University of Fashion Blog

Category "Designer FashionSpeak"

Spotlight on Sustainable Designer: Eudora Tucker

- - Current Topics in Fashion, Designer FashionSpeak, Fashion Business, Fashion Innovation, Student Spotlight, Sustainability, Women in Fashion
image of Eudora Tucker

Eudora Tucker – New York City sustainable fashion designer (Image credit: Eudora Tucker)

This week’s blogpost is dedicated to Custom Collaborative’s latest success story, NYC-based sustainable fashion designer, Eudora Tucker. But first, a bit about Custom Collaborative (CC).

Custom Collaborative is a Harlem-based non-profit 501(c)(3) founded in 2015 by Executive Director Ngozi Okaro. The organization provides free training and ongoing support for women from low-income and immigrant communities through their entrepreneurship and workforce-development programs. Their Training Institute teaches the art, craft and techniques used in sustainable garment-making, as well as ethical business practices in the fashion industry.

 CC’s mission is to help women professionalize their sewing and design skills, overcome barriers to employment, and, ultimately, bring greater equity and inclusivity to the business of fashion.

University of Fashion partnered with Custom Collaborative in 2020, gifting full access to our fashion education content library. Since then, Custom Collaborative has graduated 10 cohorts of ‘fashion-preneurs’ who are making their mark by starting their own sustainable fashion brand.

Last week, I had the chance to interview Eudora and learned about her studies at CC, her design philosophy and her career aspirations. Here goes:

Eudora Tucker’s Graffiti dress

Eudora Tucker’s Graffiti dress (Image credit: Camila Falquez)

Francesca: Tell me about your journey into fashion. Are you NYC born and raised?

Eudora: I was born and raised in Brooklyn. As a Native New Yorker, fashion has always been on my radar. I knew I wanted to be a fashion designer early on and attended The High School of Art and Design to study fashion illustration and then went on to study at FIT. Unfortunately, life happened, forcing me to pivot, but fashion has always been a huge interest. I started seriously getting back into fashion when my idol, Prince, died in 2016. As a lifelong fan, I was devastated when he passed away and I started making Prince themed jean jackets and outfits as a tribute to him. I wore them to different Prince related events that I attended. People seemed to love and admire my designs and complimented me on my creativity. That reignited my passion and pushed me to seriously pursue my dreams of being a fashion designer again. I was hand sewing and using adhesives to create my designs, which meant there were constant repairs and maintenance needed. I knew finding sewing classes would be the next step if I wanted to seriously start making custom designs for others.

Eudora Tucker’s Embellished Purple Vineyard Jacket (Image credit: Eudora Tucker)

Francesca: Can you tell me about the program at Custom Collaborative? How rigorous was it and what types of things did you learn?

Eudora: The program is a 15-week course that meets Monday through Friday from 9am to 3pm. It was a serious commitment, and it was truly intense. I had never used a sewing machine before so when our instructor, Delia Alleyne, showed us how to thread the needle on the first day, my head nearly exploded. I didn’t think I would ever be able to thread the machine, let alone sew something together. Fear and self-doubt overcame me, and I was questioning why I ever signed up. Delia encouraged and helped us overcome our fears and by the end of the day, I was able to successfully thread my machine. I knew it was going to be a tough road ahead, but I was up for the challenge. During those 15 weeks there were many tears shed out of frustration, but also with happiness when I was able to get through another tough lesson. In the end I completed the course with the ability to design and sew; a portfolio of work including illustrations for two collections, which included inspiration, mood and fabric boards; an awesome business plan that I wrote, and most importantly, the knowledge and confidence to go forward in pursuit of my dream.

Eudora Tucker’s Rocket Man Jacket (Image credit: Eudora Tucker)

Francesca: How were the University of Fashion lessons utilized at CC?

Eudora: We constantly referred to the University of Fashion lessons while studying. We used them to reinforce lessons that Delia taught us and to complete projects on our own. I am a visual learner, so it was a tremendous help and resource for me. The videos that were the biggest help were the lessons on the invisible zipper, pattern making and layout, and draping. These were life saving for me. Due to time constraints, and the amount of projects we covered, it was impossible to learn and complete everything in class. The videos allowed us to review the task, step by step, on our own time to complete the projects correctly.

 

Eudora Tucker’s Incomparable Lady Day Shirt Dress

Eudora Tucker’s Incomparable Lady Day Shirt Dress (Image credit: Eudora Tucker)

Francesca: Can you tell me about your capstone project at CC?

Eudora: My capstone project was a hand painted, full length gown with a train. My design was inspired by the feelings of fear, uncertainty and sense of lawlessness in NYC post Covid-19. With the closing of so many businesses, the graffiti artists had once again transformed our city’s landscape with their artwork, reminiscent of the late 1970s and 80s. Using donated fabric that I treated to create the Ombre effect, the design ascends from darkness to light, reflecting the transitioning of Oppression and Anarchy, rising out of Out Rage and Despair, through Faith and Unity, to ultimately arrive at Love and Peace. My design was chosen as the finale of Cohort 9’s graduation runway show and was also featured in both Vogue Business and Harper’s Bazaar articles. Not only were these very proud moments for me, but they also serve as a testament that my perseverance and hard work are truly paying off.

Eudora Tucker’s Queen Bee Jacket (Image credit: Eudora Tucker)

Francesca: What made you want to focus on upcycling and sustainable design?

Eudora: Custom Collaborative is an organization that is built on the principles of fashion sustainability. I never heard of fashion sustainability and, to be honest, I was a consumer of fast fashion without even knowing it. I had never heard of the term “fast fashion” until I came to Custom Collaborative. Once I found out what it was and how it affects the planet; coupled with the unfair labor practices that affect the seamstresses that work in the factories, I quickly got on board. I started changing my purchasing habits and decided to focus on upcycling and sustainable design. I truly enjoy taking a “pre-loved” garment and repurposing it into something new and creative. It allows me to create one of a kind, statement pieces that make my clientele feel special when they wear it.

Eudora Tucker’s Dear Mum Jacket (Image credit (Eudora Tucker)

Francesca: What is the hardest thing about being a sustainable fashion designer?

Eudora: The most challenging aspect of being a sustainable designer is figuring out how to alter an existing garment. When you are locked into a design it is sometimes hard to come up with creative ways to change the garment to fit your new design. You have to use your imagination and become an out-of-the box thinker and really think about the techniques to use in order to execute your new design with the least amount of complication and in a timely manner.

Eudora Tucker’s Ode to Jean-Michele Jacket (Image credit: Eudora Tucker)

Francesca: What is your ultimate goal, or goals, as a designer in the fashion industry?

Eurora: I would like to continue creating one-of-a kind statement pieces and growing my fashion sustainability brand, Princess Arabia’s Atelier. I also plan to partner with environmental agencies in NYC to offer fashion sustainability workshops to teach others what they can do to reduce their carbon footprint through more mindful fashion practices. My ultimate goal is to travel around NYC and neighboring states to educate as many people as possible and bring awareness on how the fast fashion industry continues to proliferate the amount of waste in our landfills and how it is fueling the profound negative effects of climate change. This is my small way of giving back to the planet and carrying out my duty as a good global citizen.

 Follow Eudora on Instagram: @princessarabia9

The Rainbow of it All Vest

Eudora Tucker’s  The Rainbow of it All Vest (Image credit: Eudora Tucker)

Are you a woman from a low-income community interested in starting a career in fashion? Apply to our Training Institute.

If you are interested in providing paid internships for their students write to us at: CS@UniversityofFashion.com

Are you a small or start-up clothing business? Apply to their Business Incubator. They provide services including manufacturing, technical assistance, and consulting for those who need it.

Want to volunteer? Sign up here. They’re always looking for folks to help as teacher’s assistants, guest speakers, graphic designers, special event coordinators, or fabric inventory sorters.

Want to donate fabrics, machines, or supplies? Complete this form.

To support their work in supporting striving women. Donate today.

 

UOF Instructor Update: Jessica Krupa

- - Current Topics in Fashion, Designer FashionSpeak, Fashion Business, Fashion Education, Fashion Events, Fashion Innovation, Fashion Shows, Instructor Spotlight, Women in Fashion

The success of University of Fashion has always been about the talent and expertise of our instructors, their lessons and the high level of our video production. Now, in our 14th year as the first and largest online fashion education resource, we thought it would be of interest to share with our subscribers what a few of our very talented instructors are up to these days. Over the next three weeks, we will be spotlighting three of these very talented instructors and how they have continued to expand their creativity as entrepreneurs and artists. First up…Jessica Krupa.

JESSICA KRUPA

 Jessica Krupa is a graduate and former instructor at the Fashion Institute of Technology. With over 15 years of experience creating swimwear and intimate apparel collections for Fortune 500 companies, including Li & Fung, Jessica was awarded a bra design patent for innovation during her tenure at Victoria’s Secret. Needless to say, Jessica has tons of cred.

So, it’s no surprise that Jessica is crushing her new business venture, Panty Promise, the first seamless, certified organic cotton panty imported from Italy.     

UoF instructor and designer/founder of Panty Promise (Image courtesy: Panty Promise)

In 2020, Jessica identified the need for better panty options for women without risking their feminine wellness and was driven to solve this; enter Panty Promise. Jessica consulted with top NY Gynecologist Dr. Alyssa Dweck to make her vision come to life and took a year developing the best fabric and design, thus creating the first seamless certified organic cotton panty imported from a high-end mill in Italy.

Jessica’s design eliminates pesky panty lines and uncomfortable seams, like traditional cotton panties, resulting in a smooth and ultra-comfortable look and feel. Her design is Utility Patent Pending in the USA, Canada, EU and UK to keep the innovation and design protected against knockoffs.

Jessica Krupa launched her new brand Panty Promise in 2020 (Image courtesy: Panty Promise)

 

 

 

 

Jessica Krupa and NY Gynecologist Dr. Alyssa Dweck (Image courtesy: Panty Promise)

Panty Promise packaging/laundry bag (Image courtesy: Panty Promise)

Panty Promise strives to be a leader in the biodegradable and sustainable mission to keep the Earth clean. They’re research and testing proves that their panties will biodegrade back into the earth in just 4-6 months, meanwhile synthetics take over 200 years and breakdown into harmful chemicals.

Jessica Krupa ‘s Panty Promise – the first seamless certified organic cotton panty imported from a high-end mill in Italy (Image courtesy: Panty Promise)

Panty Promise is proud to be an affiliate of Cotton Incorporated, where the brand is a Cotton Leads Partner, ensuring ethical global harvesting of cotton trading and manufacturing through the commitment of Cotton Inc.

Jessica likes to say, “We’re saving the planet one panty at a time.”

Panty Promise panties sized XS-4X and in a variety of skin tones and styles: low, high, and mid-rise both in covered and bare bottoms. (Image courtesy: Panty Promise).

Panty Promise exhibits at the Curve Trade Show – Los Angeles 2023 (Image courtesy: Panty Promise)

In her first year of business Jessica exhibited at the Curve Trade Show, which helped catapult the brand to over 65 retailers after winning the New Brand Audience award during Curve’s Pitch off Competition.

Panty Promise is currently sold throughout the USA, Canada, the Caribbean, South America, Iceland and the Middle East, in body positive sizes XS-4X and in a variety of skin tones. Panty Promise wholesale price points range from $11-$14, with style offerings from low to high rise in both covered and bare bottoms.

We are proud and fortunate to include Jessica as one of our very talented and accomplished instructors. Catch her extremely popular 9-part swimwear series:
Drawing A Bandeau Swim Top, Drawing A High Waist & Hipster Swim Bottom,  Drawing A One Piece Plunge Halter With Shelf Bra, Drawing An Underwire Swim Top, Creating A Swimwear Tech Pack In Illustrator, Drawing A String Bikini Bottom, Drawing A String Bikini Top, Drawing A Swimsuit Block Template In Illustrator and Drawing A Push Up Swimsuit.

Big congrats to Jessica for her talent, expertise & entrepreneurship!

 

LOOKING FOR A HOT INVESTMENT TIP? TRY COLLECTING FASHION ILLUSTRATIONS

- - Designer FashionSpeak

Fashion Illustration by Roberto Calasanz

It has long been debated whether fashion illustration should be considered art. Through the decades, the value and appreciation of fashion illustration has risen and fallen with societal shifts. However, according to fashion curator Connie Gray of London’s Gray M.C.A. gallery, “there seems to be a heightened interest with anything that is associated with the great designers, particularly of the 20th century like Dior, Balenciaga or Chanel in Europe, or in America, anyone from Donna Karan, to Bill Blass, to Halston,” as reported by WWD. (read our February 7th blog).

In that same article, Gray proclaimed that she “expects American fashion illustrators from the latter half of the 20th century to be the next group to begin to increase their prices. At the moment, the focus continues to be on work from the Forties, Fifties and Sixties,” she said, adding that “work by René Gruau could garner anywhere from $10,000 to $50,000.”

A Sotheby’s spokeswoman said “she didn’t think the company has the right specialists to discuss the subject.”

And yet, the work of famed illustrator Antonio Lopez, arguably the most important fashion illustrator of the 20th century, currently commands from $16,100 to nearly $27,000 per illustration, and Kenneth Paul Block’s work has sold in the $12,000 to $15,000 range.

Here at UoF, we not only believe that fashion illustration IS fine art, but we encourage, feature and promote the best fashion illustrators in the industry. It is therefore with great pleasure that I dedicate this blogpost to Roberto Calasanz, who has generously shared his fashion illustration techniques and his many talents with our students in 38 video lessons.

Roberto Calasanz in his studio with his illustration of Valentino S/S 2018 for Amazing Magazine

Left: Valentino Runway Spring/Summer 2018
Right: Illustration by Roberto Calasanz for Amazing Magazine

To all of the aspiring fashion illustrators out there, I thought you might like to hear from Roberto himself on his personal journey into the world of fashion illustration. Enjoy:

 

Francesca: At what age did you know you wanted to be a fashion illustrator?  

Roberto: As far back as I can remember, I knew I wanted to be an artist, a painter, a maker. I would spend hours sketching when I was a kid.  The heyday of fashion illustration was the 1980s; there was so much amazing talent out there, and I was influenced by a lot of illustrators. But the one that stood out, who guided my hand and shaped my aesthetic the most, was the Puerto Rican illustrator, Antonio Lopez. By the time I reached my late teens, I started to think seriously about pursuing a career in fine arts and design. I knew that fashion design was a great discipline to develop my skills, so I submitted my portfolio to Altos de Chavon School of Design in the Dominican Republican affiliate of Parsons, here in New York—and the next thing      I knew, I had a scholarship and was studying with some of the best artists in the country.   And this led to being awarded a grant to finish my studies at Parsons, which is how I ended up in New York, and eventually working as a designer on Seventh Avenue, in the New York Garment District.

(Fashion illustration by Roberto Calasanz)

(Fashion illustration by Roberto Calasanz)

(Fashion illustration by Roberto Calasanz (Méndez) for B & J Fabrics)

Francesca: Who encouraged you to pursue your dream?

Roberto: First my mother, who had an eye for fabrics, and who was an avid reader of fashion magazines—an interest in fashion runs in the family; I come from a long line of tailors on my mother’s side. And once I began my studies at Altos de Chavón, I was surrounded with support from fellow students, and especially from my teachers—one of whom, Julia Santos Salomon, by the way, was a good friend of Antonio Lopez. The school has an amazing collection of Antonio originals, because for several years he would come and teach illustration workshops at the school. In fact, when Antonio passed of AIDS in 1987, the head of the fashion program at the time, James Miller, entrusted me with helping to preserve his personal collection of Antonio’s work. The opportunity to handle these originals was a huge inspiration for me. From there, I was rewarded a subsequent grant to finish my studies at Parsons in New York. And I’ve been here pretty much ever since!

(Fashion illustration by Roberto Calasanz)

Francesca: You worked for many fashion houses, which one gave you the most creative freedom?

Roberto: I got my first job as an illustrator when I was still a student at Parsons. Roberta Freymann hired me to render her legendary knitwear, those novelty sweaters with all that cable work, ribs, pom poms, and intricate stitch patterns. So that was a challenge!  Over the years, I worked for designers across the board, like Randy Kemper, Nili Lotan, Harvé Benard, Ralph Lauren RLX, Calvin Klein, Liz Claiborne, and Rogelio Velasco Couture—but I’ve also illustrated interiors, linens, and home décor for companies like Donghia and Waterford Beds.  Collaborating with different designers is always a learning experience— I love the challenge of capturing a designer’s personal vision in a medium such as marker or gouache. This is best achieved when the signature style of the illustrator—silhouette, line, gesture, technique—resonates with the particular attitude and mood that the designer envisions. At RLX, for example the mood was rugged outdoors, but the challenge was to infuse the low-tech lumberjack look with high-tech finishes and forward-thinking design.

(Roberto Calasanz for Ralph Lauren RLX)

(Roberto Calasanz for Calvin Klein)

(Roberto Calasanz for Calvin Klein)

(Fashion illustration by Roberto Calasanz for Rogelio Velasco Couture)

Francesca: What advice do you have for aspiring fashion illustrators?

Roberto: The advice I offer my students and young designer/illustrators I mentor, is that fashion illustration is a language, and to become fluent in this language requires training.  You need to train not only your hand, but also your eye and your mind. Refining your hand, line, technical skill takes practice, and as an illustrator you will be expected to render any fabric and to capture its unique properties. Each fabric embodies its own particular movement, qualities and character, whether it’s stiff like silk taffeta, or liquid, like silk charmeuse. In the beginning it is helpful to practice by imitating the work of other illustrators or artists that inspire you. Which is why I believe it is essential to simultaneously train your eye by familiarizing yourself with a wide range of artists, designers and illustrators, to know and be inspired by what has been done, as well as to be on the pulse of what is being done in the field right now. Knowledge of the history of fashion and aesthetic developments in the world of art trains your mind and prepares you to develop a unique and refined personal style.

Left: Valentino S/S 2018 Runway
Right: Fashion Illustration by Roberto Calasanz for Amazing Magazine

Fashion Illustration by Roberto Calasanz of Valentino S/S 2018 Collection for Amazing Magazine

Fashion illustration by Roberto Calasanz of Rick Owens F/W 2018 Collection for Amazing Magazine

Fashion illustration by Roberto Calasanz of Rick Owens 2018 Collection for Amazing Magazine

Fashion illustration by Roberto Calasanz of Rick Owens F/W 2018 Collection for Amazing Magazine

(Fashion line sketches by Roberto Calasanz)

(Roberto Calasanz illustrations for Norman Norell)

(Roberto Calasanz, Rendering Demo for students)

Click on this link to see a list of Roberto’s lessons on the University of Fashion website https://www.universityoffashion.com/instructor/roberto-calasanz/

Check out Roberto’s IG @demainny

INTRODUCING OUR NEW INSTRUCTOR: NOOR BCHARA Upcycle Design School

- - Designer FashionSpeak, Holiday Gift Subscription

Noor Bchara – Founder Upcycle Design School – upcycledesignschool.com (Photo credit: Michael Cooper @mcoopercreative)

For years, the fashion industry insisted that upcycling would never be able to scale to the level of volume & profitability. And then along came climate change, irresponsible landfill overages, a global pandemic and sustainable-focused brands like Eileen Fisher, Reformation, Patagonia and Mara Hoffman. Brands like Alexander McQueen and Eckhaus Latta had experimented with upcycling for years, while other ethics-focused companies began using deadstock fabrics. By the end of 2019, sustainable design began trickling down to even more brands like Prabal Gurung, Tanya Taylor, Jonathan Cohen, Gabriela Hearst, Marine Serre, Coach, Collina Strada, PH5, Stella McCartney, Miu Miu, John Galliano for Maison Margiela and Demna Gvasalia for Balenciaga.

But the real challenge our industry faces is how to educate aspiring designers on the importance of designing sustainably. And that is where Noor comes in.

Noor Bchara is a New York based fashion designer, sustainability consultant & educator. She is the founder of Upcycle Design School where she offers on-demand video classes specializing in the scalability of upcycling and repurposing. She received her Bachelor of Fine Arts in Fashion Design from the Fashion Institute of Technology in New York, and Polimoda in Florence, Italy.

Noor got her start in fashion by interning at Marc Jacobs and has since designed for Zac Posen, Tahari, Ellen Tracy and Kate Spade. In 2015, she founded NOORISM, after being disheartened by the volume of poorly-made, practically disposable clothes produced every year by the fashion industry.

NOORISM is a Brooklyn based women’s wear brand that produces clothing and accessories using repurposed jeans, all made in New York. Her mission is to inspire and educate people on upcycling and repurposed design and how to do it on a bigger scale.

Noorism by Noor Bchara (Photo credit: Michael Cooper @mcoopercreative)

Noor is a former Venture Fellow at the Brooklyn Fashion Design Accelerator, a Pratt initiative, as well as an adjunct professor at the Fashion Institute of Technology. She is also an Alumni of the Arts Envoy Program where she travels through the U.S. Embassy and teaches about upcycling in other countries. She is a frequent guest lecturer at fashion industry events, as well as at major art and fashion colleges around the world.

We are proud and honored to announce that Noor has generously offered to share her knowledge about sustainable fashion design and upcycling with University of Fashion. As a UoF subscriber, you will have full access to these three lessons:

Introduction to Sustainable Fashion Design

Sustainable Materials for Fashion Design

Designing, Producing & Marketing a Sustainable Collection

Fun fact: Noor was a student in the late 1990s of our founder Francesca Sterlacci, while at the Fashion Institute of Technology.  We are all very proud of Noor and her accomplishments, especially as a pioneer of fashion sustainability.

You may contact Noor at info@upcycledesignschool.com

On Instagram: @upcycledesignschool

 

Why not give the gift of learning on how to become a more responsible fashion designer?

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Offers expire 12/31/20

$40 off our Yearly subscription (was $189 now $149)

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A NEW ERA FILLED WITH HOPE, UNITY, AND OF COURSE FASHION

- - Current Topics in Fashion, Designer FashionSpeak, Draping

From left, Doug Emhoff, husband of Vice President-elect Kamala Harris, Harris, President-elect Joe Biden and his wife Dr. Jill Biden on stage together, Saturday, Nov. 7, 2020, in Wilmington, Del. (Photo Credit: AP)

Saturday, November 7th was an historical day in the United States. Not only did the country elect former Vice President Joe Biden to be our 46th President, but we also elected our first female, first Black and first South Asian Veep, Kamala Harris.

President-elect Joe Biden, delivered a message of hope, unity and possibility, during his victory speech in Wilmington, Delaware. Joe wore a navy suit and light blue tie, assuring that he will be a president who, in his own words, “seeks not to divide but to unify.” He told the crowd of supporters, “Let us be the nation we know we can be. A nation united, a nation strengthened, a nation healed. There’s never anything we’ve tried we’ve not been able to do.”

Kam & Joe rocking pantsuits and Joe’s signature ‘American flag’ socks. (Credit: People Instagram)

HERE COMES THE FASHION

Although this blogpost will mainly focus on Dr. Jill Biden and Kamala Harris, we thought we’d provide a teaser on Joe Biden’s sartorial choices (stay tuned for our next post on Biden Style in depth).

According to L.A. bespoke tailor Fresh (tailor to music icon, Weekend and other celebs), when asked about the difference between a Trump suit (Brioni, $3,000 loose and oversized) and Biden’s suits (Delaware’s Wright & Simon custom made ($795) and Hickey Freeman’s ($1500) Rich Fresh said, “The first thing to look at is the shoulder. Biden’s suit sits right on the shoulder, which allows the chest to sit right, the sleeve to fall beautifully. Biden’s pant break sits right at the top of his shoe. Even though he’s moving and walking, you can still see it hits right at the top. He’s not showing his whole sock off, he’s not trying to look super cool or like a teen, the whole leg fits great.” Oh, and speaking of socks…let’s not forget Joe’s signature ‘American flag’ socks and his cool pocket squares! The new men’s trend?

DR. JILL STYLE

Harris was not the only one who made a bold sartorial statement that night. Our incoming First Lady, Dr. Jill Biden, chose a chic navy floral vine dress with an asymmetric hemline, created by Laura Kim and Fernando Garcia, the designer duo behind the Oscar de la Renta label. Dr. Jill  paired her dress with coral kitten heels, minimal jewelry, and the accessory of 2020, a simple face mask. On Instagram, the Oscar de la Renta company posted a picture of the first couple-elect to their 4.8 million followers. “Today we congratulate our President-elect Joe Biden and the [future] first lady Jill Biden.”

President-elect Joe Biden and Dr. Jill Biden, in Wilmington, Delaware. (Photo Credit: Getty Images)

In an interview with WWD, Oscar de la Renta’s chief executive officer Alex Bolen said, “We’ve been fans of Dr. Jill Biden’s for many years and have had the privilege of working with her in the past. Oscar adored the opportunity to work with accomplished women, finding role models such as [former] Secretary [of State Hillary] Clinton, Mrs. [Laura] Bush and Dr. Biden particularly inspiring.”

“Like Oscar, Laura [Kim] and Fernando [Garcia] relish the challenge of helping women lead their lives — especially if those lives take place on the world stage — with a tremendous sense of confidence,“ said Bolen. He also congratulated the Bidens’ and Senator Harris, on behalf of the design duo, himself and his wife Eliza, the company’s executive vice president. “We wish them every success.” 

The late Oscar de la Renta, who passed away in 2014, dressed many first ladies (from both parties) in his lifetime, from Laura Bush to Hillary Clinton.

To see more of Dr. Jill’s fashion choices while Second Lady, follow this link https://www.huffpost.com/entry/jill-biden-style_l_5f7c91c7c5b6e5aba0d0b135

Designers are betting that the first lady-elect will help rev-up the American fashion industry, when she steps out and onto the international stage. Rumors are already circulating as to ‘who’ will she choose to wear for the inauguration ceremony? And those of us in the industry know how much of a BIG DEAL that is for the lucky designer!

Like her husband, Dr. Biden is known to support local shops. She asks about prices and considers her purchases in her home city of Wilmington, Delaware. But like many first ladies before her, Dr. Biden’s style decisions have begun to change (her Oscar de la Renta dress was a hefty $5,690). Mostly known for choosing classic looks from smaller, contemporary labels, within the past few months she has shifted to wearing powerhouse designers, such as Ralph Lauren, Christian Siriano and Brandon Maxwell.

Organizations like the National Retail Federation are also optimistic about the future under the Biden administration. According to WWD, the group issued a statement on Saturday, congratulating Biden and Harris and pledging to work with the new administration: “As the largest private-sector employer in the country, the retail industry looks forward to continuing our tradition of working with presidents and their administrations of both major political parties to advance the industry’s priorities in job creation, economic development and career opportunities for millions of Americans. We congratulate president-elect Biden and vice president-elect Harris on a hard-fought victory,” said National Retail Federation president and chief executive officer Matthew Shay.

“Throughout this year’s extraordinary circumstances, retailers have shown their resilience and adaptability and will continue to ensure the safety and well-being of our customers, the communities we serve, and the 52 million working Americans supported by the retail industry as we enter a busy holiday season,” he added.

OUR INCOMING FIRST LADY’S SIGNATURE LOOK

Dr. Jill will be unlike any other first lady before her. For the first time in U.S. history, this first lady will hold a job outside of the White House and will continue her work as an English professor at Northern Virginia community college.

Jill Biden wearing a Dolce & Gabbana dress and matching mask for the final presidential debate. (Photo Credit: Getty Images)

While President-elect Joe Biden talks about bringing the country back together in unity, his wife Jill’s sartorial choices back up that rhetoric. Her fashion choices reflect a softer, gentle tone that has been missing from the White House. Unlike Melania Trump who is known for wearing austere, minimalistic, utilitarian fashions (who can ever forget her “I really don’t care, do you”?  jacket and the Alexander McQueen army green military suit she wore to the Republican National Convention)? Dr. Jill dresses at the opposite end of the spectrum, as she prefers feminine silhouettes, bold patterns, and rich, deep jewel tones. The one thing she does share with Melania is a love of statement heels. Dr. Jill has rocked Valentino heels and Stuart Weitzman ‘Vote’ knee-high boots — but unlike Melania, Dr. Jill has worn them for state events, not for humanitarian relief efforts.

Also, unlike Melania Trump and Michelle Obama before her, Dr. Jill’s sartorial looks have been low key and much more representative of how American women actually dress. The incoming first lady’s aesthetic has been understated, elegant, and at times preppy. She tends to favor flattering shift dresses and wrap dresses in bold hues, and with just a quick change of her shoes, these looks are perfect transition pieces for a day in the classroom to an evening at a political event for her husband.

Jill Biden wearing Alexandra Posen’s VOTE mask while campaigning in Texas. (Photo Credit: AP)Only time will tell if Dr. Biden will continue playing it safe with her fashion choices once she is in the White House and whether Kamala will stick to wearing only suits, but one thing is for sure, American designers are lining up. Young designers especially are hoping that they’ll be given a chance to shine just as Michelle Obama did for so many during the 8 years she was in the White House. We are all hoping that both Dr. Jill will Kamala will throw their muscle behind sustainable brands. Something tells us they will. Keep your eye on this space.

We thought it would be fun to make some sartorial recommendations for Dr. Jill:

A look from Rodarte’s Spring 2021 Collection. (Photo Courtesy of Rodarte)

A look from Lila Rose’s Spring 2021 Collection. (Photo Courtesy of Lela Rose)

 

A look from Carolina Herrera’s Spring 2021 Collection. (Photo Courtesy of Carolina Herrera)

 

A look from Ulla Johnson’s Spring 2021 Collection. (Photo Courtesy of Ulla Johnson)

 

A look from Thakoon’s Spring 2021 Collection. (Photo Courtesy of Thakoon)

 

A look from Brock Collection’s Spring 2021 Collection. (Photo Courtesy of Brock Collection)

 

A look from Altuzarra’s Spring 2021 Collection. (Photo Courtesy of Altuzarra)

 

A look from Nili Lotan’s Spring 2021 Collection. (Photo Courtesy of Nili Lotan)

KAM STYLE

Vice President-elect Kamala Harris also took the stage on November 7th, and emphasized the promise of America in her speech. She wore an ivory-colored Carolina Herrera pantsuit and a silk bow blouse accessorized with an American flag lapel pin. Kamala, known as Momala by her step children, spoke positively about what the future may hold and encouraged children to imagine themselves in ways that others might not yet recognize as achievable. The VP-elect also credited all of the women who went before her, “I stand on their shoulders,” she said of those who fought for voting rights at the beginning of the 20th century, and of the “new generation” that had exercised those rights last week.

The color white has long been associated with the women’s suffrage movement, adopted as a symbol of moral purity alongside green for hope and purple for dignity. The hue also signified their ethos of nonviolence, an olive branch to those threatened by their then-radical calls for political equality.

While the ivory Carolina Herrera suit that Kamala Harris wore to address the nation on November 7th was one of her best sartorial choices to date, we are secretly hoping that Harris will take a more fashionable approach. As the first female to ever hold such an important role, it has to be hard for her when making fashion choices. That’s why the Power Suit is the safest way to go! Or is it?

On the campaign trail, Harris stuck to her uniform of polished pantsuits and her favorite accessory – pearls, but while the traditional attire for female politicians can be a bit bland (think Hillary and her pantsuits), we would love to see Harris take a bolder approach to power dressing.

The VP-elect hails from California, so her laid back sensibility comes through in her sartorial choices. When the Senator stepped off a plane to assess the damages of the wildfires in Fresno, California, she wore a simple olive jacket, jeans, a white t-shirt and Timberland boots – American women everywhere connected to her, because this is how American women dress!

Kamala Harris’s love of Converse sneakers. (Photo Credit: Elle)

Kamala’s sartorial choices so far have revolved around Converse sneakers and have gained plenty of traction with younger voters. For Harris, fashion does not define who she is, its her fearless approach to politics and policies that define her.

To help get Kamala out of her pantsuit rut, we are suggesting a few day looks from the spring 2021 collections that we think would look fabulous on her:

A look from Christopher John Rogers’ Spring 2021 Collection. (Photo Courtesy of Christopher John Rogers)

 

A look from Michael Kors’ Spring 2021 Collection. (Photo Courtesy of Michael Kors)

 

A look from Gabriela Hearst’s Spring 2021 Collection. (Photo Courtesy of Gabriela Hearst)

 

A look from Altuzarra’s Spring 2021 Collection. (Photo Courtesy of Altuzarra)

 

A look from St. John’s Spring 2021 Collection. (Photo Courtesy of St. John)

 

A look from Adam Lippes’ Spring 2021 Collection. (Photo Courtesy of Adam Lippes)

 

A look from Khaite’s Spring 2021 Collection. (Photo Courtesy of Khaite)

 

A look from Tory Burch’s Spring 2021 Collection. (Photo Courtesy of Tory Burch)

SO TELL US, WHAT LOOKS WOULD YOU LIKE TO SEE ON OUR INCOMING FIRST LADY DR. JILL BIDEN AND VICE PRESIDENT-ELECT KAMALA HARRIS?

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