University of Fashion Blog

Posts Tagged: "Balenciaga"

GAMECHANGERS: THE RISE OF FASHION VIDEO GAMES

 

Ralph Lauren collaborates with Snapchat. (Photo Credit: Ralph Lauren)

With the holidays just around the corner and our festivities limited to “home pod” celebrations and Zoom events, one thing is for certain, this was a year like no other. As we witnessed a global pandemic, an unprecedented number of deaths, a world in lockdown and a toppling of the world economy, we somehow managed to remain hopeful. With the rolling out a COVID-19 vaccine, we just need to have more patience. This year we learned to appreciate our families, health-care workers and first responders. We also learned that wearing a mask shows you care.

Face Masks have become the most popular accessory of 2020. (Photo Credit: Vogue)

Despite the pandemic, this was a year of creativity. Fashion designers went into full scale production of masks and PPE, schools migrated to remote learning, parents threw drive-by celebrations for their kids’ birthdays, schools threw virtual proms and graduations for their seniors and families organized Thanksgiving  Zoom-ebrations.

The fashion industry, once a bastion of tradition, became exceptionally creative as a result of the pandemic, when it came to fashion week. Some brands held virtual audience-less fashion shows, some created short videos and others found artistic ways to shoot their lookbooks.

And now, one of the most inventive ways a designer can showcase their collection is the video game platform. If you are a fervent reader of the UoF blog, you will remember that on April 6th   we predicted this as an innovative way for brands to connect with their customers (Demna Gvasalia, were you listening?)  Here’s the link for reference:

https://www.universityoffashion.com/blog/fashion-computer-game/

BALENCIAGA

On Dec. 6th the video game “Afterworld: The Age of Tomorrow” (set in the year 2031) was launched featuring Demna Gvasalia’s main collection for Balenciaga’s fall 2021 season. Enter the world of fashion-tainment!

According to WWD, the allegorical adventure features environments and characters using cutting-edge photogrammetry and the most advanced technology for game hosting, according to the Paris-based fashion house, noting that “Afterworld sets a record for the largest volumetric video project ever undertaken.” For those of us new to digital jargon, photogrammetry is “the science and technology of obtaining reliable information about physical objects and the environment through the process of recording, measuring and interpreting photographic images and patterns of electromagnetic radiant imagery and other phenomena.

Like many designers, Gvasalia must surely miss the excitement of a live runway show, but honestly, the pandemic didn’t stop him from presenting his fashion-forward collection in an avant-garde way. For Paris Fashion Week Spring 2021, Gvasalia was highly praised for his fashion film set to Corey Hart’s “I Wear My Sunglasses at Night,” which showcased Balenciaga’s summer pre-collection with models dashing through rain-slicked Paris streets after dark.

Afterworld: The Age of Tomorrow

What better timing to launch a new computer game than the holidays, during a pandemic, with a stay-at-home order in place! Brilliant marketing, no?

So here’s how it works:

“A hero avatar advances throughout distinct zones, motivated by tasks and interactions,” the house said, sharing details of the online game first with WWD. “The narrative of ‘Afterworld’ is anchored to mythological pasts and projected futures with timeless archetypes and speculative imagery.”

Balenciaga’s pre-collection is futuristic and is inspired by what fashion might be like in 2031 in a conceptual way, and the idea carries over into what’s displayed in the video game.

“A theme of Balenciaga fall 2021 is human destiny, as seen by an interactive, gamified journey,” the house said. “The world may appear to be decaying at first, but it is far from a dystopian view, showing instead the slow return to a healthier balance of nature and industry.”

If you’re a true gamer with quick skills and can beat the game, the reward is “A real-life breathing exercise set in a virtual utopia. In the end, the hero has finally becomes (as it is referred to in Hero’s Journey analysis) a ‘Master of  Two Worlds’,” Balenciaga told WWD, apparently alluding to studies of archetypal heroes by the late American academic Joseph Campbell.

Gvasalia has been breaking the traditional fashion industry rules and they seem to be working to his advantage. Last September the designer revealed that he would show Balenciaga’s pre-collections during Paris Fashion Week, and his main collections for the house in June and December, reversing his previous show order.  The unconventional designer also stated in past interviews that he wishes to break away from the hamster wheel of doing runway shows every season; although he hasn’t ruled out runway shows in the future. Gvasalia is already planning to stage a show next July for Balenciaga’s much anticipated return to haute couture.

Demna Gvasalia, the Creative Director for Balenciaga. (Photo Credit: WWD)

“Fashion has become such a checklist. And I feel like I personally want to try to do it differently,” Gvasalia said in an interview with WWD.

 

OTHER FASHION COMPUTER GAMES

Balenciaga’s timing to release an online video game comes at a pinnacle time in the crossover between gaming and fashion, a relationship that has been progressively developing.

Animal Crossings designer collaborations. (Left) Looks from Valentino. (Right) Looks from Marc Jacobs. (Photo Credit: AllGamers HyperX)

Since lockdowns began, fashion lovers have been playing Animal Crossing, a Nintendo-created game (launched in 2001), but since May, designer brands such as Marc Jacobs and Valentino have created “New Horizons” looks and the game’s popularity took off.  Suddenly, the Nintendo Switch and Switch Light, the game system to play Animal Crossings on, were on everyone’s wish list and they became hard to find. Even Instagram accounts like Animal Crossing Fashion Archive, Nook street Market, and Animalcrossfits became a craze. 2020 has brought in a new area in fashion and gaming, and it’s so much more than just picking out your favorite color for a character’s t-shirt.

Across the board, luxury fashion houses are collaborating with the video game industry, as this promises to be the future of marketing and retail as Generation Z and Alpha are incredibly tech driven.

Gucci unveiled a series of new app features including the Arcade App, inviting customers to play with popular house motifs and characters, plus AR technology allowing them to virtually “try on” sneakers and watches. The Italian luxury brand also launched a collaboration with The Sims and a tennis-themed outfit game, Tennis Clash.

K slash DA in Louis Vuitton. (Photo Credit Louis Vuitton)

Louis Vuitton launched its League of Legends capsule collection last year, in partnership with Riot Games. Meanwhile, Burberry collaborated with Snapchat and created Animal Kingdom, an in-store gamified experience in which Snapcodes transport shoppers to a Burberry world. Snapchat also teamed up with Ralph Lauren to create virtual clothing for personal Bitmojis.

“With confinement, we started the year 2020 to wake up into 2025,” describes Christian Louboutin of such acceleration in an interview with Nylon magazine. “I’m not a gamer myself — I can barely switch on the TV — but I’ve observed in the last few years more and more people, especially at the airport or in planes, playing on their phones.” Just this past October, the footwear designer presented his Spring 2021 collection via the app Zepeto, enabling users to create personal avatars and discover his latest creations.

In an interview with Nylon magazine, “Our social lives are now predominantly playing out online. Therefore, our main channel to present ourselves and shape out identity is digital,” says Rachael Stott, futures analyst at strategic foresight consultancy the Future Laboratory, which estimates that when it comes to in-game spending, U.S. gamers each spend on average $229 on digital purchases. For comparison’s sake, the new stand alone XBox Series X and Sony PlayStation 5 both retail for $499, while the Oculus Quest 2 all-in-one virtual reality headset retails for $399.

According to the trend forecasting agency WGSN, gaming has an estimated global reach of 2.7 billion; and ‘skins’, virtual items that change the look of a character, accounted for 80% of the $120 billion spent on digital games in 2019.

“Fashion working with gaming is kind of the next obvious step in the evolution of fashion,” says Erin Wayne, head of community and creator marketing at Twitch (in an interview with Nylon magazine). The live-streaming platform launched in 2011, now boasts 26.5 million daily visitors. In September, Burberry became the first luxury fashion label to partner with the service and stream its Spring 2021 show, and in July, the UK-based university Ravensbourne streamed its graduating fashion students’ collections, which had been presented via a digital avatar project.

“Gen Zers are digital natives. They don’t want content pushed at them,” says Adam Harris, global head of brand partnership studio at Twitch. On Twitch, you can find anything from cats sleeping to ASMR to gaming to chatting. Teens today will seek out the content they are interested in, case in point, Fortnite’s Travis Scott spectacular in April: 12 million players logged into the concert. Meanwhile, Lil Nas X’s recent stint on gaming platform Roblox drew 33 million views.

“Fashion brands are primarily infiltrating gaming as a marketing tool,” points out Stott. With doors to physical stores shuttered, gaming devices have the potential to build communities. “Spending hours crafting a digital replica to show your peers currently makes sense,” she says.

The Puma X Tabitha Simmons Collection on Drest. (Photo Credit: Drest)

There are a handful of other fashion video games as well. “Drest” an interactive styling game, that was launched towards the end on 2019 now carries over 200 brands. The video game was founded by Lucy Yeomans, a former magazine editor-in-chief of Net-a-Porter and editor of the fashion magazine Harper’s Bazaar in the UK. Another popular fashion game is DressX, which was founded by Daria Shapovalova and Natalia Modenova. They are a retail platform for digital fashion, carrying over 30 brands, mostly URL only, some IRL, too, sell between $25 and $200. It’s like digital couture.

“Gaming is starting to become such a cultural force. Our mission is to become one of those brands like the Dickies [of the world] or whoever was at the beginning of that culture,” Simon Brown, product director of Fnatic says in an interview with Nylon.

 

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THAT’S A WRAP: THE SPRING 2021 SHOW SEASON COMES TO AN END

- - Fashion Shows

A golden look from Paco Rabanne’s Spring 2021 Runway. (Photo Credit: Courtesy of Paco Rabanne)

It’s a wrap! The Spring 2021 Fashion Season has officially come to an end. Now known as Phygital Fashion Month, a hybrid mix of digital and physical fashion presentations, Paris officially closed the season with a bang on  Tuesday, Oct. 7th. Some of the heavy hitter brands, Chanel, Balenciaga, Givenchy, Miu Miu, and Louis Vuitton turned video into an art form, while others chose to show their collection in the old-fashioned traditional runway format. Either way, it was a great season.

Sporty chic at Miu Miu’s Spring 2021 Collection. (Photo Credit: Courtesy of Miu Miu)

While many have debated how can the industry go forward with fashion presentations in the middle of a global pandemic, many designers responded with whimsical collections giving us all hope for a brighter and happier future. After all, the purpose of the runway to give us an escape from reality and transform us into the designer’s fictional collection world. Here are a few collections that ended Paris Fashion Week with bravado and excitement.

A Goth inspired wedding at Maison Margiela’s Spring 2021 Collection. (Photo Credit: Courtesy of Maison Margiela)

BALENCIAGA

Hope is the last thing to die” is an old Russian saying that inspired Balenciaga’s creative director Demna Gvasalia to move forward with creating his latest collection. Always one to defy fashion norms, Gvasalia and his husband created a music video to present his spring 2021 Balenciaga collection. In an interview with Vogue Runway, the creative director stated, “You know, I couldn’t wait not to do a show. It didn’t feel right with the way things are. So we’ve made a music video. My husband recorded that ’80s track by Corey Hart, ‘I wear my sunglasses at night’—because you know, is there anything more absurdly fashion than that? It’s also allegorical. You know, where is fashion going? It’s out there, searching in the dark at the moment, not seeing…

In the middle of  pandemic and global unrest, the video might have sounded like an apocalyptic film; but thankfully that was not the case as the video was a tribute to Balenciaga’s nighttime people; each subject was captured walking Paris’ dark streets to a purposeful destination, all dressed in Balenciaga’s latest looks, complete with sunglasses. The video captured the essence of Paris’ nightlife and glamour as each model strutted the streets heading to see friends – an activity we all long for as we’ve spent months in quarantine. The video was upbeat, alive and oh so clever. Streets as the runway. Brilliant!

Gvasalia has always been an activist for the environment and being in isolation only strengthened his passion for sustainable fashion. In a press release, the house released specifics: “93.5% of the plain materials in this collection are either certified sustainable or upcycled. 100% of the print bases have sustainable certifications.” With the resources of the Kering Group at hand, Gvasalia said, “we discovered we could do it quite easily, with the exception of the fibers that are in some of the existing fabrics. There are solutions if you look for them. There’s a need to revise things. To start a new chapter.” He believes in the future consumers will be reusing the clothes they already own. This begs the question: how will your favorite pieces stand the test of time?

For spring Gvasalia hopes to answer that question by creating a timeless collection of great pieces that ranged from terrific outerwear to cozy knits and cool athletic wear. While most of the collection was genderless, such as the oversized outerwear, the distressed hoodies, classic denim, plaid shirting and oversized tailored suiting. The designer also created a few effortless wrap dresses for day, but for evening, he opted for casual glam with a metallic lingerie inspired top paired with drawstring trousers. These are real clothes that are meant to be lived in and loved.

THOM BROWNE

Inspired by a childhood trip to Montreal to attend the 1976 Summer Olympics, Thom Browne can still remember Caitlyn Jenner winning the gold medal in the decathlon, that moment in time has stuck with him as he subtly references sport motifs in many of his collections. So, for his spring 2021 collection, Browne transports us to the future of the 2132 Olympics in a humorous video, which featured comedian Jordan Firstman and model Grace Mahary bantering like sports commentators on the moon, as models and flag bearers descend the stadium steps of the Los Angeles Coliseum; the location hosted the 1932 Olympics and was chosen for its Art Deco architecture.

While the video is set to take place in the future, the collection itself was inspired by the past, as Browne reinterprets the silhouettes of the ’20s and ’30s with plenty of drop waist dresses that were long and chic. The Deco silhouettes stole the show as Browne resumed his quirky experimental fashion that shifted the position of garments on the body, case in point, jackets worn as skirts.

Browne’s designs may at times be unconventional, but one cannot deny that he is a master craftsman. His his couture-like techniques were perfection: seersuckers made of cashmere, embroidery so thick it’s almost quilting, cable knits, intarsia suits, and trompe l’oeil dresses—all accentuating the intricate texture of each design. The collection was created in various shades of white as a Browne calls the hue, ‘a symbol of hope.’ In addition to traditional models, Browne also used actual Olympians in his video, suggesting that his quirky fashion can be worn by those brave enough to wear them.

With everyone spending quarantine time transfixed to their screens, Brown’s video has undoubtedly ushered in a new era in the fashion industry, “fashiontainment.” An interesting combo of fashion and entertainment. Watch this space.

GIVENCHY

A women’s look from Givenchy’s Spring 2021 Collection. (Photo Credit: Courtesy of Givenchy)

In June, Givenchy’s social media blew up when it featured a photo of the house’s new creative director, Matthew M. Williams, shirtless and tattooed in the house’s introduction of their new young designer. So naturally, Givenchy was the most anticipated collection of Paris Fashion Week. The collection was a perfect balance between the houses’ signature DNA and Williams’ elegant goth aesthetic, devil horns and all.

The debut collection was an edgy twist on established dress codes. There was no one theme per se, just simply great wearable pieces that Williams said he would personally wear. Digging into the archives of Givenchy, Williamson was inspired by the horn heels that were created during the Alexander McQueen’s era. There were also nods to Hubert de Givenchy: perfectly tailored suits with architectural-inspired details for both men and women, a basic denim jacket updated with unique reflective embroideries, tank tops with asymmetrical draping that were minimalistic perfection.

A men’s look from Givenchy’s Spring 2021 Collection. (Photo Credit: Courtesy of Givenchy)

For evening, Williamson continued with the bold, yet rich, aesthetic that he is known for. Key looks included: a geometric square shaped cape for both men and women, intricate ring and crystal embellishments found on delicate mesh dresses and hooded sweatshirts, a laser-cut bustier gown and plenty of backless evening dresses. It is clear that Williamson’s vision of the Givenchy woman is a modern and powerful one.

CHANEL

Even in a global pandemic, the House of Chanel managed to serve up glamour, in the most ostentatious way. The full-fledged show was held in Paris’s soaring Grand Palais with the runway backdrop spelling out, in huge letters, “CHANEL,” reminiscent of the iconic Hollywood sign. Chanel’s creative director Virginie Viard seemed to be inspired by the modern life of actresses from their glamorous red-carpet moments to their daily coffee runs and everything in between. Her collection was a perfect combination of Parisian cool mixed with L.A.’s laid-back style.

Viard’s marriage of these two worlds worked like charm. She paired her classic Chanel tweed jackets with petal pushers or stone-washed denim jeans or with tiny miniskirts in pastel colors, all reminiscent of the excess of the 1980s, The hybrid mix of these two cities came in the form of an elongated, robe-like, pink cardigan with black piping, paired with a multi-charm necklace and a logo tiara headband. Other key looks ranged from graphic black and white floral dresses; neon colored billboard-inspired prints on t-shirts and day dresses;  a sequin pantsuit for evening; and plenty of red-carpet feathered looks.

While many red carpet events have been put on hold due to COVID, it’s clear that Viard is looking ahead to brighter days.

LOUIS VUITTON

Louis Vuitton’s show was the official end to Paris Fashion Week and leave it to Nicolas Ghesquière to deliver the virtual reality experience we’ve all been waiting for.  The live show was held at the newly remodeled-by-LVM, La Samaritaine department store. Sprinkled among the audience were state-of-the-art 360-degree cameras that allowed spectators at home to pivot in their chairs, to watch models coming and going. It was almost like you were actually there!

My question this season was less about one theme; it was about this zone between femininity and masculinity,” Ghesquière explained in an interview with Vogue Runway. “This zone is highlighted by nonbinary people, people that are taking a lot of freedom dressing themselves as they want, and, in turn, giving a lot of freedom to all of us. I found it inspiring to explore what the items are that represent this wardrobe that is not feminine, not masculine. I wanted to zoom in on that section in between.”

The show opened with a “Vote” top (a statement tee that many in the fashion industry are making) paired with pleated chinos cinched at the waist with a black belt. This relaxed street-ready look set the tone for a wearable collection that we all want to own right now, such as duster coats, mini dresses, and khaki suits. Ghesquière also showed skater-inspired tees that were spliced into elaborate techno patchworks. The designer showed off his technical skills by creating expandable jackets that were built with panels, so that the customer can wear it either fitted or oversized. He also used this same technique for trousers giving the wearer the freedom to style them as he or she chooses. It was all a fresh approach to Ghesquière’s beloved ‘80s silhouette with a genderless concept.

Do you have a fav collection, now that the spring 2021 season has come to an end?

 

How Millennial Culture Is Driving the Luxury Kidswear Market: Welcome to the age of the mini-me

- - Childrenswear
Jason and Amanda Harvey with their twins at the Dolce & Gabbana Fall 2017 show (Photo courtesy of designer)

Supermodel Amanda Harvey and husband Jason with their twins at the Dolce & Gabbana Fall 2017 show (Photo courtesy of designer)

Thanks to millennial culture and an addiction for posting every move they make across several social media platforms, the rise of influencers and celebrity dressing has brought high end fashion to the masses. These fashionistas save every penny to be able to purchase the latest Gucci sneaker or Balenciaga hoodie. Staying ahead of the fashion flock has become a job in itself, as fashion darlings post their OOTD (outfit of the day) looks on Instagram and Snapchat. But now, having the latest “It” bag or shoe is not enough. For those wanting to ‘break’ the internet, the new ‘must-have’ accessory is a child. And as if that weren’t enough, you need to dress them in the same outfit as you!  Your own personal ‘mini-me.’

Kim Kardashian and North West in matching Vetements dresses  (Photo courtesy of Getty)

Kim Kardashian and North West in matching Vetements dresses (Photo courtesy of Getty)

With the help of celeb parents such as Beyoncé/Kay Z and Kim Kardashian/Kanye West, the tiny doppelgänger trend is growing in popularity. Fashionable parents everywhere are posting  their matchy-matchy looks all over social media. But this growing trend straddles that fine line between fashionably cute and obnoxious. And worse, it’s the blatant exploitation of children in order to increase social media likes and build a bigger brand for monetary gain. In 2015 Anna Wintour (according to Radar Online on Feb. 23, 2015) staged a fashion intervention with Kim, advising her  to swap her daughter North’s (a toddler at the time) dreary wardrobe for pastels.  The Vogue editrix couldn’t understand why KKW dressed her in all black. In fact, Winter thought it inappropriate for children to be dressed in dark colors at all.

Kim Kadashian, North West, Kanye West and Anna Wintour during Fashion week in 2015 , (Photo courtesy of  AP)

Kim Kadashian, North West, Kanye West and Anna Wintour during Fashion week in 2015 , (Photo courtesy of AP)

While many agree with Wintour, that children should look like children, there is no denying that the designer childrenwear business is rapidly growing. A report by Global Industry Analysts, entitled Children’s Wear: A Global Strategic Business Report, predicts that the childrenswear market will be worth $291 billion (US) by the end of 2020. The report cited the increasing number of luxury labels catering to this segment as a key growth driver. High-end labels such as Gucci, Givenchy, Balenciaga, Dolce & Gabbana, Burberry, Stella McCartney and Christian Dior are cashing in on the children’s market, driven in part by what the report describes as the “growing exposure of children to media and the ensuing rise in materialism.”

Beyoncé and Blue Ivy in matching Gucci  Source @beyonce

Beyoncé and Blue Ivy in matching Gucci Source @beyonce

North West (daughter of Kim/Kanye) and Blue Ivy Carter (daughter of Beyoncé/Jay Z) have become key players in the mini-me trend, the pint-sized fashionistas and their moms wear matching designer looks often from labels such as Gucci, Vetements, and Balmain. It’s even rumored that Kim/Kanye’s son Saint is already wearing custom-made Lagerfeld. But it’s not only celebrity kids donning these pricy labels. The luxury childrenswear market is forecast to reach $6.6 billion in 2018, up by 3.8 percent year-on-year, according to Euromonitor, presenting ample growth opportunities as spending power increases and parents dish out upwards of $500 for a pair of miniature Gucci loafers to match their own.

@coco_pinkprincess  Source Instagram

@coco_pinkprincess Source Instagram

The growing popularity of the mini-me childrenswear trend is fueled by the allure of capturing that perfect Insta-moment. Fashionable Instagram kids are taking over and have a better sense of style than some adults.  There is an Instagram phenomenon for the under 10 set. Take Coco (@coco_pinkprincess), a child from Tokyo, with over 674,000 followers on Instagram, who is regularly dressed up in designer looks from Gucci, Moschino and Balenciaga. Or there’s Ivan (@thegoldenfly), who is the son of designer Natasha Zinko, who made his street style debut at Paris Fashion Week Feb. 2017. His profile reads “I dress to depress” and his street style game is on-point as he’s regularly photographed in Supreme, Comme des Garçons, and Vetements.

Designer Natasha Zinko Introduces Her Son Ivan to the Street Style Crew at Paris Fashion Week (Photo courtesy of Vogue)

Designer Natasha Zinko Introduces Her Son Ivan to the Street Style Crew at Paris Fashion Week (Photo courtesy of Vogue)

According to an article that ran in BOF on Oct 14, 2017, “People want to dress up their children to keep them fresh. Social media is making it easier to show pictures of your children, and parents and fashion labels are taking this demographic more seriously,” says David Park, an illustrator at Complex magazine, who launched a graphic alphabet book titled ‘ABC’s for the Little G’s’ earlier this year. Dedicated to ‘all the sneakerhead parents in the world’, Park’s book teaches toddlers their ABC’s via sneaker graphics: A is for Airmax, G is for Gucci, Y is for Yeezy… The book emphasizes a shift in perception: childrenswear is now cool. The market is currently worth $1.4 billion, according to Euromonitor, and the value of childrenswear in the U.S. is estimated to grow 8 percent by 2021, to $34 million. Luxury brands from Oscar de la Renta to Dolce & Gabbana have long produced childrenswear, but the category is booming with launches from labels like Givenchy, Yeezy and Balenciaga, giving it an extra level of street cred.

Givenchy Debut of Kids Collection (Photo courtesy of Givenchy)

Givenchy Debut of Kids Collection (Photo courtesy of Givenchy)

Balenciaga Kids fall 2018 (Photo courtesy of Balenciaga)

Balenciaga Kids fall 2018 (Photo courtesy of Balenciaga)

The childrenswear market has become increasingly trend-oriented and at UoF, we are on top of the childrenswear trend as we offer an assortment if  childrenswear lessons on the  UoF website, ranging from drafting children’s pattern making slopers to how to draw children’s figures. Click of the link below to learn more about our childrenswear design lessons.

https://www.universityoffashion.com/disciplines/childrenswear/

Coolest Kids at Seoul Fashion Week spring 2018 (Photo courtesy of Buro 24/7)

Coolest Kids at Seoul Fashion Week spring 2018 (Photo courtesy of Buro 24/7)

 Do you find dressing a kid like a mini-me is cute or obnoxious?

 

 

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PARIS FASHION WEEK: A MUCH NEEDED BEAUTIFUL ESCAPE FROM REALITY

- - Fashion Shows
Saint Laurent's spring 2019 Runway (Photo courtesy of Vogue)

Saint Laurent’s spring 2019 Runway (Photo courtesy of Vogue)

Political unrest, devastating natural disasters, fear of war, the economy, racism, the #me too movement, every day we are all bombarded with negative news, not only from our own backyard, but around the globe. At times, it feels as if we live in a mad, mad world.

So, when friends who are not in the fashion industry ask: “How can you think about fashion during these volatile times?” the answer… it’s not easy. The fashion industry is a Goliath worldwide business. According to Statista, revenue of  the U.S. Apparel Industry in 2018 was estimated at $102,820 million. Globally the retail value of luxury goods is estimated at $339.4 billion (according to Fashion United). But aside from the economic value of the fashion industry, there is also a psychological one – fashion is a great escape from the real world. And, this fashion season delivered!

Not only were the shows theatrical, but the craftsmanship and the use of bold, eye-popping color all contributed to an upbeat and happy escape from reality. Exactly what the doctor ordered.

Let’s take a look at what was happening at the Paris shows, which included debut and controversy at Celine, gender-diversity on the runway, avant-garde escapism and a space age look into a better future.

A NEW DAY AT CELINE

Hedi Slimane’s debut collection for Celine was filled with mixed reviews. Even before his show, Slimane caused controversy by rebranding the company’s logo, removing the accent aigu (Céline). As editors, influencers, buyers and celebrities eagerly awaited Slimane’s collection, many were disappointed that he replicated exactly what he did at Saint Laurent (2012-2016) and his past collections for Dior Homme (2000-2007). Slimane fired back, targeting the American press and charging them with ‘homophobia.’ I mean, really?

For many, the re-branding at the hands of Slimane was the complete and utter destruction of Celine’s house codes and Phoebe Philo’s legacy, whose fan base expects smart, chic, and intellectual collections. Some even called Simane’s debut collection, ‘Saint Celine.’

And here’s why. The collection had a glam-grunge, rock n’ roll sensibility.  There was a nod to the Eighties, with big shoulder silhouettes, exaggerated pouf details, mini lengths and plenty of shine. Maybe perfect for dancing the night away at your favorite trendy hot spot but not what the house is generally known for. Just goes to show that taking over as creative director at a heritage house is no simple task!

Celine's spring 2019 Collection (Photo courtesy of Vogue)

Celine’s spring 2019 Collection (Photo courtesy of Vogue)

Slimane also introduced menswear to Celine, showing perfectly tailored skinny pantsuits that have become his signature look. But, ladies don’t fret, these looks are unisex as well.

Celine's spring 2019 Collection (Photo courtesy of Vogue)

Celine’s spring 2019 Collection (Photo courtesy of Vogue)

On the retail front it will be interesting to see, whether Celine’s customers take to the ‘new vision’ or will Slimane’s consumer be his old Saint Laurent clientele. Only time will tell.

THE AGE OF ANDROGYNY

As the cultural discussion on gender identity keeps moving forward, designers are embracing the shift in acceptance and are positioning their brands to be all inclusive by showing their menswear and womenswear collections together, casting transgender models, and even launching entire unisex collections.

At Givenchy,  Clare Waight Keller took cues from 1930s gender-bending writer and adventurer Annemarie Schwarzenbach. Keller sent her models out with cropped boyish haircuts in leather Perfectos tucked into military pants – a direct homage to a photo of Schwarzenbach. For evening, she showed elegant bias cut asymmetrical gowns. But her daywear was what really stuck out.  There were plenty of chic army trousers paired with fitted jackets, smart suit alternatives and plenty of crisp shirts – all perfect looks for the fashion-forward working girl.

Givenchy's spring 2019 Collection (Photo courtesy of Vogue)

Givenchy’s spring 2019 Collection (Photo courtesy of Vogue)

Haider Ackermann has been showing androgynist looks for years now, with Tilda Swinton as his muse. This season the designer decided to show both his womenswear and menswear collections on the runway together.  The collections were perfectly intertwined, sending out his models in pairs of three to clearly make his point that his collection is cross-gender.

Ackermann has mastered creative tailoring. For spring, there were plenty of sharp suits in bold colors, boxy shirts with intricate laser-cut details and pajama-inspired pieces. Although the unisex concept has been seen on a number of runways this season, Ackermann’s version was effortless and elegant.

Haider Ackermann's spring 2019 Collection (Photo courtesy of Vogue)

Haider Ackermann’s spring 2019 Collection (Photo courtesy of Vogue)

THE AVANT-GARDE

There are a handful of designers who are truly creative geniuses. Season after season these avant-garde designers take us on a breathtaking journey, their collections are thought provoking, witty and intellectual. Here’s a mash-up of the best!

Comme des Garçons' spring 2019 Collection (Photo courtesy of Vogue)

Comme des Garçons’
spring 2019 Collection (Photo courtesy of Vogue)

Thom Browne's spring 2019 Collection (Photo courtesy of Vogue)

Thom Browne’s spring 2019 Collection (Photo courtesy of Vogue)

Rick Owen's spring 2019 Collection (Photo courtesy of Vogue)

Rick Owen’s spring 2019 Collection (Photo courtesy of Vogue)

Yohji Yamamoto's spring 2019 Collection (Photo courtesy of Vogue)

Yohji Yamamoto’s spring 2019 Collection (Photo courtesy of Vogue)

Junya Watanabe's spring 2019 Collection (Photo courtesy of Vogue)

Junya Watanabe’s spring 2019 Collection (Photo courtesy of Vogue)

Balenciaga's spring 2019 Collection (Photo courtesy of Vogue)

Balenciaga’s spring 2019 Collection (Photo courtesy of Vogue)

Maison Margiela's spring 2019 Collection (Photo courtesy of Vogue)

Maison Margiela’s spring 2019 Collection (Photo courtesy of Vogue)

THE GREATEST SHOWMEN/WOMAN

Meanwhile, back to reality, well, almost. Karl Lagerfeld created a tropical beach for his Chanel spectacle. Yes, you heard me right. At the Paris Grand Palais, Lagerfeld recreated a beach that included an ocean with gentle waves, blue sky, wooden docks and lifeguards. He completed the scene with none other than former Baywatch actor Pamela Anderson seated in the front row.

Chanel's spring 2019 Collection (Photo courtesy of Vogue)

Chanel’s spring 2019 Collection (Photo courtesy of Vogue)

Nicolas Ghesquière took us on a futuristic voyage for his Louis Vuitton collection. The perfect escape mechanism to avoid the reality of these times.

Louis Vuitton's spring 2019 Collection (Photo courtesy of Vogue)

Louis Vuitton’s spring 2019 Collection (Photo courtesy of Vogue)

Modern dancers performed during Maria Grazia Chiuri’s Christian Dior Show. It was a nice break from traditional cat walking.

Christian Dior's spring 2019 Collection (Photo courtesy of Vogue)

Christian Dior’s spring 2019 Collection (Photo courtesy of Vogue)

Anthony Vaccarello’s girls walked on water under the Eiffel Tower for his Saint Laurent show.

Saint Laurent's spring 2019 Collection (Photo courtesy of Vogue)

Saint Laurent’s spring 2019 Collection (Photo courtesy of Vogue)

For Miuccia Prada’s Miu Miu collection, the concept of  ‘deconstructing beauty’ continued by putting her spin on DIY, recycling, and upcycling under a backdrop modern art installations.

Miu Miu's spring 2019 Collection (Photo courtesy of Vogue)

Miu Miu’s spring 2019 Collection (Photo courtesy of Vogue)

THE ROMANTICS

Fashion week season wouldn’t be complete without a ‘romance-inspired’ collection. Beautifully feminine looks, from whimsical tulle confections to vintage floral charm, these saccharine-savy looks had just the right dose of spice.

Giambattista Valli's spring 2019 Collection (Photo courtesy of Vogue)

Giambattista Valli’s spring 2019 Collection (Photo courtesy of Vogue)

Alexander McQueen's spring 2019 Collection (Photo courtesy of Vogue)

Alexander McQueen’s spring 2019 Collection (Photo courtesy of Vogue)

Ann Demeulemeester's spring 2019 Collection (Photo courtesy of Vogue)

Ann Demeulemeester’s spring 2019 Collection (Photo courtesy of Vogue)

 

Altuzarra's spring 2019 Collection (Photo courtesy of Vogue)

Altuzarra’s spring 2019 Collection (Photo courtesy of Vogue)

Valentino's spring 2019 Collection (Photo courtesy of Vogue)

Valentino’s spring 2019 Collection (Photo courtesy of Vogue)

 SPACE AGE

In a galaxy far, far away…..some designers looked ahead to the future, creating looks that were out of this world.

Balmain's spring 2019 Collection (Photo courtesy of Vogue)

Balmain’s spring 2019 Collection (Photo courtesy of Vogue)

Louis Vuitton's spring 2019 Collection (Photo courtesy of Vogue)

Louis Vuitton’s spring 2019 Collection (Photo courtesy of Vogue)

Gucci's spring 2019 Collection (Photo courtesy of Vogue)

Gucci’s spring 2019 Collection (Photo courtesy of Vogue)

Isabel Marant's spring 2019 Collection (Photo courtesy of Vogue)

Isabel Marant’s spring 2019 Collection (Photo courtesy of Vogue)

THE REALISTS

Ok, all these fantasy looks are spectacular, but sometimes we need to see some real clothes on the runway, right? But always with a twist!

Sonia Rykiel's spring 2019 Collection (Photo courtesy of Vogue)

Sonia Rykiel’s spring 2019 Collection (Photo courtesy of Vogue)

Stella McCartney's spring 2019 Collection (Photo courtesy of Vogue)

Stella McCartney’s spring 2019 Collection (Photo courtesy of Vogue)

Loewe's spring 2019 Collection (Photo courtesy of Vogue)

Loewe’s spring 2019 Collection (Photo courtesy of Vogue)

Dries Van Noten's spring 2019 Collection (Photo courtesy of Vogue)

Dries Van Noten’s spring 2019 Collection (Photo courtesy of Vogue)

Hermès' spring 2019 Collection (Photo courtesy of Vogue)

Hermès’ spring 2019 Collection (Photo courtesy of Vogue)

Rochas' spring 2019 Collection (Photo courtesy of Vogue)

Rochas’ spring 2019 Collection (Photo courtesy of Vogue)

THE NEW GUARD

Here at UoF, we love and support new, emerging designers. Here’s a fresh crop who are disrupting the establishment……

Off-White's spring 2019 Collection (Photo courtesy of Vogue)

Off-White’s spring 2019 Collection (Photo courtesy of Vogue)

Ellery's spring 2019 Collection (Photo courtesy of Vogue)

Ellery’s spring 2019 Collection (Photo courtesy of Vogue)

Johanna Ortiz's spring 2019 Collection (Photo courtesy of Vogue)

Johanna Ortiz’s spring 2019 Collection (Photo courtesy of Vogue)

Beautiful People's spring 2019 Collection (Photo courtesy of Vogue)

Beautiful People’s spring 2019 Collection (Photo courtesy of Vogue)

Esteban Cortazar's spring 2019 Collection (Photo courtesy of Vogue)

Esteban Cortazar’s spring 2019 Collection (Photo courtesy of Vogue)

Tell us which collection took you out of reality, even if only for a moment?

 

 

 

 

 

 

 

Top Ten 2017 Millennial Fashion Trends

- - Trends

10 Top 2017 Millennial Fashion Trends

Spring is in the air and as the temperatures heat up, so do the fashion trends. Here is a look at the top ten fashion trends that millennials will embrace for spring and beyond.

Tickled Pink

Diana Vreeland once said “pink is the navy blue of India” and this spring designers from New York to Paris have embraced the femininely sweet shade. But don’t be fooled, although the hue is chock-full-of-saccharine, these looks are anything but girlie. The color palette runs the gamut from soft pastel tones to bold vibrant shades and can be found on everything from chic dresses and suits to the “It Bag” of the moment.

 

Céline (Image Credits: Vogue.com)

Céline (Image Credits: Vogue.com)

Maison Margiela (Image Credits: Vogue.com)

Maison Margiela (Image Credits: Vogue.com)

Making A Statement

Forget logomania. Millennials are embracing statement tees as they take a political stance against the unjust. In a throwback to Katharine Hamnett’s political slogan tees of the late 80’s and early 90’s, today’s variety can already be found all over Instagram and on celebrity “It Girls”.  From Christian Dior’s “We Should All Be Feminists” version to Sacai’s “Horror Show” motto, these tees are already street-style approved.

Christian Dior (Image Credits: Vogue.com)

Christian Dior (Image Credits: Vogue.com)

Sacai (Image Credits: Vogue.com)

Sacai (Image Credits: Vogue.com)

 

Sporty Spice

Millennials are creatures of comfort as they continue to embrace the athleisure trend. Oversized Vetements sweatshirts were street-style approved this past fashion week and were worn by every fashion “It-Girl and Boy” proving this trend has staying power.

Vetements (Image Credits: Vogue.com)

Vetements (Image Credits: Vogue.com)

 

Philipp Plein (Image Credits: Vogue.com)

Philipp Plein (Image Credits: Vogue.com)

Get Graphic

These stripes are not for the board room. For spring, designers are focusing on graphic, striped patterns that can be found on cool separates for day or night. These bold looks are selfie approved by fashionistas on both sides of the Atlantic.

Proenza Schoular (Image Credits: Vogue.com)

Proenza Schoular (Image Credits: Vogue.com)

Marni (Image Credits: Vogue.com)

Marni (Image Credits: Vogue.com)

Jean Therapy

Who doesn’t love denim? Denim is the uniform for millennials, but for spring, the durable fabric is anything but basic. There are so many choices in the denim market from mom jeans to skinny; to wide-leg to cut-offs; anything goes. Celebrities and models off duty have also taken to wearing intricate embellished denim from day to night.

 

Junya Watanabe (Image Credits: Vogue.com)

Junya Watanabe (Image Credits: Vogue.com)

 

Dsquared2 (Image Credits: Vogue.com)

Dsquared2 (Image Credits: Vogue.com)

80’s

Everyone loves a good throwback, and for spring, designers are looking to the Eighties for inspiration. From Gucci’s one shouldered ruffled number to Balmain’s electric blue suit; these bold looks are dramatic and daring.

Gucci (Image Credits: Vogue.com)

Gucci (Image Credits: Vogue.com)

Balmain (Image Credits: Vogue.com)

Balmain (Image Credits: Vogue.com)

 

 

Armed Forces

It’s become the uniform trend for millennials as military inspired and utility pockets are all the rage. For spring, the trend gets a chic update from  Marc Jacob’s flirty take on camouflage to Dries Van Noten’s urban outerwear– these looks have plenty of charm.

Marc Jacobs (Image Credits: Vogue.com)

Marc Jacobs (Image Credits: Vogue.com)

 

Dries Van Noten (Image Credits: Vogue.com)

Dries Van Noten (Image Credits: Vogue.com)

Boudoir

Inner-wear as outerwear is all the rage as designers look to the boudoir for inspiration. Touches of lingerie references can be found on flirty bra tops, seductive slipdresses and sexy briefs.

Alexander Wang (Image Credits: Vogue.com)

Alexander Wang (Image Credits: Vogue.com)

 

Moschino (Image Credits: Vogue.com)

Moschino (Image Credits: Vogue.com)

Sheer Delight

You’re so transparent. Designers are making a case for sheer clothing as the transparent trend continues to go strong for spring thanks to celebrities like Kim Kardashian who wears the trend with such confidence and bravado.

Chistopher Kane  (Image Credits: Vogue.com)

Chistopher Kane (Image Credits: Vogue.com)

 

Ann Demeulemeester (Image Credits: Vogue.com)

Ann Demeulemeester (Image Credits: Vogue.com)

Outerwear

This year has been the year of great outerwear, from cool embroidered bombers to oversized puffers. For spring, the trend continues with Balenciaga’s bright puffer vest as well as quirky silk bombers.

Balenciaga (Image Credits: Vogue.com)

Balenciaga (Image Credits: Vogue.com)

 

Gucci (Image Credits: Vogue.com)

Gucci (Image Credits: Vogue.com)