Looks from Richard Quinn’s Fall 2021 Collection. (Photo Credit: Vogue Runway)
Children of all ages love the traditions of Halloween, from wearing scary costumes to carving out pumpkins, the holiday is a magical time of year filled with fun festivities. This year, Halloween will be extra special considering the bewitching holiday was pretty much cancelled in 2020 due to the Covid-19 pandemic. So, if you are still searching for your epic Halloween costume, just look to the runways for inspiration.
A look from Off-White’s Fall 2021 Collection. (Photo Credit: Vogue Runway)
While Halloween-inspired looks have always been an inspiration on the runways. Here are a few blasts-from-the-past costume looks:
Who could ever forget Prada’s creepy 2019 Frankenstein collection with images of the monster himself and his equally spooky bride?
A look from Prada’s Fall 2019 Collection. (Photo Credit: Vogue Runway)
And what about the infamous 1997 Comme des Garçon collection that had distorted body lumps reminiscent of Quasimodo from the classic tale, The Hunchback of Notre Dame.
A look from Comme des Garçons’ Spring 1997 Collection. (Photo Credit: Vogue Runway)
Dark magic and enchantresses have always been an inspiration on the runway, one of the best witchy looks was from Martin Sitbon’s 1993 collection.
A look from Martine Sitbon’s Spring 1993 Show. (Photo Credit: Daniel Simon)
Clowns are always a favorite, here are some of our favorite clown looks through the years.
From left, Maison Margiela, fall 2015; Dior haute couture, fall 2007; Alexander McQueen, fall 2001. (Photo Credit: The New York Times)
But not all Halloween costumes need to be terrifying. There were plenty of sweet, girlie looks, ranging from princess to Barbie, case in point, Moschino’s 2015 Barbie-inspired collection.
A look from Moschino’s Spring 2015 Collection. (Photo Credit: Vogue Runway)
As we get closer to Halloween, fashionistas will be showing off their designer costume-inspired looks ranging from crafty witches to NASA astronauts. So, take a look below, and see the most artistic styles from the 2021 and 2022 runways that’ll have you covered when it comes to costume innovation, while giving you major fashion cred. And the best part? These are all looks that are available in time for your costume parties.
THE GHOST OF ELIZA DOOLITTLE
A look from Comme des Garçons’ Fall 2021 Collection. (Photo Credit: Vogue Runway)
One of the most theatrical designers of our time is Rei Kawakubo of Comme des Garçons. The avant-garde designer never disappoints. For fall 2021, Kawakubo created a tight line-up of magnificently Edwardian & Victorian-inspired looks consisting of black cloaks with puffy white linings, ballooning crinolines, and frothy layers of whipped white cotton and black tulle. Stovepipe hats completed the look. The collection echoed a modern variation of Cecil Beaton’s My Fair Lady (1964) Ascot scene.
LITTLE RED RIDING HOOD
A look from Christian Dior’ Fall 2021 Collection. (Photo Credit: Vogue Runway)
We have all been told countless fairytales throughout our lives. For fall 2022, Christian Dior’s creative director Maria Grazia Chiuri layered the collection with fairytale themes centered around the idea of appearance vs. character: Cinderella, Little Red Riding Hood and Sleeping Beauty and the stories re-recorded by Charles Perrault in Versailles in the 18th century. The tales inspired a whimsical collection suspended between the idea of classic and timeless pieces, juxtaposed against the alluringly dangerous fairytale world.
A look from Marc Jacobs’ Fall 2021 Collection. (Photo Credit: Vogue Runway)
Marc Jacobs made a bold statement for fall 2021 as he played with dramatic mid-century looks, and yes, Space Age proportions, all filtered through an American sportswear extremism that caught the attention of the Gen Z shopper.
A look from Dolce & Gabbana’s Fall 2021 Collection. (Photo Credit: Vogue Runway)
Throughout the ‘90s designers Domenico Dolce and Stefano Gabbana, the geniuses behind the Italian fashion house Dolce & Gabbana, dressed a multitude of musicians for various award shows and music videos. Their sexy looks are still rocking the runway today and for their fall 2021 collection, the duo threw-it-back to their nineties heyday.
A look from Alexander McQueen’ Fall 2021 Collection. (Photo Credit: Vogue Runway)
Alexander McQueen’s creative director, Sarah Burton, has kept true to the houses DNA. The talented designer even managed to capture the founders dramatic flare for storytelling in a dramatically beautiful yet haunting way. For fall 2021 she didn’t disappoint. Channeling the healing powers of nature, Burton was inspired by anemones and water as recurring motifs in that collection. Crushing up photographs of anemones, Burton photographed them again, and transferred the images onto gigot-sleeved poly faille gowns, worthy of Empress Sisi ( The Tragic Austrian Empress Who Was Murdered by Anarchists).
A look from Sacai’s Fall 2021 Collection. (Photo Credit: Vogue Runway)
The beloved cartoon Inspector Gadget came to life for fall 2021 as Sacai’s creative director, Chitose Abe, reinterpreted the classic trench coat into a cool, must have staple.
LET’S GET PHYSICAL
A look from Saint Laurent’s Fall 2021 Collection. (Photo Credit: Vogue Runway)
It’s time to throw on your leotard and start your aerobics class, as Saint Laurent’s creative director Anthony Vaccarello sent out dazzling eighties-inspired looks for fall 2021.
TO INFINITY AND BEYOND
A look from Balenciaga’s Fall 2021 Collection. (Photo Credit: Vogue Runway)
Never one to go the traditional route, Demna Gvasalia, creative director at Balenciaga, presented his fall 2021 as a working video game. The fashion-turned-game-designer created the electronic game Afterworld: The Age of Tomorrow, an allegorical adventure that showcased his latest creations, including NASA-inspired outerwear.
A look from Junya Watanabe’s Fall 2021 Collection. (Photo Credit: Vogue Runway)
Rock on! Junya Watanabe’s “Immortal Rock Spirit” fall 2021 show was inspired by true rock bands including Kiss, Aerosmith, AC/DC, the Rolling Stones, Queen and the Who. His classic concert tees were wrapped up, patchworked, and reconstructed into draped shapes, challenging the standard fashion vocabulary. Watanabe was quite brilliant at rocking that aesthetic.
WELCOME TO THE JUNGLE
A look from Moschino’s Fall 2021 Collection. (Photo Credit: Vogue Runway)
Jeremy Scott, creative director at Moschino, really knew how to have fun with fashion; case in point, a giraffe-inspired dress with headpiece and all.
A look from Vetements’ Fall 2021 Collection. (Photo Credit: Vogue Runway)
Guram Gvasalia, Demna’s younger brother and creative director behind the cultish label Vetements, is always courting controversy. For fall 2021, the differences between observing, commenting on, and simply mocking real political events for profit has become a dangerously blurred line. Guram exhibited flashes of idealism in passing, case in point, the United Nations flag print suit.
A look from Valentino’s Fall 2021 Collection. (Photo Credit: Vogue Runway)
For fall 2021, Valentino’s creative director Pierpaolo Piccioli, added a punk touch to his otherwise chic collection. It was the perfect collection for a modern-day, grown-up Wednesday Addams (circa ’60s TV show The Addams Family and recent animated cartoon movie, The AddamsFamily2) .
A look from Yohji Yamamoto’s Fall 2021 Collection. (Photo Credit: Vogue Runway)
Yohji Yamamoto is known for his hauntingly beautiful collections. His artistic creations for fall 2021 were rendered entirely in black, with the exception of stitching, piping and a single print. The dark yet romantic looks had a witchy aesthetic that was spellbinding.
BOY MEETS GIRL
A look from Thom Browne’s Fall 2021 Collection. (Photo Credit: Vogue Runway)
Thom Browne, the designer behind his namesake collection, created his fall 2021 collection based on extreme scales that were overwhelmingly delightful. Browne fused black-tie clothing with sport apparel and in one look even added a gigantic couture bow. Beneath all those bubble helmets and big-time bows were models of all genders, but Browne insisted that gender really doesn’t matter. His creatively beautiful clothes are for everyone.
A look from Rick Owens’ Fall 2021 Collection. (Photo Credit: Vogue Runway)
The global pandemic has undoubtedly affected everyone’s mental health. So it’s no surprise that Rick Owens’ fall 2021 collection had post-apocalyptic vibes. His girls were otherworldly, like a fashionable parade of aliens who came to earth to party.
Andrew Bolton discusses the underlying themes and importance of the upcoming exhibition. (Photo Credit: The Metropolitan Museum Of Art)
It’s not the first Monday of May, but the Met Gala is back on. And, for the first time in its history, it coincides with New York Fashion Week. and will be presented in two parts, In America: A Lexicon of Fashion and In America: An Anthology of Fashion. The first glamorous event will take place on Monday, September 13th, however, this time it will be a smaller and more intimate soirée. (The fashion extravaganza was cancelled last year and postponed due to COVID-19.) While the highly anticipated affair will look a little different this year, there will still be a red carpet filled with magnificent fashion and celebrity sightings. The second part, In America: An Anthology of Fashion will have its red carpet moment on May 2, 2022.
Here is everything you need to know about fashion’s biggest night.
(Watch a video about the exhibition, In America: A Lexicon of Fashion. Film by Sterling Ruby for The Met).
WHAT IS THE MET GALA?
The Met gala is the fashion world’s equivalent of the Oscars. Designers, models, brand ambassadors and Hollywood stars assemble for one night out of the year to wear the most fantastical looks in celebration of the Metropolitan Museum of Art’s Costume Institute latest show. Most guests dress to fit the theme of the exhibit and the Met Red Carpet is something like the Greenwich Village Halloween Parade.
Katy Perry in Atelier Versace in 2018 for the Catholic Imagination theme at the Met Gala. (Photo Credit: Getty Images)
MET THEME 2021
“Veil Flag” by S.R. STUDIO. LA. CA., 2020, courtesy of Sterling Ruby Studio. (Photo Credit: Melanie Schiff)
This year’s Met gala theme celebrates American fashion. Andrew Bolton, the Wendy Yu Curator-in-Charge of the Costume Institute, felt it was time to reexamine American identity and fashion, especially as it has changed over the last several years due to both political and social justice movements. “I’ve been really impressed by American designers’ responses to the social and political climate, particularly around issues of body inclusivity and gender fluidity, and I’m just finding their work very, very self-reflective,” Andrew Bolton told Vogue. “I really do believe that American fashion is undergoing a renaissance. I think young designers in particular are at the vanguard of discussions about diversity and inclusion, as well as sustainability and transparency, much more so than their European counterparts, maybe with the exception of the English designers.”
THIS YEAR’S CO-CHAIRS
Left to Right: Met Gala co-chairs Billie Eilish, Naomi Osaka, Timothée Chalamet, and Amanda Gorman. (Photo Credit: Getty Images)
The Met gala traditionally has a number of co-chairs that help host the event every year. For this year’s 2021 Met gala it’s a list of the current Who’s Who: Timothée Chalamet, Billie Eilish, Amanda Gorman, and Naomi Osaka, while Tom Ford, Instagram’s Adam Mosseri, and Anna Wintour (who has chaired the event since 1995) will serve as honorary chairs.
WILL THERE BE A RED CARPET?
Yes! There will be a red carpet, although the affair will be intimate and will follow New York City’s COVID-19 safety protocols. On the iconic Met steps will be a cast of celebrities and guests in their outré ensembles.
Yes, the Met gala will have a formal dress code. On the 2021 invitation, the dress code is listed as American Independence. We are sure there will be many over-the-top variations on the theme, from bedazzled American flag inspired looks, to classic gowns created by American designers. We can guarantee that looks will be anything but boring.
Kim Kardashian in Mugler with Kanye West in 2019 regularly attend the Met Gala . (Photo Credit: Getty Images)
Part of the excitement of the Met gala is not knowing who will show up! Designers typically invite, as their guests, the hottest celebrities of the moment.
The exclusive invite list is always kept closely guarded until right before the event, but rumored guests include TikTok dancer Addison Rae, YouTube vlogger Emma Chamberlain, singer Camila Cabello, sprinter Allyson Felix, and British Formula 1 driver Lewis Hamilton.
Met Gala regulars Beyoncé, Jennifer Lopez and Kim Kardashian will reportedly be in attendance, but a New York Post Page Six article suggested that some big stars won’t be showing up this year. For example, Tom Brady and Gisele Bündchen due to Brady’s Buccaneers training schedule. Other Met gala regulars that will have to miss this year’s festivities are Sarah Jessica Parker, who has a scheduling conflict with her filming of the Sex And The City reboot. And Kate Moss and Saoirse Ronan who live overseas and might be unable to attend due to COVID travel restrictions. Some European designers may miss it since they will be prepping for their own fashion shows.
One celebrity agent told the Post: “I think the big actors and the big fashionistas will come next year, when it returns in May. I also don’t think a lot of people feel like dressing up in ridiculously expensive outfits and putting on a mask for this.”
We will wait and see which celebrities make their dramatic red carpet reveal on September 13th.
THE EXHIBITS: Parts 1 & 2
A look from Prabal Gurung’s spring 2020 collection. Courtesy of The Metropolitan Museum of Art. (Photo Credit: Paolo Lanzi for IMAXTREE)
The Met gala event on September 13th, A Lexicon of Fashion, will open to the public on September 18th at the Anna Wintour Costume Center at the Met, marking the Costume Institute’s 75th anniversary. The exhibition will be staged to resemble a home, with intersecting walls and rooms that will establish what Bolton calls “a new vocabulary that’s more relevant and more reflective of the times in which we’re living.” Part one of the exhibit will feature looks from Christopher John Rogers, Sterling Ruby, Conner Ives, Prabal Gurung, and Andre Walker, to name a few.
The second exhibit, An Anthology of Fashion, will open to the public on May 5, 2022, and will be located in the period rooms of the museum’s American Wing. According to an interview with Vogue, Bolton and the museum’s curatorial team will work with American film directors to create cinematic scenes within each room that depict a different history of American fashion. (On May 2, 2022, a second Met gala will take place to celebrate the opening of An Anthology of Fashion.)
This two-part exhibition is one of the most ambitious that the Costume Institute has ever attempted to date. The exhibitions will explore the question: Who gets to be an American? A red, white, and blue silk sash from the grand finale of Prabal Gurung’s 2020 10th-anniversary collection featured the phrase, and it will greet visitors from the entrance of the Anna Wintour Costume Center. It’s a question every immigrant considers—but wrapped in golden light at the onset of a fashion retrospective, it takes on a new spirit. “It was important to open with that,” says Andrew Bolton, in an interview with Vogue. “It tackles this notion of acceptance and belonging, which recent events have brought to the fore. Of course, these are questions that have always been present—but there are moments in history when they’re more resonant and resounding.”
Ensemble by Christopher John Rogers from his fall 2020 collection. Courtesy Christopher John Rogers. Image courtesy of The Metropolitan Museum of Art. (Photo Credit: Christina Fragkou)
In America, the museum’s two-part exploration of all things Made in the U.S.A., is a yearlong celebration spanning three centuries of fashion. The first part, which includes pieces from such American iconic designers such as Ralph Lauren, Donna Karan, and Calvin Klein alongside the current vanguard of millennial talent, such as Christopher John Rogers, opens to the public on September 18, with part two opening on May 5, 2022.
According to Vogue, In America, echoes the work Bolton has done expanding the Met’s archives to include more contributions from designers of color and marginalized groups—and though it serves as a retrospective, the show’s observations about national identity are rooted in current concerns. “It was almost impossible to do this show without looking at it through the lens of politics,” says Bolton. “There’s no art form that addresses the politics of identity more than fashion.”
Bolton credits 2020’s social justice movements as the prompt for him to reexamine the topic of terminology—particularly when tackling such important issues—since, in the 20 years since the museum’s last overview of American fashion, discussions around style have changed. “American designers are at the forefront of conversations around diversity, inclusivity, sustainability, gender fluidity, and body positivity,” Bolton says in an interview with Vogue, “and the framework of the show enables us to focus on the younger designers who are engaging thoughtfully and deeply with those ideas.”
Cape by Andre Walker using Pendleton Woolen Mills, spring 2018 colection. Courtesy Andre Walker Studio. Image courtesy of The Metropolitan Museum of Art. (Photo Credit: Shoji Fujii)
During the height of the pandemic, when New York City was in complete lockdown, Bolton played with the idea of organizing the exhibition as a kind of high-tech house inspired by Witold Rybczynski’s Home: A Short History of an Idea—but wedging designers into categories in different rooms of the house. Bolton’s final inspiration, Reverend Jesse Jackson’s speech at the 1984 Democratic National Convention. “America is not like a blanket, one piece of unbroken cloth, the same color, the same texture, the same size,” he told the audience at San Francisco’s Moscone Center. “America is more like a quilt: many patches, many pieces, many colors, many sizes, all woven and held together by a common thread.”
“The act of making a quilt celebrates the notion of community that is so strong in America,” says Bolton, who adds that quilts also connect ideas about family and about repurposing and recycling. “Each square is a different designer, who represents a specific quality of American fashion.”
“Traditionally American fashion has been described in terms of the American tenets of simplicity, practicality, and functionality. Fashion’s more emotional qualities have tended to be reserved for more European fashion,” Bolton says. “In part one we’ll be reconsidering this perception by reestablishing a modern lexicon of fashion based on the emotional qualities of dress.” The many rooms in this part of the exhibit will be titled to reflect the personal and emotional relationship we have to fashion: “Well-Being for the kitchen galleries, Aspiration for the office, and Trust, the living room, for example.”
Bolton is writing a new history of American fashion that focuses less on sportswear and Seventh Avenue dressmakers, and instead presenting American designers as creators, innovators, and artists. “Taken together these qualities will compromise a modern vocabulary of American fashion that prioritizes values, emotions, and sentiments over the sportswear principles of realism, rationalism, and pragmatism,” he says.
The exhibit will feature approximately 100 pieces from about 80 labels, and designers and will range from delightful 1994 Anna Sui dresses to Christian Francis Roth’s 1990 “Rothola” dress. Obviously, the show will feature a number of quilted and handcraft looks, case in point, Hollywood costumer turned designer Adrian’s 1947 dress which references the floral designs found on traditional hand-sewn American quilts. Other noteworthy patchwork pieces include a custom piece from Emily Adams Bode made from a vintage quilt. Sweet floral looks are also part of the exhibit with looks ranging from Adolfo’s silk eveningwear from the early ’70s, to Marc Jacobs’s spring 2020 botanical theme collection.
Florals might be subversively romantic. Two good examples on the Nice Corridor Balcony at left, Adolfo 1973, proper, Marc Jacobs, spring 2020. (Photo Credit: The Metropolitan Museum of Art)
Part two of the exhibition, An Anthology of Fashion, will be shown in the museum’s period rooms. Themes such as 2004’s Dangerous Liaisons: Fashion and Furniture in the 18th Century will be shown in the French period rooms. And, 2006’s AngloMania: Tradition and Transgression in British Fashion will be set in the English period rooms. “In its conceptualization, part two actually preceded part one and actually inspired and informed it. For many years now we’ve been examining our collection to uncover hidden or untold stories with a view to complicating or problematizing monolithic interpretations of fashion. Our intention for part two is to bring these stories together in an anthology that challenges perceived histories and offers alternative readings of American fashion,” Bolton explains.
By engaging American film directors to create cinematic scenes within each room, Bolton and the museum’s curatorial team will illustrate a different history of American fashion, such as pieces from the midcentury couturier Ann Lowe and the work of African American designer Stephen Burrows. “Key themes will include the emergence of an identifiable American style and the rise of the named designer with an individual aesthetic vision,” says Bolton. The exhibit will run through September 5, 2022 and is made possible by Instagram and with support from Condé Nast.
Anna Wintour and Andrew Bolton in the Metropolitan Museum of Art. (Photo Credit: Getty Images)
“For me, this past year confirmed what I’ve been thinking already—that American fashion is undergoing another renaissance,” Bolton says. As a fashion industry veteran, I thrilled to have the opportunity to witness fashion’s rebirth at the Met later this month.
SOME OF OUR FAVORITE MET GALA CELEBRITY LOOKS
Cher in Bob Mackie in 1974. (Photo Credit: Getty Images)
Bianca Jagger and Mick Jagger in 1974. (Photo Credit: Getty Images)
Iman in Calvin Klein, with the designer in 1981. (Photo Credit: Getty Images)
Naomi Campbell in Versace 1990. (Photo Credit: Getty Images)
Princess Diana in Dior in 1995. (Photo Credit: Getty Images)
Donatella Versace in her own design, with Gianni Versace in 1996. (Photo Credit: Getty Images)
Demi Moore in Donna Karan with the designer in 2000. (Photo Credit: Getty Images)
Sarah Jessica Parker in Alexander McQueen with the late designer in 2006. (Photo Credit: Shutterstock)
Kate Moss in Marc Jacobs in 2009. (Photo Credit: Getty Images)
Rihanna in Guo Pei Couture in 2015. (Photo Credit: Getty Images)
Beyoncé in Givenchy in 2015. (Photo Credit: Getty Images)
Kylie Jenner Balmain in 2016. (Photo Credit: Getty Images)
Zendaya in Dolce & Gabbana Alta Moda in 2017. (Photo Credit: Getty Images)
Lady Gaga in Brandon Maxwell in 2019. (Photo Credit: Getty Images)
So tell us, which celebrities would you like to see on the red carpet?
Ralph Lauren collaborates with Snapchat. (Photo Credit: Ralph Lauren)
With the holidays just around the corner and our festivities limited to “home pod” celebrations and Zoom events, one thing is for certain, this was a year like no other. As we witnessed a global pandemic, an unprecedented number of deaths, a world in lockdown and a toppling of the world economy, we somehow managed to remain hopeful. With the rolling out a COVID-19 vaccine, we just need to have more patience. This year we learned to appreciate our families, health-care workers and first responders. We also learned that wearing a mask shows you care.
Face Masks have become the most popular accessory of 2020. (Photo Credit: Vogue)
Despite the pandemic, this was a year of creativity. Fashion designers went into full scale production of masks and PPE, schools migrated to remote learning, parents threw drive-by celebrations for their kids’ birthdays, schools threw virtual proms and graduations for their seniors and families organized Thanksgiving Zoom-ebrations.
The fashion industry, once a bastion of tradition, became exceptionally creative as a result of the pandemic, when it came to fashion week. Some brands held virtual audience-less fashion shows, some created short videos and others found artistic ways to shoot their lookbooks.
And now, one of the most inventive ways a designer can showcase their collection is the video game platform. If you are a fervent reader of the UoF blog, you will remember that on April 6th we predicted this as an innovative way for brands to connect with their customers (Demna Gvasalia, were you listening?) Here’s the link for reference:
On Dec. 6th the video game “Afterworld: The Age of Tomorrow” (set in the year 2031) was launched featuring Demna Gvasalia’s main collection for Balenciaga’s fall 2021 season. Enter the world of fashion-tainment!
According to WWD, the allegorical adventure features environments and characters using cutting-edge photogrammetry and the most advanced technology for game hosting, according to the Paris-based fashion house, noting that “Afterworld sets a record for the largest volumetric video project ever undertaken.” For those of us new to digital jargon, photogrammetry is “the science and technology of obtaining reliable information about physical objects and the environment through the process of recording, measuring and interpreting photographic images and patterns of electromagnetic radiant imagery and other phenomena.”
Like many designers, Gvasalia must surely miss the excitement of a live runway show, but honestly, the pandemic didn’t stop him from presenting his fashion-forward collection in an avant-garde way. For Paris Fashion Week Spring 2021, Gvasalia was highly praised for his fashion film set to Corey Hart’s “I Wear My Sunglasses at Night,” which showcased Balenciaga’s summer pre-collection with models dashing through rain-slicked Paris streets after dark.
Afterworld: The Age of Tomorrow
What better timing to launch a new computer game than the holidays, during a pandemic, with a stay-at-home order in place! Brilliant marketing, no?
So here’s how it works:
“A hero avatar advances throughout distinct zones, motivated by tasks and interactions,” the house said, sharing details of the online game first with WWD. “The narrative of ‘Afterworld’ is anchored to mythological pasts and projected futures with timeless archetypes and speculative imagery.”
Balenciaga’s pre-collection is futuristic and is inspired by what fashion might be like in 2031 in a conceptual way, and the idea carries over into what’s displayed in the video game.
“A theme of Balenciaga fall 2021 is human destiny, as seen by an interactive, gamified journey,” the house said. “The world may appear to be decaying at first, but it is far from a dystopian view, showing instead the slow return to a healthier balance of nature and industry.”
If you’re a true gamer with quick skills and can beat the game, the reward is “A real-life breathing exercise set in a virtual utopia. In the end, the hero has finally becomes (as it is referred to in Hero’s Journey analysis) a ‘Master of Two Worlds’,” Balenciaga told WWD, apparently alluding to studies of archetypal heroes by the late American academic Joseph Campbell.
Gvasalia has been breaking the traditional fashion industry rules and they seem to be working to his advantage. Last September the designer revealed that he would show Balenciaga’s pre-collections during Paris Fashion Week, and his main collections for the house in June and December, reversing his previous show order. The unconventional designer also stated in past interviews that he wishes to break away from the hamster wheel of doing runway shows every season; although he hasn’t ruled out runway shows in the future. Gvasalia is already planning to stage a show next July for Balenciaga’s much anticipated return to haute couture.
Demna Gvasalia, the Creative Director for Balenciaga. (Photo Credit: WWD)
“Fashion has become such a checklist. And I feel like I personally want to try to do it differently,” Gvasalia said in an interview with WWD.
OTHER FASHION COMPUTER GAMES
Balenciaga’s timing to release an online video game comes at a pinnacle time in the crossover between gaming and fashion, a relationship that has been progressively developing.
Animal Crossings designer collaborations. (Left) Looks from Valentino. (Right) Looks from Marc Jacobs. (Photo Credit: AllGamers HyperX)
Since lockdowns began, fashion lovers have been playing Animal Crossing, a Nintendo-created game (launched in 2001), but since May, designer brands such as Marc Jacobs and Valentino have created “New Horizons” looks and the game’s popularity took off. Suddenly, the Nintendo Switch and Switch Light, the game system to play Animal Crossings on, were on everyone’s wish list and they became hard to find. Even Instagram accounts like Animal Crossing Fashion Archive, Nook street Market, and Animalcrossfits became a craze. 2020 has brought in a new area in fashion and gaming, and it’s so much more than just picking out your favorite color for a character’s t-shirt.
Across the board, luxury fashion houses are collaborating with the video game industry, as this promises to be the future of marketing and retail as Generation Z and Alpha are incredibly tech driven.
Gucci unveiled a series of new app features including the Arcade App, inviting customers to play with popular house motifs and characters, plus AR technology allowing them to virtually “try on” sneakers and watches. The Italian luxury brand also launched a collaboration with The Sims and a tennis-themed outfit game, Tennis Clash.
K slash DA in Louis Vuitton. (Photo Credit Louis Vuitton)
Louis Vuitton launched its League of Legends capsule collection last year, in partnership with Riot Games. Meanwhile, Burberry collaborated with Snapchat and created Animal Kingdom, an in-store gamified experience in which Snapcodes transport shoppers to a Burberry world. Snapchat also teamed up with Ralph Lauren to create virtual clothing for personal Bitmojis.
“With confinement, we started the year 2020 to wake up into 2025,” describes Christian Louboutin of such acceleration in an interview with Nylon magazine. “I’m not a gamer myself — I can barely switch on the TV — but I’ve observed in the last few years more and more people, especially at the airport or in planes, playing on their phones.” Just this past October, the footwear designer presented his Spring 2021 collection via the app Zepeto, enabling users to create personal avatars and discover his latest creations.
In an interview with Nylon magazine, “Our social lives are now predominantly playing out online. Therefore, our main channel to present ourselves and shape out identity is digital,” says Rachael Stott, futures analyst at strategic foresight consultancy the Future Laboratory, which estimates that when it comes to in-game spending, U.S. gamers each spend on average $229 on digital purchases. For comparison’s sake, the new stand alone XBox Series X and Sony PlayStation 5 both retail for $499, while the Oculus Quest 2 all-in-one virtual reality headset retails for $399.
According to the trend forecasting agency WGSN, gaming has an estimated global reach of 2.7 billion; and ‘skins’, virtual items that change the look of a character, accounted for 80% of the $120 billion spent on digital games in 2019.
“Fashion working with gaming is kind of the next obvious step in the evolution of fashion,” says Erin Wayne, head of community and creator marketing at Twitch (in an interview with Nylon magazine). The live-streaming platform launched in 2011, now boasts 26.5 million daily visitors. In September, Burberry became the first luxury fashion label to partner with the service and stream its Spring 2021 show, and in July, the UK-based university Ravensbourne streamed its graduating fashion students’ collections, which had been presented via a digital avatar project.
“Gen Zers are digital natives. They don’t want content pushed at them,” says Adam Harris, global head of brand partnership studio at Twitch. On Twitch, you can find anything from cats sleeping to ASMR to gaming to chatting. Teens today will seek out the content they are interested in, case in point, Fortnite’s Travis Scott spectacular in April: 12 million players logged into the concert. Meanwhile, Lil Nas X’s recent stint on gaming platform Roblox drew 33 million views.
“Fashion brands are primarily infiltrating gaming as a marketing tool,” points out Stott. With doors to physical stores shuttered, gaming devices have the potential to build communities. “Spending hours crafting a digital replica to show your peers currently makes sense,” she says.
The Puma X Tabitha Simmons Collection on Drest. (Photo Credit: Drest)
There are a handful of other fashion video games as well. “Drest” an interactive styling game, that was launched towards the end on 2019 now carries over 200 brands. The video game was founded by Lucy Yeomans, a former magazine editor-in-chief of Net-a-Porter and editor of the fashion magazine Harper’s Bazaar in the UK. Another popular fashion game is DressX, which was founded by Daria Shapovalova and Natalia Modenova. They are a retail platform for digital fashion, carrying over 30 brands, mostly URL only, some IRL, too, sell between $25 and $200. It’s like digital couture.
“Gaming is starting to become such a cultural force. Our mission is to become one of those brands like the Dickies [of the world] or whoever was at the beginning of that culture,” Simon Brown, product director of Fnatic says in an interview with Nylon.
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Michael Kors Collection Fall 2020 Show (Photo courtesy of Vogue.com)
In November 2019, The University of Fashion posed the question; “Are Fashion Shows Still Relevant?” that blog post covered the history of fashion shows and why designers still prefer a show. While many argued that fashion shows were an outrageous expense, designers mostly felt that it was worth it if they attracted Instagram Stars and Fashion Bloggers. Today, fashion shows are more about exposure and how many “likes” the’ll get on social media than selling clothes.
This season there were many changes to New York Fashion Week’s calendar. Tom Ford skipped NY and decided to show in LA, Tommy Hilfiger is showing in London, Telfar is showing in Florence and Ralph Lauren is skipping the runway altogether. So, with so much change, it’s not surprising that famed fashion blogger Bryanboy asked if somebody could look into “why NYFW [has] pretty much died?”
While this may seem like an exaggerated question, it’s a valid one, as designers continue to search for unique places and ways to create buzz. They’ve tried live-streaming shows, opening up their shows to the public, showing their menswear and womenswear collections together, and they even tried to entice sales by showing buy-now-wear-now collections (which ultimately failed). But as we all know, today, consumers shop differently, especially due to the internet. And, unlike their predecessors, Gen Zers are more concerned about their carbon footprint and issues surrounding over-consumption than they are about the runway.
So, why should designer’s invest thousands of dollars on a runway show? Well according to Jeffry Aronsson, the former CEO of Oscar de la Renta, Marc Jacobs and Donna Karan, who currently consults luxury brands on growth strategies, told Fashionista, that at its core, “the business case for investing in a seasonal fashion show, or any other fashion event, is that it should get the brand the attention of the market and press.” Aronsson states that the measures of success come in the form of online impressions (including social commentary and likes), editorial coverage (both digital and print) and, though difficult to quantify, word of mouth, which helps raise brand awareness, desire and, hopefully, sales.
Erin Hawker, communications expert and founder of Agentry PR, notes that a brand can get 50 to 100 press hits in one single day globally after a runway show (and even double that if there are big-name celebrities involved), as well as millions of earned impressions on social media. “If you assign an editorial value to shows with or without celebrities, it’s usually in the tens of millions of dollars’ worth of impressions,” Hawker says. “This far surpasses the cost of a show.”
So, designers have been listening carefully to the experts. And for those who chose to a have runway show, those brands pulled out all the stops to make it a memorable; a spectacle that their consumers would enjoy, as they watch the videos and images that blow-up their social media feeds. Oh, and in the end…hopefully generate sales.
Here are some images of the more memorable NYFW shows of the Fall 2020 season:
Tom Ford’s Fall 2020 Los Angeles Show (Photo courtesy of Vogue.com)
In June 2019, Tom Ford took the helm at the Council of Fashion Designers of America (CFDA). Many fashion insiders were upset (Ford is based in Los Angeles), with one calling it a “slap in the face” to New York Fashion Week. In a statement to the Business of Fashion site, Mr. Ford said: “Someone asked me the other day how I could justify showing in L.A. as I am now the Chairman of the CFDA, and I reminded them that CFDA stood for the Council of Fashion Designers of America and not the Council of Fashion Designers of New York.”
Mr. Ford opted to show in Los Angeles because of the Academy Awards, which took place on Sunday night (Feb. 9, 2020) at the start of NYFW. In a statement to Women’s Wear Daily, Mr. Ford said “the excitement in L.A. on that particular weekend” was a big factor in his decision.
As for the show, it was a star-studded extravaganza and one of the biggest pre-Oscar events. Everyone was there from Jennifer Lopez and Renée Zellweger to Miley Cyrus and Lil Nas X to James Corden and Jon Hamm. There were so many power players, that some celebs were even pushed back to the second row.
As for the clothes, they were infused with Mr. Ford’s signature glam, mixed in with streetwear elements. Case in point; a chic oversized leopard print coat, worn over a sweatsuit. The collection also featured plenty of menswear inspired high-waisted, baggy trousers paired with logo sweatshirts and topped off with terrific outerwear. For evening, Mr. Ford turned up the glitz with bold colored turtleneck sweaters paired with sequin maxi skirts, delicate lace dresses and a show-stopping crystalized halter gown.
This extravaganza was anything but the traditional runway show.
Rodarte Fall 2020 Show (Photo courtesy of Vogue.com)
Laura and Kate Mulleavy have always been inspired by theatrics and Hollywood for their beloved label Rodarte. For Fall 2020, the sisters looked to vampires for inspiration, more notably, Bram Stoker’s 1897 novel Dracula, which in turn inspired—Francis Ford Coppola’s indelible 1992 adaptation of the book, starring Winona Ryder. The sisters found the perfect setting as the backdrop to the gothic tail; a dimly lit St. Bartholomew’s church in Midtown Manhattan.
While the Mulleavy sisters created a cinematic goth setting, the clothes were anything but. The collection featured a nod to the forties with playful polka-dot dresses, dramatic pouf sleeve blouses and bold floral gowns. Then, things became dramatically dark and sinister with cobweb embellishments on a few gowns, as well as black fringe capes that resembled clumps of witches’ hair. Laura and Kate Mulleavy returned to their gothic roots in a fashionably haunting way.
Tory Burch’s Fall 2020 Show (Photo courtesy of Vogue.com)
Forever the art aficionado, Tory Burch chose the iconic Sotheby’s as her latest show venue as models strutted among the auction merch. It was the ideal location for her Fall 2020 collection as it was a happy jolt of vivid floral prints in everything from tailored suits to cozy sweaters and everything in between. Burch was inspired by the Francesca DiMattio’s ceramic sculptures (which were situated on the runway) and had the artist design many of the floral prints found in the show. Bravo Tory Burch for creating such a joyful collection in these unsettling times.
Brandon Maxwell’s Fall 2020 Show (Photo courtesy of Vogue.com)
One can always expect to have fun at Brandon Maxwell’s show. In the past he even served Shake Shack to editors before his show. For Fall 2020, the celebrity stylist-turned-designer did not disappoint. He showed his youthful eveningwear at the American Museum of Natural History with their iconic dioramas of ‘taxidermied’ moose and grizzlies. It was like a genuine slice of Americana. Maxwell also offered plenty of daywear this season with beautifully tailored outerwear, chic knits and low-cut trousers. For night, there were a few sheer numbers that felt out of place, but overall, this was a strong show, one that proves Maxwell is more than just a red-carpet designer.
Debbie Harry Performs at the Coach Fall 2020 Show (photo courtesy of Getty Images)
Coach’s Creative Director, Stuart Vevers, likes to draw inspiration from artists and has often incorporated their work into his collections. In the past, he’s featured works by Keith Haring (Spring 2018), Kaffe Fassett (Fall 2019) and Richard Bernstein (Spring 2020). For Fall 2020, he referenced Jean-Michel Basquiat — not just by weaving his drawings into his ready-to-wear and accessories but also by bringing some of his family members to the show. The late artist’s niece, Jessica Kelly, actually walked the runway! She, and the rest of the models, made their way across a warehouse-turned-runway — meant to replicate the feel of a city loft — all while the legendary Debbie Harry performed on stage.
CHRISTOPHER JOHN ROGERS
Christopher John Rogers Fall 2020 Show (Photo courtesy of Dia Dipasupil for Getty Images)
Recent CFDA/Vogue Fashion Fund Award winner, Christopher John Rogers, brought back old-school glamour but with a modern twist for his Fall 2020 collection. His gowns were bold and vivid, perfect for young scarlets wanting to stand-out on the red carpet.
Rogers infused saturated hues into his collection and is fast becoming known for his shapely silhouettes. Think balloon sleeves, voluminous skirts and innovating draping – all in oversized, exaggerated shapes.
Marc Jacobs’ Fall 2020 Show (Photo courtesy of Vogue.com)
Everyone looks forward to the end of NYFW because of the Marc Jacobs show. For Fall 2020, the designer didn’t disappoint. The show began with a surge of energy. Dancer/choreographer Karole Armitage, found the spotlight in the darkness of the Park Avenue Armory and reminded us that, why in the 80s, she earned the nickname the “punk ballerina.” Although her performance was brief, it was electrifying. Following Armitage, a crew of dancers followed, creating an entertaining and engaging backdrop; the dancers were clad in Marc Jacobs dance pieces, such as bras, slip dresses, skirts, basic T-shirts and black pants.
As for the clothes, it was a nod to the Sixties – Jackie Kennedy, Rosemary Woodhouse, the mods – all with a touch of nineties minimal. It was pure Marc in the early days of his career. He showed three-button A-line coats, pastel minidresses with matching jackets, tailored suits and simple sweaters worn over straight leg trousers; Miley Cyrus made an appearance on the runway wearing a black bra and trouser. For evening, Jacobs created a number of sequin sheath dresses in a variety of colors and a pink opera coat worn over a gown with a tiny bow at the bust that had Jackie Kennedy written all over it.
It wouldn’t be NYFW without a bit of controversy, right (in addition to Tom Ford showing in LA, Tommy Hilfiger in London and Jeremy Scott in Paris)? Well, thanks to a New York Times article, we learned that NYFW shows leave the biggest carbon footprint when it comes to travel, buyers, and brands.
I know I am late to this party, but I finally had the chance to see the Alexander McQueen documentary. If you’ve been under the same rock I have, check out the trailer here. Then, make sure to stream the full length version.
The reason I bring up the McQueen documentary is that it reminds me of a time when fashion shows told tales, the viewer was taken on a visceral journey, and when fashion felt like art, not necessarily commerce. As I sat down to write yet another NYFW review, I realized that I have been covering fashion weeks for over a decade. Whether as a wanna-be fashion student, actual fashion student, designer or blogger, I’ve clicked through countless slides, attended umpteen shows and shown my own collection at NYFW.
While I identify most with the “little guy/gal,” I have big expectations from well-established designers with financial resources and substantial backing. With very few exceptions (especially since Thom Browne packed up for Paris), I rarely see the likes of a McQueen-worthy vision on New York runways. So with McQueen as my guide, I’ve selected the most exhilarating, tale-telling collection (in my humble opinion, of course) by an established player in the NY fashion scene to cover this NYFW. And the honor goes to…none other than Marc Jacobs.
Much like movies were an escape during the Great Depression, I think Marc Jacobs’ confectionary creations for S/S 2019 offered us a bit of an escape from negative news, a growing division between people and an impending and intense political cycle. But just because Jacobs’ larger-than-life ensembles were bright, well-crafted eye candy, doesn’t mean there wasn’t a serious stance embedded in the fluff. Models of all races graced the inclusive Jacobs’ runway, as did trans models, Finn Buchanan and Dara Allen.
Sometimes I play a little game with myself, just to keep things interesting. I do my best to study a collection, feel the feels and then give my best stab at the designer’s inspiration before reading a word of a review. Marc Jacobs sited a 1960s Barbara Streisand as inspiration for S/S 2019, but a more detailed story played out in my head. So whether my story has anything to do with Jacobs original inspiration or not, the fact that his collection inspired such a tale means it was a collection that sparked imagination—a “Marc” of an exquisite collection.
The 60s reference was clear in hair and makeup, but the volume and silhouettes were a far cry from the mini dresses popularized in the 60s. I imagined vivid scenes from the 1967 cult classic Valley of the Dolls in which three girls found their way into showbiz, became famous and depended on “uppers,” sleeping pills, and diet pills (which they called “dolls”) to sustain a life in Hollywood.
The top hats, the ruffled collars, the oversized bows and rosettes felt doll-like and the voluminous cloud confections felt like “doll”-induced hazes in which the models were floating down the runway. And then there’s the pastel heavy color palette…call me “on dolls,” but I couldn’t help draw a few parallels.
Yes, the Pierrot collars may have been over the top, but look underneath. Jackets with the kind of purpose and wearability any power player would be proud to don. Pleats and wide leg trousers gave new meaning to “power suit.”
For those of us New Yorkers who each day walk past the Lord & Taylor flagship on Fifth Avenue, we are already mourning the shuttering of this retail monument, scheduled for early 2019. While L & T may not have always been every fashionista’s ‘go-to’ destination for the most current fashion trends, this retailer has had a rich history of promoting American designers. Beginning in 1932, Dorothy Shaver (then L & T president), established a program known as the “American Look,” during a period in time when French fashion reigned supreme. This fashion visionary jumped at the chance to promote the work of American designers like Claire McCardell, Tina Lesser, Clare Potter, Vera Maxwell and Bonnie Cashin. It was a defining moment for American fashion designers and put American fashion on the world map. Oh, and by the way…Shaver was also one of the founders of the Costume Institute at the Metropolitan Museum of Art in New York!
Lord & Taylor （Courtesy University of Fashion）
Well, thankfully, another retailer has finally stepped up to the plate. As of this week and leading up to New York Fashion Week (Sept 6-14), Saks Fifth Avenue is showcasing the work of various American brands. Each of the American-based brands below were invited to create a window (and pay for their installation) that best represents that brand’s identity.
Although not all of the designers at these brands are American-born (Carolina Herrera, Philip Lim, Oscar de la Renta, Alexander Wang, Derek Lam, Jason Wu, Diane von Furstenberg, Naeem Khan and Tanya Taylor), the spotlight is on American-based fashion labels.
Other designers included are: Rosie Assoulin, Alice & Olivia, Coach, Eileen Fisher, Lafayette 148, Leila Rose, Milly, Rag & Bone, Marc Jacobs, Michael Kors, Ralph Lauren, Brandon Maxwell, Gabriela Hearst, Jonathan Simkhai, Monse and Proenza Schouler). While the windows are intended to celebrate American style, some brands chose to focus on things such as their heritage, or social justice and sustainability. Here’s a sampling:
Carolina Herrera window for Saks Fifth Avenue （Courtesy WWD August 17, 2018）
Carolina Herrera’s window is a take on her iconic eveningwear (white shirt and ball skirt). Whether intentional or not, Herrera’s choice of rainbow-colored mannequins against a rainbow background could easily be interpreted as a nod to the LGBTQ community.
Coach window for Saks Fifth Avenue （Courtesy WWD August 17, 2018）
Coach’s window paid homage to their company roots. Inspired by the suppleness of an old baseball glove, Miles Cahn founded Coach in 1941, in a New York City loft. Artisans hired by the Cahn family handcrafted soft leather into handbags and in 1962, hired American designer Bonnie Cashin, who pioneered the use of brass toggles on handbags and clothing. Coach’s window included ubiquitous New York phone booths and a shout-out to Dreamers, with a decal of an 8-Ball (as in disadvantage) with the words, “Calling All Dreamers.”
Eileen Fisher window at Saks Fifth Ave （Courtesy University of Fashion）
Eileen Fisher is known as a pioneer of cotton grown without pesticides and a promoter of California’s Central Valley organic cotton growers since the late 1990s. This brand’s window was less about ‘selling product’ and more about an education in recycling. In 2009, Fisher initiated GREEN EILEEN, a “buy-back policy” whereby customers turn in their gently used Eileen Fisher products, in return for a store gift card. The brand either resells that item or, through their “third lifecycle initiative,” artists get the chance to upcycle these clothes into new designs. Her Saks window featured a recycled garment, a video showing the upcycling process and cages filled with clothes ready for recycling. Thanks Eileen, for thinking responsibility about a circular fashion cycle and less about sell, sell, sell.
Tanya Taylor window for Saks Fifth Avenue （Courtesy WWD August 17, 2018）
The newest (and youngest designer) brand to get a Saks window is Canadian-born designer Tanya Taylor. After having studied finance at McGill University, taken a course at Central Saint Martins and then attended Parsons School of Design, Taylor launched her brand in 2012. In 2014, she became a finalist in the CFDA/Vogue Fashion Fund competition. Her quirky fashion is a bit H & M-ish (without the low price tag).
The inclusion of Tanya Taylor, just begs the question…why are aren’t stores like Saks and other major retailers getting behind and supporting more American start-up designers?
Hundreds of American fashion designer entrepreneurs who graduate from fashion schools, or those who learn online at University of Fashion, could greatly benefit from the support that these high-profile windows provide. So…Saks (and other retailers)… if you are listening… and you really want to take on the role of promoting American design talent that Lord & Taylor started in 1932, then do your homework and start showcasing home grown talent who need it the most!
Let us know what you think. Should American retailers start a movement to promote more American fashion design start-ups?
New York Fashion Week 2018 has ended and what a newsworthy season it was!
Prabal Gurung’s fall 2018 Collection (Photo courtesy of Vogue.com)
It seemed only fitting that the ’80s’ were ‘in the air’ this season as many of America’s designer icons who rose to fame in that era, have either sadly passed away (Oscar de la Renta, Geoffrey Beene), or are retiring (Calvin Klein, Donna Karan). On Monday, February 12th, it was Carolina Herrera who gave her final runway bow, lovingly surrounded by her atelier team. Venezuelan-born Herrera launched her fashion brand 37 years ago, catering to the ‘uptown ladies who lunch’ crowd. In true Herrera fashion, her final show was a colorful rendition of her signature looks – crisp white shirts paired with wide belted-ballgown skirts in a rainbow of colors. Just as her clientele has aged, so has that look. It will now be up to designer Wes Gordon (raised in Atlanta- graduated Central St. Martins 2009 – interned at Oscar de la Renta and Tom Ford) to breathe new life into the label. It was a very touching moment at the show when Gordon presented Herrera with a bouquet of red roses.
Carolina Herrera’s final bow at her Fall 2018 show (Photo courtesy of Vogue.com)
Carolina Herrera’s fall 2018 Collection (Photo courtesy of Vogue.com)
Oscar de la Renta’s fall 2018 Collection (Photo courtesy of Vogue.com)
Technology, of course played a roll at NYFW, with models and everyone else using the KiraKira app to add eye-catching effects to their Insta and snaps. Thank goodness there was plenty of 80s sparkle and shine on the runway, as everyone played with the app, enhancing those Studio 54 disco ball looks!
The dramatic runway at Calvin Klein (Photo courtesy of Vogue.com)
Forget the classic fashion show venue and white runner format, this fall some designers put just as much thought and originality ‘on’ the runway, as they did ‘in’ the clothes that walked it. Raf Simons served up a masterful interpretation of Americana for Calvin Klein (his 3rd show for the brand) at the American Stock Exchange building, where 50,000 gallons of popcorn, yes…popcorn… lined the runway and sloped up the sides of barn wall facades that were erected inside the venue. Looks like Simons has upped the ante when it comes to the ‘fashion show extravaganza.’
Stuart Vevers, the executive creative director at Coach 1941, constructed a hauntingly beautiful forest to present his wares, while Tory Burch forged a beautiful pink floral garden. These witty designers set the mood, creating a whimsical atmosphere even before the show started! Do you think designers need to go to such extremes to sell their clothes, or is this the new ‘norm’ in a world where social media buzz is a necessity?
Christian Siriano’s fall 2018 Collection (Photo courtesy of Vogue.com)
For years the fashion world has talked about diversity. Well, this season… finally… NY designers gave center stage to a beautifully diverse cast of models, including plus size models. Let’s give props and a major round of applause to Christian Siriano, Michael Kors, Prabal Gurung, Chromat, and Anna Sui who understand that not everyone is a size zero and six feet tall. This season marked the most number of full-figured models ever to walk the runway. With the average American woman wearing a size 14 and thus representing 19 percent of all retail sales, one wonders why it took brands so long? We hope that more designers become enlightened and get on board.
Absent from NYFW was Georgina Chapman (the estranged wife of Harvey Weinstein and designer of the Marchesa label). A one-time favorite of Hollywood starlets, Chapman laid low this season, in fact, her clothes haven’t been worn by a celeb since the scandalous news broke that sparked the #MeToo movement (the day of Chapman’s bridal presentation in October). Will Hollywood and the fashion industry look past Chapman’s connection to Weinstein and give her another chance, just like they did with John Galliano (now thriving at Maison Margiela)?
Photographers Terry Richardson, Bruce Webber and Mario Testino have all been accused of sexual assault and harassment by both male and female models. All three photographers have denied any wrongdoing but in a rare show of solidarity many fashion brands and magazines have either ended, or are putting their relationships with these photographers on hold. Do you think the fashion industry breeds a culture of abuse? Is the long-overdue inclusion of plus size and ethnic models on the runway, as well as body-shaming practices, also forms of abuse? Don’t be afraid to share your story.
Drag kid Desmond modeling in Gypsy Sport’s fall 2018 Collection (Photo courtesy of Vogue.com)
Other news on the runway included gender diversity and fashion disruption. Desmond Nepoles, a 10-year old self-proclaimed ‘drag kid’ from Brooklyn, made his runway debut and stole the show at Gypsy Sport, Rio Uribe’s brand geared to forward-thinking, disenfranchised millennials. Nepoles, an advocate for LGBTQ youth, is launching the first ever drag house for individuals 20 and under, called Haus of Amazing. Alas… is there an Alexander McQueen in the making?
Ralph Lauren’s spring 2018 Collection (Photo courtesy of Vogue.com)
On the totally other side of the spectrum, was the down-to-earth, classic ‘sail away’ show at Ralph Lauren, as he presented his spring 2018 buy-now-wear-now collection. Tradition is still alive and well!
Tom Ford’s fall 2018 Collection (Photo courtesy of Vogue.com)
NYFW opened with a star-studded front row at Tom Ford, showing both men’s and woman’s looks – and let’s not forget those animal-printed boxers! The shows ended with an over-the-top visual feast at Marc Jacobs as he paid tribute to Yves Saint Laurent in all his fashion glory.
Marc Jacobs’ fall 2018 Collection (Photo courtesy of Vogue.com)
Here is a round-up of some of the biggest trends of the season:
CALL OF THE WILD
Animal prints have always been a fashion favorite, but for fall, designers added a nostalgic 80s twist with neon-colored animal motifs.
Tom Ford’s fall 2018 Collection (Photo courtesy of Vogue.com)
Adam Selman’s fall 2018 Collection (Photo courtesy of Vogue.com)
Zadig & Voltaire’s fall 2018 Collection (Photo courtesy of Vogue.com)
Jeremy Scott’s fall 2018 Collection (Photo courtesy of Vogue.com)
PRETTY IN PINK
Designers opted for a new shade of pink in a throwback to the Eighties, but this time, it’s all about magenta.
Oscar de la Renta’s fall 2018 Collection (Photo courtesy of Vogue.com)
Alexander Wang’s fall 2018 Collection (Photo courtesy of Vogue.com)
Jason Wu’s fall 2018 Collection (Photo courtesy of Vogue.com)
Milly’s fall 2018 Collection (Photo courtesy of Vogue.com)
Business meets pleasure as designers offered sexy alternatives to the basic suit, adding asymmetrical necklines, under-cut boobs and super short hemlines. Provocative alternatives to a night out. These suits were especially empowering for a new #TimesUp generation. Anyone remember the power-suits of the 1980s (Gaultier, Montana)?
Alexander Wang’s fall 2018 Collection (Photo courtesy of Vogue.com)
Dion Lee’s fall 2018 Collection (Photo courtesy of Vogue.com)
Monse’s fall 2018 Collection (Photo courtesy of Vogue.com)
Cushnie et Ochs’s fall 2018 Collection (Photo courtesy of Vogue.com)
Corsets and ruffles got a modern spin as designers were inspired by the Victorian era.
Brock Collection’s fall 2018 Collection (Photo courtesy of Vogue.com)
Jonathan Simkhai’s fall 2018 Collection (Photo courtesy of Vogue.com)
Coach 1941’s fall 2018 Collection (Photo courtesy of Vogue.com)
Anna Sui’s fall 2018 Collection (Photo courtesy of Vogue.com)
With climate change a reality and as drastic shifts in weather patterns continue, designers have you covered…literally. To keep you warm and toasty, an assortment of puffers, both long and short were featured, along with neon-colored, quilted and plaid versions. Bring on the cold!
Tory Burch’s fall 2018 Collection (Photo courtesy of Vogue.com)
Pyer Moss’s fall 2018 Collection (Photo courtesy of Vogue.com)
Juicy Couture’s fall 2018 Collection (Photo courtesy of Vogue.com)
3.1 Phillip Lim’s fall 2018 Collection (Photo courtesy of Vogue.com)
The world of fashion and many other industries have become extremely competitive. Only the ones who are ready to struggle and honestly work hard can make it to the top in their respective fields. Check out the following post if you need any form of assistance on how to make a midlife career change.
Now that New York Fashion Week has
come to close, tell us, did you have a
Michael Kors’ fall 2018 Collection (Photo courtesy of Vogue.com)
America Ferrera in custom Christian Siriano, Natalie Portman in Dior Haute Couture, Emma Stone in Louis Vuitton and Billie Jean King
Hollywood A-listers have long used their fame to promote individual causes, whether political, ethnic or humanitarian. But at this year’s 75th Annual Golden Globes, most all of the attending actors and actresses stood unified in a sea of black (or wore Time’s Up pins). Dressing in black resulted in a powerful solidarity statement, lending support to the ” Time’s Up” and “Me To” movements and those who so courageously continue to speak out against sexual harassment and female inequality. The days of watching award shows solely for the fashion are démodé, or are they? Clothes at award shows are now more important than ever! Oprah Winfrey’s Cecil B. DeMille AwardAward speech said it all : “a new day is on the horizon!”
Side by side with Hollywood heavyweights stood female activists such as Monica Ramirez, a campaigner who fights sexual violence against farmworkers and Billie Jean King, the founder of the Women’s Tennis Association, whom Emma Stone portrays in Battle of the Sexes.
Oprah Winfrey giving her Cecil B DeMille Award speech
While many celebrities dazzled on the stage, the red carpet was filled with fashion drama. Here are some of the biggest trends of the night: (All photos courtesy of Shutterstock).
THE NEW SUIT
Gal Gadot in Tom Ford
Maggie Gyllenhaal in Monse
Alexis Bledel in Oscar de la Renta
Allison Brie in Vassilis Zoulias
Margot Robbie in Gucci
Tracee Ellis Ross in Marc Jacobs
Emilia Clarke in Miu Miu
Dakota Johnson in Gucci
Saoirse Ronan in Atelier Versace
Mary J. Blige in custom Alberta Ferretti
Kelly Clarkson in Christian Siriano
Elisabeth Moss in Dior Haute Couture
Salma Hayek in Balenciaga
Angelina Jolie in Atelier Versace
Isabelle Huppert in Chloé
Issa Rae in Prabal Gurung
Kate Hudson in Valentino Haute Couture
Reese Witherspoon in Zac Posen at the Golden-Globes-2018
Tarana Burke and Michelle Williams in Louis Vuitton
Emma Stone in Louis Vuitton and Billie Jean King
Meryl Streep in custom Vera Wang and Ai Jen Poo
Greta Gerwig in Oscar de la Renta
Millie Bobby Brown in Calvin Klein by Appointment and Repossi jewelry
Kendall Jenner in Giambattista Valli Haute Couture
Halle Berry in Zuhair Murad
Heidi Klum in Ashi Studio
NOT YOUR BASIC TUXEDO
Noah Schnapp in Balmain
James Franco in Salvatore Ferragamo and Dave Franco in Saint Laurent
Nick Jonas in Versace
Winners of the night included:
Best motion picture, drama: “Three Billboards Outside Ebbing, Missouri”
Best motion picture, musical or comedy: “Lady Bird”
Best actress in a motion picture, drama: Frances McDormand, “Three Billboards Outside Ebbing, Missouri”
Best actor in a motion picture, drama: Gary Oldman, “Darkest Hour”
Best actor in a motion picture, musical or comedy: James Franco, “The Disaster Artist”
Best actress in a motion picture, musical or comedy: Saoirse Ronan, “Lady Bird”
Best supporting actor, any motion picture: Sam Rockwell, “Three Billboards outside Ebbing, Missouri”
Best supporting actress, any motion picture: Allison Janney, “I, Tonya”
Best director: Guillermo del Toro, “The Shape of Water”
Best screenplay: Martin McDonagh, “Three Billboards Outside Ebbing, Missouri”
Best television series, drama: “The Handmaid’s Tale”
Best television series, musical or comedy: “The Marvelous Mrs. Maisel”
Best limited series or motion picture made for television:”Big Little Lies”
Best actress in a series, limited series or motion picture made for television: Nicole Kidman, “Big Little Lies”
Best actor in a series, limited series or motion picture made for television: Ewan McGregor, “Fargo”
Best actress in a television series, drama: Elisabeth Moss, “The Handmaid’s Tale”
Best actor in a television series, drama: Sterling K. Brown, “This Is Us”
Best actress in a television series, musical or comedy: Rachel Brosnahan, “The Marvelous Mrs. Maisel”
Best actor in a television series, musical or comedy: Aziz Ansari, “Master of None”
Best supporting actor in a series, limited series or motion picture made for television: Alexander Skarsgård, “Big Little Lies”
Best supporting actress in a series, limited series or motion picture made for television: Laura Dern, “Big Little Lies”
TELL US, WHAT WAS YOUR FAVORITE LOOK OF THE NIGHT? AND, SHOULD OPRAH RUN FOR PRESIDENT?
Thom Browne Spring 2018 Show (Photo courtesy of Vogue.com)
We look to Fashion Week for the latest trends and style inspirations, as well as celebrity sightings, street-style stars, and drop-dead gorgeous models, but at times, runway looks can be a great source of originality for Halloween costumes. Forget the creepy, zombie motifs. The spring/summer 2018 collections offer more feminine and sexy variations to play dress up in. Themes ranged from Disney princess’ to Andy Warhol pop art prints. So take a look below, and see the most creative styles that’ll have you covered when it comes to costume originality and give you major high-fashion cred.
Prada Spring 2018 Show (Photo courtesy of Vogue.com)
Every little girl dreams of being a ballerina and for spring, Thom Browne created an alternate universe at the Hôtel de Ville with magic wands and pouches full of glittery fairy dust. The possibility of magic and mischief filled the air. This whimsical show was an ode to childhood fantasies – think mermaids, unicorns and ballerinas. Browne’s vision of a ballerina was am encrusted pearl studded bodysuit as they danced down the runway, now that’s what you’d call a fairy-tale beginning.
Meanwhile, Jeremy Scott was also inspired by the ballet, but his version was a tougher girl, for his Moschino show – think biker ballerina. Scott showed a variety of leather jackets, satin bustiers, tulle tutus, and fishnets in a couple dozen variations on the runway.
Thom Browne Spring 2018 Show (Photo courtesy of Vogue.com)
Moschino Spring 2018 Show (Photo courtesy of Vogue.com)
Fairy Tales do come true – and no one was able to capture the joy of fairytales and princesses better then Walt Disney. For spring, Philipp Plein’s theme was “Good Gone Bad.” His recurrent logo was a ball-gagged and bonded Alice in Wonderland character (or was it Cinderella?). Plein anlo showed a handful of T-shirts that read “Plein Fairytale Crew”. Was it a fairy tale? No. But wouldn’t it make a great costume?
Meanwhile, Alessandro Michele showed an intense, contradictory, and literally dark experience, for his spring 2018 Gucci show. It was full of glitter and glam, ’80s shoulders, English tweeds, Disney and Sega references, with all his recognizable eclectic mix of reworked vintage chic. Who wouldn’t love a Snow White sequin sweatshirt?
Philipp Plein Spring 2018 Show (Photo courtesy of Vogue.com)
Gucci Spring 2018 Show (Photo courtesy of Vogue.com)
Gucci Spring 2018 Show (Photo courtesy of Vogue.com)
The fashion and art world go hand in hand as many designers look to artists for inspiration. For Spring, both Raf Simons for Calvin Klein and Donatella Versace where influenced by the works of Andy Warhol and his iconic Pop-Art prints. For Raf Simons’s Calvin Klein, he experimented with American classics but in a subversive way. His new motifs for spring included Andy Warhol prints of Dennis Hopper circa Easy Rider and a 1971 Sandra Brant (is there an art movement more American than Pop?), cheerleaders, and horror movies.
Meanwhile, Donatella Versace gave a tribute to her brother Gianni, founder of the Versace label, as the 20 year anniversary of his murder just past. It was a tribute celebrating Gianni’s inspirations and creations, and “a genius . . . an icon . . . my brother” stated Donatella Versace. She wanted the focus to be on his life, not his violent end, but also his feminist leanings and the eternal relevance of his designs. So of course, among the medusa and baroque motifs, there were plenty of Andy Warhol prints.
Miuccia Prada was also inspired by pop art, but of the comic book variety. Prada presented an empowering show, set among the work of women cartoonists and manga artists whose drawings dominated the company’s huge headquarters. The collection was based on putting her stamp on a blank canvas. Coats, jackets, and cropped pants were screen-printed in the various artists’ works. The result was a strong and feisty collection, with a nod to the early 80’s clubkid; but all with Prada’s sophisticated and chic hand.
Versace Spring 2018 Show (Photo courtesy of Vogue.com)
Calvin Klein Spring 2018 Show (Photo courtesy of Vogue.com)
Calvin Klein Spring 2018 Show (Photo courtesy of Vogue.com)
Prada Spring 2018 Show (Photo courtesy of Vogue.com)
One of the easiest Halloween costume trends to pull off are the Sixties, think peace, love and happiness. Think Woodstock. And no-one does it better than Anna Sui. She laser-cuts through the past, pulling references together for a beautiful collage that is at once nostalgic, modern, and a bit kooky.
Marc Jacobs showed a happy and upbeat spring collection with giant daisies and other overscale flowers; the collection was filled with Crayola colors, tinsel trimmings, and sequins, sequins, sequins. Jacobs’s idea here was to return to the archives, passing old ideas and former hits through “exaggerated, decadent, and exotic” filters. This is hippy chic in the most lux sense.
Stacey Bendet, the quirky designer behind the Alice + Olivia label, also gave a nod to the sixties with a re-imagined version of the hippy-chic with floral peasant dresses and bohemian inspired tops with bell-bottom denim.
Anna Sui Spring 2018 Show (Photo courtesy of Vogue.com)
Alice + Olivia Spring 2018 Show (Photo courtesy of Alice + Olivia)
Marc Jacobs Spring 2018 Show (Photo courtesy of Vogue.com)
With the remake of the 80’s television series Dynasty, Eighties inspired costumes will be a sure fire hit. Anthony Vaccarello, the young designer behind Saint Laurent had plenty of dresses to choose from – from ostrich feather knee high boots to bubble hem dresses. Vaccarello’s collection was bold and cohesive, a real tribute to the founder Yves Saint Laurent. The show, held under the Eiffel Tower, was a bright and brilliant shot of sexuality, provocation, and the promise of all kinds of fun for a new generation. It was the Eighties in the most fabulous way.
Meanwhile, Waight Keller debut her first collection under the Givenchy label. Keller looked back and was inspired by the founder of the house, Hubert de Givenchy. She looked to his dynamic sketches, and zeroed in on how he started everything with the ‘shoulder;’ also, that he was a fan of graphic prints. So naturally, her runway looks were filled with strong shoulder looks, graphic prints and bold colors – just perfect for an Eighties revival costume theme party.
Saint Laurent Spring 2018 Show (Photo courtesy of Vogue.com)
Givenchy Spring 2018 Show (Photo courtesy of Vogue.com)
So with all these easy to interpret runway looks, what will you be this Halloween?
Front Row at New York Fashion Week (Courtesy of AOL.Com)
Fashion Month is in full swing as New York kicked off the Spring 2018 show season with a bang. Of course, there was plenty of buzz before shows even started such as the Council of Fashion Designers of America (CFDA) cutting the NY calendar by a day, New York based designers showing in other cities, and the stress of where to show. Then lets add on the celebrity circus and street style stars in the mix and it’s been a entertaining week.
One of the biggest trends among the fashion crowd before shows even began was the blue ribbon. Fashionistas are pinning themselves to protest racism and hatred in the wake of this summer’s white power rally in Charlottesville, Va. The ribbons were created by the CFDA and the American Civil Liberties Union. In a statement released, Steven Kolb, president and CEO of CFDA, said “We want to be on the front line, not the sidelines, to boldly fight to protect our precious rights and freedoms, which has taken on a renewed urgency after the heart-wrenching events of Charlottesville.”
ACLU Fashion Week Pin (Courtesy of New York Post.com)
Bringing Sexy Back
Tom Ford’s Spring 2018 Show (Courtesy of Vogue.com)
Tom Ford kicked off fashion week and it was the buzz of the season before it even started. His invitation was all the rage and was Instagramed by the fashion set – a bottle of his latest fragrance, Fucking Fabulous—as if we needed a reminder. Much of Tom Ford’s namesake label’s success has been with his menswear collections, so for spring, Ford took a nod from his menswear collection and showed impeccably tailored suits. His jackets were sexy and confident, with sharp lines and broad shoulders. In a throwback to his signature Gucci 90’s glam, Ford showed plenty of ruched net dresses that where oh so seductive – it’s clear, Tom Ford is back!
Helmut Lang’s Spring 2018 Show (Courtesy of Vogue.com)
The Helmut Lang collection label is being revised again and the timing couldn’t be better, with so many young designers referencing the designer’s minimalistic aesthetic as a point of reference. The label’s designer in residence is none other than Hood By Air’s Shayne Oliver, so now Helmet Lang is sexier than it’s ever been. Oliver showed some streamline tailoring that was true to the houses’ heritage, but all with a fetish streak. The collection felt more like a Hood By Air show than a Helmut Lang collection. Oliver showed plenty of kink with asymmetric bras, daring peekaboo harnesses, rearless pants suspended from the waistband like garters, leather codpieces, and strappy BDSM gear. The collection left many Helmut Lang fans (all who remember his collections vividly) divided.
Narciso Rodriguez’s Spring 2018 Collection (Courtesy of Narciso Rodriguez)
This season Narciso Rodriguez opted out of a formal show and the celebrity circus it has become, instead he held private appointments to present his spring collection. Season after season Rodriguez is consistent chic yet sexy clothes that real women want to wear. His workmanship is impeccable and so important to see upclose rather than a runway. Sticking to his signature looks, Rodriguez showed slinky knit dresses in black and white with openwork stitches that show flashes of skin, a harness-top sheath with a sliver cutout, and an attenuated jumpsuit with a deep U-front.
Alexander Wang’s Spring 2018 Show (Courtesy of Vogue.com)
Athleisure and streetwear have been going strong now, but for spring the trend takes a more feminine twist. At Alexander Wang’s #WANGFEST, models rode around a party bus Saturday night around New York City’s busy streets. The first stop was Lafayette and Center Streets in Manhattan, the second was at Astor Place; both were open to the public. The press and retailers were invited to the last stop – a dead end in Bushwick, Brooklyn; which then led to #WANGFEST, his jumping after-party in a literal jumpy castle. Models were literally pouring off the bus in a runway format that was fun and energetic. As for the clothes, it’s what Wang does best, sporty with a sexy twist. These are real clothes for all the cool kids. Wang layered denim cut-offs over leather leggings and there were a lot of extra sleeves and jackets that were cut in half and worn as skirts. Wang is also continuing his collaboration with Adidas, with a zip-front jacket with the extra sleeves cinching the waist.
Rihanna at her Fenty x Puma’s Spring 2018 Show (Courtesy of Vogue.com)
Wang isn’t the only one to break the ties from traditional fashion shows, Rihanna gave her audience an adrenalin rush as she presented her Fenty x Puma show. The set was designed with pink sand mountains and a trio of motocross stuntmen performed mouth-dropping stunts. As for the clothes, they were sporty, fun, colorful and sexy all in one. Inspired by the X Games, there were a number of classic surf references thrown in for good measure – think biker shorts and scuba onesies. Rihanna showed modern interpretations of cheeky 1980s swim trends, case in point, the French-cut swimsuit. The entertainer also showed off her tomboy style with oversize motocross-inspired nylon track pants and anoraks that were a modern riff off the 90’s hip-hop trend.
Calvin Klein’s Spring 2018 Show (Courtesy of Vogue.com)
Meanwhile, at Calvin Klein, Raf Simmons continued his experimentation on American classics. For Spring, Raf was inspired by the contrast of the American Dream and American horror by invoking the magic of the movies; horror movies to be more specific as he played with Andy Warhol pop prints (specifically, Dennis Hopper circa Easy Rider and a 1971 Sandra Brant). His Hitchcock blondes wore rubber, and gauzy nightgowns reminiscent of Sissy Spacek in Carrie. Sticking to his American classics motif, Raf also showed plenty of cool denim, color blocked Western shirts, fringe dresses, 50’s inspired full skirted frocks and a nod to athletic with cool bungee cord details on nylon outerwear.
You’re So Transparent
Victoria Beckham’s Spring 2018 Show (Courtesy of Vogue.com)
This season is turning out to be a sheer sensation as designers are leaving very little to the imagination, but not in a vulgar way. For spring, they are embracing the transparency trend with soft, wispy fabrics delicately draped and overlaid showing just hints of skin in a romantic and feminine way. Speaking of femininity, Victoria Beckham showed off her softer side this season with sheer fabrics in soft colors proving that delicacy can in fact be strong. Case in point, Beckham’s first look: a soft yellow check shirt, which was slightly oversized and boxy, tucked into a dusty rose organza pencil skirt. Pure perfection!
Jason Wu’s Spring 2018 Show (Courtesy of Vogue.com)
Jason Wu is known for his polished and elegant sensibility, and for spring he kept true to his DNA but in a slightly more casual way. But casual for Wu means a midriff-baring cutout on a striped cotton dress and laces suspended from a crinkled silk coat. For evening, Wu was inspired by Madame Grès and reinterpreted her innovative pleating techniques. Wu also worked pleats onto sheer gowns staying right on trend.
Oscar de la Renta’s Spring 2018 Show (Courtesy of Vogue.com)
Meanwhile, Laura Kim and Fernando Garcia’s sophomore collection for the Oscar de la Renta brand were met with mixed reviews. Inspired by Pop Art and letters Mr. De la Renta wrote, along with thank-you notes that the duo have received from today’s young starlets. Sure De la Renta’s name was all over the collection, but his aesthetic certainly was not. Can you image Mr. De la Rents putting frayed and faded denim, sheer dresses, bathing suits and logo print furs on the runway? There were a few breathtaking evening gowns that rang true to De la Renta’s style, such as the colorful dégradé tulle gowns. Still, Kim and Garcia are trying to find their footing in the house of Oscar de la Renta.
Ralph Lauren’s Fall 2017 Buy-Now-Wear-Now Show (Courtesy of Vogue.com)
Traditional menswear has always been in fashion, but for spring designers are incorporating tailored suits in beautiful menswear fabrics for a look that is smart yet oh so chic. Of course no one does this better than Ralph Lauren. In one of the most anticipated shows of the season he transported the fashionable front row set to his garage in upstate Bedford, New York. His vintage car collection is most impressive with Porsches, Ferraris, Jaguars, McLarens, and a Bugatti. The cars were innovative and sleek, but his clothes oozed timeless chic. For his Fall, buy-now-wear-now collection, Lauren worked mixed tweeds, checks and plaids on bustier tops paired with relaxed trousers. For evening, Lauren kept it casual with a puffer jacket over a sparkly minislip and over-the-knee boots as well as dapper tuxedos.
Good-Bye New York
Marc Jacobs’ Spring 2018 Show (Courtesy of Vogue.com)
No designer is better fitted to close out New York fashion week than Marc Jacobs – you just never know what you’re going to get at a Marc show. This season it was silence, there was no whimsical sets built, no music, just the sound of 56 models walking only to the sounds of their shoes on the old wood planks of the Park Avenue Armory. The clothes were full of wit and humor. After being in business for 25 years, Jacob’s looks to his past collections for inspiration; his program notes called it a “reimagining of seasons past somewhere beyond the urban landscape of New York City.”
No music was needed to set a mood, the clothes themselves set a happy and joyful tone. There were giant, overscaled flowers; Crayola colors, tinsel trimmings, exaggerated shapes, and sequins, sequins, sequins. Jacobs’s idea was to return to the archives, passing old ideas and former hits through “exaggerated, decadent, and exotic” filters. Although some looks were trippy, overall, Jacob’s did what he does best, delivering a young and exciting line-up.
Marc Jacobs’ Spring 2018 Show (Courtesy of Vogue.com)