin and Jean Patou. Worth was the first to design and display his own creations for women to choose from, via a “fashion show” on live models, four times a year.”House-of-Redfern---Galerie-de-vente---Paris-fashion-1910

 

Fashion models and society ladies at a designer salon circa 1910 (Photo credit: Glamourdaze.com)

The Paris salon show schedule would inevitably become the foundation for ‘fashion weeks’ in Milan, London, and New York. These cities became known as the “Big Four,” the largest and most important centers for fashion. In its early days, shows were solely for core customers, buyers and editors. The general public didn’t see the latest designer wares until they were available in stores some four to six months later. Even fashion magazines understood that the latest creations could not be unveiled in their editorial pages until they could actually be purchased by the consumer. A concept that has changed over time but may need to be revisited.

In 1943, New York fashion designers held ‘press weeks’ in fall and spring whereby editors and buyers would swarm to ritzy hotels to view the latest designer runway presentations.  For decades, this is how the system worked. Runway shows offered buyers and editors a chance to see designers’ collection, six months before they became available to the public. This helped buyers plan their “open-to-buy” and advertising budgets, and for editors to plan the trends that they would promote and feature in their editorial pages. Fun fact: American fashion publicist Eleanor Lambert was the first to create fashion shows as charitable events with her March of Dimes shows (1948-1960), that not only raised money but helped promote American fashion design.

Christian Dior Show in 1948 (Photo Courtesy of AP Photo)

 

The Fashion Calendar

With so many fashion shows to coordinate among the “Big Four,”  a schedule was needed to keep shows from overlapping. Enter Ruth Finley and her fashion calendar, known in the industry as the “Pink Bible.”  In existence since the 1950s, the Fashion Calendar still is the” fashion planner for all fashion runway shows and other related fashion events.  In 2014, the Council of Fashion Designers of America (CFDA) acquired the Fashion Calendar. Today it has six hundred and fifty subscribers and available in digital format only. No serious designer would dare schedule their show without first consulting with Fashion Calendar.

Fashion Weeks: NYFW – LFW – MFW  & PFW

New York Fashion Week (NYFW), as we know it today, began in 1993. Fern Mallis, then executive director of the CFDA, took hold of fashion’s schedule and tried to centralize the shows so that buyers and editors were not shuffling all over the city.  “Organized shows put American designers on the map and changed the fashion landscape forever,” Mallis told Racked in 2015. “Before that, there were 50 shows in 50 locations. Everyone did their own thing without understanding what a nightmare it was to get from one show to the other.”

      “To dispel the myth that U.S. fashion designers were influenced by their European counterparts, in 1998, American designers decided to move their fashion show schedule ahead of Paris, London and Milan and instead of being the last show, they became the first. This has remained the schedule into the twenty-first century.” ~ Historical Dictionary of the Fashion Industry

Bryant Park, located in mid-town Manhattan, was home to NYFW for 16 years. It was the first time designers were offered the option to present their fashion show without the responsibility of having to produce a fashion show from scratch –  the space, lighting, sound, and security were all handled by a production firm (IMG). That’s not to say it was cheap. According to Forbes.com,  “In 2007, a show at Bryant Park cost at least $50,000 for designers, according to one estimate.” Bryant Park  heightened awareness of NYFW and the fashion game began to change. It also provided an opportunity for designers to invite celebrities to sit front row, next to editors and later led to the rise of fashion bloggers and influencers.

By 2010, and with nearly 300 scheduled shows, the fashion crowd outgrew Bryant Park. NYFW was then moved to Lincoln Center for several seasons, however, as we all know, fashion is fickle. Today NYFW shows are primarily held in spaces along the West Side Highway and at Manhattan’s Hudson Yards, where the spaces are larger and New York City traffic is less of an issue.

Bloggers & Influencers- From left: bloggers Bryanboy, Rumi Neely, Leandra Medine, Natalie Joos, Elin Kling &

Hanneli Mustaparta attend the Phillip Lim Spring 2014 fashion show in New York City. (Wendell Teodoro/WireImage, via Getty)

The Birth of the European Fashion Show Extravaganza

While U.S. designers mostly stayed faithful to the traditional runway show with models parading down a long narrow catwalk or in a passerelle or semi-circular format, their European counterparts favored the extravaganza. For example, Nino Cerutti’s used publicity stunts to self-promote, such as when he painted Lancia convertibles blue, then paraded them down the streets of Rome and onto the runway, where a starlet then broke a bottle of champagne on the hood. Designers Claude Montana and Thierry Mugler staged fashion show “extravaganzas” during the 1970s and 1980s that became media hypes, with fashion models often upstaging the clothes. In the late 1990s and early 2000s, designers John Galliano and Alexander McQueen continued to create some of the most spectacular shows, often with celebrity guests in attendance and sometimes even taking to the catwalk. Viktor & Rolf, Chanel, Rick Owens, Fendi and Ricardo Tisci at Givenchy transformed the fashion show experience for the new millennium by: creating avant-garde conceptual performances, adding plus size models and introducing technology, such as the Fendi show in 2015 that used drones to film and live stream the show.

Broken Fashion Show System

According to the Historical Dictionary of the Fashion Industry, “By 2015, designers, buyers, fashion journalists and fashion organizations, such as the Council of Fashion Designers of America and the British Fashion Council, began to examine the “broken” fashion system as it related to the overcrowded fashion show schedule, the excessive number of shows and the relevance of showing fashion that cannot be immediately purchased; since the traditional fashion show system features merchandise six months in advance of the selling season and live-streamed fashion shows are available to consumers where immediacy is key for consumers in a digital age. Burberry was the first to make the decision to change the model by; showing only two collections a year, combining their menswear and womenswear in the same show, featuring clothes in season and not six months ahead of the season, and making the merchandise for sale immediately afterwards. In 2016, recording artist Kanye West and Adidas made fashion history when, timed to the launch of West’s new album The Life of Pablo, they held the first ever consumer ticket-holder fashion show at Madison Square Garden with tickets for their Yeezy-Adidas show priced at $275 each.”

Today, shows are not only photographed for social media, but they are also live-streamed so anyone sitting at home in front of their computer can tune in. Fashion shows have now evolved into marketing spectacles directed towards a mass audience. Hundreds of thousands attend fashion week, but thanks to today’s digital world, millions of people live-stream fashion shows online. So the purpose of fashion week seems clear; capture the attention of as many people as possible; visibility leads to sales, right? Only to a degree.  Unfortunately, the equation is not so straightforward and for years the question of “is fashion week dying” has been an ongoing conversation among fashion insiders.

“In a world that has become increasingly immediate, the current way of showing a collection four months before it is available to consumers is an antiquated idea and one that no longer makes sense,” designer Tom Ford told WWD in 2016. “We have been living with a fashion calendar and system that is from another era.”

While some may believe the fashion week runway format is archaic, this system still exists, but has arguably lost step in a world where everything is instantly visible across various social media platforms. Today, designers and brands can bypass store partners and sell straight to their customers through their own websites. It has become routine for consumers to stream new products that fast fashion popularized and these forces have transformed the fashion industry.

Enter Instagram

One of the biggest game-changers for the industry has been Instagram. The popular social media platform creates a constant connection between brands and customers and has helped reshape the way brands communicate to potential customers. Designers even create Instagammable ‘moments’ during their runway shows.

Chanel transformed the Grand Palais into a beach scene during Paris Fashion Week in October 2018 (Photo courtesy of Reuters)

And yet, fashion shows and their organizers aren’t disappearing time soon, in actuality, the reverse is happening, as more cities around the world are staging their own fashion weeks including Shanghai, Seoul, and even Canada. Many prestigious designer houses have even opted to show full runway extravaganzas for their resort and pre-fall collections as well. Many brands, both large and small, are joining the fashion week cycle because of the prestige and exposure that comes with it.

But one must ask, is the exposure worth the price tag that goes along with producing a fashion show?

Of course, the answer varies by brand. In 2019, Christian Siriano provided a breakdown of his show cost for Vogue Business that reached up to $300,000. It included models, set design, lighting, sound, and all the elements needed to create a runway show. According to an interview in Vogue, Siriano stated, “I think when our investors go through the numbers, it’s really hard for them to see actual returns, obviously, there are ways to tell if a collection is more successful than another, but that doesn’t necessarily have to do with the show. It has more to do with the timing, or the fabrications we’re using or what’s happening with the seasons.”

Christian Siriano’s spring 2020 show. (Photo courtesy of Vogue.com)

While a six-figure tab will give you a basic fashion show format, there are those designers who go to the extreme during NYFW. In 2011, The New York Times reported that Marc Jacobs (following in the European show extravaganza tradition) spent $1 million to produce his show. While these grand spectacles are a tool to sell clothes, the buyers attending these shows do not buy their collections during the show, but rather sales take place during private showroom appointments. So is it all worth it?

Rachel Feinstein’s set for Marc Jacobs’ Fall 2012 show. (Photo courtesy of Vogue.com)

The reach and cost-effectiveness of having such a show is difficult to determine. Most brands look to Instagram as a tool to determine how many potential customers have viewed their runway videos and images.

To hype their show and encourage sales, some brands have tried to offer customers specific looks immediately after the show, both in their stores and on their website, in an attempt to translate the excitement of the runway moment. Others have opted to live stream their runway show so customers can view the show and then immediately shop the collection. A few designers – such as Gucci and Balenciaga- have taken to regularly dropping new items between shows.

So with a six-figure price tag, many young designers are conflicted and ask the question, “is a fashion show worth the cost?” Well for many, the answer is yes. A fashion show is a great marketing tool. It is a way to get customers to notice your exciting and creative work. For many luxury brands, a show is a marketing tool to sell cosmetics, perfume and accessories. These brands may actually lose money producing clothes, as Exane BNP Paribas and the fashion consultancy firm VR Fashion Luxury Expertise have noted. But runway shows and their creative clothing are valuable to the branding. “Today shows have nothing to do with clothes anymore,” Guram Gvasalia, the CEO of Vetements, told WWD after the brand reorganized the scheduling of its runway shows in 2017. “Most of the looks are not even produced and therefore never get to the shop floor. Shows are there merely to sell a dream and that, at the end of the day, will sell a perfume or a wallet in a duty-free store.”

For smaller labels, branding is also an important opportunity that can benefit their brand. Christian Siriano told Vogue Runway that his shows, which have been praised for his diversity in models, have attracted other business, such as a shoe partnership with Payless. Presenting during a major fashion week also adds credibility and legitimacy to a young label. It can help put their brand on radar of industry leaders. Stylists for example keep an eye on fashion week and pull clothes for photoshoots and celebrity events. A young designer can easily land in an editorial layout or on the red carpet on a major celebrity. Or, catch the eye of a savy store buyer who just might be willing to give them a break.

The fashion industry represents over $2.5 trillion dollars (according to a recent McKinsey report in 2018) and, on average, a 10 to 15 minute fashion show can cost anywhere from $200,000 to over $1 million. With these hefty price tags brands must think, “what is the return on investment?” Is the answer social influence? Is it celebrities and street-style stars wearing the collection? Well, according to data analytics provider Launchmetrics, the answer is more complex.

Launchmetrics’ new “Data on the Runway” report suggests the key is MIV or media impact value – an algorithm which measures the impact of media placements to derive a number for performance outcomes.

Take Ralph Lauren’s 50th year anniversary for example (spring 2019), Launchmetrics’ data analysts found that Ralph Lauren’s widely publicized anniversary show ranked first amongst the brands, with the highest MIV generated over the Fashion Weeks at $38 million.

The star-studded event included Hillary Clinton, Oprah Winfrey, Robert De Niro, Donna Karan, Calvin Klein, and Anna Wintour. Lauren also hosted an extravagant collection presentation and finished with a paparazzi-heavy post-show dinner party.

Left to right: Hillary Clinton, Ralph Lauren, and Anna Wintour. (Photo courtesy of Instagram@Ralph Lauren)

According to Launchmetrics, it is clear that influencers garnered enormous buzz for the brand (taking 46.2% of the pie), followed by Ralph Lauren’s owned media channels (at 29.7%).

Following Ralph Lauren, Launchmetrics estimated Coach ($27 million), Dior ($22.6 million) and Gucci ($19.4 million), followed closely behind and once again, Chiara Ferragni topped the charts as the top influencer voice.

Chiara Ferragani (known as The Blond Salad) led with $18.3 million in MIV; to put that into perspective, she nearly reached the same MIV as Versace ($18.7 million) did for their SS19 show — proving the continual power of influencer investments.

Influencer Chiara Ferragni (right) attends many shows over Fashion Month and is expected to boast $18.3 million in Media Impact Value – Zimbio.com

According to Forbes magazine, “social media actually proved imperative for fashion brands altogether; posts shared by celebrities and influencers represent an impressive 89% of buzz compared to online media’s 11%. Spring/Summer 19’s top-performing celebrity was Nicki Minaj, who generated a total of $11.3 million MIV over the season.”

Alison Bringé, CMO at Launchmetrics, said: “Today, fashion weeks are no longer industry events but are a platform to reach the digital savvy consumer, so brands need to think outside the box in order to transform their 15-minute event into something that lives on, beyond what happens on the runway. The case studies within the report shed light on how brands can generate buzz through activities such as using influencers to create 360° campaigns, changing their location to talk to new consumers and markets, or even by focusing on their own media to increase the share of wallet.”

While the ROI for having a runway show differs for every brand, one point is clear; a fashion show is the best way for a designer to communicate their creative vision. “For me, the show is the only moment when I can tell my story,” designer Dries Van Noten once told The Independent. “It’s the way I communicate my ideas to the world.”

Dries Van Noten’s men’s spring 2019 collection, inspired by the work of interiors designer Verner Panton (Photo courtesy of AP Photos)

“If I couldn’t do my shows, I wouldn’t want to be in fashion,” designer Thom Browne told author Booth Moore in her book, American Runway. “I look at my shows as my responsibility in the world of design to move design forward. I think they are such an amazing way of giving a more interesting context to fashion.”

Thom Brown’s spring 2020 show. (Photo courtesy of Vogue.com)

So in the end, we ask these questions: 1) Are fashion shows still relevant? 2) How do emerging designers afford the fashion show price tag? 3) Will the next generation of designers find an affordable alternative to the fashion show? 4) Will millennial & Gen Z designers find a way to disrupt the status quo and make the fashion show as obsolete as the floppy disk? 5) Will we soon be watching virtual 3D fashion shows with life-like avatars walking the runway?

Share your thoughts, we’d love to hear from you!

 

 

Marc my words, Jacobs was the best NYFW had to offer

I know I am late to this party, but I finally had the chance to see the Alexander McQueen documentary. If you’ve been under the same rock I have, check out the trailer here. Then, make sure to stream the full length version.

The reason I bring up the McQueen documentary is that it reminds me of a time when fashion shows told tales, the viewer was taken on a visceral journey, and when fashion felt like art, not necessarily commerce. As I sat down to write yet another NYFW review, I realized that I have been covering fashion weeks for over a decade. Whether as a wanna-be fashion student, actual fashion student, designer or blogger, I’ve clicked through countless slides, attended umpteen shows and shown my own collection at NYFW.

While I identify most with the “little guy/gal,” I have big expectations from well-established designers with financial resources and substantial backing. With very few exceptions (especially since Thom Browne packed up for Paris), I rarely see the likes of a McQueen-worthy vision on New York runways. So with McQueen as my guide, I’ve selected the most exhilarating, tale-telling collection (in my humble opinion, of course) by an established player in the NY fashion scene to cover this NYFW. And the honor goes to…none other than Marc Jacobs.

This is not to say that Ralph Lauren’s 50th anniversary collection or Raf Simons showing for Calvin Klein shouldn’t receive a mention, but three elements push Marc Jacobs S/S 2019 collection to the top.

A response to the cultural/societal/political landscape

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Trans Model Finn Buchanan Image: Vogue.com

Much like movies were an escape during the Great Depression, I think Marc Jacobs’ confectionary creations for S/S 2019 offered us a bit of an escape from negative news, a growing division between people and an impending and intense political cycle.  But just because Jacobs’ larger-than-life ensembles were bright, well-crafted eye candy, doesn’t mean there wasn’t a serious stance embedded in the fluff. Models of all races graced the inclusive Jacobs’ runway, as did trans models, Finn Buchanan and Dara Allen.

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Trans Model Dara Allen Image: Vogue.com

An inspired story

Sometimes I play a little game with myself, just to keep things interesting. I do my best to study a collection, feel the feels and then give my best stab at the designer’s inspiration before reading a word of a review. Marc Jacobs sited a 1960s Barbara Streisand as inspiration for S/S 2019, but a more detailed story played out in my head. So whether my story has anything to do with Jacobs original inspiration or not, the fact that his collection inspired such a tale means it was a collection that sparked imagination—a “Marc” of an exquisite collection.

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Image: Vogue.com

The 60s reference was clear in hair and makeup, but the volume and silhouettes were a far cry from the mini dresses popularized in the 60s. I imagined vivid scenes from the 1967 cult classic Valley of the Dolls in which three girls found their way into showbiz, became famous and depended on “uppers,” sleeping pills, and diet pills (which they called “dolls”) to sustain a life in Hollywood.

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The top hats, the ruffled collars, the oversized bows and rosettes felt doll-like and the voluminous cloud confections felt like “doll”-induced hazes in which the models were floating down the runway. And then there’s the pastel heavy color palette…call me “on dolls,” but I couldn’t help draw a few parallels.

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Images: Vogue.com

Artistry fulfilling both fantasy and function

Yes, the Pierrot collars may have been over the top, but look underneath. Jackets with the kind of purpose and wearability any power player would be proud to don. Pleats and wide leg trousers gave new meaning to “power suit.”

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Image: Vogue.com

Take away some of the styling and take a look at the phenomenal cut of Jacobs’ garments. The drape on the jacket below alone…

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As Vogue’s Nicole Phelps claims, and this blogger seconds, Marc Jacobs “is New York’s keeper of the fashion flame.” Bravo. Again, bravo.

Your turn. Which S/S NYFW collections inspired you? And more importantly, why? Comment below!