Category "Fashion Art"

GOT THE HOLIDAY SPIRIT? LOOKING FOR THAT LAST MINUTE GIFT?

Francesca Sterlacci - December 19, 2022 - CAD, Childrenswear, Color Theory, Draping, Fashion Art, Fashion Education, Fashion History, Fashion School, Illustration, Knits, Licensing, Marketing, Menswear, Pattern Making, Retail Math, Sewing, Site News, Special Offer, Sustainability, Swimwear, Technology, Trends

Five days until Christmas, the clock is ticking and suddenly you remember that you forgot someone on your Christmas gift list. OMG!

It’s too late now to order from Amazon, so what are you going to do? Solution…give a unique gift certificate to the world’s largest fashion education video library!

Our once-yearly sale expires 1/1/23 and so there’s still time to get in on our discount.

Get a yearly subscription for $40 off (was $189/now$149) or $5 off the first month of a monthly subscription (was $19.95/now$14.95). Click here to made it happen: https://www.universityoffashion.com/holiday-offer/

If you are already a University of Fashion monthly subscriber or free member, just log in as usual and look on your left for one or more “Upgrade” offers equivalent to the above! Remember, all subscriptions gives unlimited access to every lesson on our entire website, that’s 500+ lessons!

WHY UNIVERSITY OF FASHION?

University of Fashion Home Page

University of Fashion has over 500 fashion education video tutorials, taught by fashion profs and industry pros, that both educate and entertain. We have 13 different disciplines to learn from: draping, pattern making, sewing, fashion art, CAD fashion art, CAD pattern making, menswear, knits, childrenswear, accessories, product development, and a fashion business section that encompasses retailing, merchandising, visual merchandising, branding & licensing, as well as a lecture series that encompasses textiles, color theory, trend forecasting and lots more. Whether you’re interested in a fashion career, or perfecting your existing skills, or just ‘fashion curious’ – a gift certificate to UoF is THE most unique gift you can give.

Need some convincing? Read some of our testimonials:

“The University of Fashion Online is the most valuable tool that I found in relation to Fashion. It is a complement to my education. It is well structured and very complete. I am grateful to Francesa Sterlacci for having created it. I am also grateful to her Team for their contributions and great effort to put it all together. I love it! it is fascinating. I highly recommend it.” Espie Egger – UoF Subscriber – Switzerland

“I was lagging behind in class and didn’t remember all the lessons my professor taught, so I went to the demos on University of Fashion for help. Thanks to the great demos I received a really good grade on the project! ” Chanica Pitaksakorn – Fashion Institute of Technology, Student

“Everyone in the fashion industry, whether a student, a hobby aficionado or a professional should have a great resource for reference and support. University of Fashion provides the “how to” at every level for the first timers or just a refresher for the experts. A must have asset.” Saul Kapilivsky Miami International University of Art & Design, Professor

“I have been teaching middle and high school for over 30 years and today I stand in awe of this amazing fashion tool. The University of Fashion video series is simply too good to be true. Every video is factual and correct. As I watch each video, I say; this is exactly how I teach this. The plus for me is that I do not need to do a demo over and over again before students get it. They can just watch these videos and also broaden their skills even beyond my knowledge. I am so grateful to be introduced to the University of Fashion.” Callie Melton – Fashion Design Services Instructor/A.P.P.S Chair/FCCLA Advisor/Fort Lauderdale High School

DID YOU KNOW THAT WE ALSO HAVE COMPANION BOOKS AVAILABLE?

University of Fashion Book Series: Techniques for Beginners: Draping, Pattern Making & Sewing (Available everywhere)

Our book series was designed to complement our beginner draping, pattern making and sewing video lessons. Each book contains additional information to help with the learning process and they are another a great gift idea! Read some of our Amazon ratings:

DRAPING BOOK TESTIMONIALS

PATTERN MAKING BOOK TESTIMONIALS

SEWING BOOK TESTIMONIALS

And for that fashion history buff on your Christmas list, why not get them our founder’s book, Historical Dictionary of the Fashion Industry?

Historical Dictionary of the Fashion Industry Second Edition

OTHER UOF PERKS

In addition to our 500+ video lesson library you will also be able to access our Resources library consisting of a fashion terminology A-Z, design tools, a marketplace, fashion books, magazines & blog info and a list of fashion schools and fashion museums. You will also gain access to our free croquis templates:

So treat yourself to a UoF subscription or give it as a gift OR why not do both?

MORE THAN JUST “THE NEW LOOK”- CHRISTIAN DIOR: DESIGNER OF DREAMS EXHIBIT

Antonia Sardone - November 7, 2021 - Fashion Art

Looks from the Brooklyn Museum’s Christian Dior Designer of Dreams Exhibit. (Photo Credit: AFP)

The Brooklyn Museum is giving every museum with a fashion wing a run for its money!

Pre-Covid, the Brooklyn Museum hosted Pierre Cardin: Future Fashion, which was on exhibit from July 20, 2019 to Jan 5, 2020. And now, NYC’s third largest museum is showcasing another masterful exhibit, Christian Dior: Designer of Dreams. Like most fashionistas, when we think of the House of Dior, the ‘New Look’ comes to mind, well, get ready…it’s way more than just another heritage house!

In a Time Out magazine interview with Matthew Yokobosky, Senior Curator of Fashion and Culture, “The Brooklyn Museum has a long record of recognizing important contributions in the history of fashion design, from ‘The Story of Silk (1934)’ to the groundbreaking ‘Of Men Only (1976)’ to the recent ‘Pierre Cardin: Future Fashion (2019’) and now ‘Christian Dior: Designer of Dreams.’ Each exemplifies the power of fashion to influence and shift visual culture at large.”

Looks from the Brooklyn Museum’s Christian Dior Designer of Dreams Exhibit. (Photo Credit: Christian Dior)

Christian Dior: Designer of Dreams opened to the public on September 10, 2021, and will be on display until Saturday, February 19, 2022. The exhibit, co-curated by Dior scholar Florence Müller of the Avenir Foundation Curator of Textile Art and Fashion at the Denver Art Museum, fully explores the high fashion history of the House of Dior that dates back to the turn of the 20th century, when the French designer Christian Dior founded the label.

Looks from the Brooklyn Museum’s Christian Dior Designer of Dreams Exhibit. (Photo Credit: Time Out)

The multi-gallery exhibition transports guests to the mystical world of the House of Dior with objects that mostly hail from the vast Dior archives of some 200 haute couture garments, as well as photographs, archival videos, sketches, vintage perfume elements and accessories.

Looks from the Brooklyn Museum’s Christian Dior Designer of Dreams Exhibit. (Photo Credit: Christian Dior)

Upon entering the circular-shaped exhibit, guests are captivated with a bold video of models strutting down the runway in a variety of Dior looks. Visitors are then thrust into mid-20th century fashions looks that were once worn by starlets like Marilyn Monroe and Audrey Hepburn.

Looks from the Brooklyn Museum’s Christian Dior Designer of Dreams Exhibit. (Photo Credit: Christian Dior)

The exhibition is set up within two rings — an outer ring featuring distinct sections that detail the history, the legacy and the inspiration of Christian Dior, while and the inner ring is where ‘The Enchanted Garden’ exists.

The majority of looks are modeled on mannequins along the walls, but a few exceptional looks are pulled out to give guests a 360-degree view of the garments. Once you enter the inner circle, the climax of the exhibition reaches new heights as it transforms into a whimsical space where Dior’s creations become part of the landscape that seemingly float up to the ballroom’s ceiling with projections of clouds and birds that move across the walls.

The exhibit’s creative design lets you to dig right into the subject matter at hand – fashion at it’s best. Each Dior look is a masterpiece in and of itself. The timeless ball gowns, the elegant suits, and the form-fitting jackets are all highlighted in the exhibit. The haute couture on view exemplifies many of the French couturier’s fabled silhouettes, including the “New Look”, which debuted in 1947. Guests have the opportunity to get a close-up view of these incredible garments, actually getting to see the intricate embroidery, trim, lace and construction of almost every piece (with the exception of the looks that are near the actual ceiling).

Christian Dior’s Bar Suit from his Haute Couture Spring 1947 collection. Dior Héritage collection, Paris. (Photo Credit: Brooklyn Museum)

Aside from the breathtaking creations in the installation, the exhibition also features a section of Dior fashion photographed by some of the world’s most superb fashion photographers such as Richard Avedon, Irving Penn, Gordon Parks and Richard Rutledge. These awe-inspiring images are inspirational – not only because of the Dior looks featured in the pictures, but of the sheer beauty of the photos themselves, black and white and some in dramatic color.

Throughout the decades, celebrities across the globe have worn Dior for a variety of events, from red-carpet appearances to the Oscars. These particular looks are featured in a section identified as “Stars in Dior”, which is covered with literal projected stars. In this segment guests get to view the exact looks worn by celebrities over time, from Jennifer Lawrence and Nicole Kidman to Princess Diana and Grace Kelly. Each outfit corresponds back to the photo of the celebrity who wore it.

A portrait of Christian Dior. (Photo Credit: Vogue UK)

For those museum-goers interested in fashion history, you’re in luck! You will learn about the history and legacy of the House of Dior’s founder Christian Dior, as well as the creative artistic directors who succeeded him—Yves Saint Laurent, Marc Bohan, Gianfranco Ferré, John Galliano, Raf Simons, and Maria Grazia Chiuri, each of which have exquisite haute couture on display.

Looks from the Brooklyn Museum’s Christian Dior Designer of Dreams Exhibit. (Photo Credit: Christian Dior)

“Today, the work of Maria Grazia Chiuri has reshaped the Dior dream for a new generation, with a worldview that brings with it inclusivity and respect as key philosophical directives. We couldn’t be more excited to present these innovative, beguiling—and technically outstanding—designs to our audiences,” Yokobosky says.

If you can’t make it to the Brooklyn Museum to see the exhibit, here is a virtual tour:

A video on the Christian Dior Exhibition at the Brooklyn Museum. Video Courtesy of Fox 5 New York on YouTube.

As you all know, here at University of Fashion, our mission is to preserve the art and craft of fashion design. Therefore couldn’t agree more with this quote:

“I wanted to be considered a good craftsman. I wanted my dresses to be constructed like buildings, molded to the curves of the female form, stylizing its shape.” ~Christian Dior

So tell us, which great craftsperson would you like to see exhibited next?

Are you ready to design using Procreate?

Francesca Sterlacci - May 2, 2021 - CAD, Fashion Art

(Preview of our Introduction to Procreate for Fashion Design lesson)

Not since the invention of the pencil have creative professionals and aspiring fashion designers been so excited about a tool. Launched on the App Store in 2011, Procreate is a raster graphics editor app for digital painting developed and published by Savage Interactive for iOS and iPadOS. Designed in response to the artistic possibilities of the iPad, fashion designers have taken to this technology as a method of getting their ideas down quickly and conveniently. The software is now offered in English, Arabic, French, German, Italian, Japanese, Korean, Portuguese, Russian, Simplified Chinese, Spanish, Traditional Chinese and Turkish.

(Preview of our Drawing the Female Frontal Croquis Pose in Procreate)

It is with great pleasure that we introduce Monica Merino. Monica teaches our three new beginner lessons in Procreate: Introduction Drawing the Female Frontal Croquis Pose in Procreate, Drawing the Female Frontal Croquis Pose in Procreate and Drawing the Male Frontal Croquis Pose in Procreate.

(UoF Instructor Monica Merino)

Monica Merino brings her unique professional experience to University of Fashion, as a designer of millinery, dolls, fashion apparel and as a high school and college educator.

Throughout her career as a New Jersey fashion design high school instructor, Monica’s students earned 85 Gold Medals awarded by the Family, Career and Community Leaders of America (FCCLA), including First and Perfect Scores along with 46 Silver Medals at state competitions. In addition, 20 of her students earned scholarships worth more than $100,000 to several fashion colleges and universities, including Centenary University, Johnson and Wales, Berkeley College and LIM.

Monica has worked with high-end hat maker, Christine A. Moore Millinery New York, the official milliner of the Breeders Cup. She has also executed special orders for the famous Kentucky Derby event. Monica’s specialization is in the sculpture and body of a different variety of hat designs.

At Madame Alexander Doll Company, Monica worked full time for nine years. Her primary responsibilities included designing high-end dolls, clothing and accessories, creating production-ready patterns, documenting spec sheets and reviewing product throughout the pre-production stage. She has also worked independently, managing a large quantity of products from concept to production. Monica’s strong skills at knitting and crocheting have added a new dimension to Madame Alexander products. Currently, Monica freelances at MA as a support to the team, creating package specs for overseas production and making samples for their catalog photoshoots.

At Bergen Community College (New Jersey), where Monica is currently teaching, she co-developed a continuing education Certificate Program in Fashion Design, Sewing & Fashion Art along with UoF and FIT professor Barbara Arata-Gavere.

Monica earned a BA in Fine Art from Kean University, a Master’s in Education from St. Peter’s University and a teaching license in Clothing, Apparel and Textiles.

At the outbreak of Covid-19, Monica began designing and creating fashionable and custom design face masks for high-end boutiques, which are featured on her Instagram channel @monicamerinostudio

Monica’s mission is to motivate her students to work to their highest potential as they study the field of fashion design. At the University of Fashion, we are pleased to have Monica teaching our students how to design using Procreate software.

(Preview of our Drawing the Male Frontal Croquis Pose in Procreate)

The Power & Beauty of Fashion Illustration

Francesca Sterlacci - February 7, 2021 - Fashion Art

University of Fashion’s mission, from day one, has always been, ‘to preserve the art and craft of fashion design.’ In fact, since the company’s founding in 2008 our tagline has never changed, “Master Design One Step at a Time.” Sure, we’ve added computer-generated fashion art and computerized pattern making lessons over the years, but at our core, we’re all about promoting a strong foundation, both ‘on-the-table’ pattern making and in ‘hand-drawn art’ before we recommend moving to anything computer-generated.

In this blogpost, we’d like to celebrate fashion illustration and its continued contribution to the world of fashion. We are extremely proud to share that our founder, Francesca Sterlacci, who owned and operated her eponymous brand in the 1980s, was lucky enough to have her work illustrated by THE most prolific WWD illustrators in what is now known as the ‘Golden Age of Fashion Illustration’ (1960s to the early 1990s).

As you admire the work of these illustrators, we’d like you to pay particular attention to the individual illustrative style of each and join us in celebrating their individual and unique talents.

Enjoy,

Francesca Sterlacci
Founder/CEO
University of Fashion

You can only imagine how over-the-moon excited we were when Women’s Wear Daily recently dedicated a week to the most prolific fashion illustrators who brought fashion to life on their pages before they replaced illustration with photography in the early 1990s. Although WWD incorporated fashion illustration from its inception in 1910, it was the 60s thru the early 90s that best describes the paper’s Golden Era of Illustration. WWD provided a showcase for some of the best illustrators in the fashion business and this blogpost is dedicated to those wonderful artists. Included in this group: Kenneth Paul Block, Antonio Lopez, Joe Eula, Richard Rosenfeld, Steven Stipelman, Robert Melendez, Robert Passantino, Glenn Tunstull, Kichisaburro Ogawa, Charles Boone, Steven Meisel and Catherine Clayton Purnell.

Kenneth Paul Block

(Image credit: Kenneth Paul Block illustration of a lace bodysuit and silk organza pants by Francesca Sterlacci-WWD 1988)

As a designer in the 1980s, having your designs chosen for WWD’s Best of New York issue was always a big deal, no matter how many times you were lucky enough to be included. And, if your work was illustrated by Kenneth Paul Block, well, that was an even bigger deal!

By far, Kenneth Paul Block (1925-2009) was the undisputed star of WWD’s roster of fashion illustrators. From all accounts, he was in a league of his own. Joining the paper in the 50s, Block’s legacy lasted into the early 90s when the illustration department at WWD was unceremoniously disbanded to make way for photography. Block’s style was uncomplicated, modern and fresh. A master of the graceful gesture, his style was a complete departure from the rigid illustrative style popularized in the 1940s.

(Image credit: archival image from 1940s illustrations)

According to WWD, Block was “known for his well turned-out, gentlemanly style, with his Dorian Gray-like youthfulness, Block dressed impeccably, favoring an ascot, fresh-pressed shirt, pinpoint perfect jackets and cigarette holders for his workdays at the easel. The artist, who died at age 84 in 2009, spent nearly four decades working at Women’s Wear Daily.”

Towards the end of his life, Block was very concerned that his body of work

be kept together and therefore gave approximately 1,700 drawings to the Museum of Fine Arts in Boston. His work is also a part of the Frances Neady collection at the Fashion Institute of Technology which contains over 300 illustrations by the most prominent 20th-century illustrators. The Frances Neady collection is named for an inspiring and dedicated teacher of fashion illustration, who served on the faculties of FIT and Parsons for 40 years.

Upon his death, the Kenneth Paul Block Foundation was established and is devoted to collecting, preserving, exhibiting and interpreting the wealth of Kenneth Paul Block’s art, in order to highlight his contributions to the art form.

Robert Young

(Image credit: Robert Young illustration of a tiger print top and skirt by Francesca Sterlacci-WWD 1985)

Another favorite among New York designers was Robert Young. His style always brought out the best in your design. Today, Robert Young is an Assistant Professor of Illustration at Pennsylvania College of Art & Design in Lancaster, Pennsylvania. As is the case with most artists, Robert Young’s style and breadth of work has expanded with the times.

Be sure to check out his “Hello, Young Illustrators” portfolio series. https://www.youtube.com/watch?v=KGDfewj-V6Q which is especially helpful during the pandemic.

Robert Passantino

(Image credit: Robert Passantino illustration of a peplum blouse and pleated skirt by Francesca Sterlacci-WWD 1987)

As a fashion illustrator, Robert Passantino knew the value of actually learning the basics of clothing design and construction and how that would benefit his career when he started his career at Pratt Institute. He would later take illustration classes under Steven Stipelman at the Fashion Institute of Technology, who later would recommend him for a position at WWD in 1969.

In the recent article, Passantino told WWD “I developed my style on the job. It was a fashion art boot camp. As an artist, the more you work on your art, the better you become.”

Charles Boone

(Image credit: Charles Boone illustration of a suede pants and leather tube top by Francesca Sterlacci-WWD 1987)

Kichisaburo Ogawa

(Image credit: Kichisaburo Ogawa illustration of a wool doubleknit dress and wide cinch belt by Francesca Sterlacci-WWD 1987)

Three days after graduating from FIT, Kichisaburo Ogawa went to work for WWD where he would spend the next 31 years illustrating fashion both at the paper and for numerous international magazines. In discussing what it was like to be an illustrator at WWD in those days Ogawa said, “Depending on the assignment, work was either due by the 2 p.m. deadline or the 6 p.m. deadline. After the daily editorial meeting, an editor would provide a designer’s sketch to draw from and the work would be due that same day. On some occasions the illustrator would be given a few extra days contingent on the article or the subject matter. A cosmetics cover, for example, was used for supplements, which allowed for more leeway with a longer deadline. Most of the time we had to finish within a few hours.” He also claimed that “You had to create your individual style. Otherwise, they would think, ‘Why are you doing the same type of illustration? You don’t need to work here.”

Later in his career Ogawa connected with another WWD fashion illustrator, Richard Rosenfeld, who was his office mate when they both taught at FIT. Today, Ogawa is an assistant professor at Parsons.

Steven Meisel

(Image credit: Steven Meisel illustration of a leather T-shirt by Francesca Sterlacci-WWD 1982)

Steven Meisel started out as a WWD fashion illustrator in the 80s but made the move to photography when he saw a shift away from illustration coming. In fact, famed fashion illustrator Bil Donovan took an illustration class at Parsons taught by Meisel in the Eighties right before Meisel embarked on his very successful photography career.

(Image credit: Bil Donovan illustration of a leather coat trimmed in tapestry by Francesca Sterlacci for Siena- 1991)

Catherine Clayton Purnell

(Image credit: Catherine Clayton Purnell illustration of a metallic leather trimmed linen shirt paired with a leather skirt by Francesca Sterlacci WWD 1985)

One of only a handful of females in a sea of male fashion illustrators at WWD, Purnell was most known for her colorful fantasy-filled intimate, children’s and swimwear illustrations in the 80s.

(Image credit: Catherine Clayton Purnell from the book WWD Illustrated: 1960s-1990s by Michele Wessen Bryant)

Steven Stipelman

(Image credit: Steven Stipelman illustration of draped back blouse and leather skirt by Francesca Sterlacci 1985)

With a passion for illustration that began at Music & Art high school in Manhattan and continued awhile a student at FIT, Stipelmen would land a plumb job alongside Kenneth Paul Block at WWD in 1965. While most artists at WWD worked from a designer’s sketch when illustrating for the paper, Block and Stipelman would mostly work from live models and were sent to Paris to draw from the runways. Today, Steven Stipelman is a full professor at FIT.

Richard Rosenfeld

(Image credit: Richard Rosenfeld for WWD)

(Image credit: Richard Rosenfeld)

While UoF founder Francesca never had the honor of having Richard Rosenfeld sketch her designs during his tenure at WWD, we are fortunate in that he is one of our very own instructors on the UoF site, Congratulations to Richard for being included among this elite WWD group.

Richard Rosenfeld found his way to WWD as a student at Parsons in 1967. His illustration style has always been contemporary, graphic and modern and is most famous for his beauty and bridal illustrations. His illustrations often made the gowns more beautiful than they actually were in real life!

(Image credit: Richard Rosenfeld for WWD)

Today, Richard focuses on portraits and male figurative art and exhibits his work at the Leslie-Lohman Museum of Art in New York’s SoHo neighborhood, which showcases gay, transsexual and lesbian art. According to Richard, the art featured at the gallery is “political, it’s photography — it’s all of that.”

(Image credit: Richard Rosenfeld)

Can Fashion Illustration Make a Comeback?

At the onset of the pandemic in March 2020, art and photo teams at WWD had to rely heavily on illustration and collages to cover fashion, as New York City went into lockdown and shoots were impossible to schedule. A small glimmer of hope for the fans of fashion illustration?

At University of Fashion, we are ardent supporters of helping keep fashion illustration alive, which is why we have recruited some of the best illustrators in the business, Richard Rosenfeld, Steven Broadway and Roberto Calasanz. These extremely talented artists have generously shared their secrets by allowing us to film their art and skill in action. Watch as they bring a 2D sketch to life. It’s pure joy!

And so, to all of you aspiring fashion designers out there who love to illustrate, don’t let the digital age get you down, keep on perfecting your craft. Remember, practice makes perfect!

Let us know, do you have a favorite fashion illustrator?

Felice DaCosta – Meet Our Instructors

Francesca Sterlacci - July 2, 2020 - Fashion Art, Instructor Spotlight

Meet Felice DaCosta

Felice DaCosta is a fashion industry professional with over 35 years of experience as an art director and freelance illustrator. She is currently an Associate Professor at Parsons School of Design, teaching fashion design and drawing for the last 25 years.

As a founding member of Fashion Art Source, Felice is active in promoting the visibility of fashion illustration. She was also co-owner of THE FASHION ART BANK, a fashion art and licensing company.

Felice is co-author of the textbook entitled, Fashion Flats and Technical Drawing released December 2016.

Her love of teaching extends to the discipline of ESOL, which she has taught for the past 8 years. She has received teaching certificates in art K-12 from Parsons/Bank Street and in TESOL from the New School. Felice holds a Bachelor of Fine Arts degree from Parsons School of Design.

We recently asked Felice for some words of wisdom for future fashion designers and here’s what she said about designing fashion in the age of Covid-19:

“We are all living in deeply speculative times. This pandemic has forced us to think about the future with a heavy dose of uncertainty. We feel a spectrum of emotions from sadness, lethargy, anger, to fear. I’m sure, as future fashion designers, you may be questioning your commitment to this craft. With many retail doors shuttered, you may be wondering if there will be a market in place to sell your products. Will there be customers willing to shop? It’s hard to find bouts of creativity in this environment.

Now, you may be saying to yourself, “if I have to make one more mask, I’m going to go bonkers!” As altruistic as that may be, I don’t think you planned to start your career making masks. You really want to make a living at this. Well I’m here to tell you, “it’s not over.”

Fashion consumption is going through a transformation and a welcome one at that, in my humble opinion. Well, guess what? You get to be instrumental in the shaping of what fashion will look like in the future. You have the opportunity to embrace sustainability practices or redefine luxury and how it’s produced. This is an auspicious time to turn the ideas you have about fashion on their heads and become leaders. Do your research and decide what intentions you have. Is it going to be the same ole, same ole or something new?

So, while you are polishing your skills drawing, draping and drafting, prepare to adjust your torso centered view of fashion. We won’t be indoors forever. One day we all be released from our spaces and we’re going to need pants.”

Here’s what Felice teaches at UoF

At University of Fashion, Felice shares her very own technique for drawing the fashion croquis, which she developed while teaching at Parsons with great success. In her Advanced Illustration Techniques lesson, Felice critiques the work of various fashion designers’ illustrations and explains what makes their work special.

See for yourself with this free lesson. Felice demos how to draw a female contrapposto front pose.

Catch more of Felice’s lessons by clicking on the previews below to get a taste (and subscribing to UoF to see the full lesson). Once you subscribe to University of Fashion, you’ll get full access to ALL of our lessons (500 to be exact) in 13 different discipline like: Draping, Pattern Making, Sewing, Fashion Art, Childrenswear, Menswear, Knits, Product Development, CAD Fashion Art, CAD Pattern Making, Accessories, Fashion Business and Fashion Lectures covering topics like color theory, textiles, trend forecasting, costume history and lots more.

Drawing Female Frontal Figure Template

Drawing Female Contrapposto Back Pose

Drawing Female: Head, Front & Profile

Advanced Illustration Techniques

Meet Our Instructors

Francesca Sterlacci - May 25, 2020 - Childrenswear, Draping, Fashion Art, Fashion Education, Fashion School, Illustration, Instructor Spotlight, Sewing

We have lots of teachers! With 13 different disciplines and 500 videos to learn from, including draping, pattern making, sewing, fashion art, product development, knits, childrenswear, menswear, CAD fashion art, CAD pattern making, accessories design, fashion business and fashion lectures, we thought we’d introduce to more of them as we continue our blog series, Meet Our Instructors.

Pardon us for bragging but did you know that all of our instructors are either fashion college professors (from top fashion schools) or are fashion industry professionals?

Ever since we started offering 30-day free access offer to schools on March 4^thdue to Covid-19, and we launched a special promo to individual subscribers (was $189/now $169 using promo code NEWS21Y), we have tripled our subscribership!

So, for all of our new schools and subscribers here are a few more instructors that you should get to know. Click on their name to find out what they do in the industry and what they teach at UoF.

Kathlin Argiro – shares her extensive knowledge on how to start a fashion brand in her 3-part series for University of Fashion.

With a successful track record as a fashion designer and entrepreneur, Kathlin has sold her collection to top retailers, including Saks Fifth Avenue, Neiman Marcus and Bloomingdales.

In 2010, she joined the Fashion Institute of Technology (FIT) as an Adjunct Faculty member and has led high profile projects for First Lady Michelle Obama and for the Metropolitan Museum of Art Costume Institute.

Most recently, Kathlin began teaching in FIT’s MFA program. She also serves as a mentor for FIT’s Design Entrepreneurs NYC (DENYC) mini MBA Program.

In addition to her role at FIT, Kathlin has also taught at Parsons School of Design, Pratt, and Zhejiang Sci-Tech University (ZSTU), China.

Considered a fashion industry expert, Kathlin has been quoted in numerous publications and has been a guest panelist at industry conferences and universities, including Mount Holyoke College and Fordham University.

Passionate about sharing her experience and mentoring emerging designers, Kathlin launched a consulting business, Kathlin Argiro New York, in 2014.

kat@kathlinargiro.com

https://www.kathlinargironewyork.com/

Instagram: @kathlinargiro

Facebook: Kathlin Argiro

Richard Rosenfeld is a veteran in the fashion education industry and we are honored to have him teaching a series of model-drawing lessons for University of Fashion.

Richard has taught fashion model-drawing classes at Parsons since 1978 and at the Fashion Institute of Technology (FIT) since 1989. During that period, he taught numerous famous designers, including Chris Benz, Isaac Mizrahi and Jason Wu, as well as New York illustrator (and UoF instructor), Steven Broadway.

Having attended the Rhode Island School of Design and as a graduate of Parsons with a degree in illustration, Richard has worked as a fashion illustrator for high profile publications such as Vogue, WWD, Glamour, The New York Times, and for various department stores and other fashion design clientele.

Richard’s philosophy for teaching fashion drawing focuses on developing good observational skills, the accurate depiction of textiles and various types of garments in silhouette, all with a personal point of view. His preferred medium of choice is a combination of pencil & watercolors.

Currently, Richard enjoys mentoring young design professionals and continues his passion for drawing from live models during the Covid-19 pandemic via ZOOM. He is curious to see how the health crisis will impact the future of this creative industry.

@richard_rosenfeld_art

Andrew Curwen’s lessons for University of Fashion demonstrate a designer’s respect for Savile Row workmanship. His hand sewn buttonhole lessons are pure works of art.

Andrew is a graduate of Parson’s BFA program and currently resides and works in Manhattan. With a background in bespoke construction and textile arts, his introduction to tailoring was taught and nurtured by a master Savile Row tailor.

The disparity between love and death are recurring themes throughout Andrew’s design work, something that could be described as a feminine brutality. Andrew works to design fashion for posterity that touches on the human condition.

Barbara Seggio has over 30 years of experience working in the fashion industry as a designer, technical designer and freelance design consultant. Her specialty is women’s sportswear and childrenswear design.

At the University of Fashion, Barbara shares her expertise in the areas of draping, pattern making, sewing and childrenswear. Barbara is also the editor of Sewing Techniques for Beginners and co-editor of Pattern Making Techniques for Beginners, UoF’s companion book series.

As an Adjunct Associate Professor at the Fashion Institute of Technology, Barbara teaches all disciplines of fashion design including: draping, patternmaking and sewing. Barbara’s accomplishments at FIT include: development of the childrenswear specialization, chairperson of the Childrenswear Advisory Board, member of the Sewing and Childrenswear Curriculum Committees and instructor in their high school weekend/summer program.

A Reminder to High Schools & Colleges

We are offering all high schools and colleges a free one-month access to our University of Fashion content library of over 500 educational videos. Teachers, should coordinate their school’s request and send that request to cs@UniversityofFashion.com, and we will provide your school with an access code. So…students, tell your teachers!

The goal of our free 30-day access to schools only, is to help schools salvage the balance of their semester. In preparation for the fall, in the event the pandemic continues into the next semester, we have waived our one-year school subscription minimum and are now offering special shortened subscription terms and rates.

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“Heavenly Bodies: Fashion and the Catholic Imagination”

Antonia Sardone - November 27, 2017 - Fashion Art, Fashion Events, Fashion History

Dolce & Gabbana Fall 2013 Collection (Photo courtesy of Vogue.com)

Every year, the Metropolitan Museum of Art in New York City hosts a fashion inspired exhibit, and its 2018 theme, “Heavenly Bodies: Fashion and the Catholic Imagination” could be their most controversial yet. The juxtaposition of fashion and religious artwork masterpieces will be designed to study fashion’s continuous fascination with the traditional practices of the Catholic Church. The Met has arranged to showcase a group of papal robes and accessories from the Vatican, highlighting the ongoing influence liturgical vestments have on designers.

The exhibition, which in turn prompts the theme for the annual, Vogue-associated Met Gala and its spectacular red carpet parade, will take place on the first Monday of May and the exhibit will open to the public on May 10^th. The Met Gala will be hosted by a trio of fashionable women: Donatella Versace, Rihanna and Amal Clooney. The exhibition will go beyond the usual confines of the Anna Wintour Costume Center, expanding to The Met’s medieval galleries and the Cloisters outpost in northern Manhattan. According to The New York Times, the exhibition will be the Costume Institute’s largest exhibition to date; depending on how it’s executed, it may also be the most polarizing.

Christopher Kane spring 2017 Collection (Photo courtesy of Vogue.com)

“We know it could be controversial for right wing or conservative Catholics and for liberal Catholics,” curator Andrew Bolton told the Times. But president and chief executive of the Met Daniel H. Weiss noted that he has “confidence that the exhibition will inspire understanding, creativity and, along the way, constructive dialogue, which is precisely a museum’s role in our civil society.” Bolton also consulted local Catholic leadership in New York, not to mention partnered with the Vatican for parts of the exhibition, hoping that this may help ease tensions felt by the faithful.

“The Roman Catholic Church has been producing and promoting beautiful works of art for centuries,” director of the Holy See press office Greg Burke told the Times. “Most people have experienced that through religious paintings and architecture. This is another way of sharing some of that beauty that rarely gets seen.”

Left: Manuscript Leaf With Scenes From the Life of Saint Francis of Assisi, Italian, c. 1320–42, tempera and gold on parchment; right, Evening Dress, Madame Grès, 1969 (Image courtesy of The Metropolitan Museum of Art)

The exhibition will not only present The Met’s own religious art collection but will also feature religious garments borrowed from the Vatican, attendees will be able to view 50 ecclesiastical masterworks from the Sistine Chapel sacristy, many of which were never shown outside of the Vatican. These works will be showcased along with papal vestments, rings, tiaras and accessories from more than 15 papacies in the Anna Wintour Costume Center galleries. That area alone will highlight work from the 18th to the early 21st century. The Vatican has not made a loan of this scope to The Met since its exhibition in 1982 entitled, The Vatican Collections: The Papacy and Art, which ranked third as The Met’s most-visited show.

Clothing from 150 designer collections that pay homage to Catholicism, will have their work on display. Designers included are: Dolce & Gabbana, Jean Paul Gaultier, Thierry Mugler, Cristóbal Balenciaga, Thom Browne, Azzedine Alaïa, Christopher Kane, John Galliano for the House of Dior, Claire McCardell, Madeleine Vionnet, Isabel Toledo, Pierpaolo Piccioli for Valentino, Elsa Schiaparelli, Raf Simons for his own label and the House of Dior.

Jeremy Scott Fall 2017 (Photo courtesy of Vogue.com)

The fashion component will be mostly woman’s wear from the early 20^th century to present. The exhibit is meant to provide an interpretative context for fashion’s engagement with Catholicism. The designs are meant to be considered within the broader context of religious artistic production to analyze their connection to the historiography of material, Christianity and their contribution to the perceptual construction of the Catholic imagination, according to press material provided by The Met.

Chanel on the cover of Vogue, November 1988 (photo by Peter Lindbergh)

As you can see, fashion has long borrowed from the Catholic Church’s rich visual history; From Dolce & Gabbana sending religious imagery down the runway to pop stars like Madonna and Lady Gaga, using clothing to set themselves up as new ‘spiritual icons’. Fashion’s relationship with the Catholic Church and churches in general, have always been somewhat provocative. During London Fashion Week 2017, a bitter row erupted with leading clerics after Turkish designer Dilara Findikoglu used an historic church to showcase her collection, with models dressed as devils and vampires sashaying in front of the altar. And who can forget Madonna’s controversy by inappropriately using Christian imagery in her songs, videos and concerts with songs like “Like a Virgin” (1984) to “Like a Prayer” (1989) and her Confessions Tour in 2005 ?

Do you think the Met’s exhibit is a marketing ploy to increase the number of museum-goers or one that hopes to bring the fashion world and the Catholic Church together?

Versace Spring 2018 (Photo courtesy of Vogue.com)