University of Fashion Blog

Posts by: Antonia Sardone

Antonia Sardone

Antonia Sardone is a new contributor to the University of Fashion. She is also a freelance fashion consultant, stylist and writer. Antonia Sardone graduated from the Fashion Institute of Technology with a degree in Advertising Communications, Marketing and Fashion Journalism. She is an industry veteran having worked for WWD for over fifteen years and has strong relationships with designers worldwide. Today, Antonia Sardone continues to write reviews for WWD as well as work with many contemporary designers on a variety of projects from helping to re-launch their websites to writing their brand books. She enjoys raising her children to be creative individuals, as well as styling, writing and traveling.

GOING GREEN, HOW DENIM LABELS ARE EMBRACING SUSTAINABILITY

M.i.h. Jeans practices denim sustainability. (Photo Courtesy of WWD)

Climate change, global warming, plastic in our oceans, these are all real threats that have not just Millennials and Generation Zers worried, but should be a concern for people of all ages. As Alexandria Ocasio-Cortez’s “Green New Deal” is receiving plenty of publicity, we as a design community must realize that we are among the top polluters of our planet, actually, according to Ethical Unicorn, we rank #5. Not a number that we should be proud. So, what can we do as an industry to lower our ranking? Who are the brands who are leading the way?

Well, while there are literally thousands of fashion brands and companies around the world, there are not as many as there should be in our industry moving towards sustainability and who are consciously making an effort to reduce waste and pollution that our industry causes.

We’d like to give a shout-out to two ‘green’ advocates, Stella McCartney and Christopher Raeburn. These designers were among the ten fashion companies that have recently received the inaugural CO10 Leadership Award, an award that recognizes companies that have set down a pathway towards sustainability.

Christopher Raeburn fitting a model in one of his looks. (Photo Courtesy of WWD)

The award is presented by Common Objective, a network that connects more than 10,000 professionals in the fashion, retail and textile industries that share knowledge and best sustainability practices. Other companies that were honored were, Osklen, Bottletop, Indigenous, Outland Denim, Mayamiko, Sonica Sarna Design, Ethical Apparel Africa and The Rajlakshmi Cotton Mills.

“The industry has seen an incredible amount of traction over the past year, from increased consumer demand and government engagement, to the abundance of new entrants that focus on sustainability,” said Harold Tillman, former chairman of the British Fashion Council. The overall CO Leadership Awards are given to fashion brands that champion innovation in sustainability.

On December 10, 2018, Stella McCartney launched a program during the Katowice Climate Change Conference in Poland, which addressed various issues in the fashion industry, such as pollution, deforestation, low carbon production methods, and toxicity in products. Another goal for McCartney is to create awareness among students and designers that there are more environmentally-friendly ways to create collections. Today, more than ever, customers are aware and looking to purchase from brands that are focused on sustainability.

Stella McCartney at the Katowicw Climate Change Conference in Poland (Photo Courtesy of WWD)

Denim Sustainability News

While the majority of the population would love to purchase clothing that is environmentally-friendly, let’s face it, many cannot afford Stella McCartney’s hefty price point. But environmentalists will be happy to hear that everyone’s favorite closet staple, denim, is helping to lead the way towards sustainability.

Denim is one of the most popular fashion items around the world, but the mass production of this wardrobe staple has turned into an environmental nightmare. Remember the footage from China when a river turned blue from a nearby denim factory? Clearly denim dyes and water consumption are both harmful to the environment. However, today, the industry is searching for ways to help clean up the process and build a more sustainable supply chain. The denim industry is slowly joining together to create an ecosystem focused on sustainability practices.

Denim dyes damage the environment (Photo Courtesy of Forbes)

This past February at the Première Vision Textile Trade Show in Paris, a group of experts from the denim world gathered together for a panel hosted by Isko, a leading Turkish denim mill. The topic… the “Unlimited Possibilities of Responsible Denim.” Panelists included: Ebru Ozkucuk Guler (CSR executive at Isko), Miles Johnson (designer at Stan Ray denim and and previously at Patagonia and Levi Strauss & Co.), Rachel Pearce (director of denim consultancy firm Denimhand) and François Girbaud (owner Marithé + François Girbaud).

Isko’s sustainable denim panel Première Vision Textile Trade Showin Paris. (Courtesy Photo WWD)

Consumers today are intelligent. They want more transparency about the clothing and products they are purchasing. According to Miles Johnson, “it is high time, with all the confusion over certification, for governments to start implementing standards.”

The panel was in agreement that the idea of phasing out cotton was not realistic, but embracing new approaches to the cotton supply chain and implementing dye and waste management practices are vital for the industry’s survival.

Here’s what the panelists said: 

“We’re not going to stop doing cotton jeans, so let’s just do it better. But you have to have a big idea for 25 years down the road that everyone signs up for, and then we can all start trekking toward the same spot. Unfortunately we’re not there yet, and it’s all still a bit scattered,” Johnson said. Adding that “Cotton now has a bad name, like plastic. If people hear plastic now they go, ‘Ooh, bad.’ It’s not bad, the world just isn’t set up so that we can handle recycling, because we haven’t invested in waste disposal, so we’re not catching plastic at the end and turning it back into fiber.”

Pearce added, “We can grow cotton better, we can be more responsible with cotton, but our biggest enemy is the amount that’s going to landfill, to waste. But the cotton that’s going to landfill, it’s going to biodegrade; it’s the polyester we should be worried about, it currently stays in our environment for up to 120 years before breaking down.”

“We are in an incredibly wasteful industry, [but] I do commend everyone in the denim industry because at least we’re a step ahead of the sportswear industry,” concluded Johnson. “People are having these conversations a lot more in denim than they are in anything else.”

Blue + Denim practices denim sustainability. (Photo Courtesy of WWD)

 

Here are some possible solutions: 

Case in point, this past October in Amsterdam at the Kingpins Fair Trade Show, sustainability in denim was a key issue being tackled by experts. Posters detailing water-saving processes, potassium permanganate-free finishes and recycled fabrics were in front of most stands, and they were easy to spot from afar thanks to their symbolic green and blue hues.

M&J Group, a Bangladesh-based manufacturer, added green tags to each garment, that labeled the level of water, gas or chemicals used for the conception of each denim piece. Meanwhile, at Global Denim, the manufacturer promoted EcoloJean technology. Their posters illustrated a regular pair of jeans next to a pile of water bottles, explaining that it takes 20 liters of water to dye a single pair of jeans. The EcoloJean technology, said the poster, boasts zero water discharging.

Another big initiative in going green is fabric made from recycled plastic bottles.  “We’ve just sourced a fabric called Repreve, made from recycled plastic bottles,” said Tara Jessop, who was attending with Rebekah Hough, a fellow designer at Fundamental, a British denim manufacturer that counts the Arcadia group among its clients. “We’ve just sourced a fabric called Repreve, made from recycled plastic bottles,” said Tara Jessop, who was attending with Rebekah Hough, a fellow designer at Fundamental, a British denim manufacturer that counts the Arcadia group among its clients. “We keep seeing the green plastic bottle tags on every stand. They are an amazing marketing tool; they help the customer understand the process,” she added.

(Photo courtesy Reprove.com)

(Photo courtesy Reprove.com)

Thankfully, more affordable denim mills are now taking steps towards sustainability.  “We’ve been going round to each stand to ask them what they’ve been doing from a sustainable angle,” said Lee women’s designer Natasha Goforth, who added that the brand was looking to make its carryover fabrics more sustainable. “But we’re looking at every single element: fabrics, trims, finishes. It’s not just about the sustainability of the fabric itself, but rather how we can bring in more elements of sustainability to our brand,” she added.

DL 1961 Denim practices sustainability when producing denim. (Courtesy Photo)

Australian’s Outland Denim is facing challenges managing sudden rapid growth due to the brands ethical focus, The brands founder James Bartle stated “Integrity is everything to us as a business. The goal is to be a big part of changing the fashion industry for good. Our strategy is to be product-focused, to not be a charity and to create a genuinely sustainable business model that changes people’s lives and the environment at the same time.”

Outland Denim (Commercial Photography Cambodia)

ABLE Denim has adapted to sustainability practices. (Photo Courtesy of WWD)

TO ALL OF OUR UOF DESIGNERS AND MANUFACTURERS – HOW ARE YOU MAKING A DIFFERENCE TO BECOME MORE SUSTAINABLE? WE’D LOVE TO FEATURE YOU IN OUR BLOG. LET US KNOW

 

WORKING GIRL CHIC RULES THE RUNWAY IN MILAN & PARIS

Saint Laurent (Courtesy of Vogue.com)

Saint Laurent (Courtesy of Vogue.com)

It may be the Year of the Pig, according to the Chinese zodiac, but 2019 is turning out to be all about Female Power! Thanks to feminist movements like #MeToo and #TimesUp, and of course the Woman’s March that started as a worldwide protest against Donald Trump the day after his 2017 inauguration (and that has continued every year since), women are taking center stage around the world and demanding equality in every way. In 2018’s U.S. mid-term election, a record 117 women were elected to office. Finally … it looks like the tide has begun to change for women.

Rolling Stone's March  Cover featuring: Jahana Hayes, Alexandria Ocasio-Cortez, Nancy Pelosi, and Ilhan Omar

Rolling Stone’s March Cover featuring: Jahana Hayes, Alexandria Ocasio-Cortez, Nancy Pelosi, and Ilhan Omar

With extraordinary women being elected to powerful positions, designers are stepping up to the plate and creating powerful looks for these new high-profile women. The Fall 2019 collections saw the return of the “Power Suit” (remember your fashion history? Gaultier, Montana and Armani – circa 80s?). And, while the 80s versions consisted of exaggerated shoulder pads, wide belts, slim midi-skirts and bow blouses, all in traditional menswear inspired fabrics and colors, designers are putting a new slant on what a powerful woman in the 21st century should look like. Who could ever forget Melanie Griffith in the 1988 film Working Girl. Every young girl starting her career aspired to be Melanie’s iconic character, Tess McGill. Well, move over Tess, today’s woman is independent, outspoken, confident, diverse, opinionated, political, empowered and socially-conscious. These are the new role models for Millenials, Gen Zers and all those other generations to follow.

Check out Anthony Vaccarello’s collection for Saint Laurent, a 1980s redux, complete with shoulders that extended two whole centimeters beyond the natural shoulder and updated the looks by introducing a neon color palette.

Harrison Ford, Melanie Griffith and Sigourney Weaver in Working Girl

Harrison Ford, Melanie Griffith and Sigourney Weaver in Working Girl

And alas! Thirty years later, the power suit is back, but this time around, the suit is soft and feminine.  According to an interview by Olivia Stren, for FashionMagazine.com (September 17, 2018), designer Joseph Altuzarra stated, “I think that the suit, for a long time, was trying to emulate a menswear staple when women were wearing it to work. It was about hiding your femininity. With so many strong women today embracing a more tailored, feminine pantsuit silhouette, I think it has emerged as a symbol of female empowerment and strength. In our case, the tailoring is always about celebrating femininity and a woman’s strength.” Altuzarra  claims that tailored ‘workwear’ is at the heart of his brand and credits his mother, who clocked in at a bank every morning, as his inspiration.

With “women power” in the air, it was no surprise that power dressing and chic workwear were key trends on the Milan and Paris Fall 2019 runway. While many of the designers who embraced this trend were women, there were a few ‘woke’ men that embraced the movement as well. Namely…Karl Lagerfeld. Although Milan kicked off with the tragic news that Karl Lagerfeld has passed away on February 19th, his legacy lived on in his last collection for Fendi. And you just got the sense that, as always, Karl got the memo – Women Rule.

FENDI

Fendi (Courtesy of Vogue.com)

Fendi (Courtesy of Vogue.com)

He used to call me ‘la petite fille triste,” remembered Silvia Venturini Fendi, in an emotional backstage scene at the elegiac Fendi show, the last designed by the late Karl Lagerfeld, whom she first met when she was four years old. “Now is not the time to be sad,” she added, noting that Lagerfeld supervised every look in the focused collection that revealed what she called “those facets of himthe signatures that he had embedded into the brand’s DNA since he first met the quintet of Fendi sisters, including Venturini Fendi’s mother, Anna, in Rome in 1965.” Silvia Fendi stated to Vogue.com.

The collection included plenty of sharp tailoring paired with crisp shirts that added a refined, yet flirty, twist to office dressing.

MAX MARA

Max Mara (Courtesy of Vogue.com)

Max Mara (Courtesy of Vogue.com)

Who could forget Nancy Pelosi in her Max Mara coat on her way to meet with Donald Trump in December regarding border wall funding – this moment was the inspiration behind creative director Ian Griffiths Fall 2019 Max Mara collection. Ms. Pelosi was front and center on Griffiths’s Fall mood board as he made a strong connection between power and glamour. Griffith played with sharp tailoring, in head to toe monochromatic colors that ranged from soft camel to bold blues.

PRADA

Prada (Courtesy of Vogue.com)

Prada (Courtesy of Vogue.com)

As one of the most politically-articulate designers in the fashion industry, having once been a member of the Italian Communist Party and an ardent feminist, the fear of war and the political turmoil worldwide has been a constant worry on Miuccia Prada’s mind. So, for her Fall collection, the designer was inspired by “romance and fear,” in of all things…a nod to the Bride of Frankenstein. For her romantic girls, Prada showed plenty of delicate lace capes, 3-D floral skirts and glittery red shoes, but these feminine gestures stomped their way into an army of utilitarianism looks that ranged from uniform military jackets to combat boots. The collection embraced the Prada woman; she’s smart, worldly, and understands the turmoil around her, yet she still really loves fashion.

SALVATORE FERRAGAMO

Salvatore Ferragamo (Courtesy of Vogue.com)

Salvatore Ferragamo (Courtesy of Vogue.com)

Just days before the show, Salvatore Ferragamo announced Paul Andrew’s promotion to creative director, overseeing all design operations for the company. For Andrew, it all starts with ‘the shoe.’ Case in point, a Ferragamo multicolored patchwork shoe that was created in 1942, which provided the collection’s color palette and patchwork prints. Andrew also showed a more refined side with a chic belted pantsuit and lots of tailored outerwear.

GIORGIO ARMANI

Giorgio Armani  (Courtesy of Vogue.com)

Giorgio Armani (Courtesy of Vogue.com)

No one, and I mean no one, does tailoring better than Giorgio Armani. And for his Fall 2019 unisex show, the designer titled his collection “Rhapsody in Blue.” Although the collection was overwhelming dark (a sign of the times?), there were plenty of interesting details. Armani showed jodhpur pants paired with tailored jackets for day, while for evening he created a beaded floral shrunken jacket that was paired with velvet trousers for a relaxed take on eveningwear, as only Armani knows how.

GUCCI

Gucci (Courtesy of Vogue.com)

Gucci (Courtesy of Vogue.com)

Okay, so you see the image of this houndstooth suit and you say, gotta be Chanel right? Well…wrong! It’s Alessandro Michele. Known for his eclectic, magpie collections for Gucci that often blast gender norms and historical mash-ups, for Fall 2019 he delivered a powerful collection filled with the treasured pieces you would find in your grandmother’s closet. With a nod to the 40s, Michele created tailored jackets that were cut to perfection for both men and women, as well as wide leg cropped trousers, Pierrot collar shirts and anything but basic outerwear. While this may have been a tamer Gucci collection, Michele infused plenty of eccentric touches – such as the fetish masks and metal ear coverings.

CHRISTIAN DIOR

Christian Dior (Courtesy of Vogue.com)

Christian Dior (Courtesy of Vogue.com)

Among the designers that have truly taken their causes to the runway is Maria Grazia Chiuri, the creative director for Christian Dior. Season after season Chiuri takes a stand on women’s rights and equality. For Fall 2019, Chiuri channeled Italian conceptual artist Bianca Menna, who in the 1970s signed her work pseudonymously as Tomaso Binga, a man, to cunningly protest male privilege in the art world. The artist read a poem about the promise of a feminist victory at Chiuri’s show. As for the clothes, Chiuri was inspired by England’s “Teddy Girls” – 1950s working class girls who had a love of Rock & Roll and clubbing – as well as Dior’s  optimistic creations of the same time period. The collection was sportswear at its best! Chiuri layered rompers, skirts, coats, trousers and bustiers in a modern and fresh way.

DRIES VAN NOTEN

Dries Van Noten (Courtesy of Vogue.com)

Dries Van Noten (Courtesy of Vogue.com)

Dries Van Noten is known for his bold prints and unapologetic use of color, but let’s face it, today’s state of the world is a bit darker so Van Noten turned out a hauntingly beautiful show. While his signature floral prints are traditionally romantic and vibrant, this Fall the floral motif took a somber turn. In an interview with Vogue, Van Noten stated “We picked them from my garden last October and photographed them. I wanted roses but not sweet roses—roses with an edge, roses for now. Flowers can be romantic, but this I wanted to take out, because the times are tougher than in the past. So you see the diseases, the black spot, the imperfections.

Van Noten opened the show with a lineup of polished gray pantsuits, perfect looks for the office (political or business), case in point, a pinstripe belted pantsuit with a matching puffer stole. How incredibly chic! Can you just imagine Justice Ruth Bader Ginsburg in this?

CHLOE

Chloé (Courtesy of Vogue.com)

Chloé (Courtesy of Vogue.com)

Chloé paid a touching tribute to Karl Lagerfeld, the late designer who designed for the house  from 1963 – 1983. When the fashion crowd arrived, they found placed on their seats postcards that featured images of Lagerfeld’s past collections, as well as his own comments about his work. One particular quote from 1975 still resonates today, “The essence of modern dressing—unstructured, weightless, [and] totally feminine.”

Fast forward, forty years later, and this is still the Chloé aesthetic; upscale bohemian in the chicest and most sophisticated way. For her Fall 2019 collection, Natacha Ramsay-Levi found her stride at the house. There were an abundance of breezy but polished dresses that every “It Girl” will crave. Ramsay-Levi paired these effortless frocks with mid-heel boots to complete the effortlessly cool look.

Sure Ramsay-Levi nailed the boho look, but she also showcased her talents as a great tailor with Prince of Wales trousers and skirts, military-inspired trousers and plenty of outerwear,  cut to perfection.

Balmain (Courtesy of Vogue.com)

Balmain (Courtesy of Vogue.com)

Meanwhile at Balmain, Olivier Rousteing went full-out 80s biker chic. Big shoulders, biker chains, black leather moto jackets and power suiting on steroids was his vision of the modern woman. But, not so sure about whether this through-back look will help women in today’s day and age like it did in the 80s. What would Nancy Pelosi or RBG say?

So tell us, where do you stand on power-dressing in the 21st century?  

ONES TO WATCH: A SPOTLIGHT ON EMERGING DESIGNERS

- - Fashion Shows
Black Iris Founders: Aly Gradone, Candice Miller, Chloe Rosenberg, and Rachel Wexler. (Courtesy photo from label)

Black Iris Founders: Aly Gradone, Candice Miller, Chloe Rosenberg, and Rachel Wexler. (Courtesy photo from label)

As we prepare for the glitz and glamour of fashion month, Fall 2019,  and eagerly await looks from our favorite designers that will be live-streamed, Snapchatted, Tweeted, Pinterested  and Instagramed by brands, their fans and their influencers, we thought we’d stop for a moment and take a look what goes into creating a collection; the skills , the hard work, the time and the sacrifice. As many aspiring designers know, this is no easy feat.

And so, before we’re bombarded with fashion week images, let’s take a moment to celebrate a new crop of young talent who are throwing their hats in the ring and who we believe are worth watching.

BLACK IRIS

A look from Black Iris (Photo courtesy of the designer)

A look from Black Iris (Photo courtesy of the designer)

Here’s a story of four fashionable friends who started a fashion label together in NYC – Black Iris – that is launching for spring/summer 2019. Aly Gradone, Candice Miller, Chloe Rosenberg and Rachel Wexler all worked in various roles within the fashion industry, but came together to create a collection that would fill a void in the market that they found was missing. These fashionably chic working moms were looking for pieces to fit into their lifestyle, they wanted romantic yet easy-to-wear pieces cohesive enough to wear from school events to social gatherings and back to the office. So together, these four talented women created Black Iris.

According to an article in WWD that ran on Jan. 16, 2019, “Gradone, formerly a fit model with Fashion Fit Models, works as the company’s chief merchandising officer; Miller, lifestyle blogger of Mama & Tata, handles all their social media, press and events as chief marketing officer; Rosenberg, previously having designed for Rebecca Taylor, Madewell and Angel Textiles, manages the overall brand aesthetic as the chief of design and creative director; Wexler, previously an investor at Allen & Company, as well as equity research analyst at J.P. Morgan, is the company’s chief operating officer. The name “Black Iris” itself derived from the idea of the brand being as delicate and beautiful, but as “highly coveted and difficult to find as the black iris flower itself.”

The collection includes 23 pieces, with multiple drops planned throughout spring on their own e-commerce (shopblackiris.com), as well as available exclusively on Moda Operandi and ShopBAZAAR for their launch on Jan. 23; priced from $395 to $1,395 (U.S. Dollars). The collection is filled with ladylike dresses and separates inspired by woman’s fashion in the late fifties, but with a modern silhouette.

“Romantic, edgy pieces made for women by women,” they noted. While the brand leans far more romantic than the latter, these wearable pieces are for the girly-girl at heart.

 LA DRAFT

A look from La Draft (Photo courtesy of Sam Sarabandi)

A look from La Draft (Photo courtesy of Sam Sarabandi)

Saving the environment is a cause close to everyone’s heart, no matter what side of the Atlantic you live on. Today, more than ever, many fashion companies are thinking of ways to produce their collections in sustainable ways. A new crop of designers are even recycling existing garments and giving them new life. Meet Smith Boulet-Tongier, Ousmane Ndour and Ab Phetmanivong, the designers behind the French unisex brand La Draft.  The concept for the collection began when the fashionable friends began reworking their existing old pieces that they were tired of and created new looks — cutting off a coat collar, adding a zip pocket — these re-created looks started gaining attention from family and friends.  In December, 2017, the three friends took the plunge and created their fashion line La Draft.

Their business model took off and quickly evolved. When the brand started, the designers were sourcing their clothing from local thrift stores and reworking them into new designs with the help of ateliers in La Goutte d’Or, an area in the north of Paris known for its African community. Ninety percent of the line is made of upcycled fabric.

In January, 2018, the designers opened a pop-up store named Upcycling Experience, which was a great success. The designers invited customers to bring in their unwanted clothes and they would be customized for a fee right on the spot, and so La Draft decided to launch its own upcycling service. “We want to get customers to reuse things rather than overconsume,” Boulet-Tongier said to WWD on Dec. 20, 2018. “So we came up with a subscription service: For 100 euros per month, customers can ‘draft’ two items from their wardrobe, giving them a second life rather than hitting the shops to buy more clothes.” Individual pieces can also be upcycled for a fee.

GIDDY UP

A look from Giddy Up (Photo courtesy of the designer)

A look from Giddy Up (Photo courtesy of the designer)

Giddy Up is a new Japanese label that perfectly combines classic techniques with special high-tech materials; the goal, to create a new high fashion experience, and the brand founder Mikio Sakabe and designer Yusuke Hotchi, put it to the test when they staged their first runway show in Paris on September 25, 2018. The duo developed a cutting-edge collection in collaboration with Japanese internet giant and 3-D printing specialist DMM.

“Hi-tech always sounds so serious, I wanted to do something light,” said Mikio Sakabe to WWD in an article published on September 25, 2018. “Hi-tech trends tend to be associated with experimental design, but our focus is more on smoothly connecting people’s lives,” continued Sakabe.

The duo positioned the label as a high-end fashion brand, which is why showing in Paris made perfect sense to them. During the show, the brand logo was flash up as a hologram on the garments and sneakers, with the direction centered on a mix of sportswear and tailoring basics. “The aim is not to be too extreme [in the hi-tech innovation], for it to be wearable,” said Sakabe.  The collection focused on landscape prints, interesting surface textures, fabric manipulation, and 3-D printed zippers.

PUSHBUTTON

A look from PushButton (Photo courtesy of Francisco De Villaboa)

A look from PushButton (Photo courtesy of Francisco De Villaboa)

It’s not every day that a young label gets dubbed by Net-a-porter as “one of Seoul’s most exciting labels”. Meet Seung-Gun Park, the talented designer behind the label Pushbutton. The former K-Pop star argues that his music career and fashion brand are completely separate from one another. But that may be hard to argue when his designs have already been worn by South Korean rapper Zico and Chinese singer Chris Lee. While Park has become a popular designer in South Korea, the designer is ready to expand his business internationally.

“I wondered what I could bring to London on this new platform. I decided to go through PushButton’s archives and express my inspirations in a signature PushButton way, but add new elements,” Park said in a WWD article published on September 4, 2018. “I’m afraid of becoming too complacent.”

The outcome, a bold collection filled with vivid colors inspired by the Nineties bubble economy in Japan and South Korea. “It was all about shopping and showing-off. Fashion was very extravagant and I find myself going back to that time and how we used to imagine the 21st century. This collection is my interpretation of the future from the past,” he noted. There were plenty of signature oversized silhouettes, shoulder padded blazers and coats, ruched cropped tops.

PushButton’s pieces are available on Net-a-porter, Shopbop, Browns, LuisaViaRoma and on their own e-commerce site, which retail at around 450 pounds for pants and around 600 pounds for coats (UK Currency).

WESLEY HARRIOTT

A look from Wesley Harriott (Photo courtesy of Francisco De Villaboa)

A look from Wesley Harriott (Photo courtesy of Francisco De Villaboa)

Born and raised in North London, womenswear designer Ricky Wesley Harriott favors utilitarian and multifunctional fashion that have an edgy and modern twist for his label Wesley Harriott. The designer plays with the juxtaposition between feminine and sporty, offering athletic lines and influences alongside corset-style lace up backs and sleeves.

In 2018, the designer won the ASOS Fashion Discovery Prize – a competition run by the global online retailer created to help nurture and alleviate some of the financial pressure many young designers face today. The label has already been worn by a slew of celebrities ranging from Lady Gaga to Kylie Jenner.

In September, 2018, Ricky Wesley Harriott held his first solo runway show during London Fashion Week with great reviews.  The designer is inspired by strong and powerful women such as his mother as well as comic book and manga female heroes. Harriott states that his brand “seeks to tell stories inspired by the women I love and continue to encounter, creating a uniform that supports them as they blur the lines between civilian and superhero” according to FashionMonitor.com. The designer also says, “This collection is called ‘You can (not) be everything’ It is very much rooted in reality more so than anime and superheroes, which I always reference due to my nerdy obsession. The collection draws on some conversations I initiated based around the things women have to consider when they get dressed everyday, and I have touched on my thoughts on this in a way that continues the Wesley Harriott narrative.”

The collection will feature tight tops with face mask extensions, pinstripe jumpsuits, structured blazers nipped at the waist, and bag attachments sewn into skirts and dresses. He will also introduce eveningwear with dramatic Lurex jersey gowns and leather minidresses.

Harriott’s collection is exclusive to Asos and will be a mix pieces from his archives as well as his new pieces, but they will all be interpreted for the ASOS client. Prices will range from 150 pounds (U.K. Currency) for the ninja-style crop tops, 300 pounds for trousers and 700 pounds for blazers.

AS WE HEAD INTO FASHION MONTH, LET US KNOW WHAT NEW COLLECTIONS THAT YOU WILL BE FOLLOWING. AS EVERYONE KNOWS, HERE AT UNIVERSITY OF FASHION WE ARE DEDICATED TO TEACHING AND PRESERVING THE ART & CRAFT OF FASHION DESIGN!

 

INDIA: AN EMERGING PLAYER IN GLOBAL FASHION

Priyanka Chopra Jonas and Nick Jonas in Sabyasachi at their Mumbai reception

Priyanka Chopra Jonas in a dress designed by Indian fashion designer Sabyasachi Mukherji   (Courtesy: Vogue.com)

Well, 2018 went out with a bang. A number of celebrities tied the knot at the end of the year, but the biggest celebrity wedding of all, according to Us Weekly, was that of Nick Jonas (former Jonas Brother) and Indian actress Priyanka Chopra (former Miss World 2000). Events leading up to the wedding were absolute spectacles and their colorful wedding photos were shared all over social media. The pair said their “I do’s” at the Umaid Bhawan Palace in Jodhpur, Rajasthan, and the events literally sparked a new interest in Indian culture and fashion.

Priyanka Chopra Jonas in Sabyasachi and kalire by Mrinalini Chandra for the wedding (Photo courtesy of Vogue.com)

Priyanka Chopra Jonas in Sabyasachi and kalire by Mrinalini Chandra for the wedding (Courtesy of Vogue.com)

Priyanka Chopra and Nick Jonas’s combo Western/traditional Punjabi wedding was complete with a chooda and kalire ceremony. Held one after the other on the morning of the wedding day at the bride’s place, beautiful red and white chooda (bangles) and the beautiful golden accessories that hang on them, famously known as kalire, were custom-made by Mrinalini Chandra. For the Christian wedding, Chopra wore a white modest gown created by Ralph Lauren—not a common choice for an Indian bride, but the gown had plenty of exquisite details. According to RL Mag, Ralph Lauren’s official internal publication, “At Priyanka’s request, eight special words and phrases were incorporated into the embroidery pattern of the coat: “Hope” and “Compassion,” a Hindu mantra “Om Namaha Shivay,” and “December 1, 2018,” the date of the ceremony. The placement of the groom’s full name, Nicholas Jerry Jonas, on the front of the coat, was mirrored on the back with the names of her parents. (A piece of lace from Nick’s mother’s own wedding dress was sewn into the pattern) and the word “Family” scrolled down the right sleeve, where Priyanka has a wrist tattoo reading “Daddy’s Lil Girl…” And finally, just over her heart, the word “Love” was stitched in ivory thread.”

Priyanka Chopra and Nick Jonas in Ralph Lauren on their wedding day in India (Photo Courtesy of Vogue.com)

Priyanka Chopra and Nick Jonas at their traditional White Wedding ceremony- dress by Ralph Lauren (Courtesy: Vogue.com)

Priyanka Chopra, Nick Jonas and their guests wore plenty of traditional looks created by Indian designers – placing the spotlight on Indian fashion around the world.

Models in Monisha Jaising at Lakme Absolute Grand Finale courtesy of WWD

Models in Monisha Jaising at Lakme Absolute Grand Finale (Courtesy: WWD)

 THE INDIAN FASHION INDUSTRY

The Fashion Design Council of India (FDCI), a not-for-profit organization, is the apex body of fashion design in India. It is represented by over 400 members and was created to promote, nurture and represent the most incredible talents in the country. Its prime objective is to propagate the business of fashion in India in the form of coveted fashion weeks. As part of its initiatives, the FDCI’s calendar of events include the annual prêt week for women and menswear for Autumn/Winter and Spring/Summer, the India Fashion Week and the yearly luxurious offering, the India Couture Week. India Fashion Week is a bi-annual fashion week organized and promoted by the Fashion Design Council of India. It was sponsored by Wills Lifestyle from 2006-2014 before Amazon became and continues to be its sponsor.

Lakmé Fashion Week (LFW) has earned renown as one of India’s most prestigious fashion shows, which takes place twice a year, with the Summer/Resort show in the early months of the year, and the Winter/Festive show in August. Run through a collaborative effort between cosmetic brand Lakmé and IMG Reliance Ltd, which has made a name for itself in fashion, and entertainment marketing and management, the fashion show was conceived to allow Indian fashion to gain a foothold in the global fashion industry.

Over the past few years, the fashion scene in India has finally been receiving global recognition. According to an article in WWD, published on Sept. 3, 2018, India’s Lakmé Fashion Week has been rapidly growing with sponsorship up 40 percent, according to Jaspreet Chandok, vice president and head of fashion at IMG Reliance. “This season is going to be the highest amount of sponsorship the LFW has had, having grown consistently for the last four seasons.” While individual designers are finding sponsors, “the sponsors that are coming directly through fashion week, because of the large platform where multiple conversations can happen,” Chandok observed.

INDIAN DESIGNERS: CLASSICS WITH A TWIST

 Here are a few of the best looks from India’s Lakmé Fashion Week Fall/Winter 2018: 

 THE DENIM SARI 

Diksha Khanna's runway show

Diksha Khanna’s runway show (Courtesy: Sagar Ahuji)

East meets West as the sari enters the 21st century.  This edgy, distressed denim sari was created by Diksha Khanna, an alumni of National Institute of Fashion Technology (NIFT), Delhi and University of Leeds, UK. Diksha has worked internationally with several design houses before shifting her base to India. She is known for fine needlepoint embroideries on handloom linens, rugged, hand-distressed scrap denim pieces and languid drapes in combination with structured tailoring.

 THE DHOTI SARI

Shivan Narresh's runway show

Shivan & Narresh’s runway show (Courtesy:  Sagar Ahuji)

The traditional dhoti gets a sultry sari makeover by Shivan & Narresh, advocates of the high-flying, party-hopping lifestyle. Shivan Bhatia and Narresh Kukreja were known as the first, and so far the only, beachwear designers in India, when they introduced their innovative Bikini Sarees. Their signature Bikini Sarees are in vogue these days and many actresses like Kareena Kapoor, Maliaka Arora Khan and Bipasha Basu have been seen dazzling in them on the red carpet. Their global clientele includes Nicki Minaj, Dita Von Tesse, Fergie, Padma Lakshmi and Selita Banks. Both designers are alumni of National Institute of Fashion Technology, where they met and combined their creativity to form an invincible team for the designing competitions. Their efforts earned them a scholarship in 2006 after winning Mittelmoda International Beachwear Award in Bali. The Shivan and Narresh 2014 summer collection featured cut out sleek gowns and bold knee length dresses, which were later adorned by actress Lisa Haydon and Priyanka Chopra, making their dresses a cool alternative to conventional cocktail dresses.

NEHRU SLEEVELESS VEST

Akaaro By Gaurav Jai Gupta's runway show

Gaurav Jai Gupta’s runway show for Akaaro (Courtesy: Sagar Ahhuji)

Sustainable fashion designer Gaurav Jai Gupta for Akaaro (meaning the alphabet ‘A’ in sanskrit), reinvents the classic Nehru vest by oversizing and elongating it. He updates the look by substituting a dress over slim pants instead of the traditional Indian kurta over churidar pants. Trained as a fashion and textile designer from Chelsea College of Art and Design London and National Institute of Fashion Technology (NIFT) New Delhi, Gaurav started his company in 2010 and became the first Indian designer to be commissioned by The Woolmark Company to launch the 2014 Cool Wool Menswear collection for Raymonds in India.

 INDIAN EMBROIDERY REIMAGINED

PÉRO's runway show

Aneeth Arora for Péro (Courtesy: Sagar Ahuja)

Aneeth Arora holds a diploma in paper technology and started out making paper clothing. Her company Péro (means ‘to wear’ in Marwari) launched in 2009. She has since won numerous awards, such as the Marie Claire for Eco Fashion in 2010, Young Creative Fashion Entrepreneur in 2011, and Vogue India’s first-ever Fashion Fund Award, which inevitably turned her into quite a hot seller in the Indian fashion industry.

 THE CHINTZ TRENCH

Abraham Thakore's runway show

Abraham & Thakore’s runway show (Courtesy: Sagar Ahuja)

Known as the ‘quiet revolutionaries of Indian fashion,’ David Abraham and Rakesh Thakore (graduates of the National Institute of Design, Ahmedabad) along with Kevin Nigli, launched their label, Abraham & Thakore (A&T), in 1992. Their collections cater to the working urban Indian woman who prefers fashion that draws on tradition.

 THE SHIMMERY PANTSUIT  – INDIAN STYLE

Namrata Joshipura's runway show

Namrata Joshipura’s runway show (Courtesy: Sagar Ahuja)

In an era of female empowerment, it’s no surprise that the pantsuit continues its reign. Here Namrata Joshipura’s millennial pink version is the perfect antidote to the LBD (slang for little black dress). Joshipura, a NIFT graduate, started her company in 1996. She fuses contemporary silhouettes with modern interpretations of artisanal embellishments. Internationally her clothes are sold at Bon Marche (Paris), Sauce (Dubai), American Rag (Los Angeles) and Beams (Japan), and she spends her time between New York and New Delhi.

 THE VELVET PUFFER 

Siddartha Tytler's runway show

Siddartha Tytler’s runway show (Courtesy: Sagar Ahija)

Delhi-based Siddartha Tytler graduated from St. Columba’s in 1997 and spent a year at the National Institute of Fashion Technology before moving on to the Fashion Institute of Technology (FIT). In 2002, after his return to India, he had his first show at the Hyatt Regency in New Delhi. Luscious velvet is a winter favorite. Here the traditionally regal fabric gets a youthful transformation in Siddartha Tytler’s crimson velvet puffer jacket.

 COLOR-BLOCKING

Kanika Goyal's runway show

Kanika Goyal’s runway show (Courtesy: Sagar Ahuja)

Kanika Goyal has a knack for creating abstract print dresses in clashing hues. Born in Chandigarh, Kanika graduated from the National Institute of Technology and continued her studies at Parsons. She showcased her ground-breaking “Bio:Sonic” collection in 2015 at Lakmé Fashion Week and continues to refine modern Indian fashion on the global stage.

MAKE A STATEMENT

Nitin Bal Chauhan's runway show

Nitin Bal Chauhan’s runway show (Courtesy: Sagar Ahuja)

Nitin Bal Chauhan, known for his label Bhootsavar, aims to bring out the dark side of human nature. As an artist he studies society closely and finds a way to deliver a message through his work. His last runway collection conveyed a strong political message on behalf of the displaced refugees all around the world.

GDP Growth Projection for Asia,  2018 (Source World Bank, 2017)

GDP Growth Projection for Asia, 2018 (Source World Bank, 2017)

As India’s economy continues to grow, the country is becoming a key player in the fashion world. According to BOF: State of Fashion 2019  – an overall benchmark of the industry comprised from data gathered by McKinsey Global Fashion Index (MGFI) – “India is increasingly a focal point for the fashion industry, reflecting a rapidly growing middle-class and increasingly powerful manufacturing sector. These, together with strong economic fundamentals and growing tech-savvy, make India too important for international brands to ignore.”

According to the study, “economic expansion is happening across Asia, but we expect that 2019 will be the year in which India will take center stage. The country is being propelled by strong macroeconomic tailwinds and is predicted to grow 8 percent a year between 2018 and 2022. The Indian middle-class is forecast to expand at 19.4 percent a year over the same period, outpacing China, Mexico and Brazil. As a result, India is set to move from being an increasingly important sourcing hub to being one of the most attractive consumer markets outside the Western world. India’s apparel market will be worth $59.3 billion in 2022, making it the sixth-largest in the world, and comparable to the UK ($65 billion) and Germany ($63.1 billion), according to data from McKinsey’s FashionScope. The aggregate income of the addressable population (individuals with over $9,500 in annual income) is expected to triple between now and 2025. According to Sanjay Kapoor, founder of Genesis Luxury, an Indian luxury retail conglomerate, higher incomes are likely to create a whole new class of consumer: “We are moving on towards the ‘gold collar’ worker. It’s a term that defines the well paid, highly paid professionals, who are happy to look good, happy to feel good and are expanding the consumption of today.” Given these dynamics, it is little surprise that more than 300 international fashion brands are expected to open stores in India in the next two years. “

The Indian market offers great promise. Do you think it will overtake the U.S. and China as the next big global fashion opportunity?

TIS THE SEASON: THE MAGIC OF HOLIDAY WINDOWS

 Louis Vuitton NYC Window display (Courtesy Photo)

Louis Vuitton NYC Window display (Courtesy Photo)

It’s the most wonderful time of the year…..the holiday season is a magical time when joyful cheer is celebrated and generosity for others is spread throughout the world. No matter what your religious beliefs, there is no denying that this season is filled with hope for a better tomorrow.  The holidays are also an opportunity for retailers and brands to end the year with high profit margins, as consumers shop for the perfect gifts family and friends.

The holiday season seems to be getting earlier and earlier. This year many retailers even officially kicked off the season by staying open on Thanksgiving! “Black Friday,” which is a public holiday in more than 20 states, presumably got it’s name from one of two theories: that the wheels of vehicles in heavy shopping traffic on the day after Thanksgiving Day left many black markings on the road surface. The other theory is that the term Black Friday comes from an old way of recording business accounts. Losses were recorded in red ink and profits in black ink. Many businesses, particularly small businesses, started making profits before Christmas especially on the Friday after Thanksgiving. “Cyber Monday” on the other hand, was first used in 2005 by the National Retail Federation (NRF), which needed a name for the flurry of online sales the Monday after Thanksgiving, since online merchants wanted the money that  brick-and-mortar stores were making on Black Friday.

But with today’s retail market being so saturated, and online shopping being so competitive, how do traditional brick-and-mortar retailers compete? The answer is simple, major department stores and retailers around the world lure customers in with their brilliant, spare-no-expense race for an exuberant gasp… holiday display windows, that have become a destination tourist attraction and in many cases a family tradition around the world!

Each store has their own unique style when it comes to their holiday windows. Macy’s and Lord & Taylor are known for their classic displays that delight Christmas shoppers and their children. Barneys New York is known for innovative and provocative displays, while Bergdorf Goodman and Saks Fifth Avenue are known for over-the top glitz. No matter what, these windows attract costumers, something that an eCommerce site can’t do.

The tradition of holiday window displays dates back to the Industrial Revolution, when in the late 1800s plate glass became readily available and allowed shop owners to build large, full length storefront windows to display merchandise. This was the birth of window shopping as we know it today.

It shouldn’t come as a surprise, but one of the first major holiday window displays was created by the Macy’s New York store in 1874, featuring a collection of porcelain dolls and scenes from Harriet Beecher Stowe’s book, Uncle Tom’s Cabin.

Children at the Macy’s toy window, ca. 1910 via The Library of Congress

Children at the Macy’s toy window, ca. 1910 via The Library of Congress

In the early 1900s major retailers across the U.S. began competing with each other. Store owners and managers used window displays to lure window shoppers into their stores, and holiday displays became more colorful and creative. By 1937, department store owner, specifically Lord & Taylor, decorated their windows with gilded bells that swung in sync with the sounds of recorded bells. This was a  turning point for retailers, as each began to transition their holiday windows into magical fantasy experiences, as opposed to just showcasing merchandise.

“Bell Windows” at Lord & Taylor, 1937 via MCNY

“Bell Windows” at Lord & Taylor, 1937 via MCNY

From that point on, year after year, competition among major brick-and-mortar retailers intensifies, as online shopping increases. But it’s this magical time of year that consumers are lured into stores to view these masterful works of art.  The grander and more innovative the display, the more attention it receives and let’s face it…the more likes on social media is always a good thing!

Here is a fantastical journey of holiday window displays from across the globe. Each retailer had a clear and strategic message to attract their customers.
Printemps Windows 2018 in Paris (Courtesy Photo)

Printemps Windows 2018 in Paris (Courtesy Photo)

At Printemps, in Paris,  Jules and Violette, the retailer’s recurring holiday mascots, are sent on a hunt for Santa Claus visiting the desert, Antarctica, the bottom of the sea, and mushroom-and flower-covered terrain with flapping butterflies.

Macy's Holiday Windows 2018 in NYC (Courtesy Photo)

Macy’s Holiday Windows 2018 in NYC (Courtesy Photo)

At Macy’s Herald Square in Manhattan, a tale of friendship, family, adventure and teamwork unfolds as Sunny the Snowpal works to save Christmas, befriending a fox along the way.

Bloomingdale's Holiday Windows 2018 in New York (Coutesy Photo)

Bloomingdale’s Holiday Windows 2018 in New York (Coutesy Photo)

Bloomingdale’s 59th Street flagship store in New York City was inspired by “The Grinch.”

Bergdorf Goodman's Holiday Windows 2018 in NYC (Courtesy Photo)

Bergdorf Goodman’s Holiday Windows 2018 in NYC (Courtesy Photo)

Bergdorf Goodman’s windows in NYC are a sugar-filled delight with everything from a gingerbread cuckoo clock, whose timekeeper is prone to wander from her enormous chalet, to a peppermint-hued dream featuring a candy cane wizard.

Saks Fifth Avenue Holiday Windows 2018 in NYC (Courtesy Photo)

Saks Fifth Avenue Holiday Windows 2018 in NYC (Courtesy Photo)

Saks Fifth Avenue’s NYC window portrays a fashionable shopper’s visit to the theater, where instead of watching the show, she dreams of the retailer in a whimsical fantasy.

Barneys Holiday Windows 2018 in NYC (courtesy Photo)

Barneys Holiday Windows 2018 in NYC (courtesy Photo)

Barneys New York takes the penny to greater heights with its Making Change theme, presented by the Barneys New York Foundation. The campaign, in partnership with Save the Children, invites guests to create some currency during the holidays, including using the hashtag #centiments, which results in a $5 donation by the foundation to Save the Children for every post. Now that’s spreading holiday cheer!

Galeries Lafayette Windows 2018 in Paris (Courtesy Photo)

Galeries Lafayette Windows 2018 in Paris (Courtesy Photo)

Galeries Lafayette in Paris envisions a “reverie with La fabrique des Rêves,” or manufacturer of dreams, featuring delightful characters imagined by children: furry dinosaurs and silly monsters in a playful and whimsical window is packed with toys and presents, plus seasonal pieces from the shop’s shoe and clothing collection.

Harvey Nichols in London Holiday Window (Courtesy Photo)

Harvey Nichols in London Holiday Window (Courtesy Photo)

Harvey Nichols, London is celebrating the new Disney film Mary Poppins Returns by showcasing four costumes worn by the cast. In reference to the iconic character’s favorite mode of transport, gold and silver umbrellas also decorate the windows.

Harrods in London Holiday Window Display (Courtesy Photo)

Harrods in London Holiday Window Display (Courtesy Photo)

Harrods in London serves up sweet treats in a festive celebration with oversized, mouthwatering  desserts.

Liberty in London Holiday Window Display (Courtesy Photo)

Liberty in London Holiday Window Display (Courtesy Photo)

Liberty London’s animal etchings on pillars and panels are a well-known part of the decor. The creatures appear in windows as two-dimensional black-and-white cutouts.

Selfridges in London Holiday Window Display (Courtesy Photo)

Selfridges in London Holiday Window Display (Courtesy Photo)

Selfridges’ “Santa on Tour” in London has St. Nick hitting the road and rocking designer created looks.

Mitsukoshi Holiday Windows 2018 in Tokyo (Courtesy Photo)

Mitsukoshi Holiday Windows 2018 in Tokyo (Courtesy Photo)

Mitsukoshi, located in Tokyo, mark the last Christmas of Japan’s Heisei period; the current emperor plans to abdicate in April, which will mark the beginning of a new period. Isetan creates a retro vision of the future featuring a rocking horse and snow globes cavorting with reindeer aided in flight by jet packs and Santa in a motorized sleigh.

Takashimaya Holiday Windows 2018 in Tokyo (Courtesy Photo)

Takashimaya Holiday Windows 2018 in Tokyo (Courtesy Photo)

Takashimaya’s in Japan’s Nihonbashi district store appeals to kids with mini carousels, model train and Ferris Wheel surrounded by plush animals.

Harbour City Holiday Windows 2018 in Hong Kong (Courtesy Photo)

Harbour City Holiday Windows 2018 in Hong Kong (Courtesy Photo)

At Harbour City, Hong Kong, shoppers who donate to the Hong Kong Blood Cancer Foundation can take a selfie with a giant video kaleidoscope where LED screen walls are filled with snowflakes, stars and rainbows.

Joyce Holiday Windows 2018 in Hong Kong (Courtesy Photo)

Joyce Holiday Windows 2018 in Hong Kong (Courtesy Photo)

Joyce’s dramatic holiday décor in Asia is a cross between, “The Wizard of Oz” and “Stranger Things.” The outcome is an upside-down Emerald City topped by a right-side-up Indiana cabin. The cutting edge retailer also has a 50 foot Christmas tree suspended from its ceiling.

So tell us, which is your favorite Holiday window display?

 

For those of you still on the hunt for the perfect gift for that fav fashionista:

.Historical Dictionary of the Fashion Industry

Historical Dictionary of the Fashion Industry (Courtesy Photo)

Historical Dictionary of the Fashion Industry (Courtesy Photo)

https://www.amazon.com/Historical-Dictionary-Dictionaries-Professions-Industries/dp/1442239085/ref=sr_1_1?s=books&ie=UTF8&qid=1543860001&sr=1-1&keywords=historical+dictionary+of+the+fashion+industry

You can also pre-order our various technique books to perfect your skills:

To pre-order the Sewing: Techniques for Beginners – https://www.amazon.com/Sewing-Techniques-Beginners-University-Fashion/dp/1786271982/ref=sr_1_7?s=books&ie=UTF8&qid=1543860128&sr=1-7&keywords=Sewing+Techniques+for+Beginners

Sewing (Courtesy Photo)

Sewing (Courtesy Photo)

To pre-order the Draping: Techniques for Beginners – https://www.amazon.com/Draping-Techniques-Beginners-University-Fashion/dp/1786271761/ref=sr_1_1?ie=UTF8&qid=1543860392&sr=8-1&keywords=Draping%3A+Techniques+for+Beginners

Draping (Courtesy Photo)

Draping (Courtesy Photo)

To pre-order the Pattern Making: Techniques for Beginners – https://www.amazon.com/Pattern-Making-Techniques-Beginners-University/dp/1786271966/ref=sr_1_3?ie=UTF8&qid=1543860796&sr=8-3&keywords=Pattern+Making%3A+Beginner+Techniques

Pattern Making (Courtesy Photo)

Pattern Making (Courtesy Photo)

 

 

And how about a gift certificate to the UoF?

cde7bd42-9d47-4ca6-991a-980317ec58dd

b8758834-1e59-4e71-9e3b-d0817b8d9b4c
Two Holiday Subscription Deals
  • Get $60 off a new Yearly subscription here!
  • That’s more than 30% off our usual $189 yearly rate!
  • Offer Only available for new Yearly subscribers. Current Monthly subscribers or Free Members, see below.

  • Get $5 off your first month of a new Monthly subscription here!
  • That’s more than 25% off our usual $19.95 monthly rate!
  • Offer only available for new Monthly subscribers. Current Free Members, see below.

  • Current Free Members and Monthly subscribers: Log in as usual, then look to the left and click “Upgrade to Monthly [or Yearly] Subscription (Special holiday rate)”.


  • All subscriptions give you unlimited access to every lesson on our entire website!

How Millennial Culture Is Driving the Luxury Kidswear Market: Welcome to the age of the mini-me

- - Childrenswear
Jason and Amanda Harvey with their twins at the Dolce & Gabbana Fall 2017 show (Photo courtesy of designer)

Supermodel Amanda Harvey and husband Jason with their twins at the Dolce & Gabbana Fall 2017 show (Photo courtesy of designer)

Thanks to millennial culture and an addiction for posting every move they make across several social media platforms, the rise of influencers and celebrity dressing has brought high end fashion to the masses. These fashionistas save every penny to be able to purchase the latest Gucci sneaker or Balenciaga hoodie. Staying ahead of the fashion flock has become a job in itself, as fashion darlings post their OOTD (outfit of the day) looks on Instagram and Snapchat. But now, having the latest “It” bag or shoe is not enough. For those wanting to ‘break’ the internet, the new ‘must-have’ accessory is a child. And as if that weren’t enough, you need to dress them in the same outfit as you!  Your own personal ‘mini-me.’

Kim Kardashian and North West in matching Vetements dresses  (Photo courtesy of Getty)

Kim Kardashian and North West in matching Vetements dresses (Photo courtesy of Getty)

With the help of celeb parents such as Beyoncé/Kay Z and Kim Kardashian/Kanye West, the tiny doppelgänger trend is growing in popularity. Fashionable parents everywhere are posting  their matchy-matchy looks all over social media. But this growing trend straddles that fine line between fashionably cute and obnoxious. And worse, it’s the blatant exploitation of children in order to increase social media likes and build a bigger brand for monetary gain. In 2015 Anna Wintour (according to Radar Online on Feb. 23, 2015) staged a fashion intervention with Kim, advising her  to swap her daughter North’s (a toddler at the time) dreary wardrobe for pastels.  The Vogue editrix couldn’t understand why KKW dressed her in all black. In fact, Winter thought it inappropriate for children to be dressed in dark colors at all.

Kim Kadashian, North West, Kanye West and Anna Wintour during Fashion week in 2015 , (Photo courtesy of  AP)

Kim Kadashian, North West, Kanye West and Anna Wintour during Fashion week in 2015 , (Photo courtesy of AP)

While many agree with Wintour, that children should look like children, there is no denying that the designer childrenwear business is rapidly growing. A report by Global Industry Analysts, entitled Children’s Wear: A Global Strategic Business Report, predicts that the childrenswear market will be worth $291 billion (US) by the end of 2020. The report cited the increasing number of luxury labels catering to this segment as a key growth driver. High-end labels such as Gucci, Givenchy, Balenciaga, Dolce & Gabbana, Burberry, Stella McCartney and Christian Dior are cashing in on the children’s market, driven in part by what the report describes as the “growing exposure of children to media and the ensuing rise in materialism.”

Beyoncé and Blue Ivy in matching Gucci  Source @beyonce

Beyoncé and Blue Ivy in matching Gucci Source @beyonce

North West (daughter of Kim/Kanye) and Blue Ivy Carter (daughter of Beyoncé/Jay Z) have become key players in the mini-me trend, the pint-sized fashionistas and their moms wear matching designer looks often from labels such as Gucci, Vetements, and Balmain. It’s even rumored that Kim/Kanye’s son Saint is already wearing custom-made Lagerfeld. But it’s not only celebrity kids donning these pricy labels. The luxury childrenswear market is forecast to reach $6.6 billion in 2018, up by 3.8 percent year-on-year, according to Euromonitor, presenting ample growth opportunities as spending power increases and parents dish out upwards of $500 for a pair of miniature Gucci loafers to match their own.

@coco_pinkprincess  Source Instagram

@coco_pinkprincess Source Instagram

The growing popularity of the mini-me childrenswear trend is fueled by the allure of capturing that perfect Insta-moment. Fashionable Instagram kids are taking over and have a better sense of style than some adults.  There is an Instagram phenomenon for the under 10 set. Take Coco (@coco_pinkprincess), a child from Tokyo, with over 674,000 followers on Instagram, who is regularly dressed up in designer looks from Gucci, Moschino and Balenciaga. Or there’s Ivan (@thegoldenfly), who is the son of designer Natasha Zinko, who made his street style debut at Paris Fashion Week Feb. 2017. His profile reads “I dress to depress” and his street style game is on-point as he’s regularly photographed in Supreme, Comme des Garçons, and Vetements.

Designer Natasha Zinko Introduces Her Son Ivan to the Street Style Crew at Paris Fashion Week (Photo courtesy of Vogue)

Designer Natasha Zinko Introduces Her Son Ivan to the Street Style Crew at Paris Fashion Week (Photo courtesy of Vogue)

According to an article that ran in BOF on Oct 14, 2017, “People want to dress up their children to keep them fresh. Social media is making it easier to show pictures of your children, and parents and fashion labels are taking this demographic more seriously,” says David Park, an illustrator at Complex magazine, who launched a graphic alphabet book titled ‘ABC’s for the Little G’s’ earlier this year. Dedicated to ‘all the sneakerhead parents in the world’, Park’s book teaches toddlers their ABC’s via sneaker graphics: A is for Airmax, G is for Gucci, Y is for Yeezy… The book emphasizes a shift in perception: childrenswear is now cool. The market is currently worth $1.4 billion, according to Euromonitor, and the value of childrenswear in the U.S. is estimated to grow 8 percent by 2021, to $34 million. Luxury brands from Oscar de la Renta to Dolce & Gabbana have long produced childrenswear, but the category is booming with launches from labels like Givenchy, Yeezy and Balenciaga, giving it an extra level of street cred.

Givenchy Debut of Kids Collection (Photo courtesy of Givenchy)

Givenchy Debut of Kids Collection (Photo courtesy of Givenchy)

Balenciaga Kids fall 2018 (Photo courtesy of Balenciaga)

Balenciaga Kids fall 2018 (Photo courtesy of Balenciaga)

The childrenswear market has become increasingly trend-oriented and at UoF, we are on top of the childrenswear trend as we offer an assortment if  childrenswear lessons on the  UoF website, ranging from drafting children’s pattern making slopers to how to draw children’s figures. Click of the link below to learn more about our childrenswear design lessons.

https://www.universityoffashion.com/disciplines/childrenswear/

Coolest Kids at Seoul Fashion Week spring 2018 (Photo courtesy of Buro 24/7)

Coolest Kids at Seoul Fashion Week spring 2018 (Photo courtesy of Buro 24/7)

 Do you find dressing a kid like a mini-me is cute or obnoxious?

 

 

And just in time for the holidays, UoF is offering some amazing savings

on a Yearly or Monthly subscription. 

cde7bd42-9d47-4ca6-991a-980317ec58dd

b8758834-1e59-4e71-9e3b-d0817b8d9b4c
Two Holiday Subscription Deals
  • Get $60 off a new Yearly subscription here!
  • That’s more than 30% off our usual $189 yearly rate!
  • Offer Only available for new Yearly subscribers. Current Monthly subscribers or Free Members, see below.

  • Get $5 off your first month of a new Monthly subscription here!
  • That’s more than 25% off our usual $19.95 monthly rate!
  • Offer only available for new Monthly subscribers. Current Free Members, see below.

  • Current Free Members and Monthly subscribers: Log in as usual, then look to the left and click “Upgrade to Monthly [or Yearly] Subscription (Special holiday rate)”.


  • All subscriptions give you unlimited access to every lesson on our entire website!

FALL 2019 BRIDAL – BREAKING THE RULES

- - Fashion Shows
Marchesa Bridal Look (Photo courtesy of the designer)

Marchesa Bridal Look (Photo courtesy of the designer)

 Here comes the bride…and lucky for her, she has so many options to choose from. While Bridal Fashion Week took place earlier this month in New York City, designers offered plenty of show-stopping looks.

For most women around the world, their wedding dress is the most important and most expensive dress they will ever purchase. While following fashion fads may not always be ideal in the bridal market, following the top bridal designers around the world is a great way to interpret what trends to incorporate into your future bridal designs.

Nliss by Monique Lhuillier (Photo courtesy of the designer)

Bliss by Monique Lhuillier (Photo courtesy of the designer)

During Fall 2019 New York Bridal Fashion Week, many designers played it safe with frothy tulle skirts, intricate lace details, romantic 3D floral applique’s and of course, plenty of sleek, minimal dresses courtesy of the Meghan Markle effect. All were beautiful and perfect for the traditional bride.

Viktor & Rolf Bridal Look (Photo courtesy of the designer)

Viktor & Rolf Bridal Look (Photo courtesy of the designer)

Sareh Nouri (Photo courtesy of the designer)

Sareh Nouri (Photo courtesy of the designer)

What was refreshing this season was to see so many bridal designers step out of their comfort zone and offer their brides a variety of options. The runways were filled with chic power suits, youthful crop tops, seductive jumpsuits, romantic capes and even a effortless tracksuit. While these options may be daring for the ceremony itself, they are great options for all the events leading up to the wedding and even the reception.

Ready to take on the fall 2019 bridal trends? Here are the latest wedding dress trends future bridal designers need to know about now.

THE RETURN OF THE CROP TOP

It’s time to tone up those abs as crop tops were all the rage this season. Bridal designers are showing plenty of separates on the runway, such as cropped tops with sleek skirts. The look is a modern and fresh take on traditional bridal.

Laure de Sagazan (Photo courtesy of the designer)

Laure de Sagazan (Photo courtesy of the designer)

Cushnie Bridal Look (Photo courtesy of the designer)

Cushnie Bridal Look (Photo courtesy of the designer)

Rime Arodaky Bridal Look (Photo courtesy of the designer)

Rime Arodaky Bridal Look (Photo courtesy of the designer)

Willowby by Watters (Photo courtesy of the designer)

Willowby by Watters (Photo courtesy of the designer)

BHLDN  (Photo courtesy of the designer)

BHLDN (Photo courtesy of the designer)

JUMP RIGHT IN

Jumpsuits are here to stay as brides chose to change into seductive jumpsuits to let loose and dance the night away.

Ines di Santo  (Photo courtesy of the designer)

Ines di Santo (Photo courtesy of the designer)

Pronovias  (Photo courtesy of the designer)

Pronovias (Photo courtesy of the designer)

DB Studio by Davis's Bridal (Photo courtesy of Davis's Bridal)

DB Studio by Davis’s Bridal (Photo courtesy of Davis’s Bridal)

Savannah Miller Bridal Look (Photo courtesy of the designer)

Savannah Miller Bridal Look (Photo courtesy of the designer)

SHORT AND SWEET

Thanks to social media, a bride’s wedding dress is just not the be-all-end-all. Today, brides are wearing looks for each event leading up to her big day. One perfect alternative is the bridal mini. Here are some of our favorites this season.

Vera Wang Bridal Look (Photo courtesy of the designer)

Vera Wang Bridal Look (Photo courtesy of the designer)

Idan Cohen (Photo courtesy of the designer)

Idan Cohen (Photo courtesy of the designer)

Justine Alexander (Photo courtesy of the designer)

Justine Alexander (Photo courtesy of the designer)

Viktor & Rolf Bridal Look (Photo courtesy of the designer)

Viktor & Rolf Bridal Look (Photo courtesy of the designer)

Cape Town

With so many sexy and transparent wedding gowns, a dramatic cape is the perfect cover up, especially for religious ceremonies. The added layers are equally exquisite from stunning embroideries to dramatic ruffles.

Naeem Khan Bridal Look (Photo courtesy of the designer)

Naeem Khan Bridal Look (Photo courtesy of the designer)

Berta (Photo courtesy of the designer)

Berta (Photo courtesy of the designer)

Allison Webb (Photo courtesy of the designer)

Allison Webb (Photo courtesy of the designer)

Tadashi Shoji Bridal (Photo courtesy of the designer)

Tadashi Shoji Bridal (Photo courtesy of the designer)

Zuhair Murad (Photo courtesy of the designer)

Zuhair Murad (Photo courtesy of the designer)

Breaking Traditions

Not every bride wants to wear a gown on her wedding day. Chic power suits and even athleisure looks are also on the menu. In addition, these relaxed options are perfect alternatives to all of the pre-wedding day events: bridal shower, rehearsal dinner, and the après wedding brunch with family and friends.

Gracy Accad (Photo courtesy of the designer)

Gracy Accad (Photo courtesy of the designer)

Theia Bridal Look (Photo courtesy of the designer)

Theia Bridal Look (Photo courtesy of the designer)

Savannah Miller (Photo courtesy of the designer)

Savannah Miller (Photo courtesy of the designer)

Elizabeth Fillmore  (Photo courtesy of the designer)

Elizabeth Fillmore (Photo courtesy of the designer)

Randi Rahm (Photo courtesy of the designer)

Randi Rahm (Photo courtesy of the designer)

Rime Arodaky (Photo courtesy of the designer)

Rime Arodaky (Photo courtesy of the designer)

IN LIVING COLOR

Not every girl wants to wear white on her wedding day. It’s refreshing to see more and more bridal designers incorporate color into their collections and still remain true to the romantic bridal aesthetic.

Reem Acra (Photo courtesy of the designer)

Reem Acra (Photo courtesy of the designer)

Vera Wang Bridal Look (Photo courtesy of the designer)

Vera Wang Bridal Look (Photo courtesy of the designer)

Dalaarna (Photo courtesy of the designer)

Dalaarna (Photo courtesy of the designer)

Lazaro (Photo courtesy of the designer)

Lazaro (Photo courtesy of the designer)

Ines di Santo (Photo courtesy of the designer)

Ines di Santo (Photo courtesy of the designer)

L. Wells Bridal (Photo courtesy of the designer)

L. Wells Bridal (Photo courtesy of the designer)

Got a fav?  Tell us, what’s your favorite bridal trend this season.

PARIS FASHION WEEK: A MUCH NEEDED BEAUTIFUL ESCAPE FROM REALITY

- - Fashion Shows
Saint Laurent's spring 2019 Runway (Photo courtesy of Vogue)

Saint Laurent’s spring 2019 Runway (Photo courtesy of Vogue)

Political unrest, devastating natural disasters, fear of war, the economy, racism, the #me too movement, every day we are all bombarded with negative news, not only from our own backyard, but around the globe. At times, it feels as if we live in a mad, mad world.

So, when friends who are not in the fashion industry ask: “How can you think about fashion during these volatile times?” the answer… it’s not easy. The fashion industry is a Goliath worldwide business. According to Statista, revenue of  the U.S. Apparel Industry in 2018 was estimated at $102,820 million. Globally the retail value of luxury goods is estimated at $339.4 billion (according to Fashion United). But aside from the economic value of the fashion industry, there is also a psychological one – fashion is a great escape from the real world. And, this fashion season delivered!

Not only were the shows theatrical, but the craftsmanship and the use of bold, eye-popping color all contributed to an upbeat and happy escape from reality. Exactly what the doctor ordered.

Let’s take a look at what was happening at the Paris shows, which included debut and controversy at Celine, gender-diversity on the runway, avant-garde escapism and a space age look into a better future.

A NEW DAY AT CELINE

Hedi Slimane’s debut collection for Celine was filled with mixed reviews. Even before his show, Slimane caused controversy by rebranding the company’s logo, removing the accent aigu (Céline). As editors, influencers, buyers and celebrities eagerly awaited Slimane’s collection, many were disappointed that he replicated exactly what he did at Saint Laurent (2012-2016) and his past collections for Dior Homme (2000-2007). Slimane fired back, targeting the American press and charging them with ‘homophobia.’ I mean, really?

For many, the re-branding at the hands of Slimane was the complete and utter destruction of Celine’s house codes and Phoebe Philo’s legacy, whose fan base expects smart, chic, and intellectual collections. Some even called Simane’s debut collection, ‘Saint Celine.’

And here’s why. The collection had a glam-grunge, rock n’ roll sensibility.  There was a nod to the Eighties, with big shoulder silhouettes, exaggerated pouf details, mini lengths and plenty of shine. Maybe perfect for dancing the night away at your favorite trendy hot spot but not what the house is generally known for. Just goes to show that taking over as creative director at a heritage house is no simple task!

Celine's spring 2019 Collection (Photo courtesy of Vogue)

Celine’s spring 2019 Collection (Photo courtesy of Vogue)

Slimane also introduced menswear to Celine, showing perfectly tailored skinny pantsuits that have become his signature look. But, ladies don’t fret, these looks are unisex as well.

Celine's spring 2019 Collection (Photo courtesy of Vogue)

Celine’s spring 2019 Collection (Photo courtesy of Vogue)

On the retail front it will be interesting to see, whether Celine’s customers take to the ‘new vision’ or will Slimane’s consumer be his old Saint Laurent clientele. Only time will tell.

THE AGE OF ANDROGYNY

As the cultural discussion on gender identity keeps moving forward, designers are embracing the shift in acceptance and are positioning their brands to be all inclusive by showing their menswear and womenswear collections together, casting transgender models, and even launching entire unisex collections.

At Givenchy,  Clare Waight Keller took cues from 1930s gender-bending writer and adventurer Annemarie Schwarzenbach. Keller sent her models out with cropped boyish haircuts in leather Perfectos tucked into military pants – a direct homage to a photo of Schwarzenbach. For evening, she showed elegant bias cut asymmetrical gowns. But her daywear was what really stuck out.  There were plenty of chic army trousers paired with fitted jackets, smart suit alternatives and plenty of crisp shirts – all perfect looks for the fashion-forward working girl.

Givenchy's spring 2019 Collection (Photo courtesy of Vogue)

Givenchy’s spring 2019 Collection (Photo courtesy of Vogue)

Haider Ackermann has been showing androgynist looks for years now, with Tilda Swinton as his muse. This season the designer decided to show both his womenswear and menswear collections on the runway together.  The collections were perfectly intertwined, sending out his models in pairs of three to clearly make his point that his collection is cross-gender.

Ackermann has mastered creative tailoring. For spring, there were plenty of sharp suits in bold colors, boxy shirts with intricate laser-cut details and pajama-inspired pieces. Although the unisex concept has been seen on a number of runways this season, Ackermann’s version was effortless and elegant.

Haider Ackermann's spring 2019 Collection (Photo courtesy of Vogue)

Haider Ackermann’s spring 2019 Collection (Photo courtesy of Vogue)

THE AVANT-GARDE

There are a handful of designers who are truly creative geniuses. Season after season these avant-garde designers take us on a breathtaking journey, their collections are thought provoking, witty and intellectual. Here’s a mash-up of the best!

Comme des Garçons' spring 2019 Collection (Photo courtesy of Vogue)

Comme des Garçons’
spring 2019 Collection (Photo courtesy of Vogue)

Thom Browne's spring 2019 Collection (Photo courtesy of Vogue)

Thom Browne’s spring 2019 Collection (Photo courtesy of Vogue)

Rick Owen's spring 2019 Collection (Photo courtesy of Vogue)

Rick Owen’s spring 2019 Collection (Photo courtesy of Vogue)

Yohji Yamamoto's spring 2019 Collection (Photo courtesy of Vogue)

Yohji Yamamoto’s spring 2019 Collection (Photo courtesy of Vogue)

Junya Watanabe's spring 2019 Collection (Photo courtesy of Vogue)

Junya Watanabe’s spring 2019 Collection (Photo courtesy of Vogue)

Balenciaga's spring 2019 Collection (Photo courtesy of Vogue)

Balenciaga’s spring 2019 Collection (Photo courtesy of Vogue)

Maison Margiela's spring 2019 Collection (Photo courtesy of Vogue)

Maison Margiela’s spring 2019 Collection (Photo courtesy of Vogue)

THE GREATEST SHOWMEN/WOMAN

Meanwhile, back to reality, well, almost. Karl Lagerfeld created a tropical beach for his Chanel spectacle. Yes, you heard me right. At the Paris Grand Palais, Lagerfeld recreated a beach that included an ocean with gentle waves, blue sky, wooden docks and lifeguards. He completed the scene with none other than former Baywatch actor Pamela Anderson seated in the front row.

Chanel's spring 2019 Collection (Photo courtesy of Vogue)

Chanel’s spring 2019 Collection (Photo courtesy of Vogue)

Nicolas Ghesquière took us on a futuristic voyage for his Louis Vuitton collection. The perfect escape mechanism to avoid the reality of these times.

Louis Vuitton's spring 2019 Collection (Photo courtesy of Vogue)

Louis Vuitton’s spring 2019 Collection (Photo courtesy of Vogue)

Modern dancers performed during Maria Grazia Chiuri’s Christian Dior Show. It was a nice break from traditional cat walking.

Christian Dior's spring 2019 Collection (Photo courtesy of Vogue)

Christian Dior’s spring 2019 Collection (Photo courtesy of Vogue)

Anthony Vaccarello’s girls walked on water under the Eiffel Tower for his Saint Laurent show.

Saint Laurent's spring 2019 Collection (Photo courtesy of Vogue)

Saint Laurent’s spring 2019 Collection (Photo courtesy of Vogue)

For Miuccia Prada’s Miu Miu collection, the concept of  ‘deconstructing beauty’ continued by putting her spin on DIY, recycling, and upcycling under a backdrop modern art installations.

Miu Miu's spring 2019 Collection (Photo courtesy of Vogue)

Miu Miu’s spring 2019 Collection (Photo courtesy of Vogue)

THE ROMANTICS

Fashion week season wouldn’t be complete without a ‘romance-inspired’ collection. Beautifully feminine looks, from whimsical tulle confections to vintage floral charm, these saccharine-savy looks had just the right dose of spice.

Giambattista Valli's spring 2019 Collection (Photo courtesy of Vogue)

Giambattista Valli’s spring 2019 Collection (Photo courtesy of Vogue)

Alexander McQueen's spring 2019 Collection (Photo courtesy of Vogue)

Alexander McQueen’s spring 2019 Collection (Photo courtesy of Vogue)

Ann Demeulemeester's spring 2019 Collection (Photo courtesy of Vogue)

Ann Demeulemeester’s spring 2019 Collection (Photo courtesy of Vogue)

 

Altuzarra's spring 2019 Collection (Photo courtesy of Vogue)

Altuzarra’s spring 2019 Collection (Photo courtesy of Vogue)

Valentino's spring 2019 Collection (Photo courtesy of Vogue)

Valentino’s spring 2019 Collection (Photo courtesy of Vogue)

 SPACE AGE

In a galaxy far, far away…..some designers looked ahead to the future, creating looks that were out of this world.

Balmain's spring 2019 Collection (Photo courtesy of Vogue)

Balmain’s spring 2019 Collection (Photo courtesy of Vogue)

Louis Vuitton's spring 2019 Collection (Photo courtesy of Vogue)

Louis Vuitton’s spring 2019 Collection (Photo courtesy of Vogue)

Gucci's spring 2019 Collection (Photo courtesy of Vogue)

Gucci’s spring 2019 Collection (Photo courtesy of Vogue)

Isabel Marant's spring 2019 Collection (Photo courtesy of Vogue)

Isabel Marant’s spring 2019 Collection (Photo courtesy of Vogue)

THE REALISTS

Ok, all these fantasy looks are spectacular, but sometimes we need to see some real clothes on the runway, right? But always with a twist!

Sonia Rykiel's spring 2019 Collection (Photo courtesy of Vogue)

Sonia Rykiel’s spring 2019 Collection (Photo courtesy of Vogue)

Stella McCartney's spring 2019 Collection (Photo courtesy of Vogue)

Stella McCartney’s spring 2019 Collection (Photo courtesy of Vogue)

Loewe's spring 2019 Collection (Photo courtesy of Vogue)

Loewe’s spring 2019 Collection (Photo courtesy of Vogue)

Dries Van Noten's spring 2019 Collection (Photo courtesy of Vogue)

Dries Van Noten’s spring 2019 Collection (Photo courtesy of Vogue)

Hermès' spring 2019 Collection (Photo courtesy of Vogue)

Hermès’ spring 2019 Collection (Photo courtesy of Vogue)

Rochas' spring 2019 Collection (Photo courtesy of Vogue)

Rochas’ spring 2019 Collection (Photo courtesy of Vogue)

THE NEW GUARD

Here at UoF, we love and support new, emerging designers. Here’s a fresh crop who are disrupting the establishment……

Off-White's spring 2019 Collection (Photo courtesy of Vogue)

Off-White’s spring 2019 Collection (Photo courtesy of Vogue)

Ellery's spring 2019 Collection (Photo courtesy of Vogue)

Ellery’s spring 2019 Collection (Photo courtesy of Vogue)

Johanna Ortiz's spring 2019 Collection (Photo courtesy of Vogue)

Johanna Ortiz’s spring 2019 Collection (Photo courtesy of Vogue)

Beautiful People's spring 2019 Collection (Photo courtesy of Vogue)

Beautiful People’s spring 2019 Collection (Photo courtesy of Vogue)

Esteban Cortazar's spring 2019 Collection (Photo courtesy of Vogue)

Esteban Cortazar’s spring 2019 Collection (Photo courtesy of Vogue)

Tell us which collection took you out of reality, even if only for a moment?

 

 

 

 

 

 

 

LONDON CALLING – THE BEST OF LONDON FASHION WEEK SS/2019

- - Fashion Shows
Queen Elizabeth watches Richard Quinn's show with Anna Wintour at London Fashion Week Fall 2018  CREDIT AFP

Queen Elizabeth watches Richard Quinn’s show with Anna Wintour at London Fashion Week Fall 2018 CREDIT AFP

London Fashion Week, founded by the British Fashion Council in 1983, has definitely established itself as one of the most creative and avant-garde fashion cities in the world. Known for showcasing a mixture of emerging designers and established brands – this season was no exception. Who could forget last season when Her Majesty The Queen sat front row at Richard Quinn? While that moment may be hard to top, there were plenty of exciting moments at LFW SS/2019. From Riccardo Tisci’s debut collection for Burberry to Victoria Beckham’s ten year anniversary show and everything in between. Oh, and let’s not forget that all of London’s runways are now fur free! Here are some outstanding moments and trends from the week.

A NEW ERA AT BURBERRY

Riccardo Tisci is ushering a new day at Burberry – his debut show was not only the most anticipated show of London Fashion Week, but possibly of the whole spring season in general. For the past 5 months, ever since Burberry announced Christopher Bailey’s departure and Tisci as his replacement, the fashion industry has been obsessed with how Tisci might put his mark on the brand. Well, just as Hedi Slimane changed the iconic YSL logo and the company name to Saint Laurent, Tisci began by changing the Burberry logo -it is now a “TB” monogram (the initials of founder Thomas Burberry.) And, for the first time ever, Burberry is now fur-free – thanks to Tisci.

Using the tried and true formula for revamping a heritage brand, by hiring new, young, hot talent, (Virgil Abloh and Nicolas Ghesquière/Louis Vuitton, Hedi Slimane/Dior/Saint Laurent/Celine, Raf Simons/Dior/Calvin Klein), Burberry is counting on Tisci to reinvigorate the label and give it the star-studded colt following that he successfully achieved at Givenchy. So, imagine everyone’s surprise when industry insiders took their seats at Monday evening’s show and discovered that there was not a single celebrity in sight (except for Kendall Jenner on the runway). When Samantha Conti of WWD asked Tisci why he opted for a ‘celebrity free zone,’ Tisci replied, “The [guests] are all people I know and they’re very good friends, so for this first season it was very important for me to really work with the people in the business: the fashion journalists, buyers, friends and family. Celebrities can sometimes give the wrong message and I don’t really like using them as windows.”

What a breadth of fresh air! No distractions, just beautiful and wearable fashion. Check out the full show using the link below:

https://youtu.be/qWsz-tvXQXQ

Naming the collection “Kingdom,” Tisci told Vogue’s Sarah Mower, “It’s like a patchwork or a mix of the British lifestyle.” He wants to dress all generations, “The mother and the daughter, the father and the son.” It was Tisci’s vision of British culture from Punk to Establishment. Could he have been channeling Ralph Lauren a bit here?

Tisci opened his show with a Heritage Trench. This time, buttoned-up and cinched at the waist with a thick elasticized belt. He continued to send out versions of trench coats throughout the show, for both men and women. His menswear looks were  polished, with perfectly tailored suits, sleek knits and terrific outerwear. For women, Tisci introduced eveningwear – minimal, simple, long black jersey dresses, with just a hint of sparkle that were oh so chic and refined. For day, Tisci showed smart, sophisticated looks: bow blouses, printed silk dresses, tailored suits and polo shirts. And of course, there were plenty of Burberry’s signature plaid. Let’s not forget, Tisci was one of the first designers to make street-style – high fashion and he didn’t disappoint. In the mix were anoraks, biker-inspired leather skirt suits, rain ponchos, and utility shirts most notably a pop culture print—echoing a Sex Pistols song—that read,  “why did they kill Bambi?”

After all the hype and anticipation, Tisci delivered a smart collection that pushed the boundaries of Burberry just enough, while at the same time was commercially safe. After all, these are clothes that are meant to be worn in the real world, right?

Burberry's spring 2019 show (Photo Courtesy of Vogue.com)

Burberry’s Spring 2019 show (Photo Courtesy of Vogue.com)

Burberry's spring 2019 show (Photo Courtesy of Vogue.com)

Burberry’s Spring 2019 show (Photo Courtesy of Vogue.com)

Burberry's spring 2019 show (Photo Courtesy of Vogue.com)

Burberry’s Spring 2019 show (Photo Courtesy of Vogue.com)

Burberry's spring 2019 show (Photo Courtesy of Vogue.com)

Burberry’s spring 2019 show (Photo Courtesy of Vogue.comS

VICTORIA BECKHAM’S 10 YEAR ANNIVERSARY

Victoria Beckham Tenth Anniversary T-shirt image (Photo Courtesy of Victoria Beckham)

Victoria Beckham Tenth Anniversary T-shirt image (Photo Courtesy of Victoria Beckham)

Happy Anniversary Victoria Beckham!  To celebrate her 10 years in business, Beckham decided to celebrate in her native country. To kick off the celebration, she recreated the famous  T-shirt that Marc Jacobs masterminded a decade ago, featuring Beckham coming out of a shopping bag, a symbol of her journey as a fashion designer. Juergen Teller shot a brilliant ad campaign for the anniversary and limited edition tees can be found on Beckham’s website.

Beckham opened the show with non-other than 90s fashion icon Stella Tennant – wearing an effortless white pantsuit paired with a silk and lace lingerie-inspired top – the epitome of 90s cool. This look is the perfect example of why Beckham has transitioned so easily from a Spice Girl to a serious designer – her clothes are ageless, timeless, elegant, chic, and yet appeal to Millennials, Gen Zs and fashionable woman of every age.

The 90s theme rang throughout the collection but with a refined hand. There were plenty of ‘dresses-over-trouser’ looks that were polished and that had a posh edge. Beckham showed a variety of perfectly fitting slim trousers, tailored blazers, delicate lace tops and sexy knits with handkerchief hems. These were real clothes that real woman can wear. Beckham is a fashion force to be reckoned with and has definitely hit a chord with fashionable women around the globe.

Victoria Beckham's spring 2019 show (Photo Courtesy of Vogue.com)

Victoria Beckham’s Spring 2019 show (Photo Courtesy of Vogue.com)

Victoria Beckham's spring 2019 show (Photo Courtesy of Vogue.com)

Victoria Beckham’s Spring 2019 show (Photo Courtesy of Vogue.com)

TOP TRENDS OF LONDON FASHION WEEK

VICTORIAN ERA

London is known for its over-the-top fashion and designers here like to have fun on the runway. One of the biggest trends of the week was a modern day take on Victorian-inspired looks. From Erdem’s tapestry floral dress with exaggerated puffed sleeves to Simone Rocha’s ornate collars. Here are some of our favorite interpretations of this trend.

Erdem's spring 2019 show (Photo Courtesy of Vogue.com)

Erdem’s Spring 2019 show (Photo Courtesy of Vogue.com)

Simone Rocha's spring 2019 show (Photo Courtesy of Vogue.com)

Simone Rocha’s Spring 2019 show (Photo Courtesy of Vogue.com)

Mary Katrantzo's spring 2019 show (Photo Courtesy of Vogue.com)

Mary Katrantzo’s Spring 2019 show (Photo Courtesy of Vogue.com)

Preen by Thornton Bregazzi's spring 2019 show (Photo Courtesy of Vogue.com)

Preen by Thornton Bregazzi’s Spring 2019 show (Photo Courtesy of Vogue.com)

LET THERE BE NEON

LFW was a bright and colorful explosion of neon that will surely be insta-worthy hits.

Roksanda's spring 2019 show (Photo Courtesy of Vogue.com)

Roksanda’s Spring 2019 show (Photo Courtesy of Vogue.com)

Emilia Wickstead's spring 2019 show (Photo Courtesy of Vogue.com)

Emilia Wickstead’s Spring 2019 show (Photo Courtesy of Vogue.com)

Pringle of Scotland's spring 2019 show (Photo Courtesy of Vogue.com)

Pringle of Scotland’s Spring 2019 show (Photo Courtesy of Vogue.com)

Ashish's spring 2019 show (Photo Courtesy of Vogue.com)

Ashish’s Spring 2019 show (Photo Courtesy of Vogue.com)

Jenny Packham's spring 2019 show (Photo Courtesy of Vogue.com)

Jenny Packham’s Spring 2019 show (Photo Courtesy of Vogue.com)

Julien Macdonald's spring 2019 show (Photo Courtesy of Vogue.com)

Julien Macdonald’s Spring 2019 show (Photo Courtesy of Vogue.com)

House of Holland's spring 2019 show (Photo Courtesy of Vogue.com)

House of Holland’s Spring 2019 show (Photo Courtesy of Vogue.com)

EARN YOUR STRIPES

Stripes are always a favorite on the runway for Spring, but this season designers infused them with a refreshingly bold new twist.

JW Anderson's spring 2019 show (Photo Courtesy of Vogue.com)

JW Anderson’s Spring 2019 show (Photo Courtesy of Vogue.com)

Halpern's spring 2019 show (Photo Courtesy of Vogue.com)

Halpern’s Spring 2019 show (Photo Courtesy of Vogue.com)

Temperly London's spring 2019 show (Photo Courtesy of Vogue.com)

Temperly London’s Spring 2019 show (Photo Courtesy of Vogue.com)

Chalayan's spring 2019 show (Photo Courtesy of Vogue.com)

Chalayan’s Spring 2019 show (Photo Courtesy of Vogue.com)

Duro Olowu's spring 2019 show (Photo Courtesy of Vogue.com)

Duro Olowu’s Spring 2019 show (Photo Courtesy of Vogue.com)

RUFFLED UP

Romance was in the air as flirty ruffles were found on a variety of sexy dresses.

Molly Goddard's spring 2019 show (Photo Courtesy of Vogue.com)

Molly Goddard’s Spring 2019 show (Photo Courtesy of Vogue.com)

Preen by Thornton Bregazzi's spring 2019 show (Photo Courtesy of Vogue.com)

Preen by Thornton Bregazzi’s Spring 2019 show (Photo Courtesy of Vogue.com)

David Koma's spring 2019 show (Photo Courtesy of Vogue.com)

David Koma’s Spring 2019 show (Photo Courtesy of Vogue.com)

Peter Pilotto's spring 2019 show (Photo Courtesy of Vogue.com)

Peter Pilotto’s Spring 2019 show (Photo Courtesy of Vogue.com)

Richard Quinn's spring 2019 show (Photo Courtesy of Vogue.com)

Richard Quinn’s Spring 2019 show (Photo Courtesy of Vogue.com)

Delpozo's spring 2019 show (Photo Courtesy of Vogue.com)

Delpozo’s Spring 2019 show (Photo Courtesy of Vogue.com)

COLD SHOULDER

Off-the-shoulder numbers are still going strong as designers show plenty of options on the runway.

Osman's spring 2019 show (Photo Courtesy of Vogue.com)

Osman’s Spring 2019 show (Photo Courtesy of Vogue.com)

Christopher Kane's spring 2019 show (Photo Courtesy of Vogue.com)

Christopher Kane’s Spring 2019 show (Photo Courtesy of Vogue.com)

Delpozo's spring 2019 show (Photo Courtesy of Vogue.com)

Delpozo’s Spring 2019 show (Photo Courtesy of Vogue.com)

Roland Mouret's spring 2019 show (Photo Courtesy of Vogue.com)

Roland Mouret’s Spring 2019 show (Photo Courtesy of Vogue.com)

 

GOTTA FAV LOOK FROM LFW? Let us know…..

NEW YORK FASHION WEEK: FINALLY CELEBRATING YOUNG DESIGNERS

- - Fashion Shows

New York Fashion Week

New York Fashion Week is in full swing with the Spring 2019 collections and street style stars out in full force.  Just look on your Instagram feed and hundreds of runway images will pop up. From Tom Ford’s show, which kicked off the week to Jeremy Scott’s celebrity heavy front row.

Backstage at Jeremy Scott's spring 2019 show. Left to Right: Offset, Cardi B, Jeremy Scott, Hennessy Carolina and Tiffany Haddish. (Photo Courtesy of WWD.Com)

Backstage at Jeremy Scott’s spring 2019 show. Left to Right: Offset, Cardi B, Jeremy Scott, Hennessy Carolina and Tiffany Haddish. (Photo Courtesy of WWD.Com)

There are literally hundreds of shows that editors, buyers and the general public will get to see during the grueling Spring/Summer 2019 season in New York, London, Paris and Milan. And, while attendance is always high at established designers’ shows, with everyone traditionally looking to those brands for fashion trends and direction, at University of Fashion we feel that it is time to take note of the many new, young, up-and-comers… the future of the fashion industry… and we want to celebrate and promote these new design talents.

Justine Beiber and Hailey Baldwin attend John Elliott's spring 2019 show (Photo Courtesy of Hollywood Life)

Justine Beiber and Hailey Baldwin attend John Elliott’s spring 2019 show (Photo Courtesy of Hollywood Life)

After all, here at UoF  know that breaking into the fashion industry is no easy feat. It not only takes incredible talent, but lots of hard work, time,  and the right team to help put the collection together, let alone the money to be able to show during fashion week.

Here are some of our favorite young designer collections so far:

PH5

Mija Zhang and Wei Lin are the design duo behind the hot, new knitwear label PH5. These young designers experiment with textile technologies in their collections to create effortless pieces with a cool edge. For their Spring 2019 collection, the designers looked to Miami’s Art Deco district for inspiration, which translated into graphic silhouettes in an array of colors. For those who shy away from color, there were plenty of neutral pieces that were both modern and chic.

PH5 Spring 2019 (Photo Courtesy of PH5)

PH5 Spring 2019 (Photo Courtesy of PH5)

PH5 Spring 2019 (Photo Courtesy of PH5)

PH5 Spring 2019 (Photo Courtesy of PH5)

 WARM

Winnie Beattie is the young designer behind the label Warm. The brand is quickly becoming known for its pretty print dresses with a laid back vibe. For spring, Beattie was inspired by summer vacation mode – but this beach inspired collection looks just as pretty in a beach town as it does in the city. There were plenty of bold pajama looks, romantic floral dresses, bohemian inspired frocks, and playful jumpsuits. While the collection is casual, it is balanced with a sophisticated twist giving the overall collection a charming je ne sais quoi.

Warm Spring 2019 (Photo courtesy of Warm)

Warm Spring 2019 (Photo courtesy of Warm)

Warm Spring 2019 (Photo courtesy of Warm)

Warm Spring 2019 (Photo courtesy of Warm)

MATTHEW ADAMS DOLAN

What do you get when you mix 90s ravers, 80s schoolgirls and 50s couture tailoring? A bold and youthful collection created by Matthew Adam Dolan. This young designer showed both his menswear and womenswear looks on the runway and they were packed with functional-meets-utilitarian references.  Adams Dolan showed plenty of neon bright colors, as well as a nod to Goth kids with all black denim looks. This is a 90s kid dream collection.

Matthew Adams Dolan's spring 2019 (Photo Courtesy of Vogue.com)

Matthew Adams Dolan’s spring 2019 (Photo Courtesy of Vogue.com)

Matthew Adams Dolan's spring 2019 (Photo Courtesy of Vogue.com)

Matthew Adams Dolan’s spring 2019 (Photo Courtesy of Vogue.com)

AMBUSH

Yoon Ahn sure has her hands full. The designer started her label Ambush as a jewelry line, but for spring she expanded her brand to include a full ready-to-wear collection. This designer has also announced her appointment by Kim Jones as the lead jewelry designer for Dior Homme’s jewelry.

Ahn’s spring RTW collection was young and playful. Inspired by Hawaii, the collection had a laid back surfer vibe; she even created functioning wetsuits for both men and women. For girls, the collection included crochet tops, voluminous drawstring trousers, oversized knit sweaters and hoodies with palm tree motifs. Ahn’s menswear included tie-dye tops, boxy shirting, a puffer jacket vest and striped baja shirts. To complete the collection, Ahn also created two metallic surfboards, just perfect for riding her wave of newfound success.

Ambush's spring 2019 (Photo Courtesy of  Ambush)

Ambush’s spring 2019 (Photo Courtesy of Ambush)

Ambush's spring 2019 (Photo Courtesy of Ambush)

Ambush’s spring 2019 (Photo Courtesy of Ambush)

COLLINA STRADA

We all need a little zen in our lives and this season, Hillary Taymour, delivered a pure and thought-provoking collection for her label Collina Stada. The opening looks set the tone, a crisp white blouse tied just below the bust paired with a simple slip skirt – it was sophisticated, chic and yet effortless. Key looks ranged from a simple slipdress with a tied hem paired over a sheet mock-neck top, a pony hair skirt, and a muted checkered trouser. To add a pop of color to the collection, Taymour created some alluring tie-dye pieces that ‘tied’ the collection together perfectly.

Collina Strada's spring 2019 (Photo Courtesy of Vogue.com)

Collina Strada’s spring 2019 (Photo Courtesy of Vogue.com)

Collina Strada's spring 2019 (Photo Courtesy of Vogue.com)

Collina Strada’s spring 2019 (Photo Courtesy of Vogue.com)

BANDE NOIR

Mayte Allende started her fashion career as a fashion editor for WWD viewing thousands of young designer collections through her 15 years with the publication. Today, Mayte Allende sits on the other side of editor previews as Creative Director for the label Bande Noir. It’s her second season with the contemporary brand and she is gaining a following within the fashion crowd.

Bande Noir started out as a luxury basics line that was known for its great shirts, but Allende is expanding the line into a well-rounded collection. New looks include floral print dresses, bustier tees, menswear-inspired trousers with ruffled detail, a sequin striped shirt, and an evening trench coat with a pleated back. Allende managed to perfectly balance what buyers are looking for but still managed to keep her clear and focused vision for the brand.

Bande Noir's spring 2019 (Photo Courtesy of Band Noir)

Bande Noir’s spring 2019 (Photo Courtesy of Band Noir)

Bande Noir's spring 2019 (Photo Courtesy of Bande Noir)

Bande Noir’s spring 2019 (Photo Courtesy of Bande Noir)

ECKHAUSE LATTA

This season, Mike Eckhaus and Zoe Latta, the designers behind the label Echhause Latta presented one of their strongest collections to date with an emphasis on tailoring. The duo struck the perfect balance between whimsical and sales oriented pieces. For women, the designers created beautiful spider web crochet T-shirt dresses, plaid dresses, and a stellar knitted argyle dress that closed the show. Their menswear collection had plenty of terrific jackets, with oversized dropped shoulders and cinched waists. The designers also offered a range of dip-dyed denim and color-blocked knits – all in pretty pastel tones that were youthful yet chic.

Eckhause Latta's spring 2019 (Photo Courtesy of Vogue.com)

Eckhause Latta’s spring 2019 (Photo Courtesy of Vogue.com)

Eckhause Latta's spring 2019 (Photo Courtesy of Vogue.com)

Eckhause Latta’s spring 2019 (Photo Courtesy of Vogue.com)

CHISTIAN COWAN

It’s not often that you see celebrities sitting in the front row of a young designer’s fashion show, but at Christian Cowan’s presentation, his front row was filled with pop stars from Christina Aguilera to Kim Petras. So naturally, Cowen offered plenty of stylish options for these stars. For evening, there were over-the-top black tulle gowns with sheer tops, a sexy sequin zebra print mini dress and a showstopper lilac pantsuit with exaggerated feather trim. The collection had plenty of stage-worthy costumes, such as a checkerboard bodysuit with voluminous sleeves. Cowen also showed some day looks that were anything but basic. Case in point, a black logo hoodie with silver sequin embellishments – perfect for a pop star coffee run.

Christian Cowan's spring 2019 (Photo Courtesy of Vogue.com)

Christian Cowan’s spring 2019 (Photo Courtesy of Vogue.com)

Christian Cowan's spring 2019 (Photo Courtesy of Vogue.com)

Christian Cowan’s spring 2019 (Photo Courtesy of Vogue.com)

PYER MOSS

Jean-Raymond, the young designer behind the label Pyer Moss, has been known to use his platform to stand up to social and unjust causes during his runway shows. This season Raymond looked to the current landscape of African-American life in America. Through his research he found a copy of The Negro Motorist Green Book, published in the 1930’s, as a guidebook citing all of the restaurants and hotels that were safe for African-American travelers. This had Raymond thinking about the racial tension at the time and what life must have been like, and so his collection started to unfold.

Raymond commissioned 10 paintings from Derrick Adams (a rising star in the art world) and incorporated these paintings throughout his collection; portraying everyday life of African-Americans during the 1930’s. Raymond also payed tribute to African-American designers who came before him and this season he focused on the popular 90s streetwear brand FUBU with logo-driven tops. It was a beautiful and powerful tribute to the community as he continues, season after season, to blend social issues and fashion with a sophisticated hand.

Pyer Moss's spring 2019 (Photo Courtesy of Vogue.com)

Pyer Moss’s spring 2019 (Photo Courtesy of Vogue.com)

Pyer Moss's spring 2019 (Photo Courtesy of Vogue.com)

Pyer Moss’s spring 2019 (Photo Courtesy of Vogue.com)

GRETA CONSTANTINE

Studio 54 and all the decadence and glamour of the 80s was the inspiration behind Greta Constantine’s Kirk Pickersgill and Stephen Wong. The designers delved deep into research and were influenced by the silhouettes of Christian Lacoix, Yves Saint Laurent and Halston. While the 80s seem to influence so many designer collections today, Pickersgill and Wong translated the era beautifully. The collection was filled with party looks: flirty puff sleeve minidresses, sultry animal print maxi dresses, a sexy lame jumpsuit, and even a pinstripe look with ruffle trimmed sleeves. Perfect looks for hitting the dance floor.

Greta Contantine's spring 2019 (Photo Courtesy of Greta Constantine)

Greta Contantine’s spring 2019 (Photo Courtesy of Greta Constantine)

Greta Contantine's spring 2019 (Photo Courtesy of Greta Constantine)

Greta Contantine’s spring 2019 (Photo Courtesy of Greta Constantine)

It’s wonderful to see New York Fashion Week embrace so many young and up-and-coming designers. Tell us, who are the young designer brands that you’re following?