LOOKING BACK & AHEAD AT UNIVERSITY OF FASHION

As 2021 draws to a close and with only 5 days left to take advantage of our once-yearly subscription promo offer, I thought I’d take a moment to thank all of our wonderfully talented UoF instructors and staff, as well as our schools, groups and individual subscribers. We love sharing our collective passion for fashion!

I’d also like to reflect on UoF’s 2021 accomplishments and give a sneak peek at what we have planned for 2022.

When the global pandemic extended into 2021, UoF experienced a record number of new schools subscribing and accessing our content library. We were honored to be able to help so many students and teachers as they navigated the world of remote teaching and learning. As it’s likely that Omicron will be with us into 2022, schools that aren’t currently subscribed may want to check out our Group Subscription rates and how to apply for a free trial. With UoF entering its 14th year in the fashion education business, I think we know a thing or two about online learning, don’t you? Just read our testimonials.

NEW LESSONS ADDED IN 2021

The Delta variant didn’t slow us down in 2021. In fact, we added more than 30 new lessons, like Draping a Cascade Ruffle Dress, Draping a Cascade Ruffle Sleeve, Leather Sewing Techniques, Creating Custom Brushes in Adobe Illustrator and our Procreate series starting with Introduction to Procreate for Fashion Design, just to name a few.

We also added lessons in three new learning categories: Swimwear, Textile Design and Visual Merchandising. As always, these new lessons are all taught by industry pros and college profs.

Our swimwear maven, Jessica Krupa, is a New York City-based design entrepreneur and professor of design focusing on swimwear and intimate apparel. She has over 15 years of experience creating swimwear and intimate apparel collections for Fortune 500 Enterprises, such as Victoria’s Secret and Li & Fung, and has been awarded a bra design patent for innovation during her tenure at VS. Jessica currently runs her own luxury swimwear company called Krupa Couture Swim and most recently founded an intimate apparel company called Panty Promise, focused on women’s feminine hygiene in panties, in which she received the “Favorite Brand Award” through Eurovet’s Curve Tradeshow Competition in November 2020. Jessica’s lessons encompass design and product development with many more to be launched in 2022.

Our textile design lessons are taught by Lindsay Boehl, a New York-based textile designer who began her career as a CAD artist at a textile converter, designing men’s shirting stripes, plaids, prints and patterns for major brands such as Ralph Lauren, American Eagle and Wrangler. She is currently Manager of Customer Advocacy at Aquario Design, a leading provider of fashion, textile, CAD design and printed products solutions for Adobe Photoshop and Illustrator. Stay tuned…more lessons from Lindsay will follow in early 2022.

Our 9-part visual merchandising series is taught by Marcie Cooperman. a highly regarded professor at Parsons in the Department of Fashion, where she has taught classes such as Visual Merchandising, Fashion, Fashion Marketing Management, Color Theory, Branding, Social Commerce, and Entrepreneurship. Her textbook Color: How to Use It for Pearson: Higher Education is an essential color resource for all design professionals.  It has been successfully classroom-tested through years of Marcie’s Color Theory classes at Pratt Institute and Parsons School of Design. Watch for more of Marcie’s lessons to launch in 2022.

LOOKING AHEAD TO 2022

We’ve got big plans for 2022. We will be adding additional visual merchandising lessons, swimwear design and technical design lessons and textile design lessons. We will also be adding an Intimate Apparel series, additional advanced draping lessons, product development lessons, an entire series on drafting cut and sew knits and lessons in 3D design.

As we move back into the studio to film these new lessons, please know that we are always open to your suggestions. And, remember that if you need help or have questions about any of our existing lessons, we are here for you.

Wishing you all a very happy and fashionable 2022

Francesca Sterlacci
Founder/CEO
University of Fashion

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NYC’S WHIMSICAL HOLIDAY WINDOWS: A VISUAL MERCHANDISING BONANZA

Saks Fifth Avenue unveiled its holiday windows. (Photo Credit: Gothamist)

It’s the most wonderful time of the year…..especially for stores as the holiday season is one of the most profitable times of year for retailers. In New York City, both department stores and boutiques alike get festive with creative windows that tourists and city residents line up to view. Last winter, due to the pandemic, most retailers opted for more minimalistic displays; but for the 2021 season, stores such as Macy’s, Saks Fifth Avenue, Bloomingdale’s, and Bergdorf Goodman have pull out all the stops with their window displays. Their exceptionally positive holiday windows are sending good vibes out to the city streets.

Children gazing at the Macy’s Christmas window displays early 1900s. (Photo Credit: Bain Collection/ Library of Congress)

Macy’s is acknowledged as bringing holiday windows to New York City in 1874, with an extravagant display on 34th Street in Herald Square. Over the years, now-shuttered retailers along Fifth Avenue, namely Lord & Taylor, B. Altman and I Magnin,  competed to outshine each other with dazzlingly creative holiday window installations that drew crowds, inspired family traditions, and gave tourists another reason to visit New York City in December.

“Most of them did not feature merchandise,” said Sheryll Bellman, the author of Through the Shopping Glass: A Century of New York Christmas Windows“It was to delight the public. It was their gift to the city.”

This year, with retailers optimistic about the holiday shopping season, these creative and magical windows are drawing shoppers and fans of visual merchandising in droves to the city. They ogle and ogle and of course take selfies in front of the windows. Sometimes for good causes.

Michelle Obama unveiled the Saks windows and promoted her charity, Girls Opportunity Alliance. (Photo Credit: The New York Times)

Saks Fifth Avenue’s flagship store in New York City, who has some of the most impressive holiday windows, drew former First Lady Michelle Obama. Mrs. Obama was there to promote a partnership between Saks and the Obama Foundation’s Girls Opportunity Alliance. December is the month for giving, and the department store donated $1 million to the foundation. Some of Saks’ windows featured looks from a few of  Ms. Obama’s favorite designers, Jason Wu, Philip Lim and Oscar de la Renta, with 100 percent of the net proceeds this year going to the foundation. The collections not only included clothing, but also housewares, beauty, and accessories.

Saks Fifth Avenue unveiled its holiday windows. (Photo Credit: Gothamist)

According to Andrew Winton, senior vice president of creative at Saks, who oversees the holiday displays, the company asked NYC children to draw and describe their holiday dreams — of homes, beaches, and games —and then the Saks window artists brought those images to life. “The style is sort of candy-coated imagination,” said Winton in an interview with The New York Times.

Shoppers walking by a Macy’s window. (Photo Credit: The New York Times)

Visual Story-telling

This season, Macy’s holiday windows tell the story of Tiptoe, a spunky reindeer who goes on a magical journey as she dreams of flying, attending flight school, and ultimately joining Santa’s crew. “Macy’s Herald Square is the home for holiday magic and our iconic Broadway windows have for more than 100 years showcased animated wonders that inspire and delight,” said Manuel Urquizo, National Director of Visual Campaigns and Windows for Macy’s to The New York Times. “With Tiptoe, we have created a whimsical story highlighting the important power of belief and the joy and wonder of the season.”

Macy’s 2021 holiday window displays. (Photo Credit: Gothamist)

Holiday cheer also filled the streets in front of Bloomingdale’s as the store’s visual team stuffed the Lexington Avenue windows with items that delighted them as children. One window displayed a T. Rex covered in ornaments riding a skateboard. Another window a hot pink mannequin in glitter roller skates twirling around in a sequined clamshell.

The windows at Bloomingdale’s are stuffed with oversize toys. (Photo Credit: The New York Times)

“Every year, we look forward to our holiday unveiling event as a gift to our customers and the city of New York. And, this year, we are even more excited to come back together and celebrate,” said Frank Berman, Executive Vice President and Chief Marketing Officer, Bloomingdale’s in an interview with Gothamist.

Bloomingdale’s 2021 holiday window displays. (Photo Credit: Gothamist)

The luxury department store Bergdorf Goodman ran with the theme “The Present Moment,” illustrating joyful moments in which characters are in the moment.  “Life is turning around again,” said Linda Fargo, the Bergdorf Goodman fashion director, as the department store unveiled its holiday windows.

Bergdorf Goodman 2021 holiday window displays. (Photo Credit: Gothamist)

In one holiday display, there was a mermaid wearing a sequined magenta dress by C.D. Greene resting on a bedazzled motorcycle surrounded by pointy-nosed fish. In another window, a mannequin wearing an embroidered gold Schiaparelli dress and jacket is dancing on the moon.

Each installation celebrates a different mood: adventurous, harmonious and frisky. David Hoey, Bergdorf’s senior director of visual presentation, told The New York Times that the windows were inspired by a psychedelic sculpture of a green bird. “Last year was kind of minimalism,” Mr. Hoey said. “This year is maximalism which is our trademark.”

The windows at Bergdorf Goodman evoke a psychedelic jungle. (Photo Credit: The New York Times)

“These windows are extremely complicated to install, considering the layers of scenery and props,” Hoey told Yahoo. “Windows are usually tight spaces. It’s like sensory overload. We purposely overstuff these windows in a designed kind of a way, attempting to induce an aesthetic delirium. To us, they are extremely holiday and festive. A state of mind. While we don’t necessarily have Santa Claus, we do have a spirit of holiday.”

 NEW UOF VISUAL MERCHANDISING LESSON SERIES LAUNCHES

If you’re a fan of store windows and in-store displays like we are, check out our new 9-part series on the art of visual merchandising, taught by Parsons & UoF professor Marcie Cooperman. You’ll find them in our Fashion Business Discipline

 

JUST A REMINDER

Take advantage of our once-yearly subscription deals. Gift that fashionista in your life or heck…why not treat yourself?

Get $40 off a yearly subscription (was $189 now $149) https://www.universityoffashion.com/holiday-offer/ Promo Code: Deal21

Or get $5 off the first month of our Monthly subscription (was $19.95 now $14.95) https://www.universityoffashion.com/holiday-offer/ Promo Code: Promo21

Offers expire 1/1/22

 

SO TELL US, WHICH RETAILER DO YOU THINK HAS THE MOST CREATIVE HOLIDAY WINDOWS?

 

 

 

 

FASHION INDUSTRY CHARTER FOR CLIMATE CHANGE: HERE’S WHAT’S NEW

- - Sustainability

Vivienne Westwood has been addresing her concerns over climate change for years. (Photo Credit: Common Objective)

The 2021 United Nations Climate Change Conference, more commonly referred to as COP26 or ‘Conference of the Parties’, was the 26th United Nations Climate Change conference, and was held at the SEC Centre in Glasgow, Scotland from October 31 to November 13. The president of the conference was UK  cabinet minister, Alok Sharma. The United Nations has been bringing together a majority of countries for almost thirty years now to help battle the effects of climate change and many believe that this year’s event has come up with some strategic solutions. Climate change has gone from

Leading up to COP26, the UK worked with every nation to reach an agreement on how to tackle climate change, taking it from being a fringe issue to a global priority. World leaders arrived in Scotland, alongside tens of thousands of negotiators, government representatives, businesses and citizens, for twelve days of talks. To do its part, the fashion industry is ramping up its climate efforts. This post covers what’s new in the Fashion Industry Charter For Climate Change initiative.

Over the past few years, the conversation on fashion sustainability has become a hot topic as brands race to reveal various eco-minded strategies ranging from committing to reach net zero or the initiative to become carbon positive (meaning that businesses are drawing more carbon from the atmosphere than is emitted). While these strategies are promising, the fashion industry still has a lot of work ahead of them to help in the fight against climate change.

(A video of the Fashion Industry Charter for Climate Action at COP24. Video courtesy of the The Fashion Industry Charter on YouTube)

In 2020, a report by the Global Fashion Agenda found the fashion industry’s emissions are in fact set to rise to around 2.7 billion tons a year by 2030 if existing measures stay the same. Based on the current trajectory, fashion’s emissions would in fact double the maximum level required to be in line with the Paris Agreement’s goal to keep global warming to 1.5°C.

Mission of the Fashion Industry Charter for Climate Change. (Source: United Nations Climate Change)

“This is an important milestone for the Fashion Charter, as it increases the ambition level in an effort to align the industry with 1.5 degrees,” said Stefan Seidel of Puma, a co-chair of the Fashion Industry Charter steering committee. “It is a signal that we need to work closely together with our peers, our supply chain, policymakers and consumers to get on the track to net-zero.”

This is why the United Nations Fashion Industry Charter For Climate Action – which launched in 2018 and was signed by 130 brands, including Burberry, Chanel and Gucci-owner Kering—is ramping up its efforts to diminish fashion’s environmental impacts, with brands committing to cutting greenhouse gas emissions by 50% by 2030 (compared to the prior target of 30%) or setting Science Based Targets, an initiative that sets out a roadmap to cut emissions in line with the Paris Agreement.

“We realised [the 2018 Fashion Charter] isn’t enough any longer,” Niclas Svenningsen, manager of Global Climate Action at UN Climate Change, said at the Fashion Charter event in Glasgow. “We need to make it stronger, more concrete, more ambitious.”

LVMH, owner of Louis Vuitton, Dior and Givenchy, has signed up to the Fashion Charter for the first time—an important move considering the power that the firm holds in the fashion industry.

The Fashion Industry Charter For Climate Change initiative is going beyond the commitments to cut emissions more swiftly, the Charter has also set a new goal for 100% of “priority” materials – such as cotton, viscose, polyester, wool and leather – to be low climate impact by 2030. The agreement particularly points to materials that can be recycled in a closed loop, and are deforestation-free, conversion-free (meaning natural ecosystems are not destroyed during the process) and produced using regenerative methods.

Textile Exchange and Fashion Industry Charter for Climate Action 2025. Recycled Polyester Challenge. (Photo Credit: Textile Exchange)

 

“It really sets the picture for where the industry needs to be heading when it comes to sourcing materials,” stated Claire Bergkamp, chief operating officer at Textile Exchange, one of the signatories of the Fashion Charter, told Vogue, adding that financial incentives for brands is crucial in order to reach the target set (more than 50 companies, including the likes of Kering, Stella McCartney and Chloé, have now called on governments to implement policy change on this).

As additional change under the new agreement which will have a substantial impact is the emphasis on labels needing to work with their suppliers to decrease emissions – especially considering that the greater part of emissions come from the supply chain. The new version of the Charter pledges to phasing out coal from tier one and tier two suppliers by 2030, as well as no new coal power by 2023, in addition to assisting suppliers to implement science-based targets by the end of 2025.

“The suppliers depend on the brands,” Rubana Huq, former president of Bangladesh Garment Manufacturers and Exporters Association, highlighted during a panel discussion. “Unless we’re all in it together, unless we have a collaborative strategy, nothing’s really going to work.”

The commitments are undeniably a huge step forward for the fashion industry, some campaigners still believe that the plans did not go far enough. “[The] Charter misses the mark by not committing the industry to transition to 100% renewable energy in its supply chain by 2030, which would be critical to achieving its goal,” Muhannad Malas, senior climate campaigner at Stand.earth, said in a statement to Vogue M, while noting there are signs of “encouraging progress”.

Scientific experts and politicians also argue that enforcement is required to guarantee that the Fashion Industry Charter goals aren’t simply aspirational. “What’s good is that it sets science-based targets – this is the gold standard for emissions reductions, so that is very meaningful,” Maxine Bedat, founder of the New Standards Institute, commented. “[But] what is the penalty if these targets are not achieved?”

Given the magnitude of the climate crisis the earth is facing, we understand that fashion urgently needs to do its part. Will these new commitments from fashion companies mark a real turning point for the industry? “[The] science is clear: we have to do this,” Svenningsen said. “We don’t have a choice.”

H&M’s Eco-Friendly Holiday 2021 Collection. (Photo Credit: H&M)

In an industry where individuality is prized and conformity is shunned, this list of fashion companies who have gotten onboard for one goal, saving the planet, is quite impressive. Here are the current signatories to the Fashion Industry Charter For Climate Action commitment:

Signatories

ALDO Group, Adidas AG, AGI Denim, Aigle, AKKUS, American & Efird (HK) Ltd., American Eagle Outfitters, A.P. Møller-Maersk A/S, Anko, Anya Hindmarch, Aquitex, Arc’teryx, Artistic Milliners, Asia Pacific Rayon, ASICS, Berbrand Srl, Bottletop, Burberry, Capranea Sports AG, CCC Capital Group, CHANEL, Chenfeng Group Co., Ltd, Circular Systems S.P.C., Clover Global Limited, CODOGIRL, Craghoppers, Crystal International Group, Dai, DBL Group, Decathlon, Denim Expert Limitedqq, Dare2b, Elevate Textiles, El Corte Ingles, Esprit,  Etam Group, Evea Eco Fashion, Farfetch, Fast Retailing, Fenix Outdoor International AG, Fossil Group, GANNI, GANT AB, Gap Inc., G-Star RAW, Good Fabric, Groupe Rossignol, Grupo SOMA, Guess? Inc., HAGLÖFS AB,  Hakro GmbH, Hanbo Enterprises Ltd., Hansoll Textile Ltd., Hermes International, House of Baukjen, H&M Group, Hong Kong Non-Woven Fabric Ind. Co. Ltd., Hop Lun Ltd, Hugo Boss AG, HWASEUNG Enterprise, Inditex, Interloop Limited, John Smedley Ltd, K-Boxing, Kering Group, KiK Textilien und Non-Food GmbH, Kmart Australia Limited, Kmart Group, Lacoste, Lenzing AG, Lever Style Inc., Levi Strauss & Co, LIMY Inc dba Reformation, Liverpool LA, Lojas Renner,  Loomstate, L SAHA, lululemon athletica, LVMH, Mammut Sports Group AG, Mango, Mantis World,             Mulberry Group plc, Nanushka, New Balance Athletics Inc, Nike, Inc., NOABRANDS, Otto Group, Paris Good Fashion, Pattern SpA, Peak Performance Production AB, Pinneco Research Ltd., PVH Corp, PIDIGI S.P.A, Primark, Princess Polly, PUMA S.E., Ralph Lauren, Regatta Group, Reserva, Re:newcell AB, RT Knits Ltd, Salomon, Sateri, Schoeller Texti AG, Shokay, Simple Chic Women, SKFK-Skunkfunk, SLN Tekstil ve Moda San. Tic. A.S, Stella McCartney, SunRise Group, Sympatex Technologies GmbH, Superdry plc, Taiga Apparel (Pvt) Ltd., TAL Apparel Ltd.,Target Corporation,  Target Australia, Tendam Global Fashion Retail, Textil Santanderina, S.A., The Forest Trust, The R Collective, The RealReal, The Schneider Group, Tchibo, Tintex Textiles, S.A.,  TOM TAILOR, Tropic Knits Ltd, VASI Group Companies, VF Corporation, Vivida Lifestyle Ltd., YKK Corporation and Worn Again.

(SOURCE: United Nations for Climate Change)

 

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  • Our lessons are all taught by fashion college professors and fashion industry pros.

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HOUSE OF GUCCI: A TRUE STORY OF MURDER, MADNESS, GLAMOUR, AND GREED

House of Gucci Cast hits the Red Carpet for UK Premiere. Left to right: Salma Hayek, Jared Leto, Adam Driver, and Lady Gaga. (Photo Credit: Getty Images)

How does a poor Italian bellhop become the genius behind one of the biggest luxury brands in the world? Meet Guccio  Giovanbattista Giacinto Dario Maria Gucci.  The rest is history! Read on….

Guccio Gucci – Fashion Elite

Guccio Gucci (Image credit: Wikipedia)

In the ’70s, the House of Gucci was all about high fashion, intrigue and murder- the fashion industry’s crime of the century (until the unfortunate murder of Gianni Versace). On November 24th (Thanksgiving weekend in the U.S.), the highly anticipated film “House of Gucci” will be released in theaters. The film stars Adam Driver and Lady Gaga, (as they play Mauricio and Patrizia Gucci) and details the rise of Gucci and the real-life murder of Maurizio Gucci at the hand of a hitman – hired by the fashion heir’s ex-wife, Patrizia Reggiani. While fashionistas and Gucci fans eagerly await the Ridley Scott film, members of the Gucci family have expressed disgust over the film. Sorpresa?

Left: A photo of Maurizio Gucci and his ex-wife Patrizia. Right: a photo from the House of Gucci film starring Adam Driver and Lady Gaga. (Photo Credit: The New York Post)

“They are stealing the identity of a family to make a profit, to increase the income of the Hollywood system,” Patrizia Gucci’s, Maurizio’s cousin, complained to Associated Press of director Ridley Scott and his collaborators. She is particularly piqued at Al Pacino playing her grandfather Aldo, son of the fashion house’s founder, Guccio. She claimed that “House of Gucci” based on Sara Forden’s 2000 book “The House of Gucci” — portrays her grandfather as “fat, short, with sideburns, really ugly. Shameful … ”

A poster for the House of Gucci. (Poster art copyright belongs to Metro-Goldwyn-Mayer, Bron Creative, and Scott Free Productions)

But nothing is as shameful as the actual events that inspired the film. A story so wild that not even Hollywood could have imagined. On March 27, 1995, Maurizio Gucci was excited to marry his girlfriend of four years, Paola Franchi, a beautiful artist with whom he shared a luxurious apartment on Milan’s exclusive Corso Venezia. That day was like any other as the fashion heir walked to his office in a designer suit and camel coat. He nodded to his doorman, and then bam, the first bullet hit Maurizio in the back. Another silenced bullet struck him below the waist and a third bullet glanced his arm. He fell to the ground and took the final hit, a fatal shot to the skull by an unseen shooter.

The doorman sat dazed on a step as he had also been hit by a bullet in the arm. Police rushed to the scene, but the killer got away.

“Never before do I remember a murder like that, right in the center of Milan,” Maurizio Manca, owner of the city’s Bozart Jewelry, told The Post. “It would be like seeing the president of Tiffany killed in front of his store on Fifth Avenue.”

THE HISTORY OF THE GUCCI FAMILY

As a young man Guccio Gucci worked as a bellhop at London’s Savoy Hotel. It was there that he was inspired by the elegant suitcases of affluent travelers and so in 1921 he unveiled his own luggage company in Florence. Gucci expanded to handbags and other accessories in the ’30s, followed by clothing with the 1968 opening of his Beverly Hills boutique. By then, Gucci’s infamous double-G logo counted Jacqueline Kennedy Onassis, Elizabeth Taylor, Sophia Loren and Princess Grace of Monaco as devotees. A true rags-to-riches story.

Jacqueline Kennedy Onassis wearing a black dress, sunglasses, and the Gucci “Jackie” handbag in New York on September 18, 1968. (Photo Credit: Fairchild Archives)

Although Guccio Gucci built himself a fashion empire, throughout the ‘70s and ‘80s family drama would fracture the business. Two of Guccio Gucci’s grandsons tried to introduce spinoff brands to capitalize on the Gucci name. A third grandson, Maurizio, the only child of Rodolfo Gucci (one of Guccio’s five sons), inherited his father’s majority stake in the Gucci company. Naturally, this led to family infighting, resulting in Maurizio’s public legal battle against his uncle, Aldo Gucci, contesting for full control of the company. Then, in the early Eighties, Maurizio gained full control of the Gucci brand.

Maurizio Gucci greets guest during a party for the opening of Gucci’s Worth Ave boutique in Palm Beach on December 5, 1975. (Photo Credit: WWD)

“Maurizio was not a businessman; he was a playboy,” Karen Homer, author of Little Book of Gucci, told The Post. He became known for his excessive spending — buying homes around the world and a wooden yacht once owned by shipping tycoon Stavros Niarchos.

In 1972, Mauricio Gucci married Patrizia Reggiani, who came from a “humble background,” according to Luisa Zargani, the Women’s Wear Daily bureau chief in Milan.

Maurizio Gucci and Patrizia Reggiani married in 1972, had two daughters and divorced in 1985. (Photo Credit: MEGA)

Maurizio’s new bride loved spending as much as he did. Patrizia quickly became known as “Lady Gucci,” embracing her new life and embodied the brand. She became most eccentric as she swanned around in mink coats, dripping with diamonds, and traveling with the jet-set. “She loved jewelry and big furs. You could call her a social climber,” said Zargani. “She attended the big parties but was not sophisticated or refined. It was all about appearances.”

The lavish couple had two daughters together, Alessandra and Allegra. But in 1985, Maurizio left on a business trip, and never came home. He had left Reggiani for a younger woman named Paola Franchi. His ex-wife Patrizia reportedly received a half a million dollars a year in alimony as part of their divorce settlement.

But Maurizio Gucci was not a businessman and soon the Gucci brand was in major financial trouble. In 1988, the Gucci heir sold 48.8% of the company to Bahrain-based Investcorp, which also owned Tiffany & Co. But Mauricio kept up his lavish lifestyle and continued to spend freely on Gucci headquarters in Florence and Milan. By 1993, Maurizio sold the remaining shares to Investcorp — netting himself a payout of $170 million and severing family ties with the company his grandfather founded.

After Maurizio’s assassination on March 27, 1995, gossip circulated around Milan’s high society that perhaps his murder was tied to his financial troubles. “There were thoughts that he had borrowed money from the wrong people,” said Zargani. “They thought that maybe it was a vendetta.”

The murder scene of Maurizio Gucci in 1995. (Photo Credit: Shutterstock)

Two years later and the search for Maurizio’s killer had hit a dead end. But in 1997, a man named Gabriele Carpanese reached out to detectives with information— and a tale of jealousy, money and murder began to unwind.

Gabriele Carpanese claimed that Patrizia Reggiani wanted revenge on her ex-husband; the man who had catapulted her into Milan’s high society, lavished her with over-the-top gifts and then broke her down through their divorce. The final insult to Patrizia’s ego was when Maurizio sold the Gucci brand. “She was livid when he sold out to Investcorp,” author Homer told The Post. Even as his ex, “it took her crown away. She was not the Gucci Princess anymore.”

Reggiani did not hide her anger towards Maurizio. According to The House of Gucci, she told her maid: “If it’s the last thing I do, I want to see him dead.” She stated similar emotions to an attorney and even blamed her ex for a brain tumor she’d been diagnosed with, which caused crippling headaches and left her afflicted with seizures. She allegedly asked a butcher about killing Maurizio.

According to Carpanese, Reggiani had confided in psychic Pina Auriemma, who was staying at Hotel Adry, the two-star Milan hotel where Carpanese lived.

He claimed the women planned to kill Maurizio and that Auriemma enlisted the help of the building’s doorkeeper, Ivano Savioni, who, in turn, introduced them to a getaway driver (Orazio Cicala, a restaurant manager) and a hitman Benedetto Ceraulo, a cash-strapped pizzeria owner. According to The House of Gucci,  Carpanese claimed that Reggiani put up $375,000 for the assassination of Maurizio.

In court, Reggiani admitted to paying Auriemma the money, but contended that it was not for murder; she claimed that Auriemma set up the hit independently and threatened to frame Reggiani if she didn’t pay them. But, Reggiani inconsistently added: “It was worth every lira.”

Even after the murder on her ex-husband, Reggiani resumed living the life of Lady Gucci, and her co-conspirators felt short-changed. When they asked for more money she refused and so a frustrated Savioni complained to Carpanese, who immediately went to the cops.

Carpanese was now involved and offered to introduce the gang to a Medellín drug cartel enforcer who could apply pressure to Reggiani about extra money, the team jumped at the chance. But there was just one problem, the enforcer Capanese introduced them to was really an undercover cop and secretly recorded their confessions.

Thanks to Carpanse, all five collaborators in the Gucci murder were arrested. But Lady Gucci — now nicknamed “Black Widow ” by the Italian dailies — made the biggest splash at police headquarters. According to The House of Gucci, she wore a floor-length mink and glittering diamonds as police escorted her from her home.

Patrizia Reggiani was arrested in 1997. (Photo Credit: Associated Press)

All were found guilty. Reggiani and Cicala were sentenced to 29 years in prison each, while hitman Ceraulo was sentenced to life in prison. Auriemma got 24 years and Savioni received 26.

Patrizia Reggiani served 16 years of her term. Her attorney Danilo Buongiorno attributed the early release in 2014 to “good conduct” and health reasons. Remorse, evidently, had nothing to do with it.

When an Italian televison crew asked Reggiani why she hired a hit man instead of killing Maurizio herself, the feisty Black Widow replied: “My eyesight is not so good. I didn’t want to miss.”

To this day Patrizia Reggiani claims that she is innocent and was set up by the psychic. She even told Buongiorno, “I’m not guilty, but I’m not innocent.”

Buongiorno told The Post: “She thought she had made some mistakes in her life. But she always said she did not kill her husband … She always said she did not pay anyone to commit the murder.”

After prison, Patrizia Reggiani became a design consultant for the jewelry company Bozart. “She was like a queen before she entered jail and she was like a queen when she came out,” Bozart Jewelry owner Manca said of Reggiani. “When we met [in 2014], it was like a flashback to the ’80s.”

Reggiani worked for the jewelry brand until 2017 when she had a falling-out with Manca. “She lives in Milan, in her mother’s house and does not work anymore,” Manca said of Patrizia Reggiani who is now 72 years old. “I miss her a little bit.”

Reggiani told the Guardian that she is estranged from children, Alessandra and Allegra, both now married. In 2017 an Italian court ruled that Reggiani is entitled to some $1 million per year, which Maurizio agreed to provide her in 1993, from his estate.

“She lost everything when she had her husband killed,” Women’s Wear Daily’s Zargani said. “She did everything she could to be part of the jet-set world, and through the killing of her husband, she lost that.”

After all that has transpired between Patrizia Reggiani and the Gucci family and brand, Reggiani had the nerve to say she should be hired by the Gucci brand. “They need me,” she told La Republica. “I still feel like a Gucci — in fact, the most Gucci of them all.”

Want more Gucci drama? Check out the Wondery podcast, Even the Rich. Their three-part series, Murder in the House of Gucci, is lots of fun!

 

So tell us, which designer house would you like to see Hollywood bring to life next?

CFDA FASHION AWARDS: FASHION’S OTHER BIG NIGHT

- - Fashion Events

Designer/Stylist Law Roach and Zendaya in Vera Wang, winner of the Fashion Icon Award. (Photo Credit: Vogue)

Fashion’s second biggest fashion event (the MET Gala being the first) happened on Wednesday November 10th, the CFDA Awards. Some of the biggest names in fashion attended an in-person extravaganza for industry insiders at the Pool + the Grill, located in the Seagram Building on Park Avenue in Manhattan. The mezzanine, in the back of The Grill, proved the perfect perch from which to ogle the guests. The energy of the night was filled with excitement and awe. All of fashion’s heavy hitters were in attendance, as well as some very well-dressed celebrities.

CFDA Chairman and designer Tom Ford and Dapper Dan, winner of the Geoffrey Beene Lifetime Achievement Award . (Photo Credit: Vogue)

“I’m so happy to be back at a fashion gathering,” said Tom Ford to Vogue Magazine as he stepped away from cocktails for a moment to reflect on the evening. “I’ve been Chairman of the CFDA for almost three years and this is the first CFDA Awards I’ve been able to host. We wanted it to be much more intimate, but still very chic.”

Hostess Emily Blunt in Christopher John Rogers. (Photo Credit: Shutterstock)

The award ceremony, hosted by British actress Emily Blunt (of Devil Wears Prada fame), was held in front of a live audience and a troupe of celebrity presenters (last year’s ceremony was all digital due to the COVID-19 Pandemic). Some of the honorees were announced ahead of the awards ceremony, such as Zendaya winning the Fashion Icon Award, as well as Anya Taylor-Joy winning the first ever Face of the Year Award.

But, let’s face it, if it weren’t for their fashion stylists, would these gals have won these awards? Case in point, this year’s The Hollywood Reporter Top Stylist of the Year Award went to Law Roach (who also works with Anya Taylor-Joy, Kerry Washington, Tiffany Haddish, Priyanka Chopra Jonas, Aldis Hodge, Tom Holland and Hunter Schafer). Read about the 12 stylists that you should be following on Instagram: https://www.crfashionbook.com/fashion/a36632100/12-stylists-you-should-be-following-on-instagram/

 

Anya Taylor-Joy in Oscar de la Renta and Gigi Burris hat. (Photo Credit: Getty Images)

Tom Ford’s mission for the 2021 CFDA Awards was to promote the talent that America has to offer. “I’m excited to show how American fashion has impacted the rest of the world, whether the rest of the world is ready to acknowledge that or not,” he said to Vogue Magazine. “That is my goal, to help the rest of the world understand how much they have taken and how much America has given to fashion globally.”

Demna Gvasalia, the creative director behind Balenciaga, and winner of the International Womenswear Designer of the Year Award couldn’t have agreed more with Ford. “American fashion has had the biggest impact it could have on someone like me. I was a Soviet kid who grew up in a country where people didn’t even know that fashion designer was a profession,” he said, holding his CFDA statuette. “The first time I discovered that you could be a fashion designer was when I discovered Tom Ford, when I was 10 or 11 years old. My dream of fashion actually began with discovering Tom Ford.”

Paloma Elsesser and Demna Gvasalia, winner of the International Womenswear Designer of the Year Award . (Photo Credit: Vogue)

“It’s not something I ever could have dreamt of to be here tonight and to have this kind of award,” Gvasalia continued. “I feel like I’ve been fighting for my place in fashion and to receive this award today, it’s like three years worth of therapy in some way. It’s the most amazing feeling, to feel heard, seen, and understood, and that’s what this award represents to me. It’s amazing. I don’t feel alone anymore.”

Feeling seen and accepted was a common theme throughout the night. Emerging Designer of the Year winner Edvin Thompson of Theophilio stated after his win, “It represents my community, Jamaica, and really carving out a space in the fashion industry to tell our stories.”

Sara Ziff, founder of The Model Alliance, and winner of the Positive Social Influence Award. (Photo Credit: Vogue)

Sara Ziff, the founder of The Model Alliance, received the Positive Social Influence Award. The award gave the former model the opportunity to continue the discussion around models’ rights. “It’ll be a decade [since I started the Model Alliance] in February so it’s been quite a long road. Of course it’s nice to be recognized, but I wanted it to be meaningful and that’s why I used the opportunity to ask the industry to step up and do better,” she said of the decision to ask Carré Otis and Beverly Johnson to share their stories of abuse in the modeling industry before presenting Ziff with her CFDA trophy. “What keeps me going is I know that we’re on the right side of history,” Ziff stated.

Aurora James received the Founder’s Award in honor of Eleanor Lambert .(Photo Credit: Vogue)

Aurora James, the Creative Director and Founder of luxury accessories brand Brother Vellies, as well as the founder of the Fifteen Percent Pledge (James became an advocate for Black businesses). After receiving the Founders Award in Honor of Eleanor Lambert from Vogue’s Anna Wintour, James reflected on her award. “I am over the moon to receive this award; it means so much. The amount of emotional capital that I spent over the past 18 months working on the Fifteen Percent Pledge and that my whole organization spent relentlessly day in and day out fighting for economic equality—it just feels so incredible to be acknowledged in this way for all the hard work that we’ve done,” she said.

Iman and Zendaya, the winner of the Fashion Icon Award. (Photo Credit: Vogue)

The winner on the Fashion Icon Award, Zendaya, was nearly speechless after receiving her award from Iman, listing the model, Cher, Diana Ross, and her grandmothers among her own fashion icons. “I’m speechless,” Zendaya said with a stunned smile. “I just got an award and Iman gave it to me! I’m still not over that.”

Emily Bode Aujla is the winner of the Menswear Designer of the Year Award. (Photo Credit: Vogue)

The final two awards of the night went to Emily Bode Aujla who won for Menswear Designer of the Year and Christopher John Rogers for Womenswear Designer of the Year. “It’s so inspiring to see all of the change that all of the people in this room have created,” said Bode Aujla as she revealed that she will be opening a west coast store. “Something that I’ve bet on is retail. Our New York store is surpassing our online right now by 30%,” she added.

Womenswear Designer of the Year winner Christopher John Rogers. (Photo Credit: Vogue)

Rogers is also focusing on the future of his brand, “The sky’s the limit. We’re really about intentionality at CJR and about moving with purpose. Whatever it is next will hopefully be as impactful and full as what we’re doing now.”

Below is a list of all the winners of the most fashionable awards show:

American Womenswear Designer of the Year: Christopher John Rogers for Christopher John Rogers.

American Menswear Designer of the Year: Emily Adams Bode for Bode.

American Accessories Designer of the Year: Telfar Clemens for Telfar.

American Emerging Designer of the Year: Edvin Thompson for Theophilio.

International Women’s Designer of the Year: Demna Gvasalia for Balenciaga.

International Men’s Designer of the Year: Grace Wales Bonner for Wales Bonner.

Fashion Icon: Zendaya.

Face of the Year: Anya Taylor-Joy.

Positive Social Influence Award: Model Alliance.

Founder’s Award in honor of Eleanor Lambert: Aurora James for the 15 Percent Pledge.

Environmental Sustainability Award: Patagonia.

Geoffrey Beene Lifetime Achievement Award: Dapper Dan.

Media Award in honor of Eugenia Sheppard: Nina Garcia.

Emily Ratajkowski and Nina Garcia, winner of the Media Award in honor of Eugenia Sheppard. (Photo Credit: Vogue)

Board of Directors’ Tribute: Yeohlee Teng.

Yeohlee Teng winner of the Board of Directors’ Tribute. (Photo Credit: Vogue)

So tell us, do you agree with the CFDA’s choice winners? And do you think there should be a Best Stylist Award?

MORE THAN JUST “THE NEW LOOK”- CHRISTIAN DIOR: DESIGNER OF DREAMS EXHIBIT

- - Fashion Art

Looks from the Brooklyn Museum’s Christian Dior Designer of Dreams Exhibit. (Photo Credit: AFP)

The Brooklyn Museum is giving every museum with a fashion wing a run for its money!

Pre-Covid, the Brooklyn Museum hosted Pierre Cardin: Future Fashion, which was on exhibit from July 20, 2019 to Jan 5, 2020. And now, NYC’s third largest museum is showcasing another masterful exhibit, Christian Dior: Designer of Dreams. Like most fashionistas, when we think of the House of Dior, the ‘New Look’ comes to mind, well, get ready…it’s way more than just another heritage house!

In a Time Out magazine interview with Matthew Yokobosky, Senior Curator of Fashion and Culture, “The Brooklyn Museum has a long record of recognizing important contributions in the history of fashion design, from ‘The Story of Silk (1934)’ to the groundbreaking ‘Of Men Only (1976)’ to the recent ‘Pierre Cardin: Future Fashion (2019’) and now ‘Christian Dior: Designer of Dreams.’ Each exemplifies the power of fashion to influence and shift visual culture at large.”

Looks from the Brooklyn Museum’s Christian Dior Designer of Dreams Exhibit. (Photo Credit: Christian Dior)

Christian Dior: Designer of Dreams opened to the public on September 10, 2021, and will be on display until Saturday, February 19, 2022. The exhibit, co-curated by Dior scholar Florence Müller of the Avenir Foundation Curator of Textile Art and Fashion at the Denver Art Museum, fully explores the high fashion history of the House of Dior that dates back to the turn of the 20th century, when the French designer Christian Dior founded the label.

Looks from the Brooklyn Museum’s Christian Dior Designer of Dreams Exhibit. (Photo Credit: Time Out)

The multi-gallery exhibition transports guests to the mystical world of the House of Dior with objects that mostly hail from the vast Dior archives of some 200 haute couture garments, as well as photographs, archival videos, sketches, vintage perfume elements and accessories.

Looks from the Brooklyn Museum’s Christian Dior Designer of Dreams Exhibit. (Photo Credit: Christian Dior)

Upon entering the circular-shaped exhibit, guests are captivated with a bold video of models strutting down the runway in a variety of Dior looks. Visitors are then thrust into mid-20th century fashions looks that were once worn by starlets like Marilyn Monroe and Audrey Hepburn.

Looks from the Brooklyn Museum’s Christian Dior Designer of Dreams Exhibit. (Photo Credit: Christian Dior)

The exhibition is set up within two rings — an outer ring featuring distinct sections that detail the history, the legacy and the inspiration of Christian Dior, while and the inner ring is where ‘The Enchanted Garden’ exists.

The majority of looks are modeled on mannequins along the walls, but a few exceptional looks are pulled out to give guests a 360-degree view of the garments. Once you enter the inner circle, the climax of the exhibition reaches new heights as it transforms into a whimsical space where Dior’s creations become part of the landscape that seemingly float up to the ballroom’s ceiling with projections of clouds and birds that move across the walls.

The exhibit’s creative design lets you to dig right into the subject matter at hand – fashion at it’s best. Each Dior look is a masterpiece in and of itself. The timeless ball gowns, the elegant suits, and the form-fitting jackets are all highlighted in the exhibit. The haute couture on view exemplifies many of the French couturier’s fabled silhouettes, including the “New Look”, which debuted in 1947. Guests have the opportunity to get a close-up view of these  incredible garments, actually getting to see the intricate embroidery, trim, lace and construction of almost every piece (with the exception of the looks that are near the actual ceiling).

Christian Dior’s Bar Suit from his Haute Couture Spring 1947 collection. Dior Héritage collection, Paris. (Photo Credit: Brooklyn Museum)

Aside from the breathtaking creations in the installation, the exhibition also features a section of Dior fashion photographed by some of the world’s most superb fashion photographers such as Richard Avedon, Irving Penn, Gordon Parks and Richard Rutledge. These awe-inspiring images are inspirational – not only because of the Dior looks featured in the pictures, but of the sheer beauty of the photos themselves, black and white and some in dramatic color.

Throughout the decades, celebrities across the globe have worn Dior for a variety of events, from red-carpet appearances to the Oscars. These particular looks are featured in a section identified as “Stars in Dior”, which is covered with literal projected stars. In this segment guests get to view the exact looks worn by celebrities over time, from Jennifer Lawrence and Nicole Kidman to Princess Diana and Grace Kelly. Each outfit corresponds back to the photo of the celebrity who wore it.

A portrait of Christian Dior. (Photo Credit: Vogue UK)

For those museum-goers interested in fashion history, you’re in luck! You will learn about the history and legacy of the House of Dior’s founder Christian Dior, as well as the creative artistic directors who succeeded him—Yves Saint Laurent, Marc Bohan, Gianfranco Ferré, John Galliano, Raf Simons, and Maria Grazia Chiuri, each of which have exquisite haute couture on display.

Looks from the Brooklyn Museum’s Christian Dior Designer of Dreams Exhibit. (Photo Credit: Christian Dior)

“Today, the work of Maria Grazia Chiuri has reshaped the Dior dream for a new generation, with a worldview that brings with it inclusivity and respect as key philosophical directives. We couldn’t be more excited to present these innovative, beguiling—and technically outstanding—designs to our audiences,” Yokobosky says.

If you can’t make it to the Brooklyn Museum to see the exhibit, here is a virtual tour:

A video on the Christian Dior Exhibition at the Brooklyn Museum. Video Courtesy of Fox 5 New York on YouTube.

As you all know, here at University of Fashion, our mission is to preserve the art and craft of fashion design. Therefore couldn’t agree more with this quote:

I wanted to be considered a good craftsman. I wanted my dresses to be constructed like buildings, molded to the curves of the female form, stylizing its shape.” ~Christian Dior

So tell us, which great craftsperson would you like to see exhibited next?

Welcome to the Metaverse: How Fashion and Cartoon Avatars Can Build Your Brand

(Image from the Balenciaga-themed episode of The Simpsons released by the brand during Paris Fashion Week Spring 2022)

In a previous UoF blog, we covered how Balenciaga’s creative director, Demna Gvasalia, co-created a bespoke 10-minute episode of The Simpsons, in which Homer tries to learn the correct pronunciation of the brand name, “buh-len-see-aa-guh” and seeks to find the perfect birthday gift for his wife Marge. The episode premiered during Paris Fashion Week 2022 at a red carpet event held at Théâtre de Chatelet, with a star power assist from Isabelle Huppert, Eliot Page, Cardi B and Naomi Campbell. It was a huge success, and the fashion industry took note. Another marketing avenue was paved.

Can I create my own DIY Cartoon Character?

The answer is YES! With computer gaming on the rise, especially among Millennial and Gen Zers, some famous fashion brands have already gotten in on the act, creating fashion outfits for computer game characters. Not only does fashion created for characters add prestige to the games themselves, but they help bring brand awareness to a new cohort of potential customers who wouldn’t ordinarily shop heritage fashion houses, such as Vuitton, Balenciaga and Ralph Lauren.

Today, cartoon generator websites like turnmeyellow.com and getcartoonizer.com instruct you on how to take your photo (2D only) and then create a downloadable digital file of yourself, for example, a Simpson’s “yellow” character, or a character from Comedy Central’s hit series, South Park. However, while these apps will transform your photo to have the “same look” as a Simpson’s or a South Park character, obviously you are not actually a copyrighted character from these shows and therefore they cannot be used for commercial purposes. In the case of Balenciaga, their team worked closely with The Simpsons’ creators directly, and received permission to use their characters (and created new ones) to promote the Balenciaga brand.

Are personalized fashion avatars the next wave?

(Image credits: Ready Player Me)

Yes. The next wave is to create your own personalized fashion avatar and the marketing possibilities are endless. Either way, these new marketing tools have designers jumping for joy.

If you are familiar with 3D design software, such as CLO3D, Browzwear, Optitex, Gerber, and Tukatech, then you know how realistic-looking fashion avatars have become. And so, it comes as no surprise that apps for gaming and fashion-generation are now available to the general public.

One avatar creation app is Ready Player Me by Wolf3D, where you can create an avatar with or without a picture, specify gender (or not), and specify skin tone and hair. By generating a personal avatar from a selfie image, you’re able to use it in different gaming and virtual applications. In a newly announced partnership with metaverse fashion leader RTFKT, you’re able to use their shoes and jackets to customize your avatar and you have access to hundreds of hairstyles, eyebrows, glasses and other options. All of these assets are free for Ready Player Me users. In addition, their avatars can be used with gaming platforms such as, Unity and Unreal Engine and have web and IOS integration.

By the way, the personal plans and/or student plans from the two main game engines are free.

Platform Link
Unity https://store.unity.com/compare-plans
UnReal Engine https://www.unrealengine.com/en-US/download

 

(Image credits: Ready Player Me)

How early 2D fashion toys helped build brands, thus paving the way for today’s digital fashion cartoons & avatars

(Image credit: Bunty’s cut-out paper dolls from Pinterest)

If you are of a certain age, then you might just remember a time when ‘cut-out dolls’ were all the rage. Girls would spend hours folding clothes with paper tabs over figures made of paper or thin cardboard (in fact, some of us even designed our own paper clothes!). Paper dolls, dating back to the mid 1600s, were mostly used as children’s toys. However, eventually they found their way into advertising. with movie stars and celebrities as the focus.

Fast forward to the 21st century. Now you can create your own fashion ‘doll’ (avatar) to use for AR experiences on your phone and to bring your own personalized avatar into your favorite computer games.

With some entrepreneurial spirit, some mad computer & design skills, why not create your own computer game or cartoon character to promote your brand?

(Image credit: House of Math)

Let’s take a look at House of Math for inspiration. It’s a good example of using avatars to promote personalized learning. According to House of Math: This gamified platform offers games, the whole curriculum for K12, math drills, boot camps, study techniques and problem solving. You can also create your own 3D-avatar which takes your through all your activities. In addition, we have Mentor-on-Demand: a teaching service where you can either chat, video chat or have a one of our over 140 mentors come and teach at your home.“

(Image credit: Afterworld: The Age of Tomorrow on YouTube)

And let’s not forget Demna Gvasalia’s bespoke video game in 2020 entitled, “Afterworld: The Age of Tomorrow”. 

How would I get my designs to games?

As you may have guessed, creating your own good computer game can cost thousands, and unless you or someone you know has some serious gaming chops, your best bet is to explore existing gaming platforms that allow you to design clothes for a particular game so that you can market your designs through your own social media channels. While there are services and software to make this easier, those may come with a fee.

To all our aspiring tech-savvy designers out there who are interested in promoting their own designs through computer games, let’s look at some popular garment design software and how to get your designs to games.

Remember, for games, you will need to export the garments and the avatar on whom you design the garments. CLO3D and Browzwear will allow you to export certain avatars. Marvelous Designer is similar to CLO3D and is focused on Animation and Gaming, but if you are using CLO3D for clothing design, there may be a different workflow.

Where to get started?

Let’s start with Browzwear and CLO3D. Since in any game, your avatar will want to move, both platforms have avatars that are already rigged and ready to export as FBX file types.

Tutorials on Automation Source
https://browzwear.com/watch-your-designs-come-to-life-with-the-vstitcher-animation-workspace/ Browzwear
https://support.browzwear.com/VStitcher/Export/settings.htm#ExportFBX Browzwear
https://support.clo3d.com/hc/en-us/articles/360055227373-Automatic-Rigging-Converter-ver-6-0- CLO3D
https://support.clo3d.com/hc/en-us/articles/115000526908-3D-File-FBX-Import-Export CLO3D

 

And if you want to use other poses or use other avatars, Mixamo works with Browzwear and this workflow is explained by Browzwear.

https://www.mixamo.com/#/ Mixamo Adobe

 

If your game allows import of your own avatar, they will give detailed instructions.

Game/ Platform Link
VRChat https://www.gameskinny.com/9c6x1/vrchat-guide-how-to-create-custom-avatars
Animaze https://www.animaze.us/manual/gettingstarted3d/animaze3d
Valheimians https://www.valheimians.com/article/how-to-import-custom-avatars-in-valheim-multiplayer-with-valheimvrm-mod/
Roblox https://developer.roblox.com/en-us/articles/using-avatar-importer

 

But what if I want to get my designs into video format instead?

Good news, Browzwear can save to an MP4 and CLO3D can save to an MP4 or MOV file. You can also download garments with movement without the avatars. If you know how to edit MP4 files, this is another method to get your designs visible.

Tutorials on MP4 / MOV files Source
https://browzwear.com/watch-your-designs-come-to-life-with-the-vstitcher-animation-workspace/ Browzwear
https://www.youtube.com/watch?v=adx8WPVA92o&t=380s Browzwear
https://support.clo3d.com/hc/en-us/articles/115004522187-Animation-Video-Capture CLO3D
https://invideo.io/blog/how-to-merge-videos-in-windows-10/ Invideo.io

 

If you are less tech-savvy but love to draw, why not create your own cartoon character?

(Image credits: Sew Sketchy)

Sew Sketchy

Sew Sketchy is the brainchild of fashion illustrator/influencer/Parsons graduate, Romy Schreiber. Followers of Schreiber’s Sew Sketchy character have a ball as they watch Sew Sketchy explore life as a fashionista. In Schreiber’s own words, “she is a sartirical personification of the fashion girl stereotypes yet what you read is 100% inspired by her real life.”

Image credits: Sew Sketchy

The Most Stylish Cartoon Characters Best Dressed Lists

(Image credit: Cosmopolitan magazine, 2014)

Oh, and did you know? There are several ‘Best Dressed Lists’ when it comes to rating the most stylish cartoon characters (spoiler alert…Olive Oil from Popeye is not one of them). For example, there is Anime Motivation’s “The Best Anime Character Outfits”, 3Dtotal’s “15 Stylized Characters of Spring 2021”, Sara Scoop’s, “The 10 Most Stylish Disney Characters”, Cosmopolitan magazine’s “The Most Stylist Cartoon Characters of All Time”, Attire Club’s “The Most Stylish Male Cartoons Characters on TV”, MsMojo’s “Top 10 Cartoon Characters Who are Totally Fashion Goals”, and Elle magazine’s “Fashionable Cartoon Characters”.

But, in my book, the best of all is Pixar’s character Edna “E” Mode, the half-Japanese, half-German fashion designer from the animated cartoon, The Incredibles. Why? Not only does she have her own personal style, but she also knows how to design for all of the characters in the show.

Design wise, Edna Mode from the start was all about shape and size inclusivity, even before it was popular. She designed to the ‘person’s strengths’ and made personalized clothes just for them.

“I never look back, dahling. It distracts from the now.”

—Edna Mode

Too bad I can’t hire her for any of my own future products!

(Image credit: Pixar)

So, tell us, do you have a fav cartoon or game character and how motivated are you to use gaming to market your brand?

TRICK OR TREAT: HALLOWEEN-INSPIRED RUNWAY LOOKS

- - Fashion Shows

Looks from Richard Quinn’s Fall 2021 Collection. (Photo Credit: Vogue Runway)

Children of all ages love the traditions of Halloween, from wearing scary costumes to carving out pumpkins, the holiday is a magical time of year filled with fun festivities. This year, Halloween will be extra special considering the bewitching holiday was pretty much cancelled in 2020 due to the Covid-19 pandemic. So, if you are still searching for your epic Halloween costume, just look to the runways for inspiration.

A look from Off-White’s Fall 2021 Collection. (Photo Credit: Vogue Runway)

While Halloween-inspired looks have always been an inspiration on the runways. Here are a few blasts-from-the-past costume looks:

Who could ever forget Prada’s creepy 2019 Frankenstein collection with images of the monster himself and his equally spooky bride?

A look from Prada’s Fall 2019 Collection. (Photo Credit: Vogue Runway)

And what about the infamous 1997 Comme des Garçon collection that had distorted body lumps reminiscent of Quasimodo from the classic tale, The Hunchback of Notre Dame.

A look from Comme des Garçons’ Spring 1997 Collection. (Photo Credit: Vogue Runway)

Dark magic and enchantresses have always been an inspiration on the runway, one of the best witchy looks was from Martin Sitbon’s 1993 collection.

A look from Martine Sitbon’s Spring 1993 Show. (Photo Credit: Daniel Simon)

Clowns are always a favorite, here are some of our favorite clown looks through the years.

From left, Maison Margiela, fall 2015; Dior haute couture, fall 2007; Alexander McQueen, fall 2001. (Photo Credit: The New York Times)

But not all Halloween costumes need to be terrifying. There were plenty of sweet, girlie looks, ranging from princess to Barbie, case in point, Moschino’s 2015 Barbie-inspired collection.

A look from Moschino’s Spring 2015 Collection. (Photo Credit: Vogue Runway)

As we get closer to Halloween, fashionistas will be showing off their designer costume-inspired looks ranging from crafty witches to NASA astronauts. So, take a look below, and see the most artistic styles from the 2021 and 2022 runways that’ll have you covered when it comes to costume innovation, while giving you major fashion cred. And the best part? These are all looks that are available in time for your costume parties.

THE GHOST OF ELIZA DOOLITTLE

A look from Comme des Garçons’ Fall 2021 Collection. (Photo Credit: Vogue Runway)

One of the most theatrical designers of our time is Rei Kawakubo of Comme des Garçons. The avant-garde designer never disappoints. For fall 2021, Kawakubo created a tight line-up of magnificently Edwardian & Victorian-inspired looks consisting of black cloaks with puffy white linings, ballooning crinolines, and frothy layers of whipped white cotton and black tulle. Stovepipe hats completed the look. The collection echoed a modern variation of Cecil Beaton’s My Fair Lady (1964) Ascot scene.

LITTLE RED RIDING HOOD

A look from Christian Dior’ Fall 2021 Collection. (Photo Credit: Vogue Runway)

We have all been told countless fairytales throughout our lives. For fall 2022, Christian Dior’s creative director Maria Grazia Chiuri layered the collection with fairytale themes centered around the idea of appearance vs. character: Cinderella, Little Red Riding Hood and Sleeping Beauty and the stories re-recorded by Charles Perrault in Versailles in the 18th century. The tales inspired a whimsical collection suspended between the idea of classic and timeless pieces, juxtaposed against the alluringly dangerous fairytale world.

INTERGALACTIC

A look from Marc Jacobs’ Fall 2021 Collection. (Photo Credit: Vogue Runway)

Marc Jacobs made a bold statement for fall 2021 as he played with dramatic mid-century looks, and yes, Space Age proportions, all filtered through an American sportswear extremism that caught the attention of the Gen Z shopper.

POP PRINCESS

A look from Dolce & Gabbana’s Fall 2021 Collection. (Photo Credit: Vogue Runway)

Throughout the ‘90s designers Domenico Dolce and Stefano Gabbana, the geniuses behind the Italian fashion house Dolce & Gabbana, dressed a multitude of musicians for various award shows and music videos. Their sexy looks are still rocking the runway today and for their fall 2021 collection, the duo threw-it-back to their nineties heyday.

TRAGIC BEAUTY

A look from Alexander McQueen’ Fall 2021 Collection. (Photo Credit: Vogue Runway)

Alexander McQueen’s creative director, Sarah Burton, has kept true to the houses DNA. The talented designer even managed to capture the founders dramatic flare for storytelling in a dramatically beautiful yet haunting way. For fall 2021 she didn’t disappoint. Channeling the healing powers of nature, Burton was inspired by anemones and water as recurring motifs in that collection. Crushing up photographs of anemones, Burton photographed them again, and transferred the images onto gigot-sleeved poly faille gowns, worthy of Empress Sisi ( The Tragic Austrian Empress Who Was Murdered by Anarchists).

INSPECTOR GADGET

A look from Sacai’s Fall 2021 Collection. (Photo Credit: Vogue Runway)

The beloved cartoon Inspector Gadget came to life for fall 2021 as Sacai’s creative director, Chitose Abe, reinterpreted the classic trench coat into a cool, must have staple.

LET’S GET PHYSICAL

A look from Saint Laurent’s Fall 2021 Collection. (Photo Credit: Vogue Runway)

It’s time to throw on your leotard and start your aerobics class, as Saint Laurent’s creative director Anthony Vaccarello sent out dazzling eighties-inspired looks for fall 2021.

TO INFINITY AND BEYOND

A look from Balenciaga’s Fall 2021 Collection. (Photo Credit: Vogue Runway)

Never one to go the traditional route, Demna Gvasalia, creative director at Balenciaga, presented his fall 2021 as a working video game. The fashion-turned-game-designer created the electronic game Afterworld: The Age of Tomorrow, an allegorical adventure that showcased his latest creations, including NASA-inspired outerwear.

LITTLE DEVIL

A look from Junya Watanabe’s Fall 2021 Collection. (Photo Credit: Vogue Runway)

Rock on! Junya Watanabe’s “Immortal Rock Spirit” fall 2021 show was inspired by true rock bands including Kiss, Aerosmith, AC/DC, the Rolling Stones, Queen and the Who. His classic concert tees were wrapped up, patchworked, and reconstructed into draped shapes, challenging the standard fashion vocabulary. Watanabe was quite brilliant at rocking that aesthetic.

WELCOME TO THE JUNGLE

A look from Moschino’s Fall 2021 Collection. (Photo Credit: Vogue Runway)

Jeremy Scott, creative director at Moschino, really knew how to have fun with fashion; case in point, a giraffe-inspired dress with headpiece and all.

UNITED NATIONS

A look from Vetements’ Fall 2021 Collection. (Photo Credit: Vogue Runway)

Guram Gvasalia, Demna’s younger brother and creative director behind the cultish label Vetements, is always courting controversy.  For fall 2021, the differences between observing, commenting on, and simply mocking real political events for profit has become a dangerously blurred line. Guram exhibited flashes of idealism in passing, case in point, the United Nations flag print suit.

WEDNESDAY ADDAMS

A look from Valentino’s Fall 2021 Collection. (Photo Credit: Vogue Runway)

For fall 2021, Valentino’s creative director Pierpaolo Piccioli, added a punk touch to his otherwise chic collection. It was the perfect collection for a modern-day, grown-up Wednesday Addams (circa ’60s TV show The Addams Family and recent animated cartoon movie, The AddamsFamily2) .

WITCHCRAFT

A look from Yohji Yamamoto’s Fall 2021 Collection. (Photo Credit: Vogue Runway)

Yohji Yamamoto is known for his hauntingly beautiful collections. His artistic creations for fall 2021 were rendered entirely in black, with the exception of stitching, piping and a single print. The dark yet romantic looks had a witchy aesthetic that was spellbinding.

BOY MEETS GIRL

A look from Thom Browne’s Fall 2021 Collection. (Photo Credit: Vogue Runway)

Thom Browne, the designer behind his namesake collection, created his fall 2021 collection based on extreme scales that were overwhelmingly delightful. Browne fused black-tie clothing with sport apparel and in one look even added a gigantic couture bow. Beneath all those bubble helmets and big-time bows were models of all genders, but Browne insisted that gender really doesn’t matter. His creatively beautiful clothes are for everyone.

ALIEN NATION

A look from Rick Owens’ Fall 2021 Collection. (Photo Credit: Vogue Runway)

The global pandemic has undoubtedly affected everyone’s mental health. So it’s no surprise that Rick Owens’ fall 2021 collection had post-apocalyptic vibes. His girls were otherworldly, like a fashionable parade of aliens who came to earth to party.

So tell us, what will you wear for Halloween?