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Posts Tagged: "Maison Margiela"

The Magical & Technological World of Couture: Fall 2018

Chanel Haute Couture Runway Look (photo courtesy of W Magazine)

Chanel Haute Couture Runway Look (photo courtesy of W Magazine)

Need an escape from a world filled with political unrest, nuclear threats and terrorism? Enter…haute couture. Yeah, we know covering fashion, especially the world of couture, may seem frivolous to many, but couture is about dreaming, escapism and fantasy. Who wouldn’t want to live right now in a world of beautiful handmade gowns while running through a garden in Paris or engaging in a leisurely walk along the Seine?

But the truth is, couture is so much more than fantasy. Costume and fashion history would not be the same without it and let’s face it… couture is the ultimate marketing machine!

We need only look back in time to a publication written between 1751 and 1772 by Denis Diderot and Jean le Rond d’Alembert entitled Encyclopédie, ou dictionaire raisonné des sciences, des art et des métiers, to see how this pivotal tome gave instructions to the métiers (trades) in the art of dressmaking, forever placing this trade on equal footing with the arts and sciences of the time.

And of course we owe the ’Father of Couture,’ Englishman Charles Frederick Worth (Paris circa 1856 ), the fashion genius who together with his wife as muse, transformed the world of dressmaking into ‘high fashion’. Over time, the House of Worth, along with other couturières (female) and couturiers (male) were able to take the craft to a whole other level by creating perfumes, shoes, millinery and diffusion lines. These spin-offs planted the seeds which would later become lifestyle branding with lots of marketing hype!

 

Valentino Haute Couture Runway Look (photo courtesy of W Magazine)

Valentino Haute Couture Runway Look (photo courtesy of W Magazine)

We know that these one-of-a kind haute creations come with a hefty price tag. On average, one couture gown can take over 800 hours to create and cost several hundred thousand dollars. Even couture daywear starts at around $10,000! It’s estimated that there are only approximately 2,000 couture clients, mostly from Russia, China, the United States and the Middle East, with fewer than 300 that buy regularly.

So, do the numbers. With only a handful of steady customers, you got it…haute couture is not a money maker. Couture houses spend millions of dollars twice a year, by selecting exquisite fabrics, hand-sewing each garment, employing top métiers for beading and embroideries and producing larger-than-life runway shows, using A list models, hair and make-up teams. The profits are negligible, amounting to less than ten per cent of gross profits for some houses, though most operate at a loss. However, their true value is in the selling of the house’s fragrance, make-up line and other less-expensive branded items like shoes and handbags.

Draping Technique (Photos courtesy of Pinterest)

Draping Technique (Photos courtesy of Pinterest)

So why do these houses still invest in their haute couture collections, other than pushing their ancillary products? They are selling a dream. Fashion shows attract huge media attention and gain enormous publicity for the couture houses. Think about how many actresses wear couture on the red carpet. These designers are selling a dream of chic cachet, beauty, desirability and exclusiveness, that the ordinary person can ‘buy into.’

Here are some highlights of the Haute Couture Fall 2018 Season:

VALENTINO

Pierpaolo Piccioli has been on a role and his Valentino Couture show closed out Haute Couture Fashion Week in Paris with rave reviews. This season Piccioli offered a brilliant line-up of rich saturated hues and swaggering proportions. According to Vogue.com, Piccioli stated, “Couture involves a deeper and more intimate perspective, to go further into your own vision of beauty.”  His vision was a perfect blend of Greek Mythology, 17th- and 18th-century painting, the films of Pasolini and the photographs of Deborah Turbeville, medieval armor, and Ziggy Stardust. Whew, that’s quite a line-up of inspiration, eh?

This translated into intricate embroidered capes, a multiple brocade evening dress adorned with rhinestones, sequins and pearls, a red sculpted jersey gown and a trio of featherweight taffeta dresses that wrapped around the body.

Valentino Haute Couture Runway Look (photo courtesy of Vogue.com)

Valentino Haute Couture Runway Look (photo courtesy of Vogue.com)

Valentino Haute Couture Runway Look (photo courtesy of Vogue.com)

Valentino Haute Couture Runway Look (photo courtesy of Vogue.com)

FENDI

How does a house known for its use of fur adapt to the changing landscape of the anti-fur movement? After all, major fashion houses such as Gucci, Versace and Michael Kors have all announced they would go fur free and use only faux fur in their collections. Fendi on the other hand, made no such promise, but did abandon their Haute Fur Show in favor of a couture show.

Though Fendi did include some fur pieces, what they also did was produce something much more creative than fur and faux fur (which by the way is also a major earth pollutant). They ingeniously manipulated textiles in such a way as to resemble real fur; case in point, a coat created with fine strips of chiffon that were frayed and stitched together so closely that it could have been easily mistaken for an intarsia’d mink. While there were plenty of real fur looks in the line-up, it was refreshing for a house like Fendi show alternatives. And oh, what a great upcycling concept!

Fendi Haute Couture faux fur Runway Look (photo courtesy of Vogue.com)

Fendi Haute Couture faux fur Runway Look (photo courtesy of Vogue.com)

Fendi Haute Couture Runway Look (photo courtesy of Vogue.com)

Fendi Haute Couture Runway Look (photo courtesy of Vogue.com)

JEAN PAUL GAULTIER

Always known to break with tradition, Jean Paul Gaultier showed his haute couture collection on both male and female models as the versatility of the collection was genderless. With a strong emphasis on tailoring, his suits were oh so chic! Gaultier was able to take the iconic “Le Smoking” and update it for the 21st century.

Jean Paul Gaultier Haute Couture Runway Look (photo courtesy of Vogue.com)

Jean Paul Gaultier Haute Couture Runway Look (photo courtesy of Vogue.com)

Jean Paul Gaultier Haute Couture Runway Look (photo courtesy of Vogue.com)

Jean Paul Gaultier Haute Couture Runway Look (photo courtesy of Vogue.com)

MAISON MARGIELA

John Galliano has now taken to podcasting and for Margiela couture he stated that this is collection is “the raw, raw, undiluted essence, the parfum of the house.” Following in the footsteps of his Artisanal collection for men, Galliano presented a highly innovative, high-concept collection exposing the craftsmanship of haute couture –  literally – by revealing the exquisite stitching that goes into the construction of a hand-tailored jacket. The true genius of Galliano came through by layering garments between tubes of filmy nylon, thus creating what Vogue called “translucent fabric sandwiches.”

“We’re all nomads today,” added Galliano, “. . . we do move in tribes.” Galliano calls it “nomadic glamour.” Reminds us a bit of Yeohlee and her “Urban Nomads” collection, only this time, on steroids!

Maison Margiela Haute Couture Runway Look (photo courtesy of Vogue.com)

Maison Margiela Haute Couture Runway Look (photo courtesy of Vogue.com)

Maison Margiela Haute Couture Runway Look (photo courtesy of Vogue.com)

Maison Margiela Haute Couture Runway Look (photo courtesy of Vogue.com)

ARMANI PRIVE

Ahhhh, and then there was Armani. Known for his master tailoring and Red Carpet artistry, the fall Armani Privé collection didn’t disappoint.  Armani’s press notes noted “A sculptural, almost regal style.”  The first half of the show (there were almost 100 looks in all), was a sea of black and champagne-colored pantsuits and evening looks, all that captured the chic essence of Armani beautifully. However, in an attempt to keep up with the times, half-way through the show Armani switched gears and sent out electric hues in everything from an ostrich feather cape to a hot pink and turquoise pantsuit that was a complete disconnect to the first half of the show. Go Armani!

Armani Prive Haute Couture Runway Look (photo courtesy of Vogue.com)

Armani Prive Haute Couture Runway Look (photo courtesy of Vogue.com)

Armani Prive Haute Couture Runway Look (photo courtesy of Vogue.com)

Armani Prive Haute Couture Runway Look (photo courtesy of Vogue.com)

CHANEL

We fashionistas can always count on Karl Lagerfeld to create a wonderful backdrop for his Chanel collection. And for this collection he did not disappoint by sending his models for stroll along the Seine with its wide sidewalks and low stone walls framing the magnificent Institut de France, built by Louis le Vau for Cardinal Mazarin in the 1660s (and where the Academie Française is housed). Perhaps with age, Lagerfeld is feeling a bit reflective about his first days in Paris as an 18-year old. In an interview with Vogue before the show, Lagerfeld remembered a city still suffering from postwar neglect, with dirty streets and dark, unrestored buildings. “People said to my parents, ‘but he can get lost,’” he added. “My mother knew better: I had a strong survivor instinct!”

The collection was filled with the House’s signature tweeds all in shades of grey. There were plenty of long skirts that unzipped to reveal sexy miniskirts adorned with magnificent embroideries. Lagerfeld also showed a silver foil ball gown skirt, a bevy of chic jackets and plenty of transparent chiffon pleated eveningwear.

Chanel Haute Couture Runway Look (photo courtesy of Vogue.com)

Chanel Haute Couture Runway Look (photo courtesy of Vogue.com)

Chanel Haute Couture Runway Look (photo courtesy of Vogue.com)

Chanel Haute Couture Runway Look (photo courtesy of Vogue.com)

CHRISTIAN DIOR

After years of over the top glamour and in your face sex appeal at Dior, at the hands of Raf Simons and John Galliano, the tide seems to be turning toward a more minimalistic approach to fashion. At the forefront of this evolutionary change is Maria Grazia Chiuri. Her couture 2018 collection involved some feminist research.  She read up on Leonor Fini, one of the avant-garde artists Christian Dior chose to exhibit in the gallery he was involved with before becoming a couturier. The results were beautiful, somber, sculpted and pleated pieces that were way more complex than what met the eye. These were serious clothes. Only a seasoned designer like Chiuri knows how to design clothes, utilizing the talents of finest ‘hands’ in the business, that will attract the most discerning couture clients. Chiuri showed cashmere suits, simple strapless gowns that grazed the ankle, effortless pleated dresses and demure eveningwear.  This collection is timeless and elegant yet modern and refreshing. A hit!

Christian Dior Haute Couture Runway Look (photo courtesy of Vogue.com)

Christian Dior Haute Couture Runway Look (photo courtesy of Vogue.com)

Christian Dior Haute Couture Runway Look (photo courtesy of Vogue.com)

Christian Dior Haute Couture Runway Look (photo courtesy of Vogue.com)

SONIA RYKIEL

For the past 50 years, the name Sonia Rykiel has been associated with fun, lighthearted knitwear. This season, designer Julie de Libran presented the first Sonia Rykiel couture collection. And, staying true to the Rykiel code, presented a collection with the same joie de vivre that the house’s founder was known for.

Gone from this collection were the traditional evening gowns that epitomize the world of couture. Instead, de Libran presented a youthful and edgy line-up. Looks ranged from a striped hand-beaded off the shoulder Marinière sweater to a black sweater dress with a trompe l’oeil bikini embroidery and a bridal corset look with front-lacing, a feathered knit veil and blue jeans. Surely de Libran is a couture disruptor but is this collection really worthy of being called couture?

Sonia Rykiel Haute Couture Runway Look (photo courtesy of Vogue.com)

Sonia Rykiel Haute Couture Runway Look (photo courtesy of Vogue.com)

Sonia Rykiel Haute Couture Runway Look (photo courtesy of Vogue.com)

Sonia Rykiel Haute Couture Runway Look (photo courtesy of Vogue.com)

IRIS VAN HERPEN

Always a fashion renegade, Iris van Herpen decided to show her couture collection at the Galerie de Minérologie et de Géologie, a fitting choice, since the name of this collection was “Ludi Naturae,” translated from Latin, “nature play.”

However, Van Herpen’s idea of nature flirts with synthetic biology through her iconic laser-cutting techniques and 3-D printed illusion fabric innovations, which she has taken to new heights and labels it “syntopia.” To quote van Herpen: “I think we as humans don’t even come close to the intelligence within nature. It’s funny how people think that nature is simple and technology is complex—it’s the opposite; technology is simple and nature is complex.”

Known for her artist collaborations, this time it was Amsterdam-based artist duo Lonneke Gordijn and Ralph Nauta of Studio Drift who created the backdrop her runway ‘science fantasy. She also partnered with Dutch sculptor Peter Gentenaar who is known for capturing ‘organic memory’ and motion through his delicate, large-scale cellulose sculptures,  and together they created a show that was ‘other-worldly.’

Considered fashion’s ‘futurist-in-residence,’ couture season would be incomplete without Iris van Herpen and her vision.

Iris van Herpen's Fall 2018 Couture Show (photo courtesy of Vogue.com)

Iris van Herpen’s Fall 2018 Couture Show (photo courtesy of Vogue.com)

Iris van Herpen's Fall 2018 Couture Show (photo courtesy of Vogue.com)

Iris van Herpen’s Fall 2018 Couture Show (photo courtesy of Vogue.com)

 

DO YOU THINK THE SONIA RYKIEL COLLECTION MERITS COUTURE STATUS? IF SO, WHY?

 

 

Met Gala 2018: Divine Creations on the Red Carpet

Left to right: Kim Kardashian in Versace, Madonna in Jean Paul Gaultier, Gigi Hadid in Versace, Sarah Jessica Parker in Dolce & Gabbana, and Zendaya in Versace (Photo courtesy of Cosmopolitan.com)

Left to right: Kim Kardashian in Versace, Madonna in Jean Paul Gaultier, Gigi Hadid in Versace, Sarah Jessica Parker in Dolce & Gabbana, and Zendaya in Versace (Photo courtesy of Cosmopolitan.com

“Just like a Prayer,” Madonna’s 80s hit came to life at this year’s Met Gala. No matter what your religion, the Met Gala Red Carpet was filled with regal references, courtesy of the Catholic Church. It came as no surprise to fashion industry insiders that the Costume Institute choose such a controversial theme, “Heavenly Bodies: Fashion and the Catholic Imagination,”  especially considering that their 1983 exhibition, “The Vatican Collections: The Papacy and Art,” was the third most visited exhibit in the museum’s history (#1- Treasures of Tutankhamen-1978-79-1,360,000 visitors, #2-Mona Lisa 1963- 1,077,521 visitors). The Met is hoping that this exhibit will be a big money-maker. It certainly is one of the largest since it includes two locations, the Met Fifth Ave and the Met Cloisters.

(Photo courtesy of the Met)

(Photo courtesy of the Met)

However, this time around, Christianity, as interpreted by the Costume Institute, meant mixing the sacred and the profane. Included in the exhibit are ecclesiastical garments on loan from the Vatican, jostling for attention right next to high fashion from the usual suspects, Dolce & Gabbana, Versace, Chanel, Balenciaga and Valentino.

The Met Gala is fashion’s biggest night. This year the event was hosted by Rihanna, Amal Clooney, Donatella Versace, Anna Wintour and Stephen and Christine Schwarzman. As for the Red Carpet, there were plenty of religious imagery, complete with headpieces and lots of crosses. With no shortage of religious references, the bold and the beautiful competed for attention by feigning controversy, while remaining well within the boundaries of the game. Let’s thank Madonna for getting out Jean Paul Gaultier!

Aman Clooney in Richard Quinn abd George Clooney (Photo Courtesy of Shutterstock Images)

Aman Clooney in Richard Quinn abd George Clooney (Photo Courtesy of Shutterstock Images)

Bee Shaffer in Valentino and Anna Wintour (Photo Courtesy of Shutterstock Images)

Bee Shaffer in Valentino and Anna Wintour (Photo Courtesy of Shutterstock Images)

Some of the most memorable images of the night included Rihanna’s papal crown and cape designed by Margiela; Katy Perry wore 6-foot angel wings; and Cardi B’s jeweled headpiece and plunging beaded gown, this was her first Met Gala red carpet and she did not disappoint.

Katy Perry in Versace (Photo Courtesy of Shutterstock Images)

Katy Perry in Versace (Photo Courtesy of Shutterstock Images)

Rapper 2 Chainz popped the question to Kesha Ward, with whom he already has three children. She said yes, though it was unclear if this was Epps’ original proposal. Meanwhile, Kim Kardashian walked the carpet solo without her husband Kanye West, which was a surprise considering West’s love of fashion and who has attended the event for the past few years.

2 Chainz Propsed to Kesha Ward at the Met Gala

2 Chainz Propsed to Kesha Ward at the Met Gala

It was no surprise that the accessory that topped all others of the night were over-the-top headpieces. Crowns, veils and even a Pope Mitre hat!

Amazing Headpieces

Rihanna in Maison Margiela  (Photo Courtesy of Shutterstock Images)

Rihanna in Maison Margiela
(Photo Courtesy of Shutterstock Images)

Jeremy Scott and Cardi B in Moschino (Photo Courtesy of Shutterstock Images)

Jeremy Scott and Cardi B in Moschino (Photo Courtesy of Shutterstock Images)

Solonge Knowles (Photo Courtesy of Getty Images)

Solonge Knowles (Photo Courtesy of Getty Images)

Joan Smalls (Photo Courtesy of Getty Images)

Joan Smalls (Photo Courtesy of Getty Images)

Priyanka Chopra (Photo Courtesy of Getty Images)

Priyanka Chopra (Photo Courtesy of Getty Images)

Here are some of the best looks of the night:

 

Madonna and Jean Paul Gaultier (Photo Courtesy of Shutterstock Images)

Madonna and Jean Paul Gaultier (Photo Courtesy of Shutterstock Images)

Jennifer Lopez in Balmain (Photo Courtesy of Shutterstock Images)

Jennifer Lopez in Balmain (Photo Courtesy of Shutterstock Images)

Lana del Ray and Jared Leto, both in Gucci (Photo Courtesy of Shutterstock Images)

Lana del Ray and Jared Leto, both in Gucci (Photo Courtesy of Shutterstock Images)

Ariana Grande in Vera Wang (Photo Courtesy of Shutterstock Images)

Ariana Grande in Vera Wang (Photo Courtesy of Shutterstock Images)

Migos in Versace (Photo Courtesy of Shutterstock Images)

Migos in Versace (Photo Courtesy of Shutterstock Images)

Nicki Minaj in Oscar de la Renta (Photo Courtesy of Shutterstock Images)

Nicki Minaj in Oscar de la Renta (Photo Courtesy of Shutterstock Images)

Chadwick Boseman in Versace (Photo Courtesy of Shutterstock Images)

Chadwick Boseman in Versace (Photo Courtesy of Shutterstock Images)

Donatella (Photo Courtesy of Shutterstock Images) Versace

Donatella (Photo Courtesy of Shutterstock Images) Versace

Do you think religion has a place in fashion? Let us hear what you think.

 

The Final Stretch – Paris Fall 2018 Fashion Week- Part 1

- - Fashion Shows

 

Eiffel Tower (Photo Courtesy of Vogue.Com)

Eiffel Tower (Photo Courtesy of Vogue.Com)

After a long fashion show season, fashionistas can breathe, we are now in the final stretch of the fall 2018 collections. As editors, models, buyers and fashion insiders arrived in the City of Light on Tuesday morning, they were greeted with extremely cold temperatures and a little snow, but everyone was happy because the shows were on fire!

While Paris Fashion Week is still going strong, here is a look at the excitement of the first half of the week:

Christian Dior

Christian Dior Fall 2018 (Photo Courtesy of Vogue.Com)

Christian Dior Fall 2018 (Photo Courtesy of Vogue.Com)

Are you up for a protest? Well Maria Grazia Chiuri sure is, as her fall runway collection was inspired by France’s student protest of 1968. Chiuri has become French fashion’s voice of female empowerment and a champion for women everywhere. For her latest collection, Chiuri struck a chord! She filled her runway venue with protest art from the 60s, which seemed quite relevant given the ongoing protests against NRA-beholden politicians in the aftermath of the Parkland, Florida, school shooting and student-led anti-gun movement. Let’s give a shout-out to these young people who are making their voices heard and who are planning a nationwide ‘March For Our Lives’ gun-control rally scheduled for March 24th.

Christian Dior Fall 2018 (Photo Courtesy of Vogue.Com)

Christian Dior Fall 2018 (Photo Courtesy of Vogue.Com)

Inspired by the late Sixties, Chiuri played with crochets, embroideries and plenty of patchwork – but all with a refined hand; after all, this is the House Of Dior.

 

Saint Laurent

Saint Laurent  Fall 2018 (Photo Courtesy of Vogue.Com)

Saint Laurent Fall 2018 (Photo Courtesy of Vogue.Com)

Sex sells, and no one does it sexy better than Anthony Vaccarello. The young designer’s Saint Laurent show was full of energy and excitement, as he built a stadium-size box, slap-bang opposite the Eiffel Tower.  The venue was a spectacle with dazzling lights filling the space. The clothes were just as wonderful – a full-on Eighties spectacle with big-shouldered dresses and barely there shorts. The Saint Laurent girl better get her legs in shape this season!

 

Maison Margiela

Maison Msrgiela Fall 2018 (Photo Courtesy of Vogue.Com)

Maison Margiela Fall 2018 (Photo Courtesy of Vogue.Com)

Leave it to John Galliano to imagine the apocalypse and have his girls dressed for it in the coolest of ways. For his  collection at Maison Margiela, the designer piled on layers of every type of protective device. Case in point, techy plastics and shields over just about everything. Is this his reaction (solution?) to North Korea and Russia’s ramp-up of weapons of mass destruction and sarin gas that was used on the Syrian people? Maybe.

 

Dries Van Noten

Dries Van Noten Fall 2018 (Photo Courtesy of Vogue.Com)

Dries Van Noten Fall 2018 (Photo Courtesy of Vogue.Com)

On a lighter note, Dries Van Noten, known for his beautiful and creative mix of prints and color, did not disappoint for his fall collection. While American designers were preoccupied with the 80s, Van Noten served up plenty of Seventies-inspired psychedelic references. Makes you want to contemplate the Bob Dylan song, My Back Pages (make famous by the Byrds in the late 60s) with the lyric: “Ah, but I was so much older then, I’m younger than that now.”

 Chloé

Chloe Fall 2018 (Photo Courtesy of Vogue.Com)

Chloe Fall 2018 (Photo Courtesy of Vogue.Com)

It may only be her second season designing under the Chloé label, but Natacha Ramsay-Levi has already established a cult following. Inspired by the 1970’s and actresses of that time-period, such as Anjelica Huston, Sissy Spacek, Isabelle Huppert, and Stéphane Audran, Levi showed plenty of skin-baring openings, open V-neck blouses and sexy cut-out dresses, showing just the right amount of flesh.

 

Hi And Bye

Riccardo Tisci (Courtesy Photo)

Riccardo Tisci (Courtesy Photo)

In other news, Burberry has tapped Riccardo Tisci as Chief Creative Officer, replacing 17-year Burberry veteran Christopher Bailey , one of the founders of the ‘see-now-buy-now’ and ‘direct-to-consumer’ movements and the creator of the newly revised iconic Burberry plaid, adding rainbow stripes for LGBTQ. Congratulations to Tisci as he begins his new role on March 12th.

Tell us, which shows were your favs and why and what role you think designers should play (as have athletes and actors) in making the world a better place?

Paris Fashion Week: From Glam and Glitz to Avant-Garde

- - Fashion Shows, Trends

PARIS FASHION WEEK

Saint Laurent Runway : The Eiffel Tower  (Photo Courtesy of  Vogue.Com)

Saint Laurent Runway : The Eiffel Tower (Photo Courtesy of Vogue.Com)

 

The spring 2018 fashion shows have been a long haul, but there were so many inspiring moments from Ralph Lauren’s show in his exotic car garage in Bedford, N.Y. to Donatella Versace’s tribute to Gianni; who can ever forget the images all over Instagram with his supermodels (Cindy Crawford, Naomi Campbell, Claudia Schiffer, Helena Christensen and Carla Bruni) all on stage in golden gowns – it was an emotional moment for many in the industry. Now we reach the final stretch, Paris, the fashion capital of the world. Paris shows are not over yet, but here are some of the highlights of the week so far, from political messages to over-the-top glamour.

EMPOWERING WOMEN

It’s clear that Maria Grazia Chiuri, the first female Creative Director for Christian Dior, is using the label as a platform to empower women. Who can forget her “We Should All Be Feminists” t-shirts. Every Instagram and street style star wore them. For spring, Chiuri uses the runway to let us ponder another thought “Why Have There Been No Great Woman Artists?” This question was emblazoned on a striped marinière sweater. The question is the title of art historian Linda Nochlin’s 1971 essay that explores the topic of feminist art history; historically, woman have had a difficult time achieving success in the arts. Chiuri’s Dior is a new Dior. Gone are the pastel colored, ladies-who-lunch suits. It’s clear that Chiuri is focusing on the millennials with looks that ranged from 70’s patchwork jeans to leather jumpsuits. For evening, she showed an assortment of sheer, sparkly, glitter mini dresses in every color under the rainbow – all complete with low block heeled mesh knee high boots. It’s refreshing to see a designer put out a positive message that she really does believe in.

Christian Dior  (Photo Courtesy of  Vogue.Com)

Christian Dior (Photo Courtesy of Vogue.Com)

THE NEW CHLOE-GIRL

There’s a new Chloe Girl in town…..Natacha Ramsay-Levi just presented her first collectionas the creative director for Chloé  to rave reviews. Although this is her first moment in the spotlight, Ramsay-Levi is well-known within French fashion circles; she worked at both Balenciaga and Louis Vuitton under Nicolas Ghesquière. Ramsay-Levi looked to the entire history of the house and gave a nod to each of her predecessors. The hand-painted cotton dresses were inspired by Lagerfeld’s time at the House. McCartney and Philo both liked horses, and Ramsay-Levi embroidered the motif on trim velvet tailoring. A floaty micro-floral dress was inspired by Waight. But there was a lot of Ramsay-Levi infused as well, such as the tailored leather outerwear and skinny cropped jeans.

Chloe  (Photo Courtesy of  Vogue.Com)

Chloe (Photo Courtesy of Vogue.Com)

 

GLITZ AND GLAMOUR

Anthony Vaccarello is paying tribute to the city of lights and to Mr. Yves Saint Laurent himself. The epic show was held outdoors, on a balmy night, with the Eiffel Tower sparkling in the background. Hundreds of spectators—the public and professionals—looked on, held in the awestruck moment. Vaccarello’s Saint Laurent girl wants to have fun, there were fanciful feathers, flirty glitter, and plenty of jaw-dropping boots. But the night was bittersweet for the house of Saint Laurent as Pierre Bergé passed away earlier this month. Vacarello started the show with hippie inspired looks that had a Moroccan feel,  it was a throwback to Yves Saint Laurant  and his love of Marrakech. There were floating, billowy-sleeved silk blouses, gold-coin–dot printed tulle tops, sparkling sequined dresses, bubbled frocks and fanciful ostrich feathers, all of it paired with the shortest of shorts and miniskirts and let’s not forget the over-the-top boots. This bold collection was sexy and confident!

Although the world is on edge today, with politics, threats of terrorists attacks and war, that didn’t reflect in many collections in Paris, there was a refreshing air of glitz and glamour; lighting the way for hopefulness and fun. Such collections included Balmain, Maison Margiela, Altuzarra and Dries Van Noten.

Saint Laurent  (Photo Courtesy of  Vogue.Com)

Saint Laurent (Photo Courtesy of Vogue.Com)

Balmain  (Photo Courtesy of  Vogue.Com)

Balmain (Photo Courtesy of Vogue.Com)

Dries Van Noten (Photo Courtesy of  Vogue.Com)

Dries Van Noten (Photo Courtesy of Vogue.Com)

Maison Margiela  (Photo Courtesy of  Vogue.Com)

Maison Margiela (Photo Courtesy of Vogue.Com)

Altuzarra  (Photo Courtesy of  Vogue.Com)

Altuzarra (Photo Courtesy of Vogue.Com)

EIGHTIES ARE BACK

A throwback to the Eighties was a continuing theme that made its way to Paris. Virgil Abloh, the designer behind the cult label Off-White, was inspired by Princess Diana as “the people’s princess.” Marking the 20-year anniversary of her tragic death, Abloh payed homage to the fashion icon, most notably with his farewell to streetwear and opted for a feminine collection filled with tulle and flounce. But Naomi Campbell stole the show – with her regal strut – wearing an asymmetrically flounced white jacket and cycle shorts quite the twist on eveningwear.

Isabel Marant and Mugler also gave a nod to the Eighties this season.

Off-White  (Photo Courtesy of  Vogue.Com)

Off-White (Photo Courtesy of Vogue.Com)

Isabel Marant  (Photo Courtesy of  Vogue.Com)

Isabel Marant (Photo Courtesy of Vogue.Com)

Mugler  (Photo Courtesy of  Vogue.Com)

Mugler (Photo Courtesy of Vogue.Com)

THE INDIVIDUALISTS

Sure they may not be mainstream designers, but you have to give credit to those designers who season after season march to their own beat. Such avante-garde designers include Rei Kawakubo for Comme des Garçons, Jun Takahashi for Undercover, Junya Watanabe, Yohji Yamamoto and Rick Owens.

Comme des Garçons (Photo Courtesy of  Vogue.Com)

Comme des Garçons (Photo Courtesy of Vogue.Com)

Undercover  (Photo Courtesy of  Vogue.Com)

Undercover (Photo Courtesy of Vogue.Com)

Junya Watanabe (Photo Courtesy of  Vogue.Com)

Junya Watanabe (Photo Courtesy of Vogue.Com)

Yohji Yamamoto  (Photo Courtesy of  Vogue.Com)

Yohji Yamamoto (Photo Courtesy of Vogue.Com)

Rick Owens  (Photo Courtesy of  Vogue.Com)

Rick Owens (Photo Courtesy of Vogue.Com)