University of Fashion Blog

Category "Contest"

Introducing our ITAA Sustainability Design Winner Lynda Xepoleas

Lynda Xepoleas of Cornell University – winner of the UoF/Alvanon/Motif Sustainability Award

The University of Fashion, in partnership with the Alvanon dress forms and MOTIF, were proud sponsors of this year’s Sustainability Award presented at the annual International Textiles & Apparel Association (ITAA) conference Nov 16th – 18th.  If you are unfamiliar with the ITAA, they are a professional, educational association composed of scholars, educators, and students in the textile, apparel, and merchandising disciplines in higher education. The association dates back to 1935, when the United States Office of Education cooperated with institutions of higher learning in studying the curricula. As a result of these curricula studies, conferences of textile and clothing professors have been held annually in the U.S. since 1944.

The recipient of this year’s Sustainability Award is Lynda Xepoleas, a Ph D candidate in the Fiber Science and Apparel Design Department at Cornell University, for her sustainable dress design entitled “Collision”. The Sustainability Design Award is a $3279 value and includes: 1) a one-year subscription to the complete catalog of Alvanon’s virtual AlvaForms via the Alvanon Body Platform, ($2500 value).  2.) an all-access pass to the entire library of professional apparel courses on MOTIF ($590 value), and 3.) a one-year full access subscription to over 500 fashion design and business education videos via University of Fashion, ($189 value).

Lynda Xepoleas “Collision” sustainable dress design front view. (Photo credit: Lynda Xepoleas)

Lynda Xepoleas “Collision” sustainable dress design detail. (Photo credit: Lynda Xepoleas)

Lynda Xepoleas “Collision” sustainable dress design back view (Photo credit: Lynda Xepoleas)

Lynda’s “Collision” dress design was borne out of an opportunity where she witnessed the ecological footprint of the fashion industry firsthand while visiting several manufacturing facilities in different regions of India. Lynda was surprised by the amount of textile waste created during the cutting process. This experience not only led her to undertake upcycled design scholarship using cut-offs (production scraps), but also to think about how sustainable practices could be incorporated within the cutting and manufacturing of mass-produced apparel.

Currently, sustainable fashion is quite exclusive and unattainable for most individuals who can’t afford to spend $100 on a t-shirt. Therefore, Lynda hopes to work with several manufacturing facilities in India to identify ways whereby they can work with local vendors to transform production scraps into products for the domestic market. For Lynda, this really embodies the nonlinear nature of the upcycle design process, which she feels often requires us to reshape and rethink how we approach apparel design. This is also something that is reflected in her Collision dress design, which she attempted to capture visually, by positioning each cut-off at a different angle to create the illusion of intersecting diagonal and vertical lines.

Like many of us who chose fashion as a career, Lynda has had quite a unique and interesting past. In her own words:

“Initially, fashion served as another creative outlet that allowed me to express myself in ways that differed from my association as a high-performance athlete and competitive tennis player. From the ages of 10-18 I trained 6 hours a day and attended school online. My decision to attend school online was based on the fact that I started to play tennis quite late. Most competitive tennis players start at the age of 4 or 5. I started around the age of 8, so I had a lot of catching up to do. In the end this paid off, I was one of the top ranked tennis players in the United States for my age and was sponsored by Wilson for a couple of years. The transition from high school to college was actually quite easy for me since I was already in charge of staying on top of all my coursework and assignments. A typical day for me would consist of two, three-hour training sessions, one in the morning and one in the afternoon with a one-hour lunch break in between. Afterwards, I would do about three hours worth of schoolwork every night. I didn’t have the chance to attend a school dance or anything like that, but I was able to travel the country and meet people from all over the world. I have trained with coaches and hitting partners from countries like Egypt, Uganda, France, England, Bulgaria, New Zealand, Australia, China, Japan, Thailand, Ecuador, Venezuela, and Bolivia. 

“In my spare time, I would often make my own clothing to wear on and off the court. When faced with the decision to play on the professional tour or attend college, I decided to pursue a career in the field of fashion. I attended Purdue University on a full athletic scholarship and earned my B.S. in Apparel Design. Even though I enjoyed designing apparel, I was also interested in exploring the two-dimensional representation of fashion in art and photography. I decided to pursue a M.A. in Art History at Arizona State University. This experience allowed me to investigate the representation of fashion in 1930s fashion photography for my M.A. thesis.”  

“As a Ph.D. student in the Fiber Science and Apparel Design Department at Cornell, I have begun to bring together my interests in apparel design and art history. My dissertation examines the ways in which several museum collections in New York City informed the design of early twentieth-century American fashion and simultaneously contributed to the normalization of cultural appropriation in the American fashion industry.”

Lynda Xepoleas “Collision” sustainable dress design side view (Photo credit: Lynda Xepoleas)

As part of her Collision project, Lynda utilized Optitex fashion design software and found it to be quite user-friendly compared to other systems that she had used before. In the future, Lynda also plans to use CLO3D to identify additional methods for upcycling production scraps, since much of her design scholarship seeks to use technology as a means of identifying sustainable solutions for the design and manufacture of apparel.

Upon receiving her Ph.D. in Apparel Design, Lynda hopes to become an Assistant Professor in the field of fashion studies or apparel design. While conducting research for her dissertation, she discovered that the very practices and systems which have informed the development of fashion education in the United States, continue to perpetuate Western ideals related to beauty, race, sexuality, gender, and indigeneity. Her objective therefore is to create more inclusive teaching practices in hopes of destabilizing the exclusive foundation of fashion education.

On behalf of Alvanon, Motif and University of Fashion, we wish Lynda all the best for a successful and productive career in fashion!



Having trouble finding the right gift for that fashionista in your life? Well, search no more, we’ve got you covered. More than 500 lessons to learn from in 13 different disciplines like drawing, sewing, draping, patternmaking, menswear, childrenswear, knits, product development, accessories, CAD art & CAD patternmaking, fashion business and fashion lectures in color theory, trend forecasting fashion history, influencer marketing, sustainable design and much, much more!

We only offer our book & video subscription discounts ONCE A YEAR so get going!

Offers expire 12/31/20

$40 off our Yearly subscription (was 189 now $149) Promo Code: Learn1

$5 off the first month of our Monthly subscription (was $19.95 now $14.95) Promo Code: Learn2

35% off any of our books: Beginner Techniques: Draping or Pattern Making or Sewing Promo code: Uof35

(Graphic courtesy Mark Higden: @mark_higden –


- - Contest

Nurses from Huntsville Hospital, Alabama, wearing Jennifer Coffman masks (Photo credit: Jennifer Coffman)

On March 22, I learned that there was a need for face masks and that nursing homes were particularly hard hit by the virus. I immediately went into full production making non-surgical masks and started delivering them to two local nursing homes when it dawned on me, that if I was moved to action, so might thousands of our UoF subscribers. I was right!

Through a shout-out on our UoF social media channels, I announced a face mask contest (one year free all access to the UoF library) and immediately started getting responses. What really freaked me out was how many of these beautiful people had already been making masks and donating hundreds of them to hospitals, nursing homes, supermarkets and making them for friends and family to help keep their neighborhoods safe from the virus’s spread. I was literally brought to tears!

These incredible mask makers hail from countries all around the world, Ecuador, Nigeria, Germany, Mexico, Los Angeles, New York City, Cleveland and Pulaski, Tennessee. Our contest rules were that we would choose five winners but, you know what? They were all worthy!

Needless to say, each of these lovely ladies were thrilled when they learned that they now had full access to UoF for a whole year. Here’s their story, in their own words. Feast your eyes on their unique mask creations.



Jennifer Coffman and her daughter (Photo credit: Jennifer Coffman)

My name is Jennifer. I’ve been making masks since March and donating them to local organizations in Pulaski, TN, and Huntsville AL. I’ve donated to local nursing homes, hospitals, health care facilities, shopping centers and friends. I’ve donated 225 masks between March and April. I’ve used cotton fabrics from my own collection of fabric, and I’ve purchased some cotton from a local quilting shop to help support her business. I would love to win the contest to work towards perfecting my dressmaking skills and my goals of being a professional dress maker.”

Jennifer Coffman masks (Photo credit: Jennifer Coffman)

Jennifer Coffman and her daughters (Photo credit: Jennifer Coffman)

Jennifer Coffman masks (Photo credit: Jennifer Coffman)

Jennifer Coffman masks (Photo credit: Jennifer Coffman)

Therapists wearing Jennifer Coffman masks (Photo credit: Jennifer Coffman)

“The pictures of the two ladies are the therapists that work in the clinic. They shared this photo on their Facebook page thanking me. I’m really excited to study the UoF classes. I can sew from patterns but I’m excited to learn to drape and draft my own designs and learn to draw my ideas on the croquis! Huge Thank you!! I will be happy to share the skills I’ve learned from the courses and promote University of Fashion!!”



Cristiane Hüsing wearing her mask/headwrap combo (Photo credit: Cristiane)

“My inspiration comes from the rainforests of the Amazon & Pantanal, where I grew up. From the age of eight I spent hours drawing and designing clothes with shapes & patterns from the exotic nature around me. 

 I am now a mother of two, living and working in Germany for the past 20 years. Being a mum, I didn’t have the opportunity to go to a fashion school, but I have attended a part-time atelier course here in Hamburg. From my basement, with two sewing machines, I bring my designs to life – there is nothing more I love right now! 

 After lockdown I wanted to do my bit to help, so I designed and made a few masks for friends and family. The reaction was quite unbelievable, and people started asking for more! After that my machine has been going non-stop and I can’t keep up with demand! It makes me so happy to help people and for the first time in my life make a little money doing what I love!”



Hope Njubigbo wearing her mask (Photo credit: Hope Njubigbo)

“Hello. My name is Hope. An upcoming fashion designer in Nigeria. I have been producing my face masks and distributing to my neighborhood, also to my family and friends to ensure everyone is being safe. I also supplied to my mum’s supermarket to share out to others too. I derive so much joy knowing I am able to do this. My face mask is made from cotton material very breathable and also with an inner filter.

I will be glad if I am able to win the subscription as I have been wishing to learn from UoF but haven’t been able to afford the subscription. This will enable me to broaden my fashion design knowledge, and in the future, make an income from it and be able to afford my future subscriptions. Thank you.”



“I was searching how to be a fashion artist on Pinterest and University of Fashion came up. So, I decided to check and follow on Twitter. I am using printed wax for the mask and head scarf. The head scarf is popularly known among the Nupe Women, a tribe in North Central Nigeria, where I’m from. The wax is normally worn during special occasions like a wedding, festival or cultural days. I have been making them for my friends and family and I have five pieces so far.

Awesome, I cannot describe the level of my excitement that I won a UoF one year subscription. Thank you so much!”



Annanee Wong wearing her mask (Photo credit: Annanee)

I’m a native New Yorker, a fashion industry professional and worked as a lead technical designer for over 30 years. I currently live in Gramercy NYC, which is also where my studio is. 

I started making masks when I heard there was a call to action. I’ve personally donated about 50 pieces so far, (they take a long time to make). Working with a group of industry professionals, the masks were donated to nurses and nursing homes.  

Then, I started pulling out my collection of fabrics and started to put colorful combos together and family and friends started requesting them when It became mandatory to wear them in public. 

Posting on FB Instagram & Nextdoor, I  began taking orders and receiving payment by Venmo, Paypal, Zelle, and Cash app. I ship from my apt. using, and it has been helpful in paying my bills. It’s been an interesting journey and I’m still a one-woman operation.”

Check out Annanee in a new video about the NY Garment Center!

Annanee’s reversible brocade & lace masks (Photo credit: Annanee)

Annanee masks (Photo credit: Annanee)

Annanee reversible mask (Photo credit: Annanee)

Annanee masks (Photo credit: Annanee)



Ester Adike wearing her mask (Photo credit: Ester Adike)

Wow. Thank you so much. I am thrilled that my little contribution to help some people in my neighborhood stay safe has been greatly rewarded. 

I am a dressmaker and a ‘fashionpreneur’ in the making. I make my clothes for my customers with plans to expand my business and offering to include a physical fashion center with teaching aides and sewing facilities for aspiring fashion designers. I have had various local training but I eventually trained under a fashion designer who is good in pattern making. Since then my focus has been making pattern-made dresses. 

I got to know about the University of Fashion while searching for a credible online fashion academy to further improve on my skills. I am thrilled at the extent of the international standard of exposure I have had since I enrolled and been receiving training from the UoF learning platform. I had desired this degree of exposure, now I am getting it from the comfort of my location. Most of the lessons on the UoF platform were new to me. Since then, I have studied consistently especially pattern making, sewing, draping, and other lessons. 

Now, with this new opportunity, I will continue my lessons to perfect pattern making, draping fashion art, and working with knit fabrics. The lessons are quite detailed and insightful, and I am glad my classes continue. 

I started a summer fashion coaching classes for young aspiring fashion designers with the experience I have gained so far at the UoF.  The last summer session was a success. I desire to spark the drive and passion for fashion design for these young lads. The idea is to get them as early as possible. By the grace of God, I plan to grow it into a fashion school and hope there will be an opportunity in the future to partner with UoF in using the videos as part of our training tools.”



“My name is Evelisse Mosquera and I started off by making masks for my family and my local community but now my goal is to expand and make sure everyone is safe! All of our masks are made of cotton fabrics (except for the ACTIVO [ACTIVE] ones made of Neoprene).

We at MOSQUERA are making stylish yet protective face masks for everyone in the family (adult and children sizes)! Not only do I want to provide the public with cute but safe masks, I also wanted to include more so I put together face mask kits. In each mask kit there are PM 2.5  filters and a waterproof pouch, to store your mask(s) and to prevent contamination.

I am creative director and CEO of MOSQUERA the brand. I am of Ecuadorian descent (Middle of the Earth Ecuador, South America). I also work with my talented seamstress, Teresa, who has helped me with making the present mask designs. We actually only met due to these special circumstances that I am, in some way, thankful because we have been working in a partnership ever since @mosquerathebrand.
I have been following UoF’s Instagram and I love their useful content.”



Lauren Fonville and her daughter Alice (Photo credit” Lauren Fonville)

“I made my fabulous caftan/tunic and mask from beautiful fabric my friend brought home from India years ago. I’ve been raiding my stash during the pandemic and making incredible discoveries right in my own sewing studio. This look has gotten compliments everywhere I go, which is mostly the grocery store and on hikes with my little daughter. I place a lot of self-worth in my sewing, so the praise is nice to hear and helps me remember who I am. 

I’ve been costume designing for theater, film and television in Los Angeles since 2009. After joining our union, Motion Picture Costumers IATSE Local 705 in 2018, I made a big leap toward sewing full time by becoming a custom-made costumer. (In our union, one can either be a “finished” or “custom-made” costumer, but not both). I worked primarily as a set costumer and shopper. My credits include “Star Trek Beyond,” “The Disaster Artist,” “Grace and Frankie,” “Jane the Virgin,” “One Day at a Time,” “Last Man Standing.” “The Mandalorian,” “Star Trek: Picard,” “Deadwood: The Movie,” ‘Superstore,” “Hollywood” and for TV “The Late Late Show with James Cordon.”    

After 15 years as a home sewer, I decided three years ago to sew for a living, full time. I enjoyed working on set, but my passion was designing and sewing my own clothes and clothes for my daughter Alice, who came along in 2015. Spending long days in and out of malls as a shopper for TV shows, gave me insight into the incredible waste and toll the fashion industry takes on our environment and labor force. I resolved to never buy new garments for myself or my family three years ago and I haven’t looked back. I now sew only with plant-based, natural fabrics.   

I was a very good home sewer, but I didn’t have much formal training in patternmaking, construction and draping. So, I enrolled in Los Angeles Trade–Technical College of Fashion Design and watched dozens of UoF videos. (In fact, I learned about UoF from fellow students at LATTC.) Both programs enable me to keep working in my industry while taking classes, which means the world to me and my family.

UoF has been instrumental in helping me transition from hobbyist to professional. Their classes enable me to keep working while learning, which is huge for me and my family. Right now, I’m trying to use this time to learn Tukatech, which will hopefully be a skill I can use to work remotely.  

Of course, the pandemic has suspended all production in my hometown of Hollywood. I’ve been using the time to sew piles of masks, tackle new projects and learn TUKAtech on UoF. I miss working, but I’m hopeful we’ll be back bringing new stories and characters to life in the coming months. 

I can’t wait to see myself on UoF Instagram. My public IG account is @whatsshesewinginthere if you’d like to tag me. On Facebook and LinkedIn I’m simply “Lauren Fonville.” 



Ayoola Hinds mask/bonnet combo (Photo credit: Ayoola Hinds)

My name is Kimanya ‘Ayoola’ Hinds, originally from the island of Barbados. I now reside in what I call my creative inspiration, Cleveland, Ohio.  I started designing my own masks as soon as the crisis started. I used a regular construction face mask to make a template and then my face mask evolution journey began. As there was a shortage of ¼” elastic, I used a design with one piece of 1” elastic going behind the head. When my 1” elastic ran out, I started using ties. Also, I modified the design of the masks through watching YouTube videos and from various patterns that were surfacing. The end result is shown below.

Ayoola masks (Photo credit: Ayoola Hinds)

“I wanted to donate to hospitals, and I found an organization who was doing just that. I worked with them supplying masks to a local hospital. I am still making masks for the hospital and was doing so while doing my own production. Some of the masks are shown below.”

Ayoola masks (Photo credit: Ayoola Hinds)

“The creative bug inside chewed at my desire to make a mask unique to me and my character, so amidst all that was going on, I put together these two masks based on my brand, LIVE LIFE LIKE AYOOLA, because life is key. They are based off two other versions of the mask designs I created. One has a piece of elastic around the back of the neck, and the other has an adjustable closure with velcro.”

Ayoola masks (Photo credit: Ayoola Hinds)

“In addition, my cousin who is a health care worker asked me to create a covering for her, so I made a bonnet with matching face mask. As shown in this picture.”

Ayoola Mask/bonnet masks (Photo credit: Ayoola Hinds)

“As you may have deduced, I love designing. I am self-taught and would love the opportunity to further my knowledge in fashion design, especially pattern making. Remember that no matter what is going on you still have life, which means another opportunity to live your dream.”



Maria Fernanda wearing her “Give a Damn” mask (Photo credit: Maria Fernanda)

Hello! My name is Maria Fernanda, I am a second-year fashion student in Mexico. During this pandemic some of our classes were online like costs and trends, but some of our classes were not qualified to be taken online since it’s hands-on work. I am spending the summer quarantined and have been since mid-March. Having a subscription to UofFashion would allow me to continue practicing and allow me to gain more experience once I head back. I made this mask with an embroidered saying “Give a damn” and a smiley sun inspired by Lingua Franca because I want to emit the message that it is all right to care about things that might not be “popular” and to stay positive during these times. Thanks so much for your time and stay safe :)”


We congratulate all of these thoughtful, compassionate and extremely caring people who use their talents for a good cause. On behalf of all of us at University of Fashion we welcome you to the family!!

All I want for—fill in the holiday—is the gift of fashion

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If you’ve been keeping up with the U of F blog, you’ll know that the Gen Zers on your holiday lists crave experiences. And when it comes to gift giving in 2018 (and beyond), the University of Fashion has experiences galore for the fashionistas in your life, no matter their age. In fact, we have unique gifts that will inspire year-round learning and making for the fashion lovers you know. Read More

Learning fashion design just got easier, thanks to UoF founder and author, Francesca Sterlacci

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Helen Ronan & Anastasia Scott (Laurence King Publishing), Francesca Sterlacci (University of Fashion), Dr. Jennifer Harmon (winner) and Jane Hegland (ITAA President)

In the fashion industry, so many of us can get swept up in the shiny end result presented on the runway during fashion week or the most viewed Instagram story of the day or perhaps, the must-have It Bag of the season.

And sometimes, the work of the dedicated, behind-the-scenes professionals who make It Bags and Instagram-worthy content possible in the first place, can go unnoticed. In this post, I’m not talking about hard-working designers, pattern makers and sewers—I’m going one step further behind the scenes to feature someone who works tirelessly to support designers in every which way she can—University of Fashion founder, Francesca Sterlacci. Read More

The Americans have landed, or have they?


For those of us New Yorkers who each day walk past the Lord & Taylor flagship on Fifth Avenue, we are already mourning the shuttering of this retail monument, scheduled for early 2019. While L & T may not have always been every fashionista’s ‘go-to’ destination for the most current fashion trends, this retailer has had a rich history of promoting American designers. Beginning in 1932, Dorothy Shaver (then L & T president), established a program known as the “American Look,” during a period in time when French fashion reigned supreme. This fashion visionary jumped at the chance to promote the work of American designers like Claire McCardell, Tina Lesser, Clare Potter, Vera Maxwell and Bonnie Cashin. It was a defining moment for American fashion designers and put American fashion on the world map. Oh, and by the way…Shaver was also one of the founders of the Costume Institute at the Metropolitan Museum of Art in New York!

Lord & Taylor                                                                                                                                                          (Courtesy University of Fashion)
Lord & Taylor (Courtesy University of Fashion)

Well, thankfully, another retailer has finally stepped up to the plate. As of this week and leading up to New York Fashion Week (Sept 6-14), Saks Fifth Avenue is showcasing the work of various American brands. Each of the American-based brands below were invited to create a window (and pay for their installation) that best represents that brand’s identity.

Although not all of the designers at these brands are American-born (Carolina Herrera, Philip Lim, Oscar de la Renta, Alexander Wang, Derek Lam, Jason Wu, Diane von Furstenberg, Naeem Khan and Tanya Taylor), the spotlight is on American-based fashion labels.

Other designers included are: Rosie Assoulin, Alice & Olivia, Coach, Eileen Fisher, Lafayette 148, Leila Rose, Milly, Rag & Bone, Marc Jacobs, Michael Kors, Ralph Lauren, Brandon Maxwell, Gabriela Hearst, Jonathan Simkhai, Monse and Proenza Schouler). While the windows are intended to celebrate American style, some brands chose to focus on things such as their heritage, or social justice and sustainability. Here’s a sampling:

Carolina Herrera window for Saks Fifth Avenue                                       (Courtesy WWD August 17, 2018)
Carolina Herrera window for Saks Fifth Avenue (Courtesy WWD August 17, 2018)

Carolina Herrera’s window is a take on her iconic eveningwear (white shirt and ball skirt). Whether intentional or not, Herrera’s choice of rainbow-colored mannequins against a rainbow background could easily be interpreted as a nod to the LGBTQ community.

Coach window for Saks Fifth Avenue                                                                                         (Courtesy WWD August 17, 2018)
Coach window for Saks Fifth Avenue (Courtesy WWD August 17, 2018)

Coach’s window paid homage to their company roots. Inspired by the suppleness of an old baseball glove, Miles Cahn founded Coach in 1941, in a New York City loft. Artisans hired by the Cahn family handcrafted soft leather into handbags and in 1962, hired American designer Bonnie Cashin, who pioneered the use of brass toggles on handbags and clothing. Coach’s window included ubiquitous New York phone booths and a shout-out to Dreamers, with a decal of an 8-Ball (as in disadvantage) with the words, “Calling All Dreamers.”

Eileen Fisher window at Saks Fifth Ave   (Courtesy University of Fashion)
Eileen Fisher window at Saks Fifth Ave (Courtesy University of Fashion)

Eileen Fisher is known as a pioneer of cotton grown without pesticides and a promoter of California’s Central Valley organic cotton growers since the late 1990s. This brand’s window was less about ‘selling product’ and more about an education in recycling. In 2009, Fisher initiated GREEN EILEEN, a “buy-back policy” whereby customers turn in their gently used Eileen Fisher products, in return for a store gift card. The brand either resells that item or, through their “third lifecycle initiative,” artists get the chance to upcycle these clothes into new designs. Her Saks window featured a recycled garment, a video showing the upcycling process and cages filled with clothes ready for recycling. Thanks Eileen, for thinking responsibility about a circular fashion cycle and less about sell, sell, sell.

Tanya Taylor window for Saks Fifth Avenue                                                                                         (Courtesy WWD August 17, 2018)
Tanya Taylor window for Saks Fifth Avenue (Courtesy WWD August 17, 2018)

The newest (and youngest designer) brand to get a Saks window is Canadian-born designer Tanya Taylor. After having studied finance at McGill University, taken a course at Central Saint Martins and then attended Parsons School of Design, Taylor launched her brand in 2012. In 2014, she became a finalist in the CFDA/Vogue Fashion Fund competition. Her quirky fashion is a bit H & M-ish (without the low price tag).

The inclusion of Tanya Taylor, just begs the question…why are aren’t stores like Saks and other major retailers getting behind and supporting more American start-up designers?

Hundreds of American fashion designer entrepreneurs who graduate from fashion schools, or those who learn online at University of Fashion, could greatly benefit from the support that these high-profile windows provide. So…Saks (and other retailers)… if you are listening… and you really want to take on the role of promoting American design talent that Lord & Taylor started in 1932, then do your homework and start showcasing home grown talent who need it the most!

Let us know what you think. Should American retailers start a movement to promote more American fashion design start-ups?

Be a part of a projected billion dollar business: Wearable tech

- - Contest, Technology

As much as we believe in and advocate for preserving the art and craft of fashion design at the University of Fashion, we cannot help but acknowledge the economic trends in fashion. Where consumers are spending their fashion dollars is valuable information for a designer wanting to run a viable business, and may serve as a source for inspiration (and certainly innovation) for emerging designers trying to make their unique mark in a saturated market.

Case in point: The wearable tech market. Did you know that the latest statistics predict that the wearable tech industry will reportedly be worth $34 billion by 2020? Read More

Noteworthy Newcomers: Announcing FCCLA Contest Winners

- - Contest

There is nothing like starting off a new semester with the announcement of contest winners! Before we announce the winners of our recent contest with the Family, Career and Community Leaders of America (FCCLA), we would like to extend a warm welcome back to all of you who are currently in design school or joining the University of Fashion for the first time.

Happy new semester to our students who are studying at Parsons, FIT, London College of the Arts, Virginia Commonwealth, Academy of Art and the many other colleges using the U of F as a resource, not to mention our newest high school students, public library patrons and fashion manufacturers. Read More

Student Spotlight WINNER: Kathryn Butler

The University of Fashion is thrilled to announce the winners of our recent Student Spotlight contest!  Kathryn Butler is our winner in the Sewing category, Rafael De Peña takes home the prize in Fashion Art and Chanica Pitaksakorn has won both the Pattern Making and Draping categories.  Congratulations to our winners and thank you to all of our students who entered – we love seeing how you are making the University of Fashion work for you!  In this post, we spotlight Sewing category winner, Kathryn Butler. Read More

Student Spotlight WINNER: Rafael De Peña

The University of Fashion is thrilled to announce the winners of our recent Student Spotlight contest!  Kathryn Butler is our winner in the Sewing category, Rafael De Peña takes home the prize in Fashion Art and Chanica Pitaksakorn has won both the Pattern Making and Draping categories.  Congratulations to our winners and thank you to all of our students who entered – we love seeing how you are making the University of Fashion work for you!  In this post, we spotlight Fashion Art category winner, Rafael De Peña. Read More

Student Spotlight WINNER: Chanica Pitaksakorn

The University of Fashion is thrilled to announce the winners of our recent Student Spotlight contest!  Kathryn Butler is our winner in the Sewing category, Rafael De Peña takes home the prize in Fashion Art and Chanica Pitaksakorn has won both the Pattern Making and Draping categories.  Congratulations to our winners and thank you to all of our students who entered – we love seeing how you are making the University of Fashion work for you!  In this post, we spotlight Draping and Pattern Making category winner, Chanica Pitaksakorn. Read More