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Posts Tagged: "Chanel"

RESORT 2020 TAKES OVER SOCIAL MEDIA

Valentino’s Resort 2020 Collection (Photo Courtesy of Valentino)

It’s the time of year when glamorous resort shows are flooding social media channels. And, while some designer’s whisk their clients and the press off to exotic locations around the world to witness their show, but what does this season actually mean for retailers and us as consumers? In the age of transparency, social justice and a world in flux, how are these issues reflected in the resort collections at some of the world’s major famous houses?

By definition, “resort,” (also known as cruisewear), was a season originally targeted to affluent customers who spent their post-Holiday/New Year’s weeks in mostly warm weather climates. However, due to a better economy and easy access to flights, more consumers have the income and the ability to  travel. As a result, cruisewear has become a major category for the fashion industry. It has also become a season for designers to try out new ideas ahead of their Spring collection.

Resort has also become a favorite for retailers, after all, it’s the longest selling season, hitting the floor around November and selling, at full price, until May when spring collections hit the stores. Today, brands at all price points create resort collections to satisfy their customers who crave a new purchase.

Burberry’s Resort 2020 Collection (Photo Courtesy of Burberry)

With concerns about global corruption, transparency, climate change, inequality and the need to escape or get way from the world’s craziness, it’s easy to see why consumers, with a simple click of a button, are enticed to make resort season purchases.

Resort season went from APRIL 29 – MAY 30, 2019. Here are a few designers that have created social media spectacles with their elaborate shows.

Christian Dior

Christian Dior’s Resort 2020 Show (Photo Courtesy of Vogue.com)

Maria Grazia Chiuri, the designer behind the luxury powerhouse Christian Dior, presented an elegantly chic collection in Marrakesh for her resort 2020 collection. The collection was an homage to 1960s Yves Saint Laurent and featured rich textiles and intricate prints on everything from boyish outerwear to feminine frocks.

Prada

Prada’s Resort 2020 Show (Photo Courtesy of Vogue.com)

All glitz and glam aside, Miuccia Prada showed her low-key, understated resort collection in her company’s West 52nd Street Piano Factory headquarters, but nonetheless, the event was filled with a star-studded front row. Prada went back to the paired down 90s aesthetic that made the designer a household name, but this time with a pretty, feminine twist. Prada worked primarily with cotton this season with sweet calico-prints, charming hand embroideries and smart striped shirtings in intricate shapes.

Chanel

Chanel’s Resort 2020 Show (Photo Courtesy of Vogue.com)

In her debut collection at the helm of Chanel, Virginie Viard kept true to Karl Lagerfeld’s grand showmanship. Viard recreated a pre-war train’s dining carriage  a la a Belle Epoque café  resembling Le Train Bleu at the Gare de Lyon.  The show came complete with potted palms and paintings suggesting the many glamorous destinations that the train might take you (all of them settings for past Chanel collections).

As for the clothes, Viard brought a new effortless ease to the Chanel silhouette with mini-skirted classic Chanel suit, tiered chiffon dresses and wide legged cropped pants paired with frothy blouses. It was exciting to see Viard stay within the DNA and house codes of Chanel and yet give the label a youthful twist.

Louis Vuitton

Louis Vuitton’s Resort 2020 Show (Photo Courtesy of Vogue.com)

Anyone who has followed Nicolas Ghesquière’s career knows that no one designs wearable, futuristic-inspired looks better than him. For his Louis Vuitton resort collection, the creative director held his show at the historic TWA Flight Center, designed in 1962 by Eero Saarinen. The space is reminiscent of a landed UFO in the middle of New York’s JFK airport.  Although the space has been closed for almost twenty years, it has now reopened as a luxury hotel and Ghesquière’s show was its unofficial opening party. Quite the ‘get’!

Seemed only fitting that Ghesquière was inspired by 1960s airline stewardess’ with short dresses and a nod to TWA’s iconic flight bags. New York City was also a point of reference for Ghesquière with his Wall Street-inspired pinstriped suits, while crystal embellished bustier tops and geometric metallic embroideries referenced Art Deco inspired skyscrapers, most notably the Chrysler Building. Overall, the Vuitton resort collection was dramatic and fun, one that will be worn by plenty of Hollywood starlets on the red carpet and beyond. Thanks Nicolas for your nod to the Big Apple!

Giorgio Armani

Giorgio Armani’s Resort 2020 Show (Photo Courtesy of Vogue.com)

Giorgio Armani’s Resort 2020 Show (Photo Courtesy of Vogue.com)

For years, designers have staged over-the-top shows and traveled to exotic locations around the globe to present their pre-collections. But Giorgio Armani has always shunned that notion. And so it came as a complete surprise to press and buyers alike, that this season the designer decided to show his resort 2020 collection in Tokyo, as part of his grand store reopening. In a press conference before the show, Giorgio Armani stated, “I do not agree with this. Resort collections are mainly commercial; they have to be salable and appeal to buyers.” Armani speaks his mind and does things his own way.

Armani showed his collection at Tokyo’s National Museum, which is home to the most precious and rare Asian art collections. The glamorous affair was filled with Japanese and international celebrities, including Uma Thurman.

As for the clothes, they were Armani at his finest, with so many variations of the pantsuit – for both men and women – that there was literally an option for every customer. Now that’s business savvy!

Gucci

Gucci’s Resort 2020 Show (Photo Courtesy of Vogue.com)

Gucci’s Resort 2020 Show (Photo Courtesy of Vogue.com)

Gucci’s creative director, Alessandro Michele, has truly revitalized the label since taking over the house in 2015 and his momentum is only growing stronger. The designer staged his resort collection in Rome at the Capitolini Museum as a “hymn to freedom” that allowed him to express his belief in the idea of self-determination and gender equality.

According to an interview with Alessandro Michele, published in WWD, the resort collection” is empowering freedom of expression and, in particular, freedom of choice, supporting sexual and reproductive health and rights.” Illustrating this message, Michele posted feminist slogans like ‘My body, my choice.’ as well as ‘Chime for Change’ on  T-shirts. In addition, he embroidered an image of the female reproductive system on a gown that was embellished with flowers. Some looks also displayed ‘May 22, 1978,’ the date that the Italian law for the social protection of motherhood and legal abortion took effect. In terms of style, the designer’s wink to the Seventies was apparent, since it was a crucial time in history for the women’s lib movement.

While Michel’s collection featured both men’s and woman’s looks, many looks were gender neutral. There were plenty of his signature magpie layered looks that have really struck a chord with millennial influencers and celebrities, as well as kitsch Mickey Mouse printed looks.

Feel free to chime in on whether you think more designers should be using their brand status to promote social justice, just as  Alessandro Michele and other designers have done in past seasons. And if so, who are your favorites?

PARIS FASHION WEEK: A MUCH NEEDED BEAUTIFUL ESCAPE FROM REALITY

- - Fashion Shows
Saint Laurent's spring 2019 Runway (Photo courtesy of Vogue)

Saint Laurent’s spring 2019 Runway (Photo courtesy of Vogue)

Political unrest, devastating natural disasters, fear of war, the economy, racism, the #me too movement, every day we are all bombarded with negative news, not only from our own backyard, but around the globe. At times, it feels as if we live in a mad, mad world.

So, when friends who are not in the fashion industry ask: “How can you think about fashion during these volatile times?” the answer… it’s not easy. The fashion industry is a Goliath worldwide business. According to Statista, revenue of  the U.S. Apparel Industry in 2018 was estimated at $102,820 million. Globally the retail value of luxury goods is estimated at $339.4 billion (according to Fashion United). But aside from the economic value of the fashion industry, there is also a psychological one – fashion is a great escape from the real world. And, this fashion season delivered!

Not only were the shows theatrical, but the craftsmanship and the use of bold, eye-popping color all contributed to an upbeat and happy escape from reality. Exactly what the doctor ordered.

Let’s take a look at what was happening at the Paris shows, which included debut and controversy at Celine, gender-diversity on the runway, avant-garde escapism and a space age look into a better future.

A NEW DAY AT CELINE

Hedi Slimane’s debut collection for Celine was filled with mixed reviews. Even before his show, Slimane caused controversy by rebranding the company’s logo, removing the accent aigu (Céline). As editors, influencers, buyers and celebrities eagerly awaited Slimane’s collection, many were disappointed that he replicated exactly what he did at Saint Laurent (2012-2016) and his past collections for Dior Homme (2000-2007). Slimane fired back, targeting the American press and charging them with ‘homophobia.’ I mean, really?

For many, the re-branding at the hands of Slimane was the complete and utter destruction of Celine’s house codes and Phoebe Philo’s legacy, whose fan base expects smart, chic, and intellectual collections. Some even called Simane’s debut collection, ‘Saint Celine.’

And here’s why. The collection had a glam-grunge, rock n’ roll sensibility.  There was a nod to the Eighties, with big shoulder silhouettes, exaggerated pouf details, mini lengths and plenty of shine. Maybe perfect for dancing the night away at your favorite trendy hot spot but not what the house is generally known for. Just goes to show that taking over as creative director at a heritage house is no simple task!

Celine's spring 2019 Collection (Photo courtesy of Vogue)

Celine’s spring 2019 Collection (Photo courtesy of Vogue)

Slimane also introduced menswear to Celine, showing perfectly tailored skinny pantsuits that have become his signature look. But, ladies don’t fret, these looks are unisex as well.

Celine's spring 2019 Collection (Photo courtesy of Vogue)

Celine’s spring 2019 Collection (Photo courtesy of Vogue)

On the retail front it will be interesting to see, whether Celine’s customers take to the ‘new vision’ or will Slimane’s consumer be his old Saint Laurent clientele. Only time will tell.

THE AGE OF ANDROGYNY

As the cultural discussion on gender identity keeps moving forward, designers are embracing the shift in acceptance and are positioning their brands to be all inclusive by showing their menswear and womenswear collections together, casting transgender models, and even launching entire unisex collections.

At Givenchy,  Clare Waight Keller took cues from 1930s gender-bending writer and adventurer Annemarie Schwarzenbach. Keller sent her models out with cropped boyish haircuts in leather Perfectos tucked into military pants – a direct homage to a photo of Schwarzenbach. For evening, she showed elegant bias cut asymmetrical gowns. But her daywear was what really stuck out.  There were plenty of chic army trousers paired with fitted jackets, smart suit alternatives and plenty of crisp shirts – all perfect looks for the fashion-forward working girl.

Givenchy's spring 2019 Collection (Photo courtesy of Vogue)

Givenchy’s spring 2019 Collection (Photo courtesy of Vogue)

Haider Ackermann has been showing androgynist looks for years now, with Tilda Swinton as his muse. This season the designer decided to show both his womenswear and menswear collections on the runway together.  The collections were perfectly intertwined, sending out his models in pairs of three to clearly make his point that his collection is cross-gender.

Ackermann has mastered creative tailoring. For spring, there were plenty of sharp suits in bold colors, boxy shirts with intricate laser-cut details and pajama-inspired pieces. Although the unisex concept has been seen on a number of runways this season, Ackermann’s version was effortless and elegant.

Haider Ackermann's spring 2019 Collection (Photo courtesy of Vogue)

Haider Ackermann’s spring 2019 Collection (Photo courtesy of Vogue)

THE AVANT-GARDE

There are a handful of designers who are truly creative geniuses. Season after season these avant-garde designers take us on a breathtaking journey, their collections are thought provoking, witty and intellectual. Here’s a mash-up of the best!

Comme des Garçons' spring 2019 Collection (Photo courtesy of Vogue)

Comme des Garçons’
spring 2019 Collection (Photo courtesy of Vogue)

Thom Browne's spring 2019 Collection (Photo courtesy of Vogue)

Thom Browne’s spring 2019 Collection (Photo courtesy of Vogue)

Rick Owen's spring 2019 Collection (Photo courtesy of Vogue)

Rick Owen’s spring 2019 Collection (Photo courtesy of Vogue)

Yohji Yamamoto's spring 2019 Collection (Photo courtesy of Vogue)

Yohji Yamamoto’s spring 2019 Collection (Photo courtesy of Vogue)

Junya Watanabe's spring 2019 Collection (Photo courtesy of Vogue)

Junya Watanabe’s spring 2019 Collection (Photo courtesy of Vogue)

Balenciaga's spring 2019 Collection (Photo courtesy of Vogue)

Balenciaga’s spring 2019 Collection (Photo courtesy of Vogue)

Maison Margiela's spring 2019 Collection (Photo courtesy of Vogue)

Maison Margiela’s spring 2019 Collection (Photo courtesy of Vogue)

THE GREATEST SHOWMEN/WOMAN

Meanwhile, back to reality, well, almost. Karl Lagerfeld created a tropical beach for his Chanel spectacle. Yes, you heard me right. At the Paris Grand Palais, Lagerfeld recreated a beach that included an ocean with gentle waves, blue sky, wooden docks and lifeguards. He completed the scene with none other than former Baywatch actor Pamela Anderson seated in the front row.

Chanel's spring 2019 Collection (Photo courtesy of Vogue)

Chanel’s spring 2019 Collection (Photo courtesy of Vogue)

Nicolas Ghesquière took us on a futuristic voyage for his Louis Vuitton collection. The perfect escape mechanism to avoid the reality of these times.

Louis Vuitton's spring 2019 Collection (Photo courtesy of Vogue)

Louis Vuitton’s spring 2019 Collection (Photo courtesy of Vogue)

Modern dancers performed during Maria Grazia Chiuri’s Christian Dior Show. It was a nice break from traditional cat walking.

Christian Dior's spring 2019 Collection (Photo courtesy of Vogue)

Christian Dior’s spring 2019 Collection (Photo courtesy of Vogue)

Anthony Vaccarello’s girls walked on water under the Eiffel Tower for his Saint Laurent show.

Saint Laurent's spring 2019 Collection (Photo courtesy of Vogue)

Saint Laurent’s spring 2019 Collection (Photo courtesy of Vogue)

For Miuccia Prada’s Miu Miu collection, the concept of  ‘deconstructing beauty’ continued by putting her spin on DIY, recycling, and upcycling under a backdrop modern art installations.

Miu Miu's spring 2019 Collection (Photo courtesy of Vogue)

Miu Miu’s spring 2019 Collection (Photo courtesy of Vogue)

THE ROMANTICS

Fashion week season wouldn’t be complete without a ‘romance-inspired’ collection. Beautifully feminine looks, from whimsical tulle confections to vintage floral charm, these saccharine-savy looks had just the right dose of spice.

Giambattista Valli's spring 2019 Collection (Photo courtesy of Vogue)

Giambattista Valli’s spring 2019 Collection (Photo courtesy of Vogue)

Alexander McQueen's spring 2019 Collection (Photo courtesy of Vogue)

Alexander McQueen’s spring 2019 Collection (Photo courtesy of Vogue)

Ann Demeulemeester's spring 2019 Collection (Photo courtesy of Vogue)

Ann Demeulemeester’s spring 2019 Collection (Photo courtesy of Vogue)

 

Altuzarra's spring 2019 Collection (Photo courtesy of Vogue)

Altuzarra’s spring 2019 Collection (Photo courtesy of Vogue)

Valentino's spring 2019 Collection (Photo courtesy of Vogue)

Valentino’s spring 2019 Collection (Photo courtesy of Vogue)

 SPACE AGE

In a galaxy far, far away…..some designers looked ahead to the future, creating looks that were out of this world.

Balmain's spring 2019 Collection (Photo courtesy of Vogue)

Balmain’s spring 2019 Collection (Photo courtesy of Vogue)

Louis Vuitton's spring 2019 Collection (Photo courtesy of Vogue)

Louis Vuitton’s spring 2019 Collection (Photo courtesy of Vogue)

Gucci's spring 2019 Collection (Photo courtesy of Vogue)

Gucci’s spring 2019 Collection (Photo courtesy of Vogue)

Isabel Marant's spring 2019 Collection (Photo courtesy of Vogue)

Isabel Marant’s spring 2019 Collection (Photo courtesy of Vogue)

THE REALISTS

Ok, all these fantasy looks are spectacular, but sometimes we need to see some real clothes on the runway, right? But always with a twist!

Sonia Rykiel's spring 2019 Collection (Photo courtesy of Vogue)

Sonia Rykiel’s spring 2019 Collection (Photo courtesy of Vogue)

Stella McCartney's spring 2019 Collection (Photo courtesy of Vogue)

Stella McCartney’s spring 2019 Collection (Photo courtesy of Vogue)

Loewe's spring 2019 Collection (Photo courtesy of Vogue)

Loewe’s spring 2019 Collection (Photo courtesy of Vogue)

Dries Van Noten's spring 2019 Collection (Photo courtesy of Vogue)

Dries Van Noten’s spring 2019 Collection (Photo courtesy of Vogue)

Hermès' spring 2019 Collection (Photo courtesy of Vogue)

Hermès’ spring 2019 Collection (Photo courtesy of Vogue)

Rochas' spring 2019 Collection (Photo courtesy of Vogue)

Rochas’ spring 2019 Collection (Photo courtesy of Vogue)

THE NEW GUARD

Here at UoF, we love and support new, emerging designers. Here’s a fresh crop who are disrupting the establishment……

Off-White's spring 2019 Collection (Photo courtesy of Vogue)

Off-White’s spring 2019 Collection (Photo courtesy of Vogue)

Ellery's spring 2019 Collection (Photo courtesy of Vogue)

Ellery’s spring 2019 Collection (Photo courtesy of Vogue)

Johanna Ortiz's spring 2019 Collection (Photo courtesy of Vogue)

Johanna Ortiz’s spring 2019 Collection (Photo courtesy of Vogue)

Beautiful People's spring 2019 Collection (Photo courtesy of Vogue)

Beautiful People’s spring 2019 Collection (Photo courtesy of Vogue)

Esteban Cortazar's spring 2019 Collection (Photo courtesy of Vogue)

Esteban Cortazar’s spring 2019 Collection (Photo courtesy of Vogue)

Tell us which collection took you out of reality, even if only for a moment?

 

 

 

 

 

 

 

The Magical & Technological World of Couture: Fall 2018

Chanel Haute Couture Runway Look (photo courtesy of W Magazine)

Chanel Haute Couture Runway Look (photo courtesy of W Magazine)

Need an escape from a world filled with political unrest, nuclear threats and terrorism? Enter…haute couture. Yeah, we know covering fashion, especially the world of couture, may seem frivolous to many, but couture is about dreaming, escapism and fantasy. Who wouldn’t want to live right now in a world of beautiful handmade gowns while running through a garden in Paris or engaging in a leisurely walk along the Seine?

But the truth is, couture is so much more than fantasy. Costume and fashion history would not be the same without it and let’s face it… couture is the ultimate marketing machine!

We need only look back in time to a publication written between 1751 and 1772 by Denis Diderot and Jean le Rond d’Alembert entitled Encyclopédie, ou dictionaire raisonné des sciences, des art et des métiers, to see how this pivotal tome gave instructions to the métiers (trades) in the art of dressmaking, forever placing this trade on equal footing with the arts and sciences of the time.

And of course we owe the ‘Father of Couture,’ Englishman Charles Frederick Worth (Paris circa 1856 ), the fashion genius who together with his wife as muse, transformed the world of dressmaking into ‘high fashion’. Over time, the House of Worth, along with other couturières (female) and couturiers (male) were able to take the craft to a whole other level by creating perfumes, shoes, millinery and diffusion lines. These spin-offs planted the seeds which would later become lifestyle branding with lots of marketing hype!

 

Valentino Haute Couture Runway Look (photo courtesy of W Magazine)

Valentino Haute Couture Runway Look (photo courtesy of W Magazine)

We know that these one-of-a kind haute creations come with a hefty price tag. On average, one couture gown can take over 800 hours to create and cost several hundred thousand dollars. Even couture daywear starts at around $10,000! It’s estimated that there are only approximately 2,000 couture clients, mostly from Russia, China, the United States and the Middle East, with fewer than 300 that buy regularly.

So, do the numbers. With only a handful of steady customers, you got it…haute couture is not a money maker. Couture houses spend millions of dollars twice a year, by selecting exquisite fabrics, hand-sewing each garment, employing top métiers for beading and embroideries and producing larger-than-life runway shows, using A list models, hair and make-up teams. The profits are negligible, amounting to less than ten per cent of gross profits for some houses, though most operate at a loss. However, their true value is in the selling of the house’s fragrance, make-up line and other less-expensive branded items like shoes and handbags.

Draping Technique (Photos courtesy of Pinterest)

Draping Technique (Photos courtesy of Pinterest)

So why do these houses still invest in their haute couture collections, other than pushing their ancillary products? They are selling a dream. Fashion shows attract huge media attention and gain enormous publicity for the couture houses. Think about how many actresses wear couture on the red carpet. These designers are selling a dream of chic cachet, beauty, desirability and exclusiveness, that the ordinary person can ‘buy into.’

Here are some highlights of the Haute Couture Fall 2018 Season:

VALENTINO

Pierpaolo Piccioli has been on a role and his Valentino Couture show closed out Haute Couture Fashion Week in Paris with rave reviews. This season Piccioli offered a brilliant line-up of rich saturated hues and swaggering proportions. According to Vogue.com, Piccioli stated, “Couture involves a deeper and more intimate perspective, to go further into your own vision of beauty.”  His vision was a perfect blend of Greek Mythology, 17th- and 18th-century painting, the films of Pasolini and the photographs of Deborah Turbeville, medieval armor, and Ziggy Stardust. Whew, that’s quite a line-up of inspiration, eh?

This translated into intricate embroidered capes, a multiple brocade evening dress adorned with rhinestones, sequins and pearls, a red sculpted jersey gown and a trio of featherweight taffeta dresses that wrapped around the body.

Valentino Haute Couture Runway Look (photo courtesy of Vogue.com)

Valentino Haute Couture Runway Look (photo courtesy of Vogue.com)

Valentino Haute Couture Runway Look (photo courtesy of Vogue.com)

Valentino Haute Couture Runway Look (photo courtesy of Vogue.com)

FENDI

How does a house known for its use of fur adapt to the changing landscape of the anti-fur movement? After all, major fashion houses such as Gucci, Versace and Michael Kors have all announced they would go fur free and use only faux fur in their collections. Fendi on the other hand, made no such promise, but did abandon their Haute Fur Show in favor of a couture show.

Though Fendi did include some fur pieces, what they also did was produce something much more creative than fur and faux fur (which by the way is also a major earth pollutant). They ingeniously manipulated textiles in such a way as to resemble real fur; case in point, a coat created with fine strips of chiffon that were frayed and stitched together so closely that it could have been easily mistaken for an intarsia’d mink. While there were plenty of real fur looks in the line-up, it was refreshing for a house like Fendi show alternatives. And oh, what a great upcycling concept!

Fendi Haute Couture faux fur Runway Look (photo courtesy of Vogue.com)

Fendi Haute Couture faux fur Runway Look (photo courtesy of Vogue.com)

Fendi Haute Couture Runway Look (photo courtesy of Vogue.com)

Fendi Haute Couture Runway Look (photo courtesy of Vogue.com)

JEAN PAUL GAULTIER

Always known to break with tradition, Jean Paul Gaultier showed his haute couture collection on both male and female models as the versatility of the collection was genderless. With a strong emphasis on tailoring, his suits were oh so chic! Gaultier was able to take the iconic “Le Smoking” and update it for the 21st century.

Jean Paul Gaultier Haute Couture Runway Look (photo courtesy of Vogue.com)

Jean Paul Gaultier Haute Couture Runway Look (photo courtesy of Vogue.com)

Jean Paul Gaultier Haute Couture Runway Look (photo courtesy of Vogue.com)

Jean Paul Gaultier Haute Couture Runway Look (photo courtesy of Vogue.com)

MAISON MARGIELA

John Galliano has now taken to podcasting and for Margiela couture he stated that this is collection is “the raw, raw, undiluted essence, the parfum of the house.” Following in the footsteps of his Artisanal collection for men, Galliano presented a highly innovative, high-concept collection exposing the craftsmanship of haute couture –  literally – by revealing the exquisite stitching that goes into the construction of a hand-tailored jacket. The true genius of Galliano came through by layering garments between tubes of filmy nylon, thus creating what Vogue called “translucent fabric sandwiches.”

“We’re all nomads today,” added Galliano, “. . . we do move in tribes.” Galliano calls it “nomadic glamour.” Reminds us a bit of Yeohlee and her “Urban Nomads” collection, only this time, on steroids!

Maison Margiela Haute Couture Runway Look (photo courtesy of Vogue.com)

Maison Margiela Haute Couture Runway Look (photo courtesy of Vogue.com)

Maison Margiela Haute Couture Runway Look (photo courtesy of Vogue.com)

Maison Margiela Haute Couture Runway Look (photo courtesy of Vogue.com)

ARMANI PRIVE

Ahhhh, and then there was Armani. Known for his master tailoring and Red Carpet artistry, the fall Armani Privé collection didn’t disappoint.  Armani’s press notes noted “A sculptural, almost regal style.”  The first half of the show (there were almost 100 looks in all), was a sea of black and champagne-colored pantsuits and evening looks, all that captured the chic essence of Armani beautifully. However, in an attempt to keep up with the times, half-way through the show Armani switched gears and sent out electric hues in everything from an ostrich feather cape to a hot pink and turquoise pantsuit that was a complete disconnect to the first half of the show. Go Armani!

Armani Prive Haute Couture Runway Look (photo courtesy of Vogue.com)

Armani Prive Haute Couture Runway Look (photo courtesy of Vogue.com)

Armani Prive Haute Couture Runway Look (photo courtesy of Vogue.com)

Armani Prive Haute Couture Runway Look (photo courtesy of Vogue.com)

CHANEL

We fashionistas can always count on Karl Lagerfeld to create a wonderful backdrop for his Chanel collection. And for this collection he did not disappoint by sending his models for stroll along the Seine with its wide sidewalks and low stone walls framing the magnificent Institut de France, built by Louis le Vau for Cardinal Mazarin in the 1660s (and where the Academie Française is housed). Perhaps with age, Lagerfeld is feeling a bit reflective about his first days in Paris as an 18-year old. In an interview with Vogue before the show, Lagerfeld remembered a city still suffering from postwar neglect, with dirty streets and dark, unrestored buildings. “People said to my parents, ‘but he can get lost,’” he added. “My mother knew better: I had a strong survivor instinct!”

The collection was filled with the House’s signature tweeds all in shades of grey. There were plenty of long skirts that unzipped to reveal sexy miniskirts adorned with magnificent embroideries. Lagerfeld also showed a silver foil ball gown skirt, a bevy of chic jackets and plenty of transparent chiffon pleated eveningwear.

Chanel Haute Couture Runway Look (photo courtesy of Vogue.com)

Chanel Haute Couture Runway Look (photo courtesy of Vogue.com)

Chanel Haute Couture Runway Look (photo courtesy of Vogue.com)

Chanel Haute Couture Runway Look (photo courtesy of Vogue.com)

CHRISTIAN DIOR

After years of over the top glamour and in your face sex appeal at Dior, at the hands of Raf Simons and John Galliano, the tide seems to be turning toward a more minimalistic approach to fashion. At the forefront of this evolutionary change is Maria Grazia Chiuri. Her couture 2018 collection involved some feminist research.  She read up on Leonor Fini, one of the avant-garde artists Christian Dior chose to exhibit in the gallery he was involved with before becoming a couturier. The results were beautiful, somber, sculpted and pleated pieces that were way more complex than what met the eye. These were serious clothes. Only a seasoned designer like Chiuri knows how to design clothes, utilizing the talents of finest ‘hands’ in the business, that will attract the most discerning couture clients. Chiuri showed cashmere suits, simple strapless gowns that grazed the ankle, effortless pleated dresses and demure eveningwear.  This collection is timeless and elegant yet modern and refreshing. A hit!

Christian Dior Haute Couture Runway Look (photo courtesy of Vogue.com)

Christian Dior Haute Couture Runway Look (photo courtesy of Vogue.com)

Christian Dior Haute Couture Runway Look (photo courtesy of Vogue.com)

Christian Dior Haute Couture Runway Look (photo courtesy of Vogue.com)

SONIA RYKIEL

For the past 50 years, the name Sonia Rykiel has been associated with fun, lighthearted knitwear. This season, designer Julie de Libran presented the first Sonia Rykiel couture collection. And, staying true to the Rykiel code, presented a collection with the same joie de vivre that the house’s founder was known for.

Gone from this collection were the traditional evening gowns that epitomize the world of couture. Instead, de Libran presented a youthful and edgy line-up. Looks ranged from a striped hand-beaded off the shoulder Marinière sweater to a black sweater dress with a trompe l’oeil bikini embroidery and a bridal corset look with front-lacing, a feathered knit veil and blue jeans. Surely de Libran is a couture disruptor but is this collection really worthy of being called couture?

Sonia Rykiel Haute Couture Runway Look (photo courtesy of Vogue.com)

Sonia Rykiel Haute Couture Runway Look (photo courtesy of Vogue.com)

Sonia Rykiel Haute Couture Runway Look (photo courtesy of Vogue.com)

Sonia Rykiel Haute Couture Runway Look (photo courtesy of Vogue.com)

IRIS VAN HERPEN

Always a fashion renegade, Iris van Herpen decided to show her couture collection at the Galerie de Minérologie et de Géologie, a fitting choice, since the name of this collection was “Ludi Naturae,” translated from Latin, “nature play.”

However, Van Herpen’s idea of nature flirts with synthetic biology through her iconic laser-cutting techniques and 3-D printed illusion fabric innovations, which she has taken to new heights and labels it “syntopia.” To quote van Herpen: “I think we as humans don’t even come close to the intelligence within nature. It’s funny how people think that nature is simple and technology is complex—it’s the opposite; technology is simple and nature is complex.”

Known for her artist collaborations, this time it was Amsterdam-based artist duo Lonneke Gordijn and Ralph Nauta of Studio Drift who created the backdrop her runway ‘science fantasy. She also partnered with Dutch sculptor Peter Gentenaar who is known for capturing ‘organic memory’ and motion through his delicate, large-scale cellulose sculptures,  and together they created a show that was ‘other-worldly.’

Considered fashion’s ‘futurist-in-residence,’ couture season would be incomplete without Iris van Herpen and her vision.

Iris van Herpen's Fall 2018 Couture Show (photo courtesy of Vogue.com)

Iris van Herpen’s Fall 2018 Couture Show (photo courtesy of Vogue.com)

Iris van Herpen's Fall 2018 Couture Show (photo courtesy of Vogue.com)

Iris van Herpen’s Fall 2018 Couture Show (photo courtesy of Vogue.com)

 

DO YOU THINK THE SONIA RYKIEL COLLECTION MERITS COUTURE STATUS? IF SO, WHY?

 

 

RESORT 2019 – What is Resort and Why?

Chanel Resort 2019 (Photo Courtesy of Accessories Magazine)

Chanel Resort 2019 (Photo Courtesy of Accessories Magazine)

Over the past several years, the fashion industry calendar has twisted into something beyond recognition. In today’s era of rampant consumption, social media and the internet, designers and brands can no longer rely on two show-seasons a year (Spring/Summer and Fall/Winter collections) to stay relevant. This has placed a tremendous burden on designers who have become increasingly stressed with the workload. Burn out and, in some cases, death (think Alexander McQueen and L’Wren Scott) can play a role.

Earlier this year, designer Alexander Wang announced that would not be showing his main Spring 2019 collection during Fashion Week (in  September) and instead, is choosing to show that collection during pre-collection season. Maybe Mr. Wang is on to something?

Ten plus years ago, Resort and Pre-fall collections were only shown to buyers and were basically a brand’s best-selling items, used as store fillers between seasons. Once brands decided to open the season to the press (WWD and Style.com were the first publications to fully cover pre-collections) the flood gates were opened!  Today, Resort shows start in early May and continue through the second week of June. Some designers and retailers think that the resort season has become almost as important as the Spring & Winter collection seasons.

Valentino (Photo courtesy of Vogue.com)

Valentino (Photo courtesy of Vogue.com)

For Resort 2019, designers have made it a lot easier for the press, celebrities and buyers by choosing to show in fashion capitals. Chanel, Christian Dior, Louis Vuitton and Gucci decided to show in France, while Valentino and Prada chose New York.

Gucci (Photo courtesy of Vogue.com)

Gucci (Photo courtesy of Vogue.com)

 

LET’S LOOK AT THE HISTORY OF RESORT SEASON

While many fashion lovers enjoy the visual stimulation of Resort shows, many are in the dark about what this fashion season truly means and why it exists. So, here’s a brief history:

A Cruise or Resort collection (also referred to as a Holiday or Travel collection) is an inter-season or pre-season line of ready-to-wear clothing produced by a brand, in addition to their recurrent twice-yearly seasonal collections – Spring/Summer and Autumn/Winter, shown during major fashion weeks in New York, London, Paris and Milan.

Cruise collections were originally targeted to wealthy customers or  seasoned jet-setters, cruising or vacationing in the warm Mediterranean sun during the winter months. Cruise collections usually consist of light spring or summer clothing, when weather at the points of sale actually calls for winter apparel. However, today, Resort/Cruise collections are targeted to consumers who have finished buying their fall wardrobes (ideally) and are looking ahead for something new. Resort collections range from warm weather looks, such as pretty sundresses and swimsuits, to winter looks, like fur coats and cozy sweaters (perfect for that Aspen getaway).

In the past, only high end houses like Chanel, Christian Dior, Gucci, Prada, Ralph Lauren and Marc Jacobs produced resort collections. But thanks to consumers who are always looking for something new, now almost every brand creates a resort delivery (November delivery), from Michelle Smith for her label Milly to Tory Burch.

Tory Burch (Photo courtesy of Vogue.com)

Tory Burch (Photo courtesy of Vogue.com)

Resort is also an opportunity to satisfy the generation of consumers who travel all the time. It also answers the climate change dilemma where these days, in many parts of the world, there is little to no winter. Additionally, thanks to online shopping, brands at every price-point have global customers. Some of the biggest spenders are in the ever-important Asian, Arab, and Russian markets. For major brands, the resort delivery is a commercial necessity.

Resort collections are available for consumer purchase in November and perfect timing for Holiday shopping. While Resort is an extra opportunity for brands to make money, it has become an incredibly important season for those brick & mortar retailers who are struggling with how to lure customers back to shopping in stores. Unlike Spring/Summer and Fall/Winter collections, Resort remains on the sales floor the longest (Spring merchandise arrives February) before hitting the sale rack, which makes it the most profitable season for most brands. Not  a lot of mark downs.

So, let’s take a look at some Resort collections from the start of this season:

Gucci (Photo courtesy of Vogue.com)

Gucci (Photo courtesy of Vogue.com)

Roberto Cavalli (Photo courtesy of Vogue.com)

Roberto Cavalli (Photo courtesy of Vogue.com)

Prada (Photo courtesy of Vogue.com)

Prada (Photo courtesy of Vogue.com)

Jil Sander (Photo courtesy of Vogue.com)

Jil Sander (Photo courtesy of Vogue.com)

 

Chanel (Photo courtesy of Vogue.com)

Chanel (Photo courtesy of Vogue.com)

Burberry (Photo courtesy of Vogue.com)

Burberry (Photo courtesy of Vogue.com)

Valentino (Photo courtesy of Vogue.com)

Valentino (Photo courtesy of Vogue.com)

Givenchy (Photo courtesy of Vogue.com)

Givenchy (Photo courtesy of Vogue.com)

Christian Dior (Photo courtesy of Vogue.com)

Christian Dior (Photo courtesy of Vogue.com)

Louis Vuitton (Photo courtesy of Vogue.com)

Louis Vuitton (Photo courtesy of Vogue.com)

Oscar de la Renta (Photo courtesy of Vogue.com)

Oscar de la Renta (Photo courtesy of Vogue.com)

DO YOU BELIEVE DESIGNERS ARE BURNING OUT BY CREATING FOUR COLLECTIONS A YEAR?

Stars Shine and Show Some Skin in Cannes

Screen Shot 2018-05-13 at 8.25.55 PM

Photo courtesy of www.standard.co.uk

Last Tuesday marked the start of the 71st Cannes Film Festival which runs through May 18, 2018. The beauty of reviewing fashion at this annual gathering of who’s who in film is that celebrities and attendees are not only wearing red carpet looks for film screenings and events, but also a chic variety of daytime head-to-toe looks for panels, photoshoots, promotional events and interviews.

No matter the time of day, three top trends are emerging as the stars promote their latest works. Read More

A Designer Dilemma: Staying True to Your Brand as Trends Shift

- - Fashion Tips

 (Photo Courtesy of Refinery29)

In today’s digital age where news and trends are delivered at lightning speed, it is important for fashion designers to remember to stay true to their brand’s vision. With a plethora of influences out there, like Instagram, Pinterest, fashion vlogs and blogs, it’s hard for them not to succumb to current trends and create a plat du jour collection that may ultimately compromise their brand. Successful designers realize the importance of maintaining brand identity and staying connected with their customers’ expectations as trends shift.

But what should a designer do when their brand signature is not the trend of the moment?

Answer: Designers must adapt their signature style to the changing market, while not confusing their customer.

Here are a few designers who, throughout their successful career, have stayed true to themselves and their brand, while adapting to the ever-changing trend churn:

Miuccia Prada

Miuccia Prada surprises her clients season after season and yet one thing remains consistent; Prada always delivers a unique style that skillfully mixes intellectual purity, art, eccentric elegance and futuristic minimalism. Here are two examples of Prada’s love of art through the years.

Prada Spring 2018 Collection (Photo courtesy of Vogue.com)

Prada Spring 2018 Collection (Photo courtesy of Vogue.com)

Prada Spring 2008 Collection (Photo courtesy of Vogue.com)

Prada Spring 2008 Collection (Photo courtesy of Vogue.com)

Ralph Lauren

Although never one to follow trends, Ralph Lauren has built an empire on updating American classics that reflect elegance and sophistication. Here is a preppy nod to nautical chicness.

Ralph Lauren Spring 2018 Collection (Photo courtesy of Vogue.com)

Ralph Lauren Spring 2018 Collection (Photo courtesy of Vogue.com)

Ralph Lauren Spring 2006 Collection (Photo courtesy of Vogue.com)

Ralph Lauren Spring 2006 Collection (Photo courtesy of Vogue.com)

Thom Browne

While his ‘shrunken’ grey suits put him on the map, Thom Browne is known for his avant-garde fashion and conceptual fashion shows. In an interview with BoF, designer Thom Browne told of his brand’s ‘conceptual-meets-commercial’ balancing act. Browne stated, “I just knew I needed to stay in business. I’m stubborn, but I’m not foolish. Fashion is a business. As conceptual as you want to be, you do have to make sure that you approach it as a business. There has to be a commercial element to what you do.” Here are some examples of his quirky take on men’s suits through the years.

Thom Brown Fall 2018 Collection (Photo courtesy of Vogue.com)

Thom Browne Fall 2018 Collection (Photo courtesy of Vogue.com)

Thom Brown Fall 2007 Collection (Photo courtesy of Vogue.com)

Thom Browne Fall 2007 Collection (Photo courtesy of Vogue.com)

Proenza Schouler

Proenza Schouler’s Jack McCollough and Lazaro Hernandez have never abandoned their cool, artsy girl customer. At a Fashion at FIAF festival talk, moderated by Vogue’s Sally Singer, the duo stated, “If you do think you have the vision to set out on your own, confidence is key, especially since your designs or ideas might seem crazy and impractical to some. It’s always good to piss some people off. Our teachers at [Parsons] hated us,” Hernandez laughed. “They were like, you guys have to stop making clothes for art girls. Make some easy separates. We were like, What? No!”  That spirit has stayed with us to this day. You can’t cater to every single person. You have to do what makes you feel happy.” Here are Proenza Schoular’s fashion-forward girls.

Proenza Schoular Fall 2018 Collection (Photo courtesy of Vogue.com)

Proenza Schoular Fall 2018 Collection (Photo courtesy of Vogue.com)

Proenza Schoular Fall 2011 Collection (Photo courtesy of Vogue.com)

Proenza Schoular Fall 2011 Collection (Photo courtesy of Vogue.com)

Alexander Wang

No one has captured the M.O.D. (Model-off-Duty) look better than Alexander Wang. The eponymous label embodies a cool, slightly disheveled, utilitarian chic, downtown style that is favored by hipsters, rappers, ‘It girls’ and critics alike. Here are some Alexander Wang cool, downtown girls.

Alexander Wang Spring 2018 Collection (Photo courtesy of Vogue.com)

Alexander Wang Spring 2018 Collection (Photo courtesy of Vogue.com)

Alexander Wang Fall 2011 Collection (Photo courtesy of Vogue.com)

Alexander Wang Fall 2011 Collection (Photo courtesy of Vogue.com)

Chanel

Tweed, pearls and quilted bags have been among the ‘codes of the house’ at Chanel for decades. And yet, season after season, Karl Lagerfeld adds a youthful and fashion-forward twist to these iconic classics. Here are some signature Chanel looks through the years.

Chanel Spring 2018 Collection (Photo courtesy of Vogue.com)

Chanel Spring 2018 Collection (Photo courtesy of Vogue.com)

Chanel Spring 1994Collection (Photo courtesy of Vogue.com)

Chanel Spring 1994 Collection (Photo courtesy of Vogue.com)

So tell us, which designers do you think have best adapted their ‘signature’ to current fashion trends while still maintaining their brand’s identity?

 

IS COUTURE RELEVANT IN TODAY’S WORLD?

COUTURE SPRING 2018
Chanel's spring couture collection (Photo courtesy of Vogue.Com)

Chanel’s spring couture collection (Photo courtesy of Vogue.Com)

Fanciful, exquisite, luxurious, unique, all these adjectives come to mind when one thinks about the exclusive world of Haute Couture. While the spring 2018 couture shows in Paris have recently come to an end, we can all expect to see plenty of these dramatic, breathtaking creations on the Red Carpet on Oscar night. But the question remains, is couture relevant in today’s world?

By definition, Haute Couture is the French word for “high sewing,” “high dressmaking” or “high fashion”; it is the creation of exclusive custom-fitted clothing. These one-of-a-kind creations are constructed by hand from start to finish by the most experienced and talented sewers, known in the biz as les petite mains. Check out the movie Phantom Thread to get a sense of how hard and talented these ‘golden hands’ work to create  magic, often on the most severest of deadlines. The fabrics used are the most luxurious and expensive textiles created. All of the beading and embroidery in couture are not only sewn by hand but take weeks and months to execute.

One cannot walk into a store and purchase haute couture. These unique pieces are created for the client and specifically tailored to her body. Considering the amount of time, money, and skill needed to create one piece, haute couture can only be purchased by the wealthiest of clients. Generally, there is no price tag when it comes to couture and the saying goes…”that if you have to ask the price, well then…you can’t afford it.”

The pre-history of couture dates back to the 17th century, when Rose Bertin, the first known designer, dressed Queen Marie Antoinette. But it would be Englishman Charles Frederick Worth who would receive the honor as the  ‘Father of Couture.’ In 1856, Worth and his future wife, Marie Vernet, opened the House of Worth, in Paris. As his muse, Marie attracted the attention of the French aristocracy and in 1860, Worth became the official court couturier under Empress Eugénie. Up until that time, stylish women would visit Paris and bring back clothing that was then copied by their local dressmakers. Worth was the first designer who would not let his customers dictate design, which had been the practice until then. Rather, he was the first to design and display, via a “fashion show” on live models, his own creations for women to choose from, four times a year. He would only allow the client to select the style, fabrics and trim.

In 1868, La Chambre Syndicale de la confection et de la couture pour dames et fillettes was founded by Charles Frederick Worth to organize Parisian design houses. The name was changed in 1910 to Chambre Syndicale de la Haute Couture Parisienne, to more accurately define the organization’s haute couture relevance and in 1973, the name was again changed to Fédération Française de la Couture.  Couture such as Callot Soeurs, Patou, Poiret, Vionnet, Fortuny, Lanvin, Chanel, Mainbocher, Schiaparelli, Balenciaga, and Dior followed Worth. Some houses are still in existence today, in fact, Lanvin is the oldest!

Marie Antoinette (Photo courtesy of the Smithsonian Magazine)

Marie Antoinette (Photo courtesy of the Smithsonian Magazine)

 

After World War II, rules were implemented to prevent misuse of the name Haute Couture, and to outline certain criteria with regard to creativity, design, quality, and reproduction.  The term Haute Couture is legally protected — and fashion houses are granted the designation by the French Ministry of Industry. Originally, the number of required looks per collection was 50, but in 1992, it was cut in half. Then, in 2001, the goalposts shifted again, to introduce a qualitative assessment from the Fédération.  Only designers who fit their strict requirements are invited to present during the couture shows in Paris in January and in July. To become accepted, you have to play by the rules, and there are many, including that a label needs to produce at least 25 outfits per season and maintain a workroom in Paris.

 

Christian Dior fitting a client in the 1950's

Christian Dior fitting a client in the 1950’s

By the late 20th century, designers such as Christian Lacroix, Jean-Paul Gaultier and Theirry Mugler started their own couture houses, but due to the high expense of producing these collections, Lacroix and Mugler dropped their couture collection.

In today’s fast-paced, fast-fashion oriented world, where such a small percentage of the population has the wealth to buy Haute Couture, how do these houses survive? The answer is….luxury shoes & handbags, fragrances and cosmetics! While it once was true that the couture was a way for designers to try out new ideas, today couture shows serve as a vehicle for brand marketing and publicity. Yes, it’s true, some of these clothes are ordered by a small number of wealthy women or loaned to celebs for a walk on the Red Carpet, but by and large, it’s about brand-building. Those who can’t afford the hefty price tag of a couture gown, can purchase ‘a piece of the dream’ via a couture houses’s perfume, lipstick, ready-to-wear, shoes and bags.

 

Let’s take a look of some of those ‘dreamy looks’

 

 Armani Privé

Armani Privé's spring couture collection (Photo courtesy of Vogue.Com)

Armani Privé’s spring couture collection (Photo courtesy of Vogue.Com)

Armani Privé's spring couture collection (Photo courtesy of Vogue.Com)

Armani Privé’s spring couture collection (Photo courtesy of Vogue.Com)

 

Chanel

Chanel's spring couture collection (Photo courtesy of Vogue.Com)

Chanel’s spring couture collection (Photo courtesy of Vogue.Com)

Chanel's spring couture collection (Photo courtesy of Vogue.Com)

Chanel’s spring couture collection (Photo courtesy of Vogue.Com)

 

Christian Dior

Christian Dior's spring couture collection (Photo courtesy of Vogue.Com)

Christian Dior’s spring couture collection (Photo courtesy of Vogue.Com)

Christian Dior's spring couture collection (Photo courtesy of Vogue.Com)

Christian Dior’s spring couture collection (Photo courtesy of Vogue.Com)

 

Giambattista Valli

Giambattista Valli's spring couture collection (Photo courtesy of Vogue.Com)

Giambattista Valli’s spring couture collection (Photo courtesy of Vogue.Com)

 

Giambattista Valli's spring couture collection (Photo courtesy of Vogue.Com)

Giambattista Valli’s spring couture collection (Photo courtesy of Vogue.Com)

 

Givenchy

Givenchy's spring couture collection (Photo courtesy of Vogue.Com)

Givenchy’s spring couture collection (Photo courtesy of Vogue.Com)

Givenchy's spring couture collection (Photo courtesy of Vogue.Com)

Givenchy’s spring couture collection (Photo courtesy of Vogue.Com)

 

Jean Paul Gaultier

Jean Paul Gaultier's spring couture collection (Photo courtesy of Vogue.Com)

Jean Paul Gaultier’s spring couture collection (Photo courtesy of Vogue.Com)

Jean Paul Gaultier's spring couture collection (Photo courtesy of Vogue.Com)

Jean Paul Gaultier’s spring couture collection (Photo courtesy of Vogue.Com)

 

Valentino

Valentino's spring couture collection (Photo courtesy of Vogue.Com)

Valentino’s spring couture collection (Photo courtesy of Vogue.Com)

Valentino's spring couture collection (Photo courtesy of Vogue.Com)

Valentino’s spring couture collection (Photo courtesy of Vogue.Com)

 

Let us know your thoughts, do you believe couture is relevant in modern day society?

Pre-Fall 2018: What Does the Season Really Mean?

- - Fashion Shows
Erdem Pre-Fall 2018 (Photo Courtesy of the Designer)

Erdem Pre-Fall 2018 (Photo Courtesy of the Designer)

In the world of fashion, pre-fall is many things.

It’s the longest-running season, opening to buyers and press in November and wrapping up on the heels of spring couture in January. Generally, pre-fall collections offer more commercial looks than the main runway seasons, giving retailers the opportunity to present new merchandise to their customers between the fall and spring collections. It has also become the most important sales season with merchandise sitting on the sales floor for up to six months. But in today’s world, it is also becoming increasingly difficult to define the season, as designers show various interpretations of what exactly “pre-fall” means.

Tory Burch Pre-Fall 2018 (Photo Courtesy of the Designer)

Tory Burch Pre-Fall 2018 (Photo Courtesy of the Designer)

The name (pre-fall) alludes to autumn, but the deliveries hit stores in the beginning of summer. Designers present everything from fur coats to cotton eyelet dresses and everything in between. So the terminology is confusing to everyone – designers, retailers, and consumers – so shouldn’t the season be looked at as a transitional one? Shouldn’t it be a season that offers a variety of weights and styles to satisfy both a customer looking for a summer outfit in July that they can transition into fall, as well as someone buying a coat or knit that they can wear through the colder months?

In additional to addressing transitional weather, pre-fall can also be a prelude to the next runway collection; an opportunity to test what works and doesn’t work with clients. For many designers, pre-fall can help lay-out the groundwork for many of the shapes and ideas that appear in the following season.

On an ethical note, there are just too many clothes out there; designers are producing too much instead of considering the outcome. So many designers are churning out ‘bestsellers’ and collections that have no point or value to the system; stores are buying them to keep up with the never-ending seasonal trends. It leads to the same clothes in all the stores with less than stellar sales.

So while many in the industry ponder on what the season means to them and how the pre-fall model varies for every designer, here are some of the highlights from the Pre-Fall 2018 season so far:

YARN IT ALL

Miles beyond the plain –Jane sweater, a wonderful tactile world of cozy knits await from chic sweater dresses to feminine sweaters.

Canel Pre-Fall 2018 (Photo Courtesy of Vogue.Com)

Chanel Pre-Fall 2018 (Photo Courtesy of Vogue.Com)

Pringle of Scotland Pre-Fall 2018 (Photo Courtesy of the Designer)

Pringle of Scotland Pre-Fall 2018 (Photo Courtesy of the Designer)

Prabal Gurung Pre-Fall 2018 (Photo Courtesy of the Designer)

Prabal Gurung Pre-Fall 2018 (Photo Courtesy of the Designer)

Victoria Beckham Pre-Fall 2018 (Photo Courtesy of the Designer)

Victoria Beckham Pre-Fall 2018 (Photo Courtesy of the Designer)

PRINTS CHARMING

Designers are making a case for head to toe prints this season as patterns are mixed in fun and playful ways.

Gucci Pre-Fall 2018 (Photo Courtesy of the Designer)

Gucci Pre-Fall 2018 (Photo Courtesy of the Designer)

Altuzarra Pre-Fall 2018 (Photo Courtesy of the Designer)

Altuzarra Pre-Fall 2018 (Photo Courtesy of the Designer)

Fendi Pre-Fall 2018 (Photo Courtesy of the Designer)

Fendi Pre-Fall 2018 (Photo Courtesy of the Designer)

Versace Pre-Fall 2018 (Photo Courtesy of the Designer)

Versace Pre-Fall 2018 (Photo Courtesy of the Designer)

SHIRT CIRCUIT

In a nod to the classics, the white button down shirt gets a fresh make-over this season.

Milly Pre-Fall 2018 (Photo Courtesy of the Designer)

Milly Pre-Fall 2018 (Photo Courtesy of the Designer)

Brock Collection Pre-Fall 2018 (Photo Courtesy of the Designer)

Brock Collection Pre-Fall 2018 (Photo Courtesy of the Designer)

Rag & Bone Pre-Fall 2018 (Photo Courtesy of the Designer)

Rag & Bone Pre-Fall 2018 (Photo Courtesy of the Designer)

A.L.C. Pre-Fall 2018 (Photo Courtesy of the Designer)

A.L.C. Pre-Fall 2018 (Photo Courtesy of the Designer)

TOTALLY EIGHTIES

Designers dug deep into the archives and pulled out bright colors and body-conscious silhouettes.

Jonathan Simkhai Pre-Fall 2018 (Photo Courtesy of the Designer)

Jonathan Simkhai Pre-Fall 2018 (Photo Courtesy of the Designer)

Balmain Pre-Fall 2018 (Photo Courtesy of the Designer)

Balmain Pre-Fall 2018 (Photo Courtesy of the Designer)

Naeem Khan Pre-Fall 2018 (Photo Courtesy of the Designer)

Naeem Khan Pre-Fall 2018 (Photo Courtesy of the Designer)

Koché Pre-Fall 2018 (Photo Courtesy of Vogue.Com)

Koché Pre-Fall 2018 (Photo Courtesy of Vogue.Com)

BEASTIE GIRLS

Things got plenty hairy this season in the form of oh-so-cozy yet beastly furs (in both real and faux).

Givenchy Pre-Fall 2018 (Photo Courtesy of the Designer)

Givenchy Pre-Fall 2018 (Photo Courtesy of the Designer)

Sonia Ryliel Pre-Fall 2018 (Photo Courtesy of the Designer)

Sonia Ryliel Pre-Fall 2018 (Photo Courtesy of the Designer)

Oscar de la Renta Pre-Fall 2018 (Photo Courtesy of Vogue.Com)

Oscar de la Renta Pre-Fall 2018 (Photo Courtesy of Vogue.Com)

Gucci

Gucci Pre-Fall 2018 (Photo Courtesy of the Designer)

Gucci Pre-Fall 2018 (Photo Courtesy of the Designer)

Carolina Herrera Pre-Fall 2018 (Photo Courtesy of the Designer)

Carolina Herrera Pre-Fall 2018 (Photo Courtesy of the Designer)

SUMMER LOVIN

Then there are the designers who want to hold on to summer offering sweat little dresses to keep cool and look fresh.

La Vie Rebecca Taylor Fall 2018 (Photo Courtesy of the Designer)

La Vie Rebecca Taylor Fall 2018 (Photo Courtesy of the Designer)

See By Chloe Pre-Fall 2018 (Photo Courtesy of the Designer)

See By Chloe Pre-Fall 2018 (Photo Courtesy of the Designer)

Sea Pre-Fall 2018 (Photo Courtesy of the Designer)

Sea Pre-Fall 2018 (Photo Courtesy of the Designer)

WHAT DO YOU THINK ABOUT THE PRE-FALL SEASON AND HOW SHOULD YOUNG DESIGNERS APPROACH THE SEASON?

 

Buying Luxury Without Breaking The Bank

Buying Luxury Without Breaking The Bank

 

Bags from: Hermes, Louis Vuitton, and Chanel (Courtesy of  What Goes Around Comes Around)

Bags from: Hermes, Louis Vuitton, and Chanel (Courtesy of What Goes Around Comes Around)

Millennials are the future of luxury – from fashion and accessories to homes and cars – they are the target of every relevant brand. Millennials are free-thinking, they are an individualistic generation that are over 80 million strong.

According to WWD’s Think Tank segment published on April 25, 2016,  “By 2035, Millennials will have the potential to become the largest spending generation in history, according to the white paper, “Five Luxe Trends for 2015” by marketing expert Pam Danziger. Millennials’ influence will be felt by 2020 as the oldest Millennials (let’s call them “Millennial+”) are beginning to enter their peak earning years and will have disposable income for luxury experiences. We can expect this shift to continue as more Millennials become Millennial+.”

 

Kendall Jenner and Gigi Hadid  (Courtesy of Getty)

Kendall Jenner and Gigi Hadid (Courtesy of Getty)

Today, Kendall Jenner, Cara Delevingne, and Gigi Hadid are on top of the pop culture world; they are influential fashion icons and are featured in all the hottest runway shows and campaigns. These young women have influence over Millennials, and they are drawing them into luxury brands. So which brands are winning them over? How can they afford to splurge on such high end items?

Although luxury brands may not be so transparent when it comes to what is actually selling, thanks to the online resale market, shoppers can easily track what’s hot and what’s not (ref.: Drop Shipping Made Easy – Drop Ship Profitably With Drop Ship Lifestyle). No longer looked at with disdain, the pre-owned market is growing in both dollars and prevalence. According to the mid-year “State of Luxury Resale” report for The Real Real, one of the most popular resale sites, consumers have an insider glimpse into what people have been buying during the first half of the year.

Walk in Closet filled with designer shoes and bags (Courtesy of Pintrest)

Walk in Closet filled with designer shoes and bags (Courtesy of Pintrest)

Surprise, surprise! Gucci is the fourth best-selling brand on The Real Real (just behind Chanel, Hermès, and Louis Vuitton), riding its wave of success thanks to Alessandro Michele’s eclectic charm and the return of the logo mania trend. Gucci now has a 10 percent better sell-through rate than Céline; used loafers from the brand manage to sell for 80 percent of the original retail price. Footwear favorite Christian Louboutin ranks as the sixth best-selling brand on The Real Real, which makes sense because the site now says high-end shoes at the $500 range are selling faster than bags at the same price.

 

Gucci Spring 2016 (Courtesy of Purseblog.com)

Gucci Spring 2016 (Courtesy of Purseblog.com)

According to the resale site, the accessory of the year has been the backpack; selling 40 percent better than other handbag categories and have seen the largest growth resale value.

(Read post: Find biodegradable printed burlap bags at wholesale prices on the website of Custom Earth Promos)

Chanel spring 2014  (Courtesy of Spottedfashion.com)

Chanel spring 2014 (Courtesy of Spottedfashion.com)

 

Thanks to street-style darlings and Instagram stars, shoppers are splurging on Vetements, Saint Laurent, Self-Portrait, Rosie Assoulin, J.W. Anderson and Zimmerman, all of which saw triple-digit growth, because these young designers have such a strong and individual point of view. The Real Real’s buzziest new brands are Supreme and Off-White — their search rates surged a whopping 1,500 percent and 730 percent, respectively, over the last six months.

Chiara Ferragni in Vetements  (Courtesy of TheBlondSalad.com)

Chiara Ferragni in Vetements (Courtesy of TheBlondSalad.com)

Today’s millennials really understand value in a unique way from previous generations. According to Alexis Clarbour, director of pioneer luxury accessory consignment website Portero.com, her customers are now seeing beyond the original purchase and considering how the value of the item will hold up if they decide to resell it. They’re true luxury seekers — the average sale price on Portero, for example is $2,200, and its most popular brand is Hermès.

Portero Site Page

Portero Site Page

“For the same reason a consumer chooses to buy a certified pre-owned car, they also desire to purchase a certified pre-owned watch since it’s a smarter, more financially beneficial way of buying luxury,” said Hamilton Powell, founder of luxury vintage and pre-owned watch consignment site Crown & Caliber.

 

Vintage Rolex Watche (Courtesy of The Vintage Watch Company)

Vintage Rolex Watche (Courtesy of The Vintage Watch Company)

Consumers today are educated and thanks to the internet, research is at everyone’s fingertips; which may be one of the major factors for the growing resale business model. Customers can easily inform themselves about luxury products such as handbags, watches, shoes and clothes. Millennials search for a greater value for their dollar in the luxury marketplace.

While every brand from high end luxury to street brands are courting millennials, The Real Real states that in 2017, Gen Z — that is, ages 22 and younger — is the site’s fastest growing demographic, once again proving that when it comes to shopping, cool teens really know how to do it. Why buy luxury retail when you can buy it used for less?

 

Hermes Bags  (Courtesy of PurseBlog.com)

Hermes Bags (Courtesy of PurseBlog.com)

 

 

 

 

 

Couture Takes A Modern Turn

COUTURE TAKES A MODERN TURN

Top left, clockwise, Viktor & Rolf, Christian Dior, Chanel, Atelier Versace, and Valentino (All photos courtesy of Vogue.com)

Top left, clockwise, Viktor & Rolf, Christian Dior, Chanel, Atelier Versace, and Valentino (All photos courtesy of Vogue.com)

Parisians represent the epiphany of chic. As French couture houses have long created a world of fantasy and beauty that only a privileged few were able to attain, today’s couture explores femininity beyond the ballgown.  The Fall 2017 Couture collections embrace the chance to find the feminine in both high-necked tailored coats, to bright floral frocks. Gone are the days when one style had to fit all – today’s couture is for everyone with the means to pay the hefty price tag.

Couture shows are an adventure, they are fashion fantasies come true. Although a majority of shows have focused on muted shades of grey, black and metallic silver, the pieces are far from drab. With splashes of pink and red, Fall 2017 Couture is an exploration in the space between feminine tailoring and flowing gowns. Just as impressive as the theatrics themselves, couture designers also have an impressive ‘front row’ following and the street-style scene is at its best. Here is the best of the couture season.

Chanel (photo courtesy of Getty Images)

Chanel (photo courtesy of Getty Images)

CHANEL

Leave it to Karl Lagerfeld to erect a giant replica of the Eiffel Tower as he took over Paris’ Grand Palais for his Chanel Fall 2017 couture show. The set was inspired by the iconic fashion house’s home-base: Paris, as models walked under the giant Eiffel Tower replica that was created to overarch the runway. The collection was a nod to the elegance and sophistication of the early 20th century. Lagerfeld showcased a collection that harked back to Chanel’s roots – reviving favorite textures, silhouettes and fabrications for a truly exquisite result. The line-up featured somber hues of grays and blacks. The first 25 looks were all variations of gray, later leading to head-to-toe black ensembles and for the finale, a gorgeous Chanel bride, all in white. The label is known for incredible accessories, and this season’s must have: The boater hat – each look was topped off with a variation of the hat in a variety of fabrics, from signature tweeds to satin and even leather. As always, the front row included a number of stars including Pharrell Williams, Julianne Moore, Tilda Swinton, Katy Perry, Tracee Ellis Ross, Rowan Blanchard, Cara Delevingne, Kristen Stewart and more. All looked on adoringly as  Karl Lagerfeld received Paris’s highest honor at the end of the show. The mayor of Paris, Anne Hidalgo, presented the designer with a Grand Vermeil medal, the highest distinction the city offers, for his work in the French capital. Congrats to Karl!

Chanel (Photo courtesy of Vogue.com)

Chanel (Photo courtesy of Vogue.com)

CHRISTIAN DIOR

Maria Grazia Chiuri, the designer behind Christian Dior, transported us across the globe in full celebration of house’s 70th anniversary. Maria Grazia Chiuri has taken inspiration from travel, maps, exploration and the beauty of cultural diversity. She looked to the years following World War II, as Monsieur Dior traveled with his collections from California to Tokyo, and to parts of South America. Her theme ran wild with an elaborate set design by Pietro Ruffo, dressed with statues of wild animals from each continent. Chiuri embraced the power of finely tailored suits with a feminist bend. Case in point, a wrap-neck jumpsuit in wool herringbone, belted at the waist and with big functional pockets at the hips. She also showcased beautiful coats, floating chiffon dresses and a dramatic portrait neckline velvet dress. This collection was fit for Chiuri’s lady explorer.

Christian Dior (Photo courtesy of Vogue.com)

Christian Dior (Photo courtesy of Vogue.com)

 ATELIER VERSACE

Less is more this season as Donatella Versace stages a low key presentation for her Atelier Versace collection. In an era where images are seen instantly, Donatella Versace opted for discretion as no-one in the audience was able to photograph the collection. A few looks were even hidden from the press and were only shown to those who buy directly from the fashion house. As for the collection, Atelier Versace showed some major evening looks that were extremely sexy and exquisitely hand-crafted: beautiful and intricate embroideries – all bronze metallic scale embroidery, silver chains suspended in cobweb-like formations, and silver leaf embroideries.  For the first time, the house featured a few pieces that were 3-D printed, such as an intricate scrolling neckline on a long gilded dress.

Atelier Versace (Photo courtesy of Atelier Versace)

Atelier Versace (Photo courtesy of Atelier Versace)

VIKTOR & ROLF

Life-size, giant, bobble-head dolls made their runway debut at Victor& Rolf this season as designers Rolf Snoeren, with Viktor Horsting suggested that “these [dolls] are fighting for a better world” via the patchwork-symbolizing unity. The duo certainly made a statement as they manipulated high-tech Japanese fabrics through pleating, padding, ruffles and intricate folds. Case in point: a giant, bow-shaped bomber. The designers also showcased relatively wearable dresses, coats, and plenty of jeans that will end up in women’s closets.

Viktor & Rolf (Photo courtesy of Vogue.Com)

Viktor & Rolf (Photo courtesy of Vogue.Com)

VALENTINO

This season, Pierpaolo Piccioli found an unlikely source of inspiration for his Valentino couture collection – the Vatican. Valentino’s atelier literally sits in the shadow of the Vatican, but this collection was anything but solemn. Pierpaolo Piccioli drew a line between the notions of the church’s sacred rituals and the practice and of haute couture. The collection featured hooded capes and silhouettes that resemble the robes of priests, and there were hammered metal bags with enamel mosaic details in the shapes of animal heads meant to symbolize the seven deadly sins. Overall, the collection was heavenly.

Valentino (Photo courtesy of Vogue.com)

Valentino (Photo courtesy of Vogue.com)