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How Millennial Culture Is Driving the Luxury Kidswear Market: Welcome to the age of the mini-me

- - Childrenswear
Jason and Amanda Harvey with their twins at the Dolce & Gabbana Fall 2017 show (Photo courtesy of designer)

Supermodel Amanda Harvey and husband Jason with their twins at the Dolce & Gabbana Fall 2017 show (Photo courtesy of designer)

Thanks to millennial culture and an addiction for posting every move they make across several social media platforms, the rise of influencers and celebrity dressing has brought high end fashion to the masses. These fashionistas save every penny to be able to purchase the latest Gucci sneaker or Balenciaga hoodie. Staying ahead of the fashion flock has become a job in itself, as fashion darlings post their OOTD (outfit of the day) looks on Instagram and Snapchat. But now, having the latest “It” bag or shoe is not enough. For those wanting to ‘break’ the internet, the new ‘must-have’ accessory is a child. And as if that weren’t enough, you need to dress them in the same outfit as you!  Your own personal ‘mini-me.’

Kim Kardashian and North West in matching Vetements dresses  (Photo courtesy of Getty)

Kim Kardashian and North West in matching Vetements dresses (Photo courtesy of Getty)

With the help of celeb parents such as Beyoncé/Kay Z and Kim Kardashian/Kanye West, the tiny doppelgänger trend is growing in popularity. Fashionable parents everywhere are posting  their matchy-matchy looks all over social media. But this growing trend straddles that fine line between fashionably cute and obnoxious. And worse, it’s the blatant exploitation of children in order to increase social media likes and build a bigger brand for monetary gain. In 2015 Anna Wintour (according to Radar Online on Feb. 23, 2015) staged a fashion intervention with Kim, advising her  to swap her daughter North’s (a toddler at the time) dreary wardrobe for pastels.  The Vogue editrix couldn’t understand why KKW dressed her in all black. In fact, Winter thought it inappropriate for children to be dressed in dark colors at all.

Kim Kadashian, North West, Kanye West and Anna Wintour during Fashion week in 2015 , (Photo courtesy of  AP)

Kim Kadashian, North West, Kanye West and Anna Wintour during Fashion week in 2015 , (Photo courtesy of AP)

While many agree with Wintour, that children should look like children, there is no denying that the designer childrenwear business is rapidly growing. A report by Global Industry Analysts, entitled Children’s Wear: A Global Strategic Business Report, predicts that the childrenswear market will be worth $291 billion (US) by the end of 2020. The report cited the increasing number of luxury labels catering to this segment as a key growth driver. High-end labels such as Gucci, Givenchy, Balenciaga, Dolce & Gabbana, Burberry, Stella McCartney and Christian Dior are cashing in on the children’s market, driven in part by what the report describes as the “growing exposure of children to media and the ensuing rise in materialism.”

Beyoncé and Blue Ivy in matching Gucci  Source @beyonce

Beyoncé and Blue Ivy in matching Gucci Source @beyonce

North West (daughter of Kim/Kanye) and Blue Ivy Carter (daughter of Beyoncé/Jay Z) have become key players in the mini-me trend, the pint-sized fashionistas and their moms wear matching designer looks often from labels such as Gucci, Vetements, and Balmain. It’s even rumored that Kim/Kanye’s son Saint is already wearing custom-made Lagerfeld. But it’s not only celebrity kids donning these pricy labels. The luxury childrenswear market is forecast to reach $6.6 billion in 2018, up by 3.8 percent year-on-year, according to Euromonitor, presenting ample growth opportunities as spending power increases and parents dish out upwards of $500 for a pair of miniature Gucci loafers to match their own.

@coco_pinkprincess  Source Instagram

@coco_pinkprincess Source Instagram

The growing popularity of the mini-me childrenswear trend is fueled by the allure of capturing that perfect Insta-moment. Fashionable Instagram kids are taking over and have a better sense of style than some adults.  There is an Instagram phenomenon for the under 10 set. Take Coco (@coco_pinkprincess), a child from Tokyo, with over 674,000 followers on Instagram, who is regularly dressed up in designer looks from Gucci, Moschino and Balenciaga. Or there’s Ivan (@thegoldenfly), who is the son of designer Natasha Zinko, who made his street style debut at Paris Fashion Week Feb. 2017. His profile reads “I dress to depress” and his street style game is on-point as he’s regularly photographed in Supreme, Comme des Garçons, and Vetements.

Designer Natasha Zinko Introduces Her Son Ivan to the Street Style Crew at Paris Fashion Week (Photo courtesy of Vogue)

Designer Natasha Zinko Introduces Her Son Ivan to the Street Style Crew at Paris Fashion Week (Photo courtesy of Vogue)

According to an article that ran in BOF on Oct 14, 2017, “People want to dress up their children to keep them fresh. Social media is making it easier to show pictures of your children, and parents and fashion labels are taking this demographic more seriously,” says David Park, an illustrator at Complex magazine, who launched a graphic alphabet book titled ‘ABC’s for the Little G’s’ earlier this year. Dedicated to ‘all the sneakerhead parents in the world’, Park’s book teaches toddlers their ABC’s via sneaker graphics: A is for Airmax, G is for Gucci, Y is for Yeezy… The book emphasizes a shift in perception: childrenswear is now cool. The market is currently worth $1.4 billion, according to Euromonitor, and the value of childrenswear in the U.S. is estimated to grow 8 percent by 2021, to $34 million. Luxury brands from Oscar de la Renta to Dolce & Gabbana have long produced childrenswear, but the category is booming with launches from labels like Givenchy, Yeezy and Balenciaga, giving it an extra level of street cred.

Givenchy Debut of Kids Collection (Photo courtesy of Givenchy)

Givenchy Debut of Kids Collection (Photo courtesy of Givenchy)

Balenciaga Kids fall 2018 (Photo courtesy of Balenciaga)

Balenciaga Kids fall 2018 (Photo courtesy of Balenciaga)

The childrenswear market has become increasingly trend-oriented and at UoF, we are on top of the childrenswear trend as we offer an assortment if  childrenswear lessons on the  UoF website, ranging from drafting children’s pattern making slopers to how to draw children’s figures. Click of the link below to learn more about our childrenswear design lessons.

https://www.universityoffashion.com/disciplines/childrenswear/

Coolest Kids at Seoul Fashion Week spring 2018 (Photo courtesy of Buro 24/7)

Coolest Kids at Seoul Fashion Week spring 2018 (Photo courtesy of Buro 24/7)

 Do you find dressing a kid like a mini-me is cute or obnoxious?

 

 

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THE CHANGING FACE OF GLOBAL MENSWEAR

- - Fashion History, Menswear
Courtesy of i-d.vice.com

Courtesy of i-d.vice.com

Menswear is in constant evolution. The end-consumer is dictating what they want, which tribe they choose to belong to, and the personality they want to project. This has made the menswear industry very competitive, and in response, men’s fashion houses have been obligated to change their game, to listen to their consumer and are appointing new designers who understand the new generation and, more particularly, who understand their subcultures and tribes. The main focus in today’s menswear industry is to appeal to the final consumer’s lifestyle. This challenge goes beyond offering a good product, it also needs to be a product that ‘speaks’ to men’s tribes and their individual personalities. So, let’s examine who these new players are, what they are offering and who they are speaking to, and how they are seismically changing the present and future of the global menswear industry.

Kim Jones creative director Dior Homme (Courtesy BoF)

Kim Jones creative director Dior Homme (Courtesy BoF)

Recent new appointments in the menswear fashion industry, such as Kim Jones at Dior Homme and Virgil Abloh at Louis Vuitton Men’s (both brands under the LVMH umbrella), indicate that the market has changed. Fashion houses are now taking risks because they have identified that they must go forward to remain relevant for the next generation and those to follow. What do these players have in common? Both represent a movement that had been growing the past year. Kim Jones formerly at Louis Vuitton men’s and who created a blockbuster collaboration with the hip brand Supreme is now creative director at heritage brand Dior Homme.

Virgil Abloh creative director Louis Vuitton Men’s (Courtesyhighsnobiety.com)

Virgil Abloh creative director Louis Vuitton Men’s (Courtesyhighsnobiety.com)

Virgil Abloh, from DJ, music producer, Fendi intern, Kanye West’s creative director, to artistic director of Louis Vuitton’s men’s wear collection since March 2018, Abloh is also chief executive officer of the Milan-based label Off-White, a fashion house that he founded in 2013.

Both of these visionaries believe in ‘bottom-up’ fashion that is, bringing the street to high fashion, as well as the flexibility offered by social-media influenced athleisure, with its emphasis on T-shirts, and its reflection of a D-jin and music culture. The concept of ‘bottom-up’ is not new, Yves Saint Laurent made it his montra in the 70s and Marc Jacobs turned to the streets for his Grunge Collection in the 80s. But those were womenswear collections. Both Kim and Abloh have a history in designing streetwear for men and have each collaborated with Nike.

Although Jones studied design at Central Saint Martin’s and Abloh cut his teeth designing for Kanye West, both admit that they have gotten to know ‘fashion’ along the way. Their current collections speak to a new lifestyle, to a subculture of a younger generation and they are implementing street casual styles into their high fashion collections. To be clear, they are not abolishing suits or formalwear, they are just giving it a streetwear twist.

For example, presenting in their show a monochromatic suit with a t-shirt, technical sneakers and unique details around zippers, or presenting high quality functional bags with chain details. They are unifying two worlds we would not have imagined could speak to each other in the past. Formal and casual, function and decoration, these are no longer distinct categories, but ones that merge with each other. At the same time, these designers manage to speak to a tribe who is looking to be more individual while seeking to be included.

 

Dior Homme SS19 by Kim Jones (Courtesy of Vogue Runway)

Dior Homme SS19 by Kim Jones (Courtesy of Vogue Runway)

Louis Vuitton SS19 by Virgil Abloh (Courtesy of Vogue Runway)

Louis Vuitton SS19 by Virgil Abloh (Courtesy of Vogue Runway)

This connects us to other players such as Alessandro Michele at Gucci and Hedi Slimane now at Celine. They address younger generations with a unique vision, one that is more eccentric with a retro vintage feel (Gucci), and another one, more focused on rock culture (the new Celine). Both address a very important trend of the moment: the androgynous phenomenon. The ungendered design is key for these designers. They created transversal collections and androgynous looks that dominate the conversation of their collections, influencing the menswear arena. This trend is not about men wearing skirts, it is about changing mindsets, showing that men have changed, both in, and the way they view fashion, and in how they exercise their masculinity. This is reflected in how they shop, and as a result designer brands are implementing these changes in their product strategy.

Gucci by Alessandro Michele (Courtesy Vogue Runway)

Gucci by Alessandro Michele (Courtesy Vogue Runway)

 

Celine by Hedi Slimane (Courtesy of Vogue Runway)

Celine by Hedi Slimane (Courtesy of Vogue Runway)

 

There has also been a change in formal menswear. New players such as Thom Browne, Musika Frère, or recognized designers such as Ozwald Boateng have brought new product strategies to this category. Ozwald Boateng has mixed traditional classic British tailoring with color and new cuts targeting elite consumers who have unique personalities and are not part of the status quo.

Thom Browne, with his wild creativity, his fantastic tailoring and commercial core product pieces, with a clear brand identity such as the tricolor web, has won a fan base among millennials who were looking for an alternative from traditional formalwear.

And then we get to Musika Frère, a brand that was born in social media, created by Aleks Musika and Davidson Petit- Frère. This brand has a “neoclassic tailoring” style, as the creators themselves call it, specializing in custom suits that often come in unusual colors, patterns and details. This brand’s style has drawn famous celebrities in the African American community.

Ozwald Boateng (Courtesy of OzwaldBoateng.com)

Ozwald Boateng (Courtesy of OzwaldBoateng.com)

Thom Browne (Courtesy The New York Times)

Thom Browne (Courtesy The New York Times)

 

Musika Frere (Courtesy of Instagram)

Musika Frere (Courtesy of Instagram)

So, what do all these brands have in common? Their product strategies have successfully attracted a specific tribe that still wants the elegance of a suit but in a unique and special way, something that truly represents them and their personalities and that makes them stand out.

As menswear evolves, brands in the industry have realized that the fundamental formula to attract new and younger consumers is to truly represent them. The key for fashion houses now is to adopt this bottom-up approach, understand their consumers, their tribe and subcultures, in order to cater to them in a genuine way. All of the above-mentioned brands have used different menswear strategies to be relevant to the market and its future generations. They have taken risks because they know that nowadays, men are freer and use fashion to show who they truly are.

To learn more about menswear design, be sure to check out the new menswear discipline on our  University of Fashion website.

Menswear: A Trip Down Memory Lane

- - Fashion History, Menswear

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In fashion, we tend to overlook the menswear industry. It doesn’t change as much with the seasons and is all about the details, the fit and the fabrics. For some, it is not as interesting as the womenswear… until now. Menswear has been growing faster than womenswear and is expected to reach $33 billion by 2020. That’s why it is extremely important, as a designer or retailer, to learn about this segment of the industry.

The University of Fashion has recently launched its menswear discipline, so before checking out our lessons, how about taking a trip down memory lane to understand how the menswear industry has evolved?

Men’s fashion was initially functional in purpose. Paleolithic nomads used animal skins as protection from environmental conditions. The Ancient Egyptians provided the first signs that men’s clothing could made the leap from function to fashion. In this period, clothing and accessories began to serve as key symbols of rank and fortune.

Later on, the wealthiest men adopted tunics, and this trend continued with the toga in Ancient Greece and Rome, as well in the Middle Ages. During these periods, the essential item was the fabric, made of the finest materials.

Courtesy of Flickr and Chatirygirl

Courtesy of Flickr and Chatirygirl

Menswear Revolution

A big shift in menswear followed the American (1775-1783) and French (1789-1799) Revolutions, when fashion became understated and “undress” was the popular opposition to the abundant adornments that defined aristocracy. While men continued to wear the waistcoat, coat and breeches of the previous period for both full dress and undress, they were now made of the same fabric, signaling the birth of the three-piece suit. The early 1800s saw the final abandonment of lace, embroidery and other embellishment from serious men’s clothing and it became gauche to dress like an aristocrat.

In Britain, Beau Brummell, a trendsetter of the time, was credited with introducing and making the modern man’s suit and necktie fashionable. Savile Row, or “The Row” as it is commonly-termed, became the center of traditional bespoke tailoring. This trend led to trousers that are popular in menswear today and have been for the past 200 years. What Paris was to women’s fashion, London was to men’s. After the American Civil War (1861-1865), standardized sizing in men’s clothing introduced the concept of mass-production, with less individual tailoring, and the necktie was introduced by 1880.

Frock Coat (Courtesy of He spoke style)

Frock Coat (Courtesy of He spoke style)

Bea Brummel (Courtesy of He Spoke Style)

Bea Brummel (Courtesy of He Spoke Style)

 

The 1900s

During the 1900s, the United States took an even less formal approach to fashion when they introduced the ‘sportswear’ trend. With the invention of the automobile, American fashion landed in England and the dinner jacket, a more leisurely attire, became popular among the younger generations.

Another big American fashion influence at the time was jazz music. A new generation of men were rebelling against the traditions of their fathers and clothing inspired by the Jazz Age was born, consisting of tight-fitting suits. America became the center of the men’s fashion world and modern fashion was here to stay. Blazers became popular for summer wear, the tuxedo was the jacket of the night, and the Zoot suit was popular in the nightclubs of Harlem. The “gangster influence” in suits was also an important trend. Fashion for men became a display of their personality and environment.

 

Zoot Suits (Courtesy of Vintage dancer)

Zoot Suits (Courtesy of Vintage dancer)

Casual Menswear Emerges

By the late 1940s and early 1950s, beginning with the introduction of the Hawaiian shirt, California surfer culture emerged and is ever present in men’s fashion even today. Another 50s trend was the “preppy look,” consisting of clothes worn by men at prep and Ivy League schools, such as button-down shirts, golf shirts, chino pants, and loafers. Other trendsetters in the 1950s included Elvis Presley and the British Teddy Boys. The key to these new fashion trends was comfort with personality, each trend helping to define the ‘tribe’ or subcultures to which a man chose to belong.

The 60s & 70s

The 1960s brought Italian fashion to the forefront. Brands emerged that were able to compete with the bespoke tailors of Saville Row. Still relevant among that group initial group are Brioni, Nino Cerutti and Ermenegildo Zegna.

With the ‘British Invasion’ of the 60s came another important influence, Collarless, cylindrical suits created for the Beatles by Pierre Cardin and Douglas Millings were all the rage and helped usher in the ‘mod look’ and later the ‘psychedelic look.’

By the 1970s, ‘disco style,’ popularized by the movie “Saturday Night Fever” and ‘punk style’ from London, brought a new generation of menswear consumers into the marketplace. The concept of individuality and personality was fundamental to this period and continues today.

 

Princeton 1950’s (Courtesy of Google Life archives)

Princeton 1950’s (Courtesy of Google Life archives)

10 years of Beatles style (Courtesy of Mauro Amaral)

10 years of Beatles style (Courtesy of Mauro Amaral)

The 80s Impact

The 1980s became known as the ‘decade of excess,’ as Baby Boomers and Yuppies placed importance on ‘status’ and ‘luxury.’ In the movie American Gigolo, Giorgio Armani designed relaxed, yet elegant, deconstructed suits that epitomized the sexy, wealthy young man (played by Richard Gere), as the “playboy” of the time. This trend was in contrast to the emergence of streetwear looks associated with the ‘breakdance’ movement, which consisted of sneakers, shoes with thick, elaborately patterned laces and colorful nylon tracksuits.

 

The 90s Clean & Classic

As a backlash to 80s ‘bad taste,’ the 1990s represented the clean, pared down era, a time when menswear returned to beautifully tailored suits in classic colors, especially those from Helmut Lang, Ermenegildo Zegna, Hugo Boss, Nino Cerutti, Giorgio Armani and Ralph Lauren. The term “metrosexual” was coined by British journalist Mark Simpson as the trait of an urban male of any sexual orientation (usually heterosexual) who has a strong aesthetic sense and spends a great amount of time and money on his appearance and lifestyle. Italian suits were the basis for luxury and high-quality dressing. The Armani suit dressed the businessman throughout the decade until “business casual” took over in the mid-to-late 1990s. Other trends went in and out of fashion during this decade including the grunge look and a return to punk style, although this time known as ‘cyber punk’ and ‘hip-hop style,’ inspired by street culture. In an ironic move, the preppy look made a comeback in the late 90s, closely associated with the Tommy Hilfiger clothing line, which emulated the more expensive preppy look pioneered a decade earlier by Ralph Lauren.

Richard Gere in Armani from the movie American Gigolo (Courtesy of Classiq me)

Richard Gere in Armani from the movie American Gigolo (Courtesy of Classiq me)

 

Break Dancing (Courtesy Getty images)

Break Dancing (Courtesy Getty images)

New Millennium – A Look Back & Forward

The new millennium began with a retro influence, a mixture of the best elements of all previous fashion eras. Once the first major American corporation Alcoa sanctioned casual office attire in 1991, it wasn’t long before “casual Friday” was replaced with “casual everyday” as most companies loosened their dress code restrictions, with the exception of the legal and financial professions and those requiring uniforms.

In 2000, designer Hedi Slimane introduced the ‘ultra-skinny silhouette’ at Dior and mainstreamed them later at Saint Laurent – ushering in a seismic shift in the menswear industry.

In 2006, American designer Thom Browne burst onto the menswear stage with his ‘short length suits.’ Sports, performance apparel and the new athleisurewear category, continue to play a major role in men’s clothing.

As designers attempt to blur the lines between men and women’s fashion, such as J.W. Anderson and his ‘shared closet’ concept, the androgynous fashion movement continues to be explored.

With a booming economy bespoke tailoring is enjoying a comeback. New bespoke tailors are gaining popularity, with brands such as Ozwald Boateng (British-Ghanian descent) and Musika Frère (American), whose suits are offered in unusual colors and patterns, and whose client list includes, Jay Z, Michael B. Jordan, Stephen Curry, Kevin Hart and even Beyoncé.

In 2018, John Galiano introduced the world to ‘men’s couture’ with his Artisanal bias cut suits for Maison Margiela.

 

Hedi Slimane – Skinny jeans (Courtesy Dior Homme)

Hedi Slimane – Skinny jeans (Courtesy Dior Homme)

Today, the top designer menswear brands are truly an international set. Among the top 10 are:  Tom Ford (American), Gucci (Italian-Alessandro Michele), Neil Barrett (British), Thom Browne (American), DSquared2 (Canadians -Dean and Dan Caten), Dolce & Gabbana (Italian), Moncler (French), Louis Vuitton (French house-American designer Virgil Abloh), Prada (Italian) and Balmain (French-Olivier Rousteing).

Menswear has certainly evolved, from a rigid, controlled look, to one that is more casual, more personal and more connected to today’s lifestyle. Yes, menswear doesn’t change radically, but its evolution definitely shows that men are using fashion to express who they are now. Men who are freer to be themselves, men who are more comfortable in their own skin, and who are using fashion for self-expression, makes the future of menswear an exciting proposition.

Louis Vuitton by Virgil Abloh (Courtesy of Louis Vuitton)

Louis Vuitton by Virgil Abloh (Courtesy of Louis Vuitton)

Care to share who are your favorite menswear designer/designers of all time?

RESORT 2019 – What is Resort and Why?

Chanel Resort 2019 (Photo Courtesy of Accessories Magazine)

Chanel Resort 2019 (Photo Courtesy of Accessories Magazine)

Over the past several years, the fashion industry calendar has twisted into something beyond recognition. In today’s era of rampant consumption, social media and the internet, designers and brands can no longer rely on two show-seasons a year (Spring/Summer and Fall/Winter collections) to stay relevant. This has placed a tremendous burden on designers who have become increasingly stressed with the workload. Burn out and, in some cases, death (think Alexander McQueen and L’Wren Scott) can play a role.

Earlier this year, designer Alexander Wang announced that would not be showing his main Spring 2019 collection during Fashion Week (in  September) and instead, is choosing to show that collection during pre-collection season. Maybe Mr. Wang is on to something?

Ten plus years ago, Resort and Pre-fall collections were only shown to buyers and were basically a brand’s best-selling items, used as store fillers between seasons. Once brands decided to open the season to the press (WWD and Style.com were the first publications to fully cover pre-collections) the flood gates were opened!  Today, Resort shows start in early May and continue through the second week of June. Some designers and retailers think that the resort season has become almost as important as the Spring & Winter collection seasons.

Valentino (Photo courtesy of Vogue.com)

Valentino (Photo courtesy of Vogue.com)

For Resort 2019, designers have made it a lot easier for the press, celebrities and buyers by choosing to show in fashion capitals. Chanel, Christian Dior, Louis Vuitton and Gucci decided to show in France, while Valentino and Prada chose New York.

Gucci (Photo courtesy of Vogue.com)

Gucci (Photo courtesy of Vogue.com)

 

LET’S LOOK AT THE HISTORY OF RESORT SEASON

While many fashion lovers enjoy the visual stimulation of Resort shows, many are in the dark about what this fashion season truly means and why it exists. So, here’s a brief history:

A Cruise or Resort collection (also referred to as a Holiday or Travel collection) is an inter-season or pre-season line of ready-to-wear clothing produced by a brand, in addition to their recurrent twice-yearly seasonal collections – Spring/Summer and Autumn/Winter, shown during major fashion weeks in New York, London, Paris and Milan.

Cruise collections were originally targeted to wealthy customers or  seasoned jet-setters, cruising or vacationing in the warm Mediterranean sun during the winter months. Cruise collections usually consist of light spring or summer clothing, when weather at the points of sale actually calls for winter apparel. However, today, Resort/Cruise collections are targeted to consumers who have finished buying their fall wardrobes (ideally) and are looking ahead for something new. Resort collections range from warm weather looks, such as pretty sundresses and swimsuits, to winter looks, like fur coats and cozy sweaters (perfect for that Aspen getaway).

In the past, only high end houses like Chanel, Christian Dior, Gucci, Prada, Ralph Lauren and Marc Jacobs produced resort collections. But thanks to consumers who are always looking for something new, now almost every brand creates a resort delivery (November delivery), from Michelle Smith for her label Milly to Tory Burch.

Tory Burch (Photo courtesy of Vogue.com)

Tory Burch (Photo courtesy of Vogue.com)

Resort is also an opportunity to satisfy the generation of consumers who travel all the time. It also answers the climate change dilemma where these days, in many parts of the world, there is little to no winter. Additionally, thanks to online shopping, brands at every price-point have global customers. Some of the biggest spenders are in the ever-important Asian, Arab, and Russian markets. For major brands, the resort delivery is a commercial necessity.

Resort collections are available for consumer purchase in November and perfect timing for Holiday shopping. While Resort is an extra opportunity for brands to make money, it has become an incredibly important season for those brick & mortar retailers who are struggling with how to lure customers back to shopping in stores. Unlike Spring/Summer and Fall/Winter collections, Resort remains on the sales floor the longest (Spring merchandise arrives February) before hitting the sale rack, which makes it the most profitable season for most brands. Not  a lot of mark downs.

So, let’s take a look at some Resort collections from the start of this season:

Gucci (Photo courtesy of Vogue.com)

Gucci (Photo courtesy of Vogue.com)

Roberto Cavalli (Photo courtesy of Vogue.com)

Roberto Cavalli (Photo courtesy of Vogue.com)

Prada (Photo courtesy of Vogue.com)

Prada (Photo courtesy of Vogue.com)

Jil Sander (Photo courtesy of Vogue.com)

Jil Sander (Photo courtesy of Vogue.com)

 

Chanel (Photo courtesy of Vogue.com)

Chanel (Photo courtesy of Vogue.com)

Burberry (Photo courtesy of Vogue.com)

Burberry (Photo courtesy of Vogue.com)

Valentino (Photo courtesy of Vogue.com)

Valentino (Photo courtesy of Vogue.com)

Givenchy (Photo courtesy of Vogue.com)

Givenchy (Photo courtesy of Vogue.com)

Christian Dior (Photo courtesy of Vogue.com)

Christian Dior (Photo courtesy of Vogue.com)

Louis Vuitton (Photo courtesy of Vogue.com)

Louis Vuitton (Photo courtesy of Vogue.com)

Oscar de la Renta (Photo courtesy of Vogue.com)

Oscar de la Renta (Photo courtesy of Vogue.com)

DO YOU BELIEVE DESIGNERS ARE BURNING OUT BY CREATING FOUR COLLECTIONS A YEAR?

Met Gala 2018: Divine Creations on the Red Carpet

Left to right: Kim Kardashian in Versace, Madonna in Jean Paul Gaultier, Gigi Hadid in Versace, Sarah Jessica Parker in Dolce & Gabbana, and Zendaya in Versace (Photo courtesy of Cosmopolitan.com)

Left to right: Kim Kardashian in Versace, Madonna in Jean Paul Gaultier, Gigi Hadid in Versace, Sarah Jessica Parker in Dolce & Gabbana, and Zendaya in Versace (Photo courtesy of Cosmopolitan.com

“Just like a Prayer,” Madonna’s 80s hit came to life at this year’s Met Gala. No matter what your religion, the Met Gala Red Carpet was filled with regal references, courtesy of the Catholic Church. It came as no surprise to fashion industry insiders that the Costume Institute choose such a controversial theme, “Heavenly Bodies: Fashion and the Catholic Imagination,”  especially considering that their 1983 exhibition, “The Vatican Collections: The Papacy and Art,” was the third most visited exhibit in the museum’s history (#1- Treasures of Tutankhamen-1978-79-1,360,000 visitors, #2-Mona Lisa 1963- 1,077,521 visitors). The Met is hoping that this exhibit will be a big money-maker. It certainly is one of the largest since it includes two locations, the Met Fifth Ave and the Met Cloisters.

(Photo courtesy of the Met)

(Photo courtesy of the Met)

However, this time around, Christianity, as interpreted by the Costume Institute, meant mixing the sacred and the profane. Included in the exhibit are ecclesiastical garments on loan from the Vatican, jostling for attention right next to high fashion from the usual suspects, Dolce & Gabbana, Versace, Chanel, Balenciaga and Valentino.

The Met Gala is fashion’s biggest night. This year the event was hosted by Rihanna, Amal Clooney, Donatella Versace, Anna Wintour and Stephen and Christine Schwarzman. As for the Red Carpet, there were plenty of religious imagery, complete with headpieces and lots of crosses. With no shortage of religious references, the bold and the beautiful competed for attention by feigning controversy, while remaining well within the boundaries of the game. Let’s thank Madonna for getting out Jean Paul Gaultier!

Aman Clooney in Richard Quinn abd George Clooney (Photo Courtesy of Shutterstock Images)

Aman Clooney in Richard Quinn abd George Clooney (Photo Courtesy of Shutterstock Images)

Bee Shaffer in Valentino and Anna Wintour (Photo Courtesy of Shutterstock Images)

Bee Shaffer in Valentino and Anna Wintour (Photo Courtesy of Shutterstock Images)

Some of the most memorable images of the night included Rihanna’s papal crown and cape designed by Margiela; Katy Perry wore 6-foot angel wings; and Cardi B’s jeweled headpiece and plunging beaded gown, this was her first Met Gala red carpet and she did not disappoint.

Katy Perry in Versace (Photo Courtesy of Shutterstock Images)

Katy Perry in Versace (Photo Courtesy of Shutterstock Images)

Rapper 2 Chainz popped the question to Kesha Ward, with whom he already has three children. She said yes, though it was unclear if this was Epps’ original proposal. Meanwhile, Kim Kardashian walked the carpet solo without her husband Kanye West, which was a surprise considering West’s love of fashion and who has attended the event for the past few years.

2 Chainz Propsed to Kesha Ward at the Met Gala

2 Chainz Propsed to Kesha Ward at the Met Gala

It was no surprise that the accessory that topped all others of the night were over-the-top headpieces. Crowns, veils and even a Pope Mitre hat!

Amazing Headpieces

Rihanna in Maison Margiela  (Photo Courtesy of Shutterstock Images)

Rihanna in Maison Margiela
(Photo Courtesy of Shutterstock Images)

Jeremy Scott and Cardi B in Moschino (Photo Courtesy of Shutterstock Images)

Jeremy Scott and Cardi B in Moschino (Photo Courtesy of Shutterstock Images)

Solonge Knowles (Photo Courtesy of Getty Images)

Solonge Knowles (Photo Courtesy of Getty Images)

Joan Smalls (Photo Courtesy of Getty Images)

Joan Smalls (Photo Courtesy of Getty Images)

Priyanka Chopra (Photo Courtesy of Getty Images)

Priyanka Chopra (Photo Courtesy of Getty Images)

Here are some of the best looks of the night:

 

Madonna and Jean Paul Gaultier (Photo Courtesy of Shutterstock Images)

Madonna and Jean Paul Gaultier (Photo Courtesy of Shutterstock Images)

Jennifer Lopez in Balmain (Photo Courtesy of Shutterstock Images)

Jennifer Lopez in Balmain (Photo Courtesy of Shutterstock Images)

Lana del Ray and Jared Leto, both in Gucci (Photo Courtesy of Shutterstock Images)

Lana del Ray and Jared Leto, both in Gucci (Photo Courtesy of Shutterstock Images)

Ariana Grande in Vera Wang (Photo Courtesy of Shutterstock Images)

Ariana Grande in Vera Wang (Photo Courtesy of Shutterstock Images)

Migos in Versace (Photo Courtesy of Shutterstock Images)

Migos in Versace (Photo Courtesy of Shutterstock Images)

Nicki Minaj in Oscar de la Renta (Photo Courtesy of Shutterstock Images)

Nicki Minaj in Oscar de la Renta (Photo Courtesy of Shutterstock Images)

Chadwick Boseman in Versace (Photo Courtesy of Shutterstock Images)

Chadwick Boseman in Versace (Photo Courtesy of Shutterstock Images)

Donatella (Photo Courtesy of Shutterstock Images) Versace

Donatella (Photo Courtesy of Shutterstock Images) Versace

Do you think religion has a place in fashion? Let us hear what you think.

 

Cyborgs, Drones and the Queen, Oh My: London and Milan Wrap Up

- - Fashion Shows

Tasked with reviewing both London and Milan fashion weeks, I suffered a slight panic attack before settling in to write this week.

Gender bending, logo presenting, fake head carrying, pattern mixing and matching, balaclava wearing, houndstooth-plaid-sequin donning—all descriptors that don’t even begin to cover the Gucci show in Milan. As a fashion student, I would have savored every detail of the Gucci extravaganza and devoured every look, head-to-toe. Read More

75th Annual Golden Globes – More Than Just Another Award Show

- - Trends
America Ferrera in custom Christian Siriano, Natalie Portman in Dior Haute Couture, Emma Stone in Louis Vuitton and Billie Jean King

America Ferrera in custom Christian Siriano, Natalie Portman in Dior Haute Couture, Emma Stone in Louis Vuitton and Billie Jean King

Hollywood A-listers have long used their fame to promote individual causes, whether political, ethnic or humanitarian. But at this year’s 75th Annual Golden Globes, most all of the attending actors and actresses stood unified in a sea of black (or wore Time’s Up pins). Dressing in black resulted in a powerful solidarity statement, lending support to the ” Time’s Up”  and “Me To” movements and those who so courageously continue to speak out against sexual harassment and female inequality. The  days of watching award shows solely for the fashion are démodé, or are they?  Clothes at award shows are now more important than ever!  Oprah Winfrey’s Cecil B. DeMille AwardAward speech said it all : “a new day is on the horizon!”

From left Reese Witherspoon, Eva Longoria, Salma Hayek and Ashley Judd arrive at the awards

Side by side with Hollywood heavyweights stood female activists such as Monica Ramirez, a campaigner who fights sexual violence against farmworkers and Billie Jean King, the founder of the Women’s Tennis Association, whom Emma Stone portrays in Battle of the Sexes.

Oprah Winfrey  giving her Cecil B DeMille Award

Oprah Winfrey giving her Cecil B DeMille Award speech

While many celebrities dazzled on the stage, the red carpet was filled with fashion drama. Here are some of the biggest trends of the night: (All photos courtesy of Shutterstock).

THE NEW SUIT

Gal Gadot  in Tom Ford

Gal Gadot in Tom Ford

Maggie Gyllenhaal in Monse

Maggie Gyllenhaal in Monse

Alexis Bledel in Oscar de la Renta

Alexis Bledel in Oscar de la Renta

Allison Brie in Vassilis Zoulias

Allison Brie in Vassilis Zoulias

 

 BOWS

Margot Robbie in Gucci

Margot Robbie in Gucci

 

Tracee Ellis Ross in Marc Jacobs

Tracee Ellis Ross in Marc Jacobs

Emilia Clarke in Miu Miu

Emilia Clarke in Miu Miu

 

MIDAS TOUCH

Dakota Johnson in Gucci

Dakota Johnson in Gucci

 

Saoirse Ronan in Atelier Versace

Saoirse Ronan in Atelier Versace
Mary J. Blige in Custom Alberta Ferretti

Mary J. Blige in custom Alberta Ferretti

Kelly Clarkson in Christian Siriano

Kelly Clarkson in Christian Siriano

 

COVERED UP

Elisabeth Moss in Dior Haute Couture

Elisabeth Moss in Dior Haute Couture

Salma Hayek in Balenciaga

Salma Hayek in Balenciaga

Angelina Jolie in Atelier Versace

Angelina Jolie in Atelier Versace

 

Isabelle Huppert in Chloé

Isabelle Huppert in Chloé

 

PLUNGING NECKLINES

Issa Rae in Prabal Gurung

Issa Rae in Prabal Gurung

Kate Hudson in Valentino Haute Couture

Kate Hudson in Valentino Haute Couture

 

Golden Globes 2018: Every Look on the Red Carpet

COLD SHOULDER

Reese Witherspoon in Zac Posen at the Golden-Globes-2018

Reese Witherspoon in Zac Posen at the Golden-Globes-2018

Tarana Burke and Michelle Williams in Louis Vuitton

Tarana Burke and Michelle Williams in Louis Vuitton

Emma Stone in Louis Vuitton andBillie Jean King

Emma Stone in Louis Vuitton and Billie Jean King

 

Meryl Streep in custom Vera Wang and Ai Jen Poo

Meryl Streep in custom Vera Wang and Ai Jen Poo

Greta Gerwig in Oscar de la Renta

Greta Gerwig in Oscar de la Renta

 

SHORT

Millie Bobby Brown in Calvin Klein by Appointment and Repossi jewelry

Millie Bobby Brown in Calvin Klein by Appointment and Repossi jewelry

Kendall Jenner in Giambattista Valli Haute Couture

Kendall Jenner in Giambattista Valli Haute Couture

Halle Berry in Zuhair Murad

Halle Berry in Zuhair Murad

Heidi Klum in Ashi Studio

Heidi Klum in Ashi Studio

 

NOT YOUR BASIC TUXEDO

Noah Schnapp in Balmain

Noah Schnapp in Balmain

Golden Globes 2018: Every Look on the Red Carpet

James Franco in Salvatore Ferragamo and Dave Franco in Saint Laurent

James Franco in Salvatore Ferragamo and Dave Franco in Saint Laurent

Nick Jones in Versace

Nick Jonas in Versace

 

Winners of the night included:

MOVIES

Best motion picture, drama: “Three Billboards Outside Ebbing, Missouri”

Best motion picture, musical or comedy: “Lady Bird”

Best actress in a motion picture, drama: Frances McDormand, “Three Billboards Outside Ebbing, Missouri”

Best actor in a motion picture, drama: Gary Oldman, “Darkest Hour”

Best actor in a motion picture, musical or comedy: James Franco, “The Disaster Artist”

Best actress in a motion picture, musical or comedy: Saoirse Ronan, “Lady Bird”

Best supporting actor, any motion picture: Sam Rockwell, “Three Billboards outside Ebbing, Missouri”

Best supporting actress, any motion picture: Allison Janney, “I, Tonya”

Best director: Guillermo del Toro, “The Shape of Water”

Best screenplay: Martin McDonagh, “Three Billboards Outside Ebbing, Missouri”

TELEVISION

Best television series, drama: “The Handmaid’s Tale”

Best television series, musical or comedy: “The Marvelous Mrs. Maisel”

Best limited series or motion picture made for television:”Big Little Lies”

Best actress in a series, limited series or motion picture made for television: Nicole Kidman, “Big Little Lies”

Best actor in a series, limited series or motion picture made for television: Ewan McGregor, “Fargo”

Best actress in a television series, drama: Elisabeth Moss, “The Handmaid’s Tale”

Best actor in a television series, drama: Sterling K. Brown, “This Is Us”

Best actress in a television series, musical or comedy: Rachel Brosnahan, “The Marvelous Mrs. Maisel”

Best actor in a television series, musical or comedy: Aziz Ansari, “Master of None”

Best supporting actor in a series, limited series or motion picture made for television: Alexander Skarsgård, “Big Little Lies”

Best supporting actress in a series, limited series or motion picture made for television: Laura Dern, “Big Little Lies”

TELL US, WHAT WAS YOUR FAVORITE LOOK OF THE NIGHT? AND, SHOULD OPRAH RUN FOR PRESIDENT?

Pre-Fall 2018: What Does the Season Really Mean?

- - Fashion Shows
Erdem Pre-Fall 2018 (Photo Courtesy of the Designer)

Erdem Pre-Fall 2018 (Photo Courtesy of the Designer)

In the world of fashion, pre-fall is many things.

It’s the longest-running season, opening to buyers and press in November and wrapping up on the heels of spring couture in January. Generally, pre-fall collections offer more commercial looks than the main runway seasons, giving retailers the opportunity to present new merchandise to their customers between the fall and spring collections. It has also become the most important sales season with merchandise sitting on the sales floor for up to six months. But in today’s world, it is also becoming increasingly difficult to define the season, as designers show various interpretations of what exactly “pre-fall” means.

Tory Burch Pre-Fall 2018 (Photo Courtesy of the Designer)

Tory Burch Pre-Fall 2018 (Photo Courtesy of the Designer)

The name (pre-fall) alludes to autumn, but the deliveries hit stores in the beginning of summer. Designers present everything from fur coats to cotton eyelet dresses and everything in between. So the terminology is confusing to everyone – designers, retailers, and consumers – so shouldn’t the season be looked at as a transitional one? Shouldn’t it be a season that offers a variety of weights and styles to satisfy both a customer looking for a summer outfit in July that they can transition into fall, as well as someone buying a coat or knit that they can wear through the colder months?

In additional to addressing transitional weather, pre-fall can also be a prelude to the next runway collection; an opportunity to test what works and doesn’t work with clients. For many designers, pre-fall can help lay-out the groundwork for many of the shapes and ideas that appear in the following season.

On an ethical note, there are just too many clothes out there; designers are producing too much instead of considering the outcome. So many designers are churning out ‘bestsellers’ and collections that have no point or value to the system; stores are buying them to keep up with the never-ending seasonal trends. It leads to the same clothes in all the stores with less than stellar sales.

So while many in the industry ponder on what the season means to them and how the pre-fall model varies for every designer, here are some of the highlights from the Pre-Fall 2018 season so far:

YARN IT ALL

Miles beyond the plain –Jane sweater, a wonderful tactile world of cozy knits await from chic sweater dresses to feminine sweaters.

Canel Pre-Fall 2018 (Photo Courtesy of Vogue.Com)

Chanel Pre-Fall 2018 (Photo Courtesy of Vogue.Com)

Pringle of Scotland Pre-Fall 2018 (Photo Courtesy of the Designer)

Pringle of Scotland Pre-Fall 2018 (Photo Courtesy of the Designer)

Prabal Gurung Pre-Fall 2018 (Photo Courtesy of the Designer)

Prabal Gurung Pre-Fall 2018 (Photo Courtesy of the Designer)

Victoria Beckham Pre-Fall 2018 (Photo Courtesy of the Designer)

Victoria Beckham Pre-Fall 2018 (Photo Courtesy of the Designer)

PRINTS CHARMING

Designers are making a case for head to toe prints this season as patterns are mixed in fun and playful ways.

Gucci Pre-Fall 2018 (Photo Courtesy of the Designer)

Gucci Pre-Fall 2018 (Photo Courtesy of the Designer)

Altuzarra Pre-Fall 2018 (Photo Courtesy of the Designer)

Altuzarra Pre-Fall 2018 (Photo Courtesy of the Designer)

Fendi Pre-Fall 2018 (Photo Courtesy of the Designer)

Fendi Pre-Fall 2018 (Photo Courtesy of the Designer)

Versace Pre-Fall 2018 (Photo Courtesy of the Designer)

Versace Pre-Fall 2018 (Photo Courtesy of the Designer)

SHIRT CIRCUIT

In a nod to the classics, the white button down shirt gets a fresh make-over this season.

Milly Pre-Fall 2018 (Photo Courtesy of the Designer)

Milly Pre-Fall 2018 (Photo Courtesy of the Designer)

Brock Collection Pre-Fall 2018 (Photo Courtesy of the Designer)

Brock Collection Pre-Fall 2018 (Photo Courtesy of the Designer)

Rag & Bone Pre-Fall 2018 (Photo Courtesy of the Designer)

Rag & Bone Pre-Fall 2018 (Photo Courtesy of the Designer)

A.L.C. Pre-Fall 2018 (Photo Courtesy of the Designer)

A.L.C. Pre-Fall 2018 (Photo Courtesy of the Designer)

TOTALLY EIGHTIES

Designers dug deep into the archives and pulled out bright colors and body-conscious silhouettes.

Jonathan Simkhai Pre-Fall 2018 (Photo Courtesy of the Designer)

Jonathan Simkhai Pre-Fall 2018 (Photo Courtesy of the Designer)

Balmain Pre-Fall 2018 (Photo Courtesy of the Designer)

Balmain Pre-Fall 2018 (Photo Courtesy of the Designer)

Naeem Khan Pre-Fall 2018 (Photo Courtesy of the Designer)

Naeem Khan Pre-Fall 2018 (Photo Courtesy of the Designer)

Koché Pre-Fall 2018 (Photo Courtesy of Vogue.Com)

Koché Pre-Fall 2018 (Photo Courtesy of Vogue.Com)

BEASTIE GIRLS

Things got plenty hairy this season in the form of oh-so-cozy yet beastly furs (in both real and faux).

Givenchy Pre-Fall 2018 (Photo Courtesy of the Designer)

Givenchy Pre-Fall 2018 (Photo Courtesy of the Designer)

Sonia Ryliel Pre-Fall 2018 (Photo Courtesy of the Designer)

Sonia Ryliel Pre-Fall 2018 (Photo Courtesy of the Designer)

Oscar de la Renta Pre-Fall 2018 (Photo Courtesy of Vogue.Com)

Oscar de la Renta Pre-Fall 2018 (Photo Courtesy of Vogue.Com)

Gucci

Gucci Pre-Fall 2018 (Photo Courtesy of the Designer)

Gucci Pre-Fall 2018 (Photo Courtesy of the Designer)

Carolina Herrera Pre-Fall 2018 (Photo Courtesy of the Designer)

Carolina Herrera Pre-Fall 2018 (Photo Courtesy of the Designer)

SUMMER LOVIN

Then there are the designers who want to hold on to summer offering sweat little dresses to keep cool and look fresh.

La Vie Rebecca Taylor Fall 2018 (Photo Courtesy of the Designer)

La Vie Rebecca Taylor Fall 2018 (Photo Courtesy of the Designer)

See By Chloe Pre-Fall 2018 (Photo Courtesy of the Designer)

See By Chloe Pre-Fall 2018 (Photo Courtesy of the Designer)

Sea Pre-Fall 2018 (Photo Courtesy of the Designer)

Sea Pre-Fall 2018 (Photo Courtesy of the Designer)

WHAT DO YOU THINK ABOUT THE PRE-FALL SEASON AND HOW SHOULD YOUNG DESIGNERS APPROACH THE SEASON?

 

And the Winners Are……

- - Fashion Events
Adwoa Aboah, Model of the Year (Photo courtesy of Getty Images)

Adwoa Aboah, Model of the Year (Photo courtesy of Getty Images)

On Monday, December 4th, the biggest names in the fashion industry – from Donatella Versace to Stella McCartney – partied it up with lovely Hollywood entertainers – like Selina Gomez and Pink – as well as fashion-loving socialites – Lady Amelia Windsor was one of the best dressed of the evening – for England’s biggest fashion event of the year, the British Fashion Council’s annual Fashion Awards (formerly known as the British Fashion Awards).  In partnership with Swarovksi, the 2017 British Fashion Council’s Fashion Awards ceremony took place at London’s famous Royal Albert Hall and the crowd looked fabulous.

Karlie Kloss in Vivienne Westwood Couture (Photo courtesy of Getty Images)

Karlie Kloss in Vivienne Westwood Couture (Photo courtesy of Getty Images)

Rita Ora in Versace (Photo courtesy of Getty Images)

Rita Ora in Versace (Photo courtesy of Getty Images)

 

Kaia Gerber in Ralph & Russo (Photo courtesy of Getty Images)

Kaia Gerber in Ralph & Russo (Photo courtesy of Getty Images)

Selena Gomez in Coach (Photo courtesy of Getty Images)

Selena Gomez in Coach (Photo courtesy of Getty Images)

The star-studded red carpet commanded much attention with fashion royalty and A-listers such as Naomi Campbell, Alexa Chung, Karlie Kloss, Kaia Gerber, Rita Ora, Zendaya and many more beauties; but not even such star-power wattage took away from the event’s purpose, to honor the best and brightest in fashion.

Nominees for the 2017 Fashion Awards were “chosen from hundreds of international names and they represent the most creative talent and innovative businesses of the year” said Natalie Massenet, the British Fashion Council Chairman, in a statement she released to the press this past October (2017).

Natalie Massenet (Photo courtesy of Getty Images)

Natalie Massenet (Photo courtesy of Getty Images)

The evening was filled with plenty of emotional and touching moments as fashion’s finest paid tribute to industry veterans as well as the stars of the future. Christian Dior’s Maria Grazia Chiuri acknowledged the late Editor-In-Chief of Italian Vogue Franca Sozzani, while Naomi Campbell and a gaggle of models presented a powerful message that while Azzedine Alaïa might have passed away, his legacy will live on.

The British Fashion Council has a history of helping and supporting talented designers. According to Francesca Sterlacci, the Founder and CEO of University of Fashion and the author of The Historical Dictionary of the Fashion Industry, the British Fashion Council (BFC) was founded in 1983 and was borne out of the Incorporated Society of London Fashion Designers which was disbanded in the 1970s. The BFC is a nonprofit limited company that is financed by industry sponsors. In 1989 the BFC created the British Fashion Awards, to honor those who have made a major contribution to fashion industry throughout the year. The BFC also created New Generation (NEWGEN) in 1993, one of the most internationally recognized talent identification initiatives that continue to showcase and promote new designer businesses. Since 2001, the initiative has been sponsored by retailer Topshop and has been pivotal in nurturing emerging London talent. Designers that have been promoted as part of NEWGEN are, Alexander McQueen, Boudicca, Matthew Williamson, Julien Macdonald and more recently Christopher Kane, Marios Schwab, Richard Nicoll, Erdem, Mary Katrantzou, Meadham Kirchhoff, Simone Rocha, J.W. Anderson and Christopher Raeburn. Also initiated in 1993 was the Colleges Council, which provides opportunities for students to become involved in the industry through various activities including events, seminars and competitions.

In 2008, the London Fashion Showcasing Fund was created to support London Fashion Week. The BFC/Vogue Designer Fashion Fund (The Fund) was launched by BFC Chairman Harold Tillman in September 2008 as part of the BFC’s 25th anniversary celebrations. The Fund is supported by Burberry, Debenhams, Harrods, Paul Smith, Topshop and Vogue.

Today, ( in 2017) the British Fashion Council has been focusing on its Positive Fashion initiative, which is a platform designed to create positive change in the industry through Sustainability: Origins & Ethics, Going Green, Fairtrade & Environmental Health; Model Health & Diversity: Education, Communication & Equality; and Local Manufacturing & Craftsmanship.

Here are the winners of the fashion industry’s biggest achievers according to the British Fashion Council:

Model of the Year: Adwoa Aboah

Urban Luxe Brand: Virgil Abloh for Off-White

Business Leader: Marco Bizzarri for Gucci

British Emerging Talent — Menswear: Charles Jeffrey for Charles Jeffrey Loverboy

British Emerging Talent — Womenswear: Michael Halpern for Halpern

British Designer of the Year — Menswear: Craig Green for Craig Green

British Designer of the Year — Womenswear: Jonathan Anderson for JW Anderson

Accessories Designer of the Year: Jonathan Anderson for Loewe

Designer of the Year: Raf Simons for Calvin Klein

Swarovski Award for Positive Change: Maria Grazia Chiuri for Dior

Isabella Blow Award for Fashion Creator: Pat McGrath

Outstanding Contribution to British Fashion Award: Christopher Bailey

Special Recognition Award for Innovation: Stella McCartney

Fashion Icon Award: Donatella Versace & House of Versace

British Designer of the Year - Womenswear Jonathan Anderson for JW Anderson (Photo courtesy of Getty Images)

British Designer of the Year – Womenswear Jonathan Anderson for JW Anderson
(Photo courtesy of Getty Images)

Special Recognition Award for Innovation: Stella McCartney (Photo courtesy of  Getty Images)

Special Recognition Award for Innovation: Stella McCartney (Photo courtesy of Getty Images)

Fashion Icon Award: Donatella Versace & House of Versace (Photo courtesy of  Getty Images)

Fashion Icon Award: Donatella Versace & House of Versace (Photo courtesy of Getty Images)

 

Do you agree with the winners nominated by The British Fashion Council? Let us know your choices.

 

 

Halloween Inspired Looks Right Off The Runway

- - Fashion Shows, Trends

In Need of a Costume……..

Thom Browne Spring 2018 Show (Photo courtesy of Vogue.com)

Thom Browne Spring 2018 Show (Photo courtesy of Vogue.com)

We look to Fashion Week for the latest trends and style inspirations, as well as celebrity sightings, street-style stars, and drop-dead gorgeous models, but at times, runway looks can be a great source of originality for Halloween costumes. Forget the creepy, zombie  motifs. The spring/summer 2018 collections offer more feminine and sexy variations to play dress up in. Themes ranged from Disney princess’ to Andy Warhol pop art prints.  So take a look below, and see the most creative styles that’ll have you covered when it comes to costume originality and give you major high-fashion cred.

Prada Spring 2018 Show (Photo courtesy of Vogue.com)

Prada Spring 2018 Show (Photo courtesy of Vogue.com)

Swan Lake

Every little girl dreams of being a ballerina and for spring, Thom Browne created an alternate universe at the Hôtel de Ville with magic wands and pouches full of glittery fairy dust. The possibility of magic and mischief filled the air. This whimsical show was an ode to childhood fantasies – think mermaids, unicorns and ballerinas. Browne’s vision of a ballerina was am encrusted pearl studded bodysuit as they danced down the runway, now that’s what you’d call a fairy-tale beginning.

Meanwhile, Jeremy Scott was also inspired by the ballet, but his version was a tougher girl, for his Moschino show – think biker ballerina. Scott showed a variety of leather jackets, satin bustiers, tulle tutus, and fishnets in a couple dozen variations on the runway.

Thom Browne Spring 2018 Show (Photo courtesy of Vogue.com)

Thom Browne Spring 2018 Show (Photo courtesy of Vogue.com)

Moschino Spring 2018 Show (Photo courtesy of Vogue.com)

Moschino Spring 2018 Show (Photo courtesy of Vogue.com)

Fairy-Tale

Fairy Tales do come true – and no one was able to capture the joy of fairytales and princesses better then Walt Disney. For spring, Philipp Plein’s theme was “Good Gone Bad.” His recurrent logo was a ball-gagged and bonded Alice in Wonderland character (or was it Cinderella?). Plein anlo showed a handful of T-shirts that read “Plein Fairytale Crew”. Was it a fairy tale? No. But wouldn’t it make a great costume?

Meanwhile, Alessandro Michele showed an intense, contradictory, and literally dark experience, for his spring 2018 Gucci show. It was full of glitter and glam, ’80s shoulders, English tweeds, Disney and Sega references, with all his recognizable eclectic mix of reworked vintage chic. Who wouldn’t love a Snow White sequin sweatshirt?

 

Philipp Plein Spring 2018 Show (Photo courtesy of Vogue.com)

Philipp Plein Spring 2018 Show (Photo courtesy of Vogue.com)

Gucci Spring 2018 Show (Photo courtesy of Vogue.com)

Gucci Spring 2018 Show (Photo courtesy of Vogue.com)

Gucci Spring 2018 Show (Photo courtesy of Vogue.com)

Gucci Spring 2018 Show (Photo courtesy of Vogue.com)

 Pop-Art

The fashion and art world go hand in hand as many designers look to artists for inspiration. For Spring, both Raf Simons for Calvin Klein and Donatella Versace where influenced by the works of Andy Warhol and his iconic Pop-Art prints. For Raf Simons’s Calvin Klein, he experimented with American classics but in a subversive way. His new motifs for spring included Andy Warhol prints of Dennis Hopper circa Easy Rider and a 1971 Sandra Brant (is there an art movement more American than Pop?), cheerleaders, and horror movies.

Meanwhile, Donatella Versace gave a tribute to her brother Gianni,  founder of the Versace label, as the 20 year anniversary of his murder just past. It was a tribute celebrating Gianni’s inspirations and creations, and  “a genius . . . an icon . . . my brother” stated Donatella Versace.  She wanted the focus to be on his life, not his violent end, but also his feminist leanings and the eternal relevance of his designs. So of course, among the medusa and baroque motifs, there were plenty of Andy Warhol prints.

Miuccia Prada was also inspired by pop art, but of the comic book variety. Prada presented an empowering show, set among the work of women cartoonists and manga artists whose drawings dominated the company’s huge headquarters. The collection was based on putting her stamp on a blank canvas. Coats, jackets, and cropped pants were screen-printed in the various artists’ works. The result was a strong and feisty collection, with a nod to the early 80’s clubkid; but all with Prada’s sophisticated and chic hand.

Versace Spring 2018 Show (Photo courtesy of Vogue.com)

Versace Spring 2018 Show (Photo courtesy of Vogue.com)

Calvin Klein Spring 2018 Show (Photo courtesy of Vogue.com)

Calvin Klein Spring 2018 Show (Photo courtesy of Vogue.com)

Calvin Klein Spring 2018 Show (Photo courtesy of Vogue.com)

Calvin Klein Spring 2018 Show (Photo courtesy of Vogue.com)

Prada Spring 2018 Show (Photo courtesy of Vogue.com)

Prada Spring 2018 Show (Photo courtesy of Vogue.com)

Groovy

One of the easiest Halloween costume trends to pull off are the Sixties, think peace, love and happiness. Think Woodstock. And no-one does it better than Anna Sui. She laser-cuts through the past, pulling references together for a beautiful collage that is at once nostalgic, modern, and a bit kooky.

Marc Jacobs showed a happy and upbeat spring collection with giant daisies and other overscale flowers; the collection was filled with Crayola colors, tinsel trimmings, and sequins, sequins, sequins. Jacobs’s idea here was to return to the archives, passing old ideas and former hits through “exaggerated, decadent, and exotic” filters. This is hippy chic in the most lux sense.

Stacey Bendet, the quirky designer behind the Alice + Olivia label, also gave a nod to the sixties with a re-imagined version of the hippy-chic with floral peasant dresses and bohemian inspired tops with bell-bottom denim.

Anna Sui Spring 2018 Show (Photo courtesy of Vogue.com)

Anna Sui Spring 2018 Show (Photo courtesy of Vogue.com)

Alice + Olivia Spring 2018 Show (Photo courtesy of Alice + Olivia)

Alice + Olivia Spring 2018 Show (Photo courtesy of Alice + Olivia)

 

 

Marc Jacobs Spring 2018 Show (Photo courtesy of Vogue.com)

Marc Jacobs Spring 2018 Show (Photo courtesy of Vogue.com)

Dynasty

With the remake of the 80’s television series Dynasty, Eighties inspired costumes will be a sure fire hit. Anthony Vaccarello, the young designer behind Saint Laurent had plenty of dresses to choose from – from ostrich feather knee high boots to bubble hem dresses. Vaccarello’s collection was bold and cohesive, a real tribute to the founder Yves Saint Laurent. The show, held under the Eiffel Tower, was a bright and brilliant shot of sexuality, provocation, and the promise of all kinds of fun for a new generation. It was the Eighties in the most fabulous way.

Meanwhile, Waight Keller debut her first collection under the Givenchy label. Keller looked back and was inspired by the founder of the house, Hubert de Givenchy. She looked to his dynamic sketches, and zeroed in on how he started everything with the ‘shoulder;’ also, that he was a fan of graphic prints. So naturally, her runway looks were filled with strong shoulder looks, graphic prints and bold colors – just perfect for an Eighties revival costume theme party.

 

Saint Laurent Spring 2018 Show (Photo courtesy of Vogue.com)

Saint Laurent Spring 2018 Show (Photo courtesy of Vogue.com)

Givenchy Spring 2018 Show (Photo courtesy of Vogue.com)

Givenchy Spring 2018 Show (Photo courtesy of Vogue.com)

 

So with all these easy to interpret runway looks, what will you be this Halloween?